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Rock and Roll Rockandrollismyaddiction.Wordpress.Com
The Band, Ten Years After , Keef Hartley Band , Doris Troy, John Lennon ,George Harrison, Leslie West, Grant Green, Eagles, Paul Pena, Bruce Springsteen, Peter Green, Rory Gallagher, Stephen Stills, KGB, Fenton Robinson, Jesse “Ed” Davis, Chicken Shack, Alan Haynes,Stone The Crows, Buffalo Springfield, Jimmy Johnson Band, The Outlaws, Jerry Lee Lewis, The Byrds , Willie Dixon, Free, Herbie Mann, Grateful Dead, Buddy Guy & Junior Wells, Colosseum, Bo Diddley, Taste Iron Butterfly, Buddy Miles, Nirvana, Grand Funk Railroad, Jimi Hendrix, The Allman Brothers, Delaney & Bonnie & Friends Rolling Stones , Pink Floyd, J.J. Cale, Doors, Jefferson Airplane, Humble Pie, Otis Spann Freddie King, Mike Fleetwood Mac, Aretha Bloomfield, Al Kooper Franklin , ZZ Top, Steve Stills, Johnny Cash The Charlie Daniels Band Wilson Pickett, Scorpions Black Sabbath, Iron Butterfly, Buddy Bachman-Turner Overdrive Miles, Nirvana, Son Seals, Jeff Beck, Eric Clapton John Mayall, Neil Young Cream, Elliott Murphy, Años Creedence Clearwater Bob Dylan Thin Lizzy Albert King 2 Deep Purple B.B. King Años Blodwyn Pig The Faces De Rock And Roll rockandrollismyaddiction.wordpress.com 1 2012 - 2013 Cuando decidimos dedicar varios meses de nuestras vidas a escribir este segundo libro recopilatorio de más de 100 páginas, en realidad no pensamos que tendríamos que dar las gracias a tantas personas. En primer lugar, es de justicia que agradezcamos a toda la gente que sigue nuestro blog, la paciencia que han tenido con nosotros a lo largo de estos dos años. En segundo lugar, agradecer a todos los que en determinados momentos nos han criticado, ya que de ellas se aprende. Quizás, en ocasiones pecamos de pasión desmedida por un arte al que llaman rock and roll. -
Star Shines at Shell
May 24, 2014 Star Shines at Shell PHOTO BY YOSHI JAMES Homage to cult band’s “Third” kicks off Levitt series By Bob Mehr The Levitt Shell’s 2014 summer season opened Friday night, with a teeming crowd of roughly 4,000 who camped out under clear skies to hear the music of Memphis’ greatest cult band Big Star, in a show dedicated to its dark masterpiece, Third. Performed by an all-star troupe of local and national musicians, it was yet another reminder of how the group, critically acclaimed but commercially doomed during their initial run in the early 1970s, has developed into one of the unlikeliest success stories in rock and roll. The Third album — alternately known as Sister Lovers — was originally recorded at Midtown’s Ardent Studios in the mid-’70s, but vexed the music industry at the time, and was given a belated, minor indie-label release at the end of the decade. However, the music and myth of Third would grow exponentially in the decades to come. When it was finally issued on CD in the early ’90s, the record was hailed by Rolling Stone as an “untidy masterpiece ... beautiful and disturbing, pristine and unkempt — and vehemently original.” 1 North Carolina musician Chris Stamey had long been enamored of the record and the idea of recreating the Third album (along with full string arrangements) live on stage. He was close to realizing a version of the show with a reunited, latter- day Big Star lineup, when the band’s camp suffered a series of losses: first, with the passing of Third producer Jim Dickinson in 2009, and then the PHOTO BY YALONDA M. -
1982-12 and 1983-01
AIRWAVES . A Service of Continuing Education and Extension l5i1 University of Minnesota, Duluth Vol. 3 Number 7 December 1982 January 1983 Dick Paske and Leif Brush rehearse Leif Brush Work . to be Broadcast on KUMD 1 I\UMU §taff Station Managtt ... .... Tum Livingston Program Ditt<;tor .......•. John Zi~gltr ,\Ht. Progr~m Dirtt~or .. ... Paul Schmnz •:nginttring .. •. ... .• .•.. Kirk Kint~n fo the LiJener Producn/Outruch ..••.• . Jran Johnson AIRWAVES is the bi-month! y program guide of KUMD, which is the 100,000 watt public radio station at the ..., By Tom. Uvlngeton, Station Manager University of Minnesota-Duluth, broadcasting at 103.3 fm. KUMD is part of University Media Resources, a· Marathon Holly Near Jottings: department of Continuing Education Our fall fundraiser drive fell short of 'The November I 0th concert in Superior Our satellite dish installation will be and Extension at the University of other fall efforts as 350 people pledged by womens musician Holly Near was a complete some time this month, and we Minnesota. KUMD's program philosophy is to provide the highest just under $13,000. Thanks to everyone tremendous success. A near-sellout, the will be adding Jazz Allve and NPR who called! Why did we do less than we concert was a great energy generator for Playhouse at that time. Thanks to quality non-commercial program- hoped? Was it the economy, our new everyone involved, and received rave C.S. Zidek, whose generouse challenge ming, including music, news and programming, or something else? reviews in both Rag Times Magazine match helped the Folk Migrations public affairs, and information Please share your thoughts with us, and and The Duluth News Tribune & program to a total of $1,200 for one programs, K UMD encourages if you didn't renew during the Herald. -
Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests. -
Dedicated 10 the Needs of the Music /Record Industry
DEDICATED 10 THE NEEDS OF THE MUSIC /RECORD INDUSTRY SINGLES SLEEPERS ALBUMS THE MIRACLES, "NIGHT LIFE" (prod. by Freddie THIN LIZZY, "THE BOYS ARE BACK IN TOWN" ROLLING STONES, "BLACK AND BLUE." Perren) (Jobete/Grimora, ASCAP). (prod. by John Alcock) (RSO, ASCAP). It's taken almost three years from start "Love Machine" was the group's big- t) One of 1976's brightest prospects is to finish with new friends and direc- .rnmu.rr/ gest across-the-board smash since this Anglo-American quartet that tions. The reggae influence is in full the departure of Smokey Robinson. has come into its own after several evidence ("Hot Stuff," "Cherry O Now they're about to do it all over overlooked outings. With a sound Baby"), along with some straightfor- again with more pulsating rhythms that could be compared to Bruce ward blues ("Melody") and some more and adventurous vocal lines. Instant Springsteen, Thin Lizzy is back in traditional sounding Stones ("Hand of pop/r&b play is assured. Tamla T town and should soon be making its Fate"). A bruiser of an album! Rolling 54268 (Motown). presence felt. Mercury 73786. Stones COC 79104 (Atlantic) (6.98). CAROLE KING, "HIGH OUT OF TIME" (prod. FOOLS GOLD, "RAIN, OH RAIN" (prod. by SEALS & CROFTS, "GET CLOSER." Their by Lou Adler) (Screen Gems -Colum- Glen Frey) (Frank Share/Big Shorty, Christmastime greatest hits package re- bia, ASCAP). An extravagant tapes- ASCAP). The group that recently minded everyone just what Seals & try of sound is woven by Ms. King served as back-up to Dan Fogelberg Crofts are capable of. -
The Jean Thomas Story—Part 3
The Jean Thomas Story—Part 3 Jean Thomas worked with many top producers during the 1960s but the one who cre- ated her best known work and who perhaps brought the best out of her vocal talent was Bob Crewe. Bob Crewe had a special talent himself and was a highly respected producer Jean’s good friend Ellie Greenwich had a good relation- ship with Bob Crewe and commented on his ability and on how they first met in an interview before her untimely passing in 2009….. "I'm not exactly sure when I met Bob Crewe, but we always saw each other around the business from the very beginning. (We) had an affinity for each other (and) still do! He was a joy to work with on all levels . he's a perfectionist, he's open to any outside ideas, he really knows what he wants and gets it, and most of all, he is passionate about what he does. He puts all of himself into eve- rything he touches . I always loved and still do love Bob! I can go on and on about this talented gentleman, and he is just that: A 'gentle man'." Mick Patrick and Malcolm Baumgart captured the best of Bob Crewe’s productions on “The DynoVoice Story….the label that had to happen” Westside CD226 and say of his unique- ness …..“Bob Crewe is not a man to be easily pigeon-holed. Possessed by an overriding creative urge from his earliest years, he has painted , worked as a photographic model, sculpted, acted,run an art gallery and dabbled in interior design alongside those talents for which he is justly renowned – ie singer, songwriter, producer, label owner, music publisher and manager.” The best of his productions of course include those of Jean Tho- mas. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
The Allman Brothers Band the Allman Brothers Band Mp3, Flac, Wma
The Allman Brothers Band The Allman Brothers Band mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: The Allman Brothers Band Country: US Released: 1969 Style: Blues Rock MP3 version RAR size: 1450 mb FLAC version RAR size: 1282 mb WMA version RAR size: 1304 mb Rating: 4.7 Votes: 724 Other Formats: MIDI AUD AC3 AHX APE XM WMA Tracklist Hide Credits Don't Want You No More A1 2:25 Arranged By – The Allman Brothers BandComposed By – Edward Hardin*, Spencer Davis It's Not My Cross To Bear A2 5:02 Written-By – The Allman Brothers Band Black Hearted Woman A3 5:08 Written-By – The Allman Brothers Band Trouble No More A4 3:45 Arranged By – The Allman Brothers BandComposed By – McKinley Morganfield Every Hungry Woman B1 4:13 Written-By – The Allman Brothers Band Dreams B2 7:18 Written-By – The Allman Brothers Band Whipping Post B3 5:17 Written-By – The Allman Brothers Band Companies, etc. Distributed By – De Agostini Publishing Italia S.p.A. – DD 0191892625 Licensed From – Universal Music Italia s.r.l. Phonographic Copyright (p) – Island Def Jam Music Group Recorded At – Atlantic Studios Credits Artwork – Robert Kingsbury Bass Guitar, Backing Vocals – Berry Oakley Congas, Drums – Jai Johanny Johanson Drums, Percussion – Butch Trucks Electric Organ, Lead Vocals – Gregg Allman Engineer – Adrian Barber Lead Guitar – Dickey Betts Photography By – Stephen Paley Producer – Adrian Barber Slide Guitar, Lead Guitar – Duane Allman Notes Recorded at Atlantic Recording Studios, New-York Logistical Coordination: TWIGGS, Kim Payne & Mike Callahan Immoral Support: THE RED DOG By special arrangement with Phil Walden & Associates, Inc. -
Glenn Gould in the Style of Thuggish Lunatics, Smashing Were a Series of Uneven Releases, Long Hia
TEACHING WITH IN TUNE I C O N GREAT MUSICIANS IN HISTORY BY PETER GERSTENZANG WHO: Rock quartet from London, England WHAT: One of the essential acts of the original 1960s British Invasion; loud, lyrical, and ambitious WHEN: Formed in 1964, still active in 2017, even after losing two key members and matured into one of the towering songwriters of the time. With their 1969 “rock opera” Tommy, the Who showed they could make a conceptually uni- BY PETER GERSTENZANG ed album that brought in elements of classical music ICONOGRAPHY and told a story—a strange ICON GREAT MUSICIANS IN HISTORY BY PETER GERSTENZANG tale about a deaf, dumb, The Who and blind boy who mirac- Singer and ulously regains his senses GREAT MUSICIANS IN HISTORY WHO: OR THE FIRST 10 years of their existence, the Who and becomes a prophet—while never WHO: Classical pianist ICON electric guitar player A gospel and thrillingly stretched the boundaries of rock, becoming sounding pretentious. WHAT: A brilliant, if eccentric, WHAT: The music only improved from there musical interpreter who R&B pioneer who may one of the most important and in uential British bands redefi ned how a classical just be the mother of F with the 1971 masterpiece Who’s Next and HE ARGUMENT rock music musician could play, record, Born Mar. 20, of the ’60s, along with the Beatles and the Rolling Stones. a second rock opera, 1973’sQuadrophenia, act, and look about who was WHEN: which told stories of both the mods and BY PETER GERSTENZANG 1915, Cotton Plant, After a brief stint as the Detours, gui- WHEN: Born Sept. -
The Record Producer As Nexus: Creative Inspiration, Technology and the Recording Industry
The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry A submission presented in partial fulfilment of the requirements of the University of Glamorgan/Prifysgol Morgannwg for the degree of Doctor of Philosophy by Michael John Gilmour Howlett April 2009 ii I certify that the work presented in this dissertation is my own, and has not been presented, or is currently submitted, in candidature for any degree at any other University: _____________________________________________________________ Michael Howlett iii The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry Abstract What is a record producer? There is a degree of mystery and uncertainty about just what goes on behind the studio door. Some producers are seen as Svengali- like figures manipulating artists into mass consumer product. Producers are sometimes seen as mere technicians whose job is simply to set up a few microphones and press the record button. Close examination of the recording process will show how far this is from a complete picture. Artists are special—they come with an inspiration, and a talent, but also with a variety of complications, and in many ways a recording studio can seem the least likely place for creative expression and for an affective performance to happen. The task of the record producer is to engage with these artists and their songs and turn these potentials into form through the technology of the recording studio. The purpose of the exercise is to disseminate this fixed form to an imagined audience—generally in the hope that this audience will prove to be real. -
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to The
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to the CD-2 “No Direction Home”, Michael Bloomfield plays the guitar intro and a solo later and Dylan plays the opening solo (his one and only recorded electric solo?) 1. “Leopard-skin Pill-box Hat” (6.24) (take 1) slow 2. “Leopard-skin Pill-box Hat” (3.58) Bloomfield solo 3. “Leopard-skin Pill-box Hat” (3.58) Dylan & Bloomfield guitar solo 4. “Leopard-skin Pill-box Hat” (6.23) extra verse On track (2) there is very fine playing from MB and no guitar solo from Uncle Bob, but a harmonica solo. 1966 3 – LP-2 “BLONDE ON BLONDE” COLUMBIA 1966? 3 – EP “BOB DYLAN” CBS EP 6345 (Portugal) 1987? 3 – CD “BLONDE ON BLONDE” CBS CDCBS 66012 (UK) 546 1992? 3 – CD “BOB DYLAN’S GREATEST HITS 2” COLUMBIA 471243 2 (AUT) 109 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 - COLUMBIA C2K 93937 (US) 529 Alternate take 1 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 – COL 520358-2 (UK) 562 Alternate take 1 ***** Febr. 4.-11, 1966 – The Paul Butterfield Blues Band at Whiskey a Go Go, LA, CA Feb. 25, 1966 – Butterfield Blues Band -- Fillmore ***** THE CHICAGO LOOP 1966 Prod. Bob Crewe and Al Kasha 1,3,4 - Al Kasha 2 Judy Novy, vocals, percussion - Bob Slawson, vocals, rhythm guitar - Barry Goldberg, organ, piano - Carmine Riale, bass - John Siomos, drums - Michael Bloomfield, guitar 1 - John Savanno, guitar, 2-4 1. "(When She Wants Good Lovin') She Comes To Me" (2.49) 1a. -
September 1988
Cover photo by Ebet Roberts 18 AIRTO He calls himself the "outlaw of percussion" because he breaks all the rules, but that's what has kept Airto in demand with musicians such as Miles Davis, Chick Corea, and Weather Report for almost two decades. His latest rule-breaking involves the use of electronics, but as usual, he has come up with his own way of doing it. by Rick Mattingly 24 GILSON LAVIS Back when Squeeze was enjoying their initial success, drummer Gilson Lavis was becoming increasingly dependent on alcohol. After the band broke up, he conquered his problem, and now, with the re-formed Squeeze enjoying success once again, Lavis is able to put new energy into his gig. by Simon Goodwin 28 BUDDY Photo by Ebet Roberts MILES He made his mark with the Electric Flag, Jimi Hendrix's Band of Gypsies, and his own Buddy Miles Express. Now, active once again with Santana and the California Raisins, Buddy Miles reflects on the legendary music that he was so much a part of. by Robert Santelli 32 DAVE TOUGH He didn't have the flash of a Buddy Rich or a Gene Krupa, but Dave Tough made such bands as Benny Goodman's, Artie Shaw's, and Woody Herman's play their best through his driving timekeeping and sense of color. His story is a tragic one, and it is thus even more Roberts Ebet remarkable that he accomplished so much in his by relatively short life. Photo by Burt Korall VOLUME 12, NUMBER 9 ROCK BASICS PERSPECTIVES Heavy Metal Power Warming Up: Part 1 Fills: Part 1 by Kenny Aronoff by Jim Pfeifer 38 90 UP AND COMING DRUM SOLOIST ROCK'N'JAZZ David Bowler Max Roach: "Jordu" CLINIC by Bonnie C.