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Applications Received During 1 to 31 March, 2020
Applications received during 1 to 31 March, 2020 The publication is a list of applications received during 1 to 31 March, 2020. The said publication may be treated as a notice to every person who claims or has any interest in the subject matter of Copyright or disputes the rights of the applicant to it under Rule 70 (9) of Copyright Rules, 2013. Objections, if any, may be made in writing to copyright office by post or e-mail within 30 days of the publication. Even after issue of this notice, if no work/documents are received within 30 days, it would be assumed that the applicant has no work / document to submit and as such, the application would be treated as abandoned, without further notice, with a liberty to apply afresh. S.No. Diary No. Date Title of Work Category Applicant 1 3906/2020-CO/L 01-03-2020 Data Structures Literary/ Dramatic M/s Amaravati Publications 2 3907/2020-CO/L 01-03-2020 SHISHU VIKAS YOJANA Literary/ Dramatic NIRAJ KUMAR 3 3908/2020-CO/A 01-03-2020 Picaso POWER Artistic INDOGULF CROPSCIENCES LIMITED 4 3909/2020-CO/L 01-03-2020 ICON COMPUTER Literary/ Dramatic ICON COMPUTER SOLUTION SOLUTION 5 3910/2020-CO/A 01-03-2020 PLANOGULF Artistic INDOGULF CROPSCIENCES LIMITED 6 3911/2020-CO/L 01-03-2020 Color intensity based Literary/ Dramatic Dr.Preethi Sharma, Dr. Minal Chaudhary, software: An adjunct Mrs.Ruchika Sinhal, Dr.Madhuri Gawande screening tool used in Potentially malignant disorders and Oral squamous cell carcinoma 7 3912/2020-CO/L 01-03-2020 Aakarshan : Aapke Pyaar Literary/ Dramatic Akshay Gaur ki Seedhee 8 3913/2020-CO/L 01-03-2020 Academic course file Literary/ Dramatic Dr. -
Akhil Demands Withdrawal of FIR Against Assam
EasternChroniWINDOW TO THE EAST cle WEATHERWATCH CHINA SEES ITS WORST HOPES OF HEALTHY Q1 NINA CHRISTEN WINS GOLD as Max 30°c COVID outbreak since wuhan results to push equities Anjum & Tejaswini fail to reach Min 26°c P 6 higher P 9 50m rifle 3 positions final P 10 Humidity 84% VOL XI, ISSUE 474 PUBLISHED SIMULTANEOUSLY FROM SILCHAR GUWAHATI KOLKATA PAGES: 10 epaper at: www.easternchronicle.net PRICE `9 SUNDAY, AUGUST 1, 2021 SPOTLIGHT ‘FIR AGAINST OUR CM IS TOTALLY UNACCEPTABLE TO US’ ASSAM CLASS 12 (HS) RESULTS 2021 DECLARED Ex-Axis manager swindled his own 98.93% in Arts, 99.06% in Science and bank Akhil demands withdrawal 99.57% in Commerce clear exams NEW DELHI: Former Manager of Axis Bank, Anil Dubey - CHRONICLE NEWS SERVICE who looted the ICICI Bank and killed a woman Deputy of FIR against Assam CM GUWAHATI: The Assam Higher Manager on Thursday - has Secondary Education Coun- now been charged with al- CHRONICLE NEWS SERVICE Government files an FIR against cil (AHSEC) has declared the legedly cheating his imme- the CM of Assam, we will not Class 12 (HS) final exam 2021 diate previous employer of GUWAHATI: Amidst the critical accept this at any cost. We results. Rs 26.84 lakh (Rs 2.68 mn), prevailing situation at the stand in support with the Chief The council declared the police said here on Satur- Assam-Mizoram border, Siba- Minister of Assam.” results at 9 am on Saturday. In day. sagar MLA and Raijor Dal Akhil Gogoi also appealed arts stream, a total of 1, 91,855 The huge amount was president Akhil Gogoi come before the Mizoram Government candidates registered for the found missing.. -
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- , !"# $%&!!'(%!)*+,!"# RNI Regn. No. CHHENG/2012/42718, Postal Reg. No. - RYP DN/34/2013-2015 /)'0/12345 2.*&3 .$'01 # A .%$%.$/ &638 3.,?57 453 4.467 ,5+8&2-B 8 D,5533436 8,?8* +63 5838@ 8&.@ ,8 8. ,&8* &68,DE 75 862454 6&6& A5 75 ,88 &6&. @&64& +89@7& , 6-78 //% <B C 6 # # 29#:;:;< !2:9 . // R ! 67 &638 Narendra Modi on Thursday stituencies, the Indian Council advised them to avoid non- of Medical Research (ICMR) 76-year-old man who died essential travel and large gath- said the virus is difficult to iso- Atwo days ago in Karnataka erings to ensure late but the scientists have while being treated for sus- safety. been successful in isolating it. pected coronavirus has become In a series of tweets, Modi However, developing a vaccine India’s first COVID-19 fatality also said that no Minister of the will take at least one-and-a-half with his samples taken earlier Central Government will trav- to two years. confirming the infection, the el abroad in the upcoming The Ministry of Defence, Karnataka Government said days. “Say no to panic, say yes on its part, announced it has set on Thursday. The deceased to precautions. No Minister of up seven more quarantine facil- had gone to Saudi Arabia in the Central Government will ities for COVID-19 patients, January end and came back on travel abroad in the upcoming especially for Indian citizens February 29. days. I urge our countrymen to being brought back from coro- Officials said the patient also avoid non-essential travel,” navirus-hit countries. -
Bravely Fought the Queen
INTRODUCTION “My life is big. I am BIG and GENEROUS! Only the theatre deserves me” (Where Did I Leave My Purdah? 59) Theatre has always been a glorious star in the multi-dimensional and richly adorned cultural galaxy of India. But Indian English theatre has had a rather low key representation in this vibrant cultural arena. During the sixties and seventies European influence, especially of Pirandello, Brecht, Chekhov and others, gained prominence and helped Indian theatre express the fractured reality of the time. But the indigenous Indian theatre moved past regional boundaries to become really a polyglot phenomenon from the sixties onward, and use of English helped it cross the border of language, too. Nissim Ezekiel, Girish Karnad, Badal Sircar and Vijay Tendulkar were the chief architects of this aesthetic/cultural development. But except for a few plays written in English between the late nineteenth and early twentieth centuries and for the translations in English of the works of the above playwrights, the picture of Indian drama in English, however, appeared rather uninspiring. It was not until the eighties that English drama stepped out of the coterie of elitists and reached a wider audience. The efforts of playwrights like Nissim Ezekiel, Asif Currimbhoy, Shib K Kumar and others achieved occasional success, but failed to connect the audience with theatre’s full potential. With a younger group of 1 playwrights a more lasting change was visible, and the plays by Dina Mehta, Poli Sengupta, Manjula Padmanavan, and Tripurari Sharma found increasingly appreciative audience. It was with the appearance of Mahesh Dattani in the 1980s that Indian English drama gained a distinct identity. -
Kathak Through the Ages, the Last Choreography of Guru Maya Rao in 2014, Video Projection in the Background Adds to the Dynamism of the Choreography
PAPER 4 Detail Study Of Kathak, Nautch Girls, Nritta, Nritya, Different Gharana-s, Present Status, Institutions, Artists Module 20 Modern Development And Future Trends In Kathak Kathak though an ancient dance form, with clear established history, has grown to a massive body of work, making it veer towards what is contemporary and modern. The words contemporary and modern are two different terms in context of art. Any art form, design, film, fashion, music can be contemporary. Each generation or time cycle brings something to the table of this development in society but modern means a whole new language. It means new structure, new grammar and new form. So, in dance when we speak of a modern Kathak, what does it imply? Kathak has certain grammar and structure, as with any and most dance forms. Thus, when we say modern Kathak, it doesn’t mean we break the grammar or change costume - that is just innovation or making it more in tune with contemporary desires of a society at any given point of time. 1 Many believe that Kumudhini Lakhia’s solo performance entitled Duvidha was a turning point of Kathak as a dance form. She founded the Kadamb School of Dance and Music in Ahmedabad in 1967 and has done more than 70 successful productions all over the world. Her choreographies include Dhabkar / धबकार, Yugal / युगऱ, Atah Kim / अथ: ककम, The Peg, Okha-Haran / ओखा हरण, Sama Samvadan / सम संवाद, Suverna / सुवण,ण Bhav Krida / भाव क्रीड़ा, Golden Chains, Kolaahal / कोऱाहऱ, Mushti / मुष्टि to name a few. -
Folklore, Orality and Tradition
Chapter-1 Introduction: Folklore, Orality and Tradition The study of folklore is inclusive of many different disciplines that overlap and intermingle with each other. Disciplines like anthropology, psychology, sociology, literary studies and women’s studies, linguistics, all come together to study the folklore in wider terms. It becomes essential to understand and analyse folk literature in the light of above disciplines to get a better understanding of the culture and history behind the given oral literature. Folklore surpasses boundaries of time in a way that it brings the culture and civilization of the past and merges it with the future for a better understanding. It continuously flows with the civilization by adopting different forms on the course of its journey. That way, it never gets struck in one time. It is not a static thing to be stored and preserved in any one form which struts itself as the ‘original. It is continuously and spontaneously being produced by the people who are blissfully ignorant of its various facets and its profound effect on the modern civilization. It is no more a thing of the rural or semi-urban masses but it is very much a part of the modern world. Many attempts have been made to define, categorize and theorize the term ‘folklore’ through words that can give it a concrete meaning. Folklore does not only include what is passed orally from one generation to another rather it encompasses everything including the cultural norms, behavioral codes, individual identities, feelings and emotions, religious beliefs, and experiences of not only a particular race or nationality but also of each individual living through it. -
Re-Appropriated Voices in the Poetry of Kathak Dance Repertoire
The Polish Journal of the Arts and Culture. New Series 4 (2/2016): 47–78 [article] DOI: 10.4467/24506249PJ.16.010.6241 A heroine in the pangs of separation or a soul longing for the divine? Re-appropriated voices in the poetry of kathak dance repertoire Katarzyna Skiba Abstract The paper explores the ambivalent nature of poems that are partand parcel of the kathak dance repertoire in the context of a changing sys- tem of dance patronage during the 19th and 20th centuries in North India. Through a textual analysis of selected ṭhumrī songs, the author investigates the use of śṛṅgāra rasa (erotic sentiment) in this poetic genre in relation to its original, secular function and its interpretation in religious idioms. The comparison of traditional ṭhumrīs with the compositions prevalent on the modern, classical dance stage shall un- derline a shift in the character of kathak performance (from romantic, sensual and intimate to devotional and impersonal). The attempts to locate ṭhumrī in the shastric framework and to ‘purify’ the content of these poems from the imprints of its lineage with tawā’if s culture is examined as part of the process of reinventing kathak in response to the tastes of a new class of patrons and performers and matching this art to the vision of Indian cultural heritage, propagated by nationalists. Keywords: kathak, ṭhumrī, Indian dance revival, nāyikā-bheda, dance Katarzyna Skiba is a Ph.D student at the Jagiellonian University in Krakow. Her main area of research includes: South Asian perform- ing arts, dance anthropology, sociology and postcolonial studies. -
Cultural Geography of Kathak Dance: Streams of Tradition and Global Flows*
Cracow Indological Studies vol. XVIII (2016) 10.12797/CIS.18.2016.18.04 Katarzyna Skiba [email protected] (Jagiellonian University, Kraków) Cultural Geography of Kathak Dance: Streams of Tradition and Global Flows* SUMMARY: The article deals with the modern history of Kathak, explored from regional perspectives. It focuses on the Lucknow gharānā (“school”) of Kathak, which sprung up mainly in courts and salons of colonial Avadh as a product of Indo- Islamic culture. The paper investigates how the shift of hereditary artists from Lucknow to Delhi affected their tradition in newly founded, state-supported institutions. It also examines various trends of further modernization of Kathak in globalized, metropolitan spaces. The tendency of Sanskritization in national dance institutes (Kathak Kendra) is juxtaposed with the preservation of ‘traditional’ form in dance schools of Lucknow (nowadays becoming more provincial locations of Kathak tradition) and innovative / experimental tendencies. The impact of regional culture, economic conditions and cosmopolitanism are regarded as important factors reshaping Kathak art, practice and systems of knowledge transmission. The paper is based on ethnographic fieldwork, combined with historical research, conducted in the period 2014–2015. KEYWORDS: classical Indian dance, Kathak, Lucknow gharānā, Indo-Islamic culture. * Much of the data referred to in this paper comes from the interviews with Kathak artists and dance historians which I conducted in India in 2014–2015 as part of two research projects: The Role of Sanskrit Literature in Shaping the Classical Dance Traditions in India (funded by École française d’Extrême-Orient), and Transformation of the Classical Indian Dance Kathak in the Context of Socio-cultural Changes (funded by National Science Center in Poland/NCN on the basis of decision no. -
GST Collections Dip in Aug., but Finance Ministry Sees Growth
follow us: thursday, september 2, 2021 Delhi City Edition thehindu.com 16 pages ț ₹10.00 facebook.com/thehindu twitter.com/the_hindu After August deficit, Bengal BJP sends legal Era of wars to remake India takes on England IMD forecasts ‘above notice to two MLAs who countries is over, says in fourth Test at The normal’ rain in Sept. defected to Trinamool U.S. President Biden Oval from today page 8 page 9 page 13 page 15 Printed at . Chennai . Coimbatore . Bengaluru . Hyderabad . Madurai . Noida . Visakhapatnam . Thiruvananthapuram . Kochi . Vijayawada . Mangaluru . Tiruchirapalli . Kolkata . Hubballi . Mohali . Malappuram . Mumbai . Tirupati . lucknow . cuttack . patna NEARBY GST collections dip in Aug., but Breakthrough infections Finance Ministry sees growth on expected lines: report Vaccines continue to protect against severe disease: INSACOG ‘Revenues crossed ₹1 lakh cr., which shows economy is recovering at a fast pace’ Rawat meets Amarinder special correspondent amid infighting in Cong. Special Correspondent NEW DELHI CHANDIGARH NEW DELHI Amidst reports of rising Amid the ongoing infighting Gross Goods and Services numbers of “breakthrough in the Congress, AICC Tax (GST) revenues in Au infections”, or infections fol incharge of Punjab affairs Harish Rawat on Wednesday gust fell to ₹1.12 lakh crore lowing two doses of vaccine, met Chief Minister Amarinder from ₹1.16 lakh crore collect in India, a government body Singh, a day after he met ed the previous month. said these numbers are on State party president The Finance Ministry said expected lines but did not Navjot Singh Sidhu. the collections, which per officially quantify the extent NORTH & EAST Ī PAGE 4 tain largely to economic ac of such infections. -
Performing Caste: the Ban on Bar Dancing in Mumbai
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. 1 Performing caste: the ban on bar dancing in Mumbai Sameena Dalwai PhD in Law October 2012 Keele University 2 ABSTRACT This thesis examines the ban on bar dancing in Mumbai and Maharashtra as an outcome of politics of gender and caste in a globalising India. By redeploying the historical erotic dancing in a globalising India, the dance bars emerged as the new market providing Bollywood-type entertainment with dance, music, and hospitality to the new consumer class. The Dance Bar market offered employment opportunities to poor women to earn a livelihood and proved to be an exceptional market where female labour was paid very well. By deploying their caste capital, i.e., the hereditary skills of dancing, drama and use of sexuality, the traditional dancing women occupied and ruled the dance bar market. To this extent, the bargirls may be viewed as a ‘performing caste’ continuing their hereditary caste occupations in a globalising capitalist market. However, while their relationship to the customer was defined through the market and they earned money, status and power through their occupation, the bargirls challenged, transformed and redefined the caste hierarchy by the use of ‘caste capital’. -
Full POST NEWS NETWORK Him Buy a Motor Cycle
y k y cm PC EUPHORIC FLOYD’S FAMILY TO GET $27MN 2ND T20I TODAY Actor Priyanka Chopra Jonas has turned Minneapolis will pay $27mn to settle a civil Team India look to bounce back from their ‘cheerleader’ for husband Nick Jonas and lawsuit from George Floyd’s family over the loss in the first T20I when they face England in the 2nd match his new album, Spaceman LEISURE | P2 Black man’s death INTERNATIONAL | P10 SPORTS | P12 VOLUME 10, ISSUE 341 | www.orissapost.com BHUBANESWAR | SUNDAY, MARCH 14 | 2021 12 PAGES + SUNDAY POST | `4.00 IRREGULAR by MANJUL THE RULING BJD AND OPPOSITION BJP AND CONG MLAs DISRUPTED THE PROCEEDINGS OF THE HOUSE Bedlam breaks loose in House Opposition BJP and Congress demanded BJD sought apology from BJP legislator for lifting of paddy from farmers his suicide attempt inside the House POST NEWS NETWORK not demand an apology from Panigrahi. He attempted to commit suicide because Bhubaneswar, March 13: In an un- the government is not addressing the India reports year’s Yes! It’s my leg that got hurt. precedented scene, both the ruling BJD grievances of the farmers." But bandage on head will be and the Opposition BJP and Congress "This is the first instance of BJD min- more visible tovoters! MLAs created ruckus in the House, isters creating ruckus in the well of the biggest COVID spike obstructing the proceedings through- House. We will also not allow the out the day, Saturday. The BJD mem- Assembly to function till they apolo- AGENCIES reported 22,885 new COVID- bers were responsible for the chaos in gise for this. -
Download the Full Report
Rights & Risks Analysis Group P.O. Box 9627, Janakpuri, New Delhi-110058 Email: director @rightsrisks.org; Website: www.rightsrisks.org Phone: +91-11-256205830 10 August 2021 BORDER DISPUTES IN THE NORTHEAST: THE RAGING WAR WITHIN INSIDE 1. Executive summary and recommendations 1 2. The costs of border disputes and the war within 6 2.1 Boundary dispute between Assam and Mizoram 9 2.2 Boundary dispute between Assam and Meghalaya 14 2.3 Boundary dispute between Assam and Arunachal Pradesh 15 2.4 Boundary dispute between Assam and Nagaland 17 BORDER DISPUTES IN THE NORTHEAST: THE RAGING WAR WITHIN 1. Executive summary and recommendations he violent armed clashes The dispute between Assam and between the Assam Police and Mizoram relates to the claim of Tthe Mizoram Police on 26 July Mizoram that its border in the 2021 led to the death of seven persons northern side is based on the boundary including six policemen from Assam set for application of the Inner Line of and injuries to 60 others.1 The death of 1875 under the Bengal Eastern at least 157 persons and injuries to at Frontier Regulation of 1873 and not as least another 361 persons and per the boundary redrawn as per 1933 displacement of more than 65,729 notification.3 Similarly, the boundary persons from 1979 to 2021 (26 July) in dispute between Assam and Meghalaya the clashes over border disputes relates to the boundaries of the between Assam on one hand and the erstwhile United Khasi and Jaintia states curved out of Assam i.e.