California Art Research, Gene Hailey, Editor; W.P.A

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California Art Research, Gene Hailey, Editor; W.P.A. Project, 1935-1937 Complete set of 20 Volumes (Vol 20 is in 2 parts), 1980’s Mimeographed Reprint (1980’s mimeographed reprint does not include tipped in illustrations) Vol. I Vol. VIII Vol. XVI Introduction to California Art Maynard Dixon Margaret Bruton Research Frank Van Sloun Esther Bruton Nahl Family: Vol. IX Helen Bruton Johann August Nahl, the Elder Ray Boynton Helen Forbes Johann Samuel Nahl Ernest Clifford Peixotto Edith Hamlin Johann August Nahl, the Francis John McComas Ruth Barrows Cravath Younger H.W. Hansen Vol. XVII Samuel Nahl Armin C. Hansen John Galen Howard Charles Christian Nahl Vol. X Robert Boardman Howard H.W. Arthur Nahl Charles J. Dickman Charles Houghton Howard Virgil Theodore Nahl Xavier Martinez John Langley Howard Perham Wilhelm Nahl Charles R. Peters Adaline Kent (Mrs. Robert Margery Nahl Theodore Wores Boardman Howard) Vol. II Vol. XI Jane Berlandina (Mrs. Henry William Keith Giuseppe Cadenasso Temple Howard) Thomas Hill Nelson Poole Vol. XVIII Albert Bierstadt Rinaldo Cuneo Ray Bethers Vol. III Will Sparks Julius Pommer Toby Rosenthal Vol. XII William Gaw Dominico Tojetti Rowena Meeks Abdy J.M. Sheridan Thaddeus Welch Geneve Rixford Sargeant Vol. XIX Charles Dorman Robinson E. Charlton Fortune Lucien Labaudt Vol. IV Clark Hobart Otis Oldfield Jules Tavernier Vol. XIII Matthew Barnes Emil Soren Carlson Matteo Sandona Vol. XX Part One – Young Amedee Joullin Gleb Ilyin Moderns Christian Jorgensen Peter Ilyin George Booth Post Julian Walbridge Rix Nadine Ilyin William Jurgen Hesthal Vol. V Jose Moya Del Pino Dong Kingman Evelyn Almond Withrow Vol. XIV Jacques Schnier Mary Curtis Richardson Ralph Stackpole Sergey John Scherbakoff Joseph Raphael Jo Mora Dorothy Wagner Puccinelli & Charles Henry Grant Beniamino Bufano Raymond Puccinelli Henry Joseph Breuer Vol. XV Yoshida Sekido Arthur Atkins Lee Randolph Victor Mikhail Arnautoff Vol. VI Gertrude Albright Frank Walter Bergman Arthur Putnam Oliver Albright Vol. XX Part Two – Young Robert Ingersoll Aitken E. Spencer Macky Moderns Douglas Tilden Constance Macky Maxine Albro Melvin Earl Cummings Chin Chee Vol. VII Bernard Zakheim Arthur Mathews Andree Rexroth Gottardo Piazzoni Chiura Obata Anne Bremer .

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Oral History Interview with John Humphrey, 1974 June 25
Oral history interview with John Humphrey, 1974 June 25 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview JH: JOHN HUMPHREY PK: PAUL KARLSTROM PK: Well, John, you've been associated with the San Francisco Museum of Art for a long time — probably longer than anybody else who's still around — and I believe you go back to the opening of the museum. On this tape, we'll be talking quite a bit about the growth of the museum as you've observed it. And also, of course, you've been in a good position to observe just what has happened in the Bay Area in terms of the art scene. Could you give us a little bit of your own background and just how you came to be associated with the museum? JH: Well, as a matter of fact, I'm actually a disappointed painter who decided that painting was not for him, and so, in terms of the problem of assuring enough beans on the table, I joined the staff right at the beginning of the museum. PK: What year was that? JH: That was 1935, and at the time, I actually was a packer and an unpacker of exhibitions that were being sent in from elsewhere. I helped put them on the wall and acted as one of the guards, so that I began in a very unacademic way in the arts here in the area.
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California and Western Paintings & Sculpture
CALIFORNIA AND WESTERN PAINTINGS & SCULPTURE Tuesday April 24, 2018 Los Angeles and San Francisco CALIFORNIA AND WESTERN PAINTINGS & SCULPTURE Tuesday April 24, 2018 at 6pm Los Angeles and San Francisco BONHAMS BIDS INQUIRIES ILLUSTRATIONS 220 San Bruno Avenue +1 (323) 850 7500 Los Angeles Front cover: Lot 66 San Francisco, California 94103 +1 (323) 850 6090 fax Scot Levitt Inside front cover: Lot 35 [email protected] Director, Fine Arts Opposite page: Lot 23 7601 W. Sunset Boulevard Vice President Inside back cover: Lot 27 Los Angeles, California 90046 To bid via the internet please visit +1 (323) 436 5425 Back cover: Lot 157 bonhams.com www.bonhams.com/24770 [email protected] PROPERTY COLLECTION PREVIEW Please note that bids should be Kathy Wong NOTICE San Francisco submitted no later than 24hrs Specialist, Fine Arts This sale previews in multiple cities. Friday April 13, prior to the sale. New bidders +1 (323) 436 5415 Please note the property will be 12pm to 5pm must also provide proof of [email protected] available for collection at our Los Saturday April 14, identity when submitting bids. Angeles gallery at the time of the 12pm to 5pm Failure to do this may result in San Francisco auction. Local, out-of-state and Sunday April 15, your bid not being processed. Aaron Bastian international buyer property will 12pm to 5pm Specialist, Fine Arts remain available for collection in LIVE ONLINE BIDDING IS +1 (415) 503 3241 our Los Angeles gallery after the Los Angeles AVAILABLE FOR THIS SALE [email protected] auction.
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Schwartz, Ellen (1987). Historical Essay
VOLUME 1 The Nahl Family tTVt a c ^ _____^ 2 — / * 3 7 ? Z ^ ^ y r f T ^ - l f ------ p c r ^ ----- - /^ V - ---- - ^ 5Y 4 / *y!— ^y*i / L.^ / ^ y p - y v i r ^ ------ 4 0001 California Art Research Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION fssay a/M? ^iMiograp/uca/ iwprov^w^^ts Ellen Schwartz MICROFICHE CARDS 1-12 Laurence McGilvery La Jolla, California 1987 0002 California Art Research Edited by Gene Hailey Originally published by the Works Progress Administration San Francisco, California 1936-1937 A MICROFICHE EDITION uzz'r^ a?? ^z'sfon'ca/ Msay awtf ^zMognip^zca/ ZTMprov^zM^Mfs Ellen Schwartz MICROFICHE CARD 1: CONTENTS Handbook 0003-0038 Volume 1 0039-0168 Table of contents 0041-0044 Prefatory note 0046 Introduction 0047-0058 The Nahl Family 0060-0066 Charles Christian Heinrich Nahl 0066-0104 "Rape of the Sabines" 0045 "Rape of the Sabines" 0059 "Rape of the Sabines" 0092 Hugo Wilhelm Arthur Nahl 0105-0122 Virgil Theodore Nahl 0123-0125 Perham Wilhelm Nahl 0126-0131 Arthur Charles Nahl 0132 Margery Nahl 0133-0140 Tabulated information on the Nahl Family 0141-0151 Newly added material on the Nahl Family 0152-0166 Note on personnel 0167-0168 Volume 2 0169-0318 Table of contents 0171-0172 William Keith 0173-0245 "Autumn oaks and sycamores" 0173 Newly added material 0240-0245 Thomas Hill 0246-0281 "Driving the last spike" 0246 Newly added material 0278-0281 Albert Bierstadt 0282-0318 "Mt. Corcoran" 0282 Newly added material 0315-0318 Newly
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Get Smart with Art Is Made Possible with Support from the William K
From the Headlines About the Artist From the Artist Based on the critics’ comments, what aspects of Albert Bierstadt (1830–1902) is Germany in 1830, Albert Bierstadt Bierstadt’s paintings defined his popularity? best known for capturing majestic moved to Massachusetts when he western landscapes with his was a year old. He demonstrated an paintings of awe-inspiring mountain early interest in art and at the age The striking merit of Bierstadt in his treatment of ranges, vast canyons, and tumbling of twenty-one had his first exhibit Yosemite, as of other western landscapes, lies in his waterfalls. The sheer physical at the New England Art Union in power of grasping distances, handling wide spaces, beauty of the newly explored West Boston. After spending several years truthfully massing huge objects, and realizing splendid is evident in his paintings. Born in studying in Germany at the German atmospheric effects. The success with which he does Art Academy in Düsseldorf, Bierstadt this, and so reproduces the noblest aspects of grand returned to the United States. ALBERT BIERSTADT scenery, filling the mind of the spectator with the very (1830–1902) sentiment of the original, is the proof of his genius. A great adventurer with a pioneering California Spring, 1875 Oil on canvas, 54¼ x 84¼ in. There are others who are more literal, who realize details spirit, Bierstadt joined Frederick W. Lander’s Military Expeditionary Presented to the City and County of more carefully, who paint figures and animals better, San Francisco by Gordon Blanding force, traveling west on the overland who finish more smoothly; but none except Church, and 1941.6 he in a different manner, is so happy as Bierstadt in the wagon route from Saint Joseph, Watkins Yosemite Art Gallery, San Francisco.
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An Art-Lovers Guide to the Exposition
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Interview with Richard O'hanlon, June 11, 1973
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2015-011315Fed
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Detlef Sammann
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Coit Tower Brochure V4 16 9 032016.Indd
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