Number 411 September 10-17, 1983 UK/90p US/$1.50 $120m action alleges Taurus blocked programming deal LONDON'S Contents LETTERS TOP 10 In Confidence, Parker page 4 US NEWS 1 (1) WarCames (U1P) Odeon "Eddie And The Cruisers" Leicester Square £48,906 feature page 6 2 (2) Oclopussy (UIP) Odeon I MGM/UA SUES IN WORLD NEWS Kensington, Odeon 2 Swiss Bergen, Knokke-Heist, Cottage. Odeon 3 Westboume Germany page 8 Grove. Classic I Chelsea, Odeon Australia, Canada, Spain Marble Arch, Empire 2 £40,914 page 9 3 (3) Merry Christmas Mr New Zealand, Argentina Lawrence (Palace) Classic 3 page 10 Haymarket, ABC 2 Shaftesbury GERMAN TV ROW Avenue, ABC 2 Bayswater, ABC 1 PRODUCTION Fulliam Road, Camden Plaza IN AIM EFFORT to protect its establishment of direct access firm is difficult, in this case Taurus "noncompetitive, collusive and Filming in UK page 12 £39,814 to German network Channel 1 in the licensing of its film is said to have assets in the US rigged bids", and of treating "the Features on "Another 4 (—) Twilight Zone (Col-EMI- product, MGM/UA has filed a $120-million antitrust lawsuit which could be tied up if majority of major American film Country", "The Last Days War) Warner West End 2, Classic against Munich-based Taurus Films, Taurus chief executive MGM/UA wins the case. suppliers" in this manner. Of Pompeii" page 13 2 Haymarket, Classic 1 Tottenham Leo Kirsch and Milton (Mickey) Rudin, Taurus' US agent. MGM/UA accuses Taurus of Taurus has acted as the middle- Post-production page 14 Court Road, ABC 1 Shaftesbury The suit charges that the " maintaining a virtual monopoly in man in licensing the product to REVIEWS page 15 Avenue, ABC 1 Bayswater, ABC 1 defendants used their muscle to By BJ Franklin representing US features, TV German TV, and reportedly is near UK NEWS page 16 Edgware Road, ABC 2 Fulham block an almost-completed deal programmes and cartoons for the end of a licensing agreement licensing to German-language TV with MGM/UA which, of course, TV & VIDEO Road, Studio 2 £24,732 between the American major and Taurus and refuse to perform an Cable franchise applications 5 (5) Return Of The Jedi (20th the German Degeto Films, which agreement with the plaintiff. in Europe, and audio-visual usage. Taurus would like to continue. If Taurus, the suit further states, has MGM/UA had been successful in page 17 Fox) Leicester Square Theatre, buys programming for Channel I. MGM/UA said the aborted deal US news page 18 Odeon 3 Kensington, Classic 3 The suit alleges that Taurus, was worth more than the SI20 eliminated price competition and making the direct sale to Degeto, it Chelsea, Studio I £21,465 Kirsch and Rudin are guilty of un- million it is asking in damages and, kept prices at below market value. would have been a breakthrough CABLE & SATELLITE 6 (4) Blue Thunder (Col-EM l-War) reasonable restraint of trade; in addition, the company is asking The 16-page complaint accuses for the American studios toward SUPPLEMENT . . . page i-viii the defendants of submitting dealing directly with German TV. Warner West End 3, Classic I monopoly, control and fixing for $60 million in punitive BOOKS page 32 Haymarket, Classic 1 Oxford prices; interference with and dis- damages from each of the three Street, Classic 2 Chelsea, Odeon 2 ruption of an economic relation- defendants. (Rudin is an enter- BOX OFFICES Kensington, Odeon I Swiss ship (between MGM/UA and tainment lawyer well-known in NEXT WEEK London page 2 Cottage, Odeon I Westbourne Degeto) and of threatening Degeto the US as Frank Sinatra's attorney UK provincial page 33 Grove £17,826 with various business injuries if and friend.) London Multi-Media US and international. . page 34 7 (6) Monty Python's The Meaning Degeto did not enter into anti- Although collecting US court- Market supplement CLASSIFIED ADS . . . page 35 Of l.ife (UIP) Plaza I, ABC 4 competitive agreements with directed damages from a foreign Fulham Road. ABC 2 Edgware Road £13,724 8(7) Superman III (Col-EM l-War) Warner West End 4, ABC 4 Edgware Road, ABC 5 Fulham Altman 'Streamers' Road £13,131 9(8) Flashdance (UIP) Empire I £12,770 10 (—) Meal And Dust to UA Classics (Curzon/Enterprise) Curzon £10,559 FOR THE newcomer to Venice, that the international industry is Screen International the first 24 hours are disconcert- present. Meetings take place by the • Production arrangements mean ing. pools of the Excelsior or the Des that the London Box Office is Bains Hotels, or in the elegant brought forward to page 2 this By Anne Head beach huts that line the Adriatic week. shore. There is little apparent Carole Myer, in charge of organisation. Poster and foreign sales for the BFl and here Davies for hoardings are absent. All activity with "Ascendancy" (shown in a Dear Bill,, takes place in the lobby of the side-bar information section), Excelsior Hotel. The new director, says, "This festival gives a second Waterloo Gian Luigi Rondi, has won the go for territories that might have WATERLOO Films has started first round of his battle with been missed. It is extremely / always knew production on its first TV feature bureaucracy. This year screenings important in terms of press and art film, "Return To Waterloo", a have, so far, taken place at the film distributors." musical drama featuring eight new time and in the theatre indicated, The same refrain is heard all songs written by Ray Davies of the not the case in previous years. over. Douglas Amaya, in charge of you had something Kinks. It takes time to become aware • Continued on page 2 Currently on location in Wimbledon and Surrey, "Return To Waterloo" is scheduled for a in store. three week shoot. New England shoot Written and directed by Ray Davies, the film stars Kenneth Colley in the title role and is produced by Dennis Woolf. UIP set 'Gate' UIP UK are to release the full- c^iU length version of Michael Cimino's "Heaven's Gate". This follows the highly- successful screening of the film in a sold-out season at the National Film theatre recently. Running at three hours and 40 minutes, it will be shown in Dolby stereo at 70mm JAMES IVORY (left) directs Christopher Reeve in the Merchant Ivory at the Plaza 2 in London, opening production of Henry James's "The Bostonians", which is currently on Sept 15. shooting in New England. The film is written by regular collaborator Deputy md UK Duncan Clark Ruth Prawer Jhabvala and also stars Vanessa Redgrave and newcomer commented, "This engagement is Madeline Potter. Directed by James Ivory and produced by Ismail inspired entirely by the good press Merchant, "The Bostonians" marks the second time the team has notices and public reaction at the tackled a Henry James story — the first being their successful "BILL" - BILL INGRAM OF FILMB0ND. SEE SUPPLEMENT STARTING PAGE 19. NFT. We all think it's a terrific adaptation of "The Europeans". MIP's most successful film to date, piece of film-making and we're "Heat And Dust", opens in the US on Sept 14. (Production report on delighted to give it another "The Bostonians" to follow shortly). opportunity." Saturday 10th September 1983 Screen International Page 19

Filmbond provides an answer to industry service headaches JUST AS a super-efficient film The first thing that strikes the servicing done by a completely crew does no! always get the merit casual observer of the Filmbond reliable outside agency, rather than employ full lime staff in-house to ii deserves for behind the scenes set-up is the experience packed into do ihe same job. work, so the service aspects of the the management team. And as they film industry are sometimes arc all anxious to stress, it is "If you take on the full forgotten for the more glamorous experience in the right area. Filmbond service, the most you'll aspects. "The whole point we try to ever need is one person at your Yet as everyone working within emphasise is that the experience we end, simply for liaison. We'll do the industry acknowledges, the have, which goes back over more the rest. We reckon that could be a importance of solid back-up is years than 1 care to talk about," saving of anything up to four or crucial to any successful smiles Ingram, "is all solid film five salaries, and anyway we enterprise. experience. reckon we can do il belter. Filmbond, along with its "Everybody here is a film man affiliates Fleetfilm and PBS through and through. We think Dedicated Services, is in the back-up game thai is unique. Of course there are with a vengeance and, according to a number of other companies who "So you are getting the best the experienced management team offer all the services we do, but service we can offer, and a very that put the whole set-up together, nobody docs them with our back- economical way of doing it. There they are fast becoming the answer ground of experience or with our are many peaks and valleys in to any producer or distributors overall control. servicing and also a limited complete set of service headaches. "There is no aspect of servicing number' of experts around to Filmbond arc now celebrating thai we don't cover. And being employ, whereas we maintain an their second year of successful film people we like to think we organisation dedicated lo service, operation, expanding at a pace understand the needs of film and we take all ihe overheads and which amply backs the judgement people. One of the problems with costs and so on; and of course with of the men who launched the set- outside freighting agents, no (he calibre and strength of ihe up, in the belief thai a crucial matter how good they might be, is customers we have that is added service was not being performed they simply don't always security and negotiating power." for the industry. understand a particular require- In operation for only two years, The company is made up of 35 ment. We do. That's our business; Filmbond has expanded and lull-time staff, headed by the because we understand how film changed to meet the growing board of directors which include — and video — works we try to demands of a business which is Arthur Abeles (formerly with anticipate any problems that might now almost unrecognisable to the Warner Pathe and C1C, who arise. one which they entered so recently. launched the marketing company "All our experience is in film." The advent of video and cable has Filmmarketecrs and who first had added a new and, on ihcir own the idea of the company), Sam Formidable admission, highly unexpected Shorr, who was with Universal, dimension to the Filmbond and group managing director Bill As Ingram says, it is a formid- repertoire. Ingram, whose career includes able line up of experience, with "We always liked to think we stints with Warner Pathe (where he each of the directors achieving the were flexible enough to meet met Abeles), Universal (where he- highest positions in their fields changes," says Shorr. "bul we was European service manager) before linking up — and each of never dreann rhat we were going to and then on to CIC where he them has known each other for have 10 be as flexible as we have became international service many years. been. Now video is a major part of manager. In a career that covers Naturally they can all tell the our operation, as is preparing and most crucial aspects of the mastering prints for The Starview servicing industry, Ingram then industry a hundred reasons why film-makers should use Filmbond, cable operation. These are things went on to Technicolor UK, where that we had no idea about when we he was managing director before a but again and again the emphasis comes back to ihe completeness of started. Obviously thai is very brief stop over in Los Angeles as surprising, not to say gladdening president of Introvision Program- the operation; the attraction, they feel, is getting all the jobs done, for us. ming. Ii was while he was in L.A "We find that almost every day that the call came to return to from storage, to arranging screen- ings, lo lab negotiations, print the film industry changes and even home pastures for the launch of if the cinema film disappears Filmbond. rejuvenation, iransport, airfreight and a hundred other jobs. completely — and we certainly "Arthur and Sam had been don't think it will — there will siitl philosophy, Ingram says: "The producer or distributor should • Filmbond's bonded talking about the Filmbond idea "For many of our clients we arc be a tremendous need for ihe kind thing we really do place a lot of really want on his hands. We think warehouse near Heathrow, It for some time, and 1 had always taking on the whole job. although of service we perform. We've gone emphasis on is the toial service we we offer a competitive and has become the cornerstone of wanted to be a pari of it," he of courft everyone is at liberty to in a lot of directions that we didn'l give io people, the fact that it is a thorough service, ihe kind of thing the Filmbond empire, but recalls. "When it all came pick and choose from our menu," expect and expanded iii a way we one-stop operation. Frankly we do thai if it was kepi in-house could exactly what is a bonded together, I was delighted to come considers Shorr. didn'l dare dream." all ihe nonsense, all the painful become very expensive if it got warehouse? See article on page back." "What we are really doing is Summing up the Filmbond stuff, everything that no creative away from you." 22.

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A. W. 'BILL' INGRAM MANAGING DIRECTOR RON WINGROVE GROUP ADMINISTRATOR

Filmbond Services (London) Ltd Heston Industrial Estate, Aerodrome Way, Cranford Lane, Hounslow TW5 9QN Middlesex, England. Telephone: 01-897 7973 Telex: 21747 Cables: Filmbond IS PLEASED TO BE ASSOCIATED WITH

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93-97 Oxford Road • Uxbridge Middlesex UB81LU Telephone 31931 • Telex 934883 Page 22 — Screen International Saturday 10th September 1983 FILMBONDI Filmbond vaults film storage into twenty-first century THE CORNERSTONE of the bonded warehouse in Europe was Filmbond empire is I he bonded in Rotterdam in the Netherlands, warehouse only a couplc of miles thus channeling much needed from Heathrow airport. revenue towards continental On the face of it, "bonded Europe, rather than to the perhaps warehouse" is not a phrase that more natural haven of the UK. summons up the image of an "Getting the bond was a tough invaluable asset to the film operation," remembers Abeles, industry all over the world, but "but on the whole the customs that is what it has turned out to be people were very responsive. They — the solid evidence of (his being went into the whole thing with us that only 15 months into operation very carefully and we found that Filmbond were able to open up a they were very helpful and very second warehouse to complement aware of our needs." their first. Now group md Bill "But they do keep a very tight Ingram is confidently predicting grip on things," adds Ingram, that it won't be long before they "and they are always popping in open a third. and out and doing random checks, So what is the bonded that's why the computer is so warehouse and what does it do? essential. Without the system we In short ihe bond enables the have we could find it very difficult storage of film and video prints to give the right information." within the UK from overseas or at The IBM computer to which home without the usual necessity Ingram refers is the "brain" of paying duty. So, the warehouse behind the racking, storage and takes 011 a number of functions. bonding operation. It is clearly the For example, a major American pride and joy of the company, distributor can bring in a number controlling all aspects of print of prints for eventual UK storage and filing. theatrical distribution, which are For Arthur Abeles, the storage stored at the warehouse. While system leaps into the 21st century. there the Filmbond service "It's extraordinary to think of ii department can check them but only a very few years age thoroughly and reject or people would store enormousl) rejuvenate any print that does not valuable prints in the most unlikely reach the required standard. When places. The normal procedure wa; the distributor eventually calls on just to dump them anywhere yoi the film, he will only pay duty on could find some space. I mean, tin the prints he already knows are in major companies were j u si the best possible condition. In the dumping them underneath railway past duty would have had to have bridges, in barns, anywhere. An> been paid without the benefit of place where they were out of tin. any kind of inspection. rain. By the same token, British "The norm was to find a big olt companies may store their prints in barn full of prints run by some old the warehouse more or less chap who'd been there for 40 yean permanently, checking them out to who could tell you where every- various destinations around the thing was because he couic world when needed and then remember. bringing them back, in time, to the "I remember when CIC took duty-free security of the bonded over Metro in my day, and I went warehouse. The benefits of the down to Rickmansworth to set scheme, even leaving aside the where they stored their prints. I freedom from heavy duties and remember it well, it was vers customs entanglement, include pretty, a lot of old barns by a storage in the best possible stream and one old guy, nicc conditions, maximum security (an fellow and very knowledgeable, increasingly important element in but hell, when he died the secret these piracy-conscious days) and died with him, as it were. I mean the chance to keep the print in mint that's hardly appropriate in the accommodate any film size, and warehouse and taken for screening prints into the Filmbond set-up • Filmbond group managing condition. day of the satellite and cable is it?" instant selection of any print for periods of up to 24 hours where they will remain until called director Bill Ingram — "The The bonded warehouse was a Indeed not, and the Filmbond needed through the computer. without breaking the terms of the out for screening — an ideal solu- thing we do place a lot of personal ambition of Arthur warehouse could hardly be a The bond does supply a certain bond. tion of course for any company emphasis on is the total service Abeles who had long regretted the greater contrast, with racks amount of flexibility. A film can, Gradually more and more with valuable print assets which is we give to people, the fact that fact that the only specialist film specifically designed tc for example, be taken out of the companies are moving their film cramped for space. it is a one stop operation."

CONGRATULATIONS & BEST WISHES TO FILMBOND SERVICES IT IS ALWAYS A PLEASURE TO BE OF SERVICE TO YOU

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FOR THE BEST DEAL IN TOWN Mark 3 Telecine (NTSC 525 or PAL 625) £45 per hour Digital Standard Conversion £60 per hour 16mm Double Head £55 per hour Bulk Duplication by Negotiation CONTACT US FOR ALL YOUR NEEDS. PLAZA HURST LTD.. UNIT B6, ALADDIN WORKSPACE, LONG DRIVE. GREENFORD. MIDDX. TEL: 01-575 6499 WHERE SERVICE COUNTS. Like ours, their word is their bond. Filmbond, that is. Because in the two years that we've worked with them, they've done everything they said they would. They've looked after our films under maximum security conditions. Taken all the headaches of import and export procedures away. And dealt with all the problems of large volume servicing and storage. In other words, they've fulfilled all their promises. Just as we do.

GOLDCRESTIS FULFILLING THE PROMISE. Page 24 Screen International Saturday 10th September 983 PDS and FSsetfilm two elements of Filmbond group PRODUCER Distributor Services "The situation is that we cater holidays for you if you want!" (PDS) is the name given to the for a lot of clients buying some- "service" element within the thing like three million feet of film FLEETFILM, the freight/courier Filmbond group. per year. Somebody on their own aspect of the Filmbond set-up, might need 10 prints a year from a is devoted entirely lo freighting to PDS undertake jusi about the film industry. anything a producer or distributor lab, check the price list and pay the could want, from repair of prints, asking price accordingly. We have "We think ii is a great strength trailers, censorship requirements, the collective strength to get the of the company thai we are preparing and grading of trade best deal for him. handling only film or television show prints, mastering of videos "Of course nobody subsidises and video jobs," savs Bill Ingram. and negotiation with labs. anyone else, bin thai kind of "An ordinary freighi company As Bill Ingram puts it, with collective strength makes a just isn't going to give the same revealing honesty: "All the bits difference." special attention lo a producer or that nobody really warns 10 PDS are particularly proud of distributor's needs. We know touch." their work in the print exactly how important any item A client may take all or any ol' rejuvenation area, which has ihat needs to be freighted actually the services on offer, of which a assured an increasingly important is. Thai makes a big difference to sample might be getting the best role. ilie client, who feels as though deal from a lab. Ingram suggests "Money is scarce," savs we're talking the same language." just why it might be a good idea to Ingram, "and striking new prints do the negotiations though PDS: is an expensive business. In our Fraught area "My background is in labs. I labs we can make an awful lot of know the way they work, I know improvements, a job which could what they can do. When ii conies end up saving a lot of money. Fleet film do a completely to business we can gel better deals Many of the prints now on comprehensive job for the clieni, and better treatment. distribution in the UK come in including in the traditionally from the States, and arc worked on fraught area of customs clearance/ / by us. Obviously we will throw out "Freighi is a very, very difficult STARVIEW anything that is beyond repair, bui fore is security. are monitored closely at all times, • Filmbond's freight/courier business," says Ingram, "and it and prints leaving ihe warehouse The Cable Television ai least then the distributor is saved simply pays to have experts lake Obviously the casual nature with arm Fleetfilm and PDS, the the cost of paying duty on an which prints used sometimes to be for screenings in town are closely- "service element. Channel from care of ii for you. Supposing you guarded. unusual print." want to take a film into Turkey, stored was a situation thai "It's someihing thai wasn't at REDIFFUSION Ingram is shortly hoping to and you gel ii all the way there and potential pirates welcomed, ilie There has never been a break-in the front of our minds when we congratulates announce some new developments find you haven't got the right theft of prints being one of the key of any kind ai the Filmbond started," says Ingram, "but we are in the area of print maintenance, customs certificates. We can do all areas for piracy. warehouse. delighted to find that it has come FILMBOND an area which he feels has up to that. It lakes the worry out of the The storage of prints in the With video now accounting for a to the fore. on their success now been neglected. whole business.". "We don'i believe it would be PDS offer a wide range of Filmbond warehouse gives the significant amount of Filmbond's and wishes them good luck ONE ASPECT of the Filmbond added boosl of so-far guaranteed operation, clearly security is a key reasonably possible to take better services — as Ingram lias put it in care of material than we do." tor the future the past: "We'll even book your operation which has come to the security. All warehouse premises aspect of the operation.

Don Getz simply says Thank you Filmbond OUR HOME AWAY FROM HOME

IS BILL ALAN NORMAN MARTIN JOHN FILMBOND GERRY PIP RON KEITH

Irwin Shapiro - Films Around The World, Inc. PLAYP0NT FILMS LIMITED 745 Fifth Avenue, New York, N.Y. 10151 (212) 752 5050 Telex 662468 FILMUW 47 Dean Street Telephone: 01-734 7792 London WlV 5HL Telex: 21120 Quote Ref: 1194

AH.iarliCinn fpature The Latest Bond!

We offer our best wishes to Bill Ingram and his team who have made The Filmbond Group of Companies one of the foremost service organisations to the film and video industries. Rank Film Laboratories are delighted to be associated with that success.

RANK FILM LABORATORIES (U.K.) North Orbital Road.Denham.Uxbridge. (U.S.A.) Technical Services. 1015NorthCahuenga. Middlesex UB95HQ. Tel.0895 832323.Telex934704. Holly wood.C.A.90038 Telex 691600. Tel.213 469 9094. Congratulations to Filmbond Services (London) Ltd., On The Successful Completion Of Their New — Warehouse Premises. —

fconoM arom manufacturing suppliers of their purpose built storage equipment and systems. STANDARD PRODUCT RANGE • Long Span Shelving (Strongspan). • Pallet Racking (Stronglock). • Mezzanine Platforms. • Live Storage Systems. kom AGFA-GEVAERT • Drive In Racking. • Security Partitioning. Motion l^ictute. t^bhion • Office Partitioning. Planned Storage. • Two Tier. Purpose designed storage installation with upper level zuulkzcavs overcome space problems for Filmbond Services (London) Ltd.

AGFA-GEVAERT LIMITED (Motion Picture Division) Planned Storage Systems Limited Serving the world of television and motion pictures Unit Four, Bulls Bridge Industrial Estate, 27 Great West Road, Brentford, Middlesex TW8 9AX EI ^ Hayes Road, Southall, Middlesex, UB2 5NB. Telephone 01-560 2131 VO Tel: 01-848 3421 Telex: 895 1307 STORAK-G AGFA-GEVAERT Members of Storage Equipment Manufacturer's Association BMF Bayly, Martin <£ Fay § (Entertainment) Ltd. International Insurance Brokers Congratulations to Bill Ingram on Filmbond II Our very best wishes for continued success

32(111 Wilshire Boulevard. Los Angeles. California. Tel: 1213) 736-96111) Hraintree House. Braintree Road. Rutslip. Middlesex HA4 OYA, England. Tel: 111-841 4461 CONGRATULATIONS TO FILMBOND

FOR YOUR ^jp® SUCCESS

Ilya Salkind and Pierre Spengler Page 28— Screen International Saturday 10th September 1983 The Bond

hnrf My*fi 11l|)l f IM. Iiuemaaonal SJuppm A Formmr^m n Farm Induurul Eu»le. NorthumberUnd Ctac. Sunwell. Suinet. MiddleMi TW19 7US Tel: Ashlonl (Middx) 42961 grows Cablet: Myihip Suines Tele*: 22112 An.wtrt«c» Myihip G Reentered in Encbad No: WTO stronger BERNARD MYERS SHIPPING LTD CONGRATULATE FILMBOND SERVICES ON THE SUCCESS OF THEIR VENTURE AND THANK THEM FOR THEIR SUPPORT.

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oFilmbonn their further expansiod n SERVICE WITH A SMILE Thames Television International congratulates Filmbond on the opening of its second bonded warehouse.

INTERNATIONAL Thames Television International Limited 149 Tottenham Court Road London W1P 9LL England Tel 01 387 9494 Telex 22816 or 25286

Congratulations to = Filmbond = on your expansion Friendly competition is always good for the business

>^CINTERNATIONAL TECHNICAL CO-ORDINATION SERVICES

CULLUM HOUSE, NORTH ORBITAL ROAD, OENHAM, UXBRIDGE, MIDDLESEX, UB9 5HL UNIVERSAL PICTURES M congratulates FILMBOND ON THEIR EXPANSION ON THE OPENING OF THE NEW BONDED WAREHOUSE