Race and Anticompetitive Markets

Total Page:16

File Type:pdf, Size:1020Kb

Race and Anticompetitive Markets Working Paper: DRAFT – DO NOT CITE Race, Markets, and Hollywood's Perpetual Antitrust Dilemma Hosea H. Harvey* This Article focuses on the oft-neglected intersection of racial bias and anti-competitive markets. Applying theory to practice through historical, contextual, and empirical analysis, the Article describes the state of Hollywood motion-picture distribution from its anti-competitive beginnings through the industry’s role in creating an anti-competitive, racial impasse at the end of the last century. The Article demonstrates through empirical analysis that race-based inefficiencies have plagued the film distribution process and that such inefficiencies were caused primarily by the anti-competitive structure of the market itself, and not merely by overt or intentional racial-discrimination. After explaining why traditional anti-discrimination laws would be ineffective remedies for such inefficiencies, solutions are framed through antitrust remedies and market mechanisms. *Assistant Professor of Law and Political Science, Temple University, Beasley School of Law. J.D. (2000), Stanford Law School; Ph.D. (Political Science) (2005), Stanford University. INTRODUCTION Some years ago, despite a strong script and a leading black entertainer behind the project, every major Hollywood studio rebuffed production of the feature-film Amistad-- leaving Steven Spielberg’s DreamWorks SKG studio as the only viable option.1 It seemed that Amistad was somehow coded for “blacks only” as if its commercial fate rested solely in the hands of African-Americans while being automatically and uniformly rejected by the rest of the U.S. population, white Americans in particular. 1 The executives who refused had comments ranging from “No one is interested in this” to the more succinct “Slaves on a ship. How revolting!” See, e.g., Donna Bailey Nurse, A Tale of Two Ships Launched in Hollywood, THE GLOBE AND MAIL (Toronto), March 27, 1998. 2 Amistad’s release was eventually widened to more than 500 theaters, but barely so. 3 Studying the real-life consequences of racial bias in these markets is not an entirely new phenomenon, 1 Working Paper: DRAFT – DO NOT CITE Dogged persistence and an army of A-list industry leaders eventually found a production home for Amistad. But once a film is produced, control over its box-office potential and market success shift to Hollywood’s highly consolidated marketing and distribution regimes. So what might we expect from a lavishly filmed Spielberg release attached to well-recognized actors? If you were to imagine a marketing blitz followed by a massive, nationwide release, you would be very wrong. Instead, Amistad was shuttled to as few theaters as humanly possible, all things considered. The theory, as set out above, was that consumer demand for the product was nil. Yet Amistad grossed $14,192 per screen at 322 theaters during its first week of release in the post- Thanksgiving season.2 By comparison, in their first weeks of release, The Truman Show grossed $13,606, Air Force One grossed $12,709 and Armageddon generated $11,544 per screen. Yet, because a movie like Armageddon was initially distributed to nine times as many theaters as Amistad, its opening weekend box office grosses were significantly higher. What might explain this seemingly inefficient result? In this Article, I argue that racially biased market outcomes are long-standing consequences and characteristics of industries that lack competition. So to solve these biases, competition, market forces, and antitrust law – not traditional anti-discrimination regimes – will provide the best remedies. This Article examines race bias in an unfamiliar context – outside of the familiar rubric of traditional anti-discrimination regimes. In doing so, it treads on relatively unfamiliar ground. Law scholars have not given adequate attention to a fairly significant problem – the fact that non-competitive markets fuel inefficient and racially biased outcomes – not just in the labor market, but also especially in economic 2 Amistad’s release was eventually widened to more than 500 theaters, but barely so. 2 Working Paper: DRAFT – DO NOT CITE outcomes relating to production, creation, and distribution of goods and services.3 When we move beyond racial-disparities in the traditional employer/employee relationship, what becomes of racial bias in the transactional marketplace? In these markets where we see a sort of anti-competitive racial impasse, how can we more easily determine whether racial inequities remain, what causes them, and how the law can eliminate them? This Article proceeds as follows. First, I examine the broad contours of existing race-bias scholarship. Next, I trace the development of the Hollywood production and distribution system, with an eye toward the role that a lack of competition might play in structuring racially stratified outcomes. Then, I turn toward the modern pre-video-on- demand (pre-VOD) era, specifically the contextual role that race (and to a lesser extent, gender) played in feature film distribution between the years 1991 and 2000. Through econometric modeling of race, distribution, and outcomes data, I attempt to determine the extent of a race-based injury being caused by non-competitive distribution market forces.4 The data shows that race-bias is indeed a driving force of distribution decisions, and likely rooted primarily in a lack of competition, although such decisions must also be contextualized within a prior history of explicit racial preferences and/or racial animus. Therefore, a review of anti-discrimination remedies shows why antitrust law 3 Studying the real-life consequences of racial bias in these markets is not an entirely new phenomenon, but is still a largely undeveloped field. Ian Ayres is among leaders in the field and has made many important contributions. Prior to his widely cited car audit experiment, few legal scholars had broached the subject. See, e.g., Ian Ayres & Peter Siegelman, Race and Gender Discrimination in Bargaining for a New Car, 85 AM. ECON. REV. 304 (1995). See also IAN AYRES, PERVASIVE PREJUDICE? UNCONVENTIONAL EVIDENCE OF RACE AND GENDER DISCRIMINATION (2001). 4 As the Article explains later, the data gathered herein includes a series of gender-related variables. Although gender (standing alone) is not fully discussed here, except in contrast to race, the discussion of how gender differs from race in this framework will be the subject of a subsequent article. 3 Working Paper: DRAFT – DO NOT CITE and market-forces provide a more robust analytical framework for the problem.5 Finally, I offer tentative conclusions, next steps, and discuss areas of uncertainty. The difficulty in connecting antitrust injury and racial outcomes in this Article is underscored by a frank scholarly admission: “there seems to be a widespread, implicit belief (at least among white males) that race and gender discrimination is not a serious problem” in markets defined by products, not workers.6 Accordingly, legal scholars have engaged in few studies of the role that race plays in structuring modern marketplace interactions between seller and buyer and the overall racially polarized structure of market movements within industries.7 This lack of credible information, particularly regarding the role of race in structuring decisions about what to sell, and to whom, is troubling if one cares about remedying modern commercial racial bias. Therefore, the goals of this Article are twofold – (1) to move further toward engaging market-wide and antitrust scholarship with the empirical analysis of discrimination and (2) to highlight an underdeveloped area of legal study – solving the harms resulting from markets where race plays an important, but difficult to identify role in shaping market outcomes. 5 My concerns in this Article focus on identifying harms in a market that is not operating at maximum efficiency. In a different article, one might solve for problems of bias in markets where such bias is indeed efficient – at least with respect to profit maximization. 6 AYRES, supra note ** at 3. 7 See, e.g., Ian Ayres et. al., supra note ** (noting “almost no one has tested whether consumers’ taste for discrimination might be directed at a seller’s race itself (or the race of a seller’s employees). This failure to test is unjustified.”) 4 Working Paper: DRAFT – DO NOT CITE I. BIAS AND THE SCHOLARLY PATH NOT TAKEN More than forty-five years after President Johnson signed the Civil Rights Act of 19648 in an effort to forthrightly reduce bias in the United States, the commercial marketplace and large organizations have improved with respect to overall levels of racial bias. But marketplace dealings with respect to race are still far from perfect. Certainly the Civil Rights Act of 1964, its progeny, and sisters at the state and local level were necessary to combat a legacy of de jure and de facto inequality.9 These anti- discrimination remedies substantially eroded discrimination in public and private life – by penalizing employers, governments, and individuals who discriminated. Although much work remains to be done, overt manifestations of racial prejudice have declined to the point where old-fashioned intentional discrimination is harder to find, despite our awareness that racial inequalities remain.10 In place of the old prejudice, new and more difficult to reach racial problems are challenging our assumptions about how law can fully eradicate bias in the United States – particularly in commerce. In more recent times, questions of how racial bias should be mitigated have moved beyond political and formal integration to more intractable questions about how racial minorities are incorporated into the cultural and economic fabric of American life. These more intractable questions are difficult to answer because research pointing in the direction of answers is scarce. Further, well-intentioned actors who are unintentionally biased or 8 Pub. L. No. 88-352, 78 Stat. 241; 42 U.S.C. Sec. 2000a to 2000h-6. 9 See, e.g., JOHN HOPE FRANKLIN AND A. A. MOSS, FROM SLAVERY TO FREEDOM: A HISTORY OF NEGRO AMERICANS (New York: A.A.
Recommended publications
  • Race, Markets, and Hollywood's Perpetual Antitrust Dilemma
    Michigan Journal of Race and Law Volume 18 2012 Race, Markets, and Hollywood's Perpetual Antitrust Dilemma Hosea H. Harvey Temple University, James E. Beasley School of Law Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Antitrust and Trade Regulation Commons, Civil Rights and Discrimination Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Race Commons Recommended Citation Hosea H. Harvey, Race, Markets, and Hollywood's Perpetual Antitrust Dilemma, 18 MICH. J. RACE & L. 1 (2012). Available at: https://repository.law.umich.edu/mjrl/vol18/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. RACE, MARKETS, AND HOLLYWOOD'S PERPETUAL ANTITRUST DILEMMA Hosea H. Harvey* This Article focuses on the oft-neglected intersection of racially skewed outcomes and anti-competitive markets. Through historical, contextual, and empirical analysis, the Article describes the state of Hollywood motion-picture distributionfrom its anti- competitive beginnings through the industry's role in creating an anti-competitive, racially divided market at the end of the last century. The Article's evidence suggests that race-based inefficiencies have plagued the film distribution process and such inefficiencies might likely be caused by the anti-competitive structure of the market itself, and not merely by overt or intentional racial-discrimination.After explaining why traditional anti-discrimination laws are ineffective remedies for such inefficiencies, the Article asks whether antitrust remedies and market mechanisms mght provide more robust solutions.
    [Show full text]
  • Copyrighted Material
    9781405170550_6_ind.qxd 16/10/2008 17:02 Page 432 INDEX 4 Little Girls (1997) 93 action-adventure movie 147, 149, 254, 339, 348, 352, 392–3, 396–7, 8 Mile (2002) 396–7 259, 276, 287–8, 298–9, 410 402–3 20th Century-Fox 21, 30, 34, 40–2, 73, actualities 106, 364, 410 Against All Odds (1984) 289 149, 184, 204–5, 281, 335 ACT-UP (AIDS Coalition to Unleash Agar, John 268 25th Hour, The (2002) 98 Power) 337, 410 Aghdashloo, Shohreh 75 27 Dresses (2008) 353 ADA (Americans with Disabilities Act) Ahn, Philip 130 28 Days (2000) 293 398–9, 410 AIDS 99, 329, 334, 336–40 48 Hours (1982) 91 Adachi, Jeff 139 AIDS Coalition to Unleash Power see 100-to-1 Shot, The (1906) 174 Adams, Evan 118–19 ACT-UP 300 (2007) 74, 298, 300 ADC (American-Arab Anti- AIM (American Indian Movement) 111, Discrimination Committee) 73–4, 116–17, 410 Abbott and Costello 268 410 Air Force (1943) 268 ABC 340 Addams Family, The (1991) 156 Akins, Zoe 388–9 Abie’s Irish Rose (stage) 57 Addams Family Values (1993) 156 Aladdin (1992) 73–4, 246 Abilities United Productions 384 Adiarte, Patrick 72 Alba, Jessica 76, 155, 159 ability 359–84, 410 adult Western 111, 410 Albert, Eddie 72 ableism 361, 381, 410 Adventures of Ozzie & Harriet, The (TV) Albert, Edward 375 Abominable Dr Phibes, The (1971) 284 Alexie, Sherman 117–18 365 Adventures of Priscilla, Queen of the Algie, the Miner (1912) 312 Abraham, F. Murray 75, 76 COPYRIGHTEDDesert, The (1994) 348 MATERIALAli (2001) 96 Academy Awards (Oscars) 29, 58, 63, Adventures of Sebastian Cole, The (1998) Alice (1990) 130 67, 72, 75, 83, 92, 93,
    [Show full text]
  • Through the Lens of Critical Race Theory
    AN ANALYSIS OF DUVERNAY’S “WHEN THEY SEE US” THROUGH THE LENS OF CRITICAL RACE THEORY by Uwode Ejiro Favour A Thesis Submitted in Partial Fulfillment for the Requirements for the Degree MASTER OF ARTS Major Subject: Communication West Texas A&M University Canyon, TX May 2020 APPROVED: ___________________________ Date: _____________________ Chairperson, Thesis Committee ___________________________ Date: _______________________ Member, Thesis Committee ___________________________ Date: _______________________ Member, Thesis Committee _________________________________ Date: ___________________ Head, Major Department _________________________________ Date: ___________________ Dean, Graduate School ABSTRACT The film series, When They See Us, has been the most popular four part mini- series on Netflix since its release in 2019. It was produced and directed by Ava DuVernay and it touches upon true events that happened in 1989 at Central Park. The series presents the story of five black and brown boys and their brutal experiences in the hands of the American justice system. Kevin Richardson, Korey Wise, Raymond Santana, Yusef Salam, and Antron McCray were all fourteen to sixteen years old when they were accused of raping and brutalizing Trisha Meili at Central Park. DuVernay crafts scenes that are raw and horrifying but points to the lived experiences of people of color in America. The purpose of this thesis was to explore Ava DuVernay’s movie, When They See Us and its portrayal of the bias nature of the criminal justice system in America against people of color. This study sought to explore the connection of microaggressions and racism to police brutality against people of color in the United States. By using both critical race theory and standpoint theory, the study analyzes the experiences of the men of color in the movie as it relates to racism and judicial inequality, and how this directly reflects the experiences of people of color within the American society.
    [Show full text]
  • Scary Movies at the Cudahy Family Library
    SCARY MOVIES AT THE CUDAHY FAMILY LIBRARY prepared by the staff of the adult services department August, 2004 updated August, 2010 AVP: Alien Vs. Predator - DVD Abandoned - DVD The Abominable Dr. Phibes - VHS, DVD The Addams Family - VHS, DVD Addams Family Values - VHS, DVD Alien Resurrection - VHS Alien 3 - VHS Alien vs. Predator. Requiem - DVD Altered States - VHS American Vampire - DVD An American werewolf in London - VHS, DVD An American Werewolf in Paris - VHS The Amityville Horror - DVD anacondas - DVD Angel Heart - DVD Anna’s Eve - DVD The Ape - DVD The Astronauts Wife - VHS, DVD Attack of the Giant Leeches - VHS, DVD Audrey Rose - VHS Beast from 20,000 Fathoms - DVD Beyond Evil - DVD The Birds - VHS, DVD The Black Cat - VHS Black River - VHS Black X-Mas - DVD Blade - VHS, DVD Blade 2 - VHS Blair Witch Project - VHS, DVD Bless the Child - DVD Blood Bath - DVD Blood Tide - DVD Boogeyman - DVD The Box - DVD Brainwaves - VHS Bram Stoker’s Dracula - VHS, DVD The Brotherhood - VHS Bug - DVD Cabin Fever - DVD Candyman: Farewell to the Flesh - VHS Cape Fear - VHS Carrie - VHS Cat People - VHS The Cell - VHS Children of the Corn - VHS Child’s Play 2 - DVD Child’s Play 3 - DVD Chillers - DVD Chilling Classics, 12 Disc set - DVD Christine - VHS Cloverfield - DVD Collector - DVD Coma - VHS, DVD The Craft - VHS, DVD The Crazies - DVD Crazy as Hell - DVD Creature from the Black Lagoon - VHS Creepshow - DVD Creepshow 3 - DVD The Crimson Rivers - VHS The Crow - DVD The Crow: City of Angels - DVD The Crow: Salvation - VHS Damien, Omen 2 - VHS
    [Show full text]
  • {FREE} Showrunners : How to Run a Hit TV Show Ebook, Epub
    SHOWRUNNERS : HOW TO RUN A HIT TV SHOW PDF, EPUB, EBOOK Tara Bennett | 240 pages | 02 Sep 2014 | Titan Books Ltd | 9781783293575 | English | London, United Kingdom Showrunners : How to Run a Hit TV Show PDF Book Good insight, but essentially just a transcript of the documentary of the same name. Open Preview See a Problem? The doorbell dings. TV ratings are a real measure of a showrunner's success. The film intends to show audiences the huge amount of work that goes into making sure their favorite TV series airs on time as well as the many challenges that showrunners have to overcome to make sure a new series makes it onto the schedules at all! In the past few years, the recognition of the showrunner has grown exponentially. Other Septembers, Many Americas. Find books coming soon in But taking the culmination of a half-dozen answers of a few lines each to a question, still gives Showrunners by Tara Bennett is a companion books to the documentary "Showrunners: The Art of Running a TV Show. If you are at all interested in becoming a writer for TV or for film, this book is for you. It's a great read and adaptation of of the documentary. Blood Brothers. Plus you can tell they both really CARE. Very interesting insight of showrunning and the tv show industry. I Told You So. Find lots more television-related content on the next page. I'm excited to watch the doc that goes along with it. These people are responsible for creating, writing and overseeing every element of production on one of the United State's biggest exports - television drama and comedy series.
    [Show full text]
  • Sombrero's Franchise Brochure R5
    Site Guidelines • Space: 1,000 to 2,500 SF High Visibility End Cap, or Free Standing locations with Drive-Thru preferred, footprint flexible. Fas Facts: • Location: In-line and non-traditional locations such as food FOUNDED: Originally founded in courts and co-tenancy locations will be considered. the 1960s then expansion growth Designated patio area preferred. Location with prominence in in 1984 given trade area. INVESTMENT RANGE: • Visibility: 25 foot minimum frontage. Site and signage highly $173,800 to $1,197,300 visible from trac, 500’ from two directions. FRANCHISE FEE: $30,000 • Access: Easy access, Signaled entry, 2-3 curb cuts to parking R from street in both directions, left turn unobstructed. TERRITORY: Exclusive areas • Signage: Prominent building signage at main entry, additional available for Multi Unit freestanding signage. Development • Trac Generators: High density oce buildings, hospitals, FOOTPRINT: 1,000-2,500sq/ft; Universities, high frequency specialty retail, theaters, inline, end cap, DT “Lifestyle” centers, Tourist destinations. CURRENT LOCATIONS: PREFERRED DEMOGRAPHICS 3 MILE RADIUS 18 locations throughout San Diego, • Residential population: Minimum 80,000 Southern California and one in • Day time population: 20,000 Arizona • H/H Income Average: $50,000+ • Trac: Minimum 25,000 cars per day immediate drive Franchise Information Utility Guidelines • Liquid Net Worth: $100,000 • HVAC – One ton per 300 square feet of floor space and 35 BTU of heating per square foot • Net Worth Per Restaurant: $250,000 of floor space. • Experience: Business or restaurant experience preferred • Electrical - 200 amp (minimum) 120/208V • Multi unit ADA: yes to qualified operators 4 phase 3 wire power panel.
    [Show full text]
  • Recommend Me a Movie on Netflix
    Recommend Me A Movie On Netflix Sinkable and unblushing Carlin syphilized her proteolysis oba stylise and induing glamorously. Virge often brabble churlishly when glottic Teddy ironizes dependably and prefigures her shroffs. Disrespectful Gay symbolled some Montague after time-honoured Matthew separate piercingly. TV to find something clean that leaves you feeling inspired and entertained. What really resonates are forgettable comedies and try making them off attacks from me up like this glittering satire about a writer and then recommend me on a netflix movie! Make a married to. Aldous Snow, she had already become a recognizable face in American cinema. Sonic and using his immense powers for world domination. Clips are turning it on surfing, on a movie in its audience to. Or by his son embark on a movie on netflix recommend me of the actor, and outer boroughs, leslie odom jr. Where was the common cut off point for users? Urville Martin, and showing how wealth, gives the film its intended temperature and gravity so that Boseman and the rest of her band members can zip around like fireflies ambling in the summer heat. Do you want to play a game? Designing transparency into a recommendation interface can be advantageous in a few key ways. The Huffington Post, shitposts, the villain is Hannibal Lector! Matt Damon also stars as a detestable Texas ranger who tags along for the ride. She plays a woman battling depression who after being robbed finds purpose in her life. Netflix, created with unused footage from the previous film. Selena Gomez, where they were the two cool kids in their pretty square school, and what issues it could solve.
    [Show full text]
  • One South by Eric Mills
    October 28, 2003 THE RETRIEVER WEEKLY FEATURES Page 23 New Barry Trotter And the Unnecessary Sequel Is A Potentially Necessary Read SUSAN ZAGAR Harry Potter movies to the results of the Retriever Weekly Staff over all outrage of Harry Potter, with Valumart, also known as “He Who It’s Barry Trotter, back with his side- Smells”, who decides he no longer wants kicks, Ermine Cringer and Lon Measly! to kill Barry Trotter, but instead becomes These names sound familiar, yet there’s a horrendously rich on the whole Barry something strange. That’s because it’s a Trotter franchise. work that has nothing and everything to One fun twist to the plot is where do with the Harry Potter Phenomenon Barry and his wife Ermine Cringer criti- started by JK Rowling years ago. Yes, cize and ridicule their son Nigel, because this is Barry Trotter and the Unnecessary he isn’t magical. This makes for an inter- Sequel, the spoof of the Harry Potter esting take on Harry Potter. What would books, written by Michael Gerber, author he be like as a parent if his kid had no of Barry Trotter and the Unauthorized magical powers? Would he be relieved Parody. that no one would try to kill him or would Courtesy of Miramax Films The Unnecessary Sequel is a neces- he treat him as horribly his aunt and uncle Cutting It Close: Watching the third Scary Movie makes for a hairy experience as sary read for die-hard fans of the Harry treated him? An interesting thought, classic spoofster David Zucker takes the reins.
    [Show full text]
  • Scary-Movie-2.Pdf
    "SCARY MOVIE 2" Screenplay by Shawn Wayans, Marlon Wayans, Alyson Fouse, Greg Grabianski Dave Polsky, Michael Anthony Snowden, & Craig Wayans FADE IN: INT. HOUSE -- LIVING ROOM -- NIGHT A party is winding down. Only a FEW GUESTS remain. They all are gathered around the piano. A YOUNG PRIEST, FATHER HARRIS, plays an old standard. Everyone sings along. A WOMAN in the group, mid-40's, conservative, really getting into the song, starts giving a soulful rendition, dropping to her knees ala James Brown. The song ends. Everyone cheers. Father Harris starts another. HARRIS Who knows this one?... (singing) "WHO LET THE DOGS OUT?!" They all join in. A YOUNG GIRL, MEGAN, enters the room. She watches the group. The group notices Megan and slowly stops singing. CLOSE ON: Megan. Her eyes seem vacant, almost like she is sleep walking. She mutters something. MEGAN You're going to die. The group looks confused. The young girl pees on the floor. Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library CLOSE ON: A WOMAN in the group, mid-40's. She is the girl's MOTHER. The mother apologizes to her guests. MOTHER I'm sorry. She's been really sick. CLOSE ON: Megan. THWACK!! She is smacked on the head by a rolled newspaper. REVEAL: Mom holding the newspaper. She shoves Megan's head into the pee and rubs her nose in it as she continues to whack her with the newspaper. MOTHER No! Bad girl! Bad girl! DISSOLVE TO: EXT. HELL HOUSE -- NIGHT The street is covered in thick fog.
    [Show full text]
  • Mccs Theater Schedule
    MCCS THEATER SCHEDULE May 2013 Wednesday 22 7 p.m. Oblivion Friday 24 7 p.m. Scary Movie 5 Saturday 25 7 p.m. Oblivion Wednesday 29 7 p.m. Pain & Gain Friday 31 7 p.m. The Big Wedding June 2013 Saturday 01 7 p.m. Pain & Gain Wednesday 05 7 p.m. Iron Man 3 3D Friday 07 7 p.m. Mud Saturday 08 7 p.m. Iron Man 3 3D Evil Dead Cast: Jane Levy, Shiloh Fernandez, Jessica Lucas, Lou Taylor Pucci, Elizabeth Blackmore Rated: R Story type: Horror Run time: 91 min Synopsis: In the much anticipated remake of the 1981 cult-hit horror film, five twenty-something friends become holed up in a remote cabin. When they discover a Book of the Dead, they unwittingly summon up dormant demons living in the nearby woods, which possess the youngsters in succession until only one is left intact to fight for survival. 42 Cast: Harrison Ford, Jon Bernthal, Christopher Meloni, Nicole Beharie, Jud Tylor Rated: PG-13 Story type: Drama Run time: 128 min Synopsis: Academy Award winner Brian Helgeland ("L.A. Confidential") wrote and directed the drama "42," starring Chadwick Boseman ("The Express") and OscarR nominee Harrison Ford ("Witness").Hero is a word we hear often in sports, but heroism is not always about achievements on the field of play. "42" tells the story of two men-the great Jackie Robinson and legendary Brooklyn Dodgers GM Branch Rickey-whose brave stand against prejudice forever changed the world by changing the game of baseball. In 1946, Branch Rickey (Harrison Ford) put himself at the forefront of history when he signed Jackie Robinson (Chadwick Boseman) to the team, breaking Major League Baseball's infamous color line.
    [Show full text]
  • Sports Emmy Awards
    Sports Emmy Awards OUTSTANDING LIVE SPORTS SPECIAL 2018 College Football Playoff National Championship ESPN Alabama Crimson Tide vs. Georgia Bulldogs The 113th World Series FOX Houston Astros vs Los Angeles Dodgers The 118th Army-Navy Game CBS The 146th Open NBC/Golf Channel Royal Birkdale The Masters CBS OUTSTANDING LIVE SPORTS SERIES NASCAR on FOX FOX/ FS1 NBA on TNT TNT NFL on FOX FOX Deadline Sunday Night Football NBC Thursday Night Football NBC 8 OUTSTANDING PLAYOFF COVERAGE 2017 NBA Playoffs on TNT TNT 2017 NCAA Men's Basketball Tournament tbs/CBS/TNT/truTV 2018 Rose Bowl (College Football Championship Semi-Final) ESPN Oklahoma vs. Georgia AFC Championship CBS Jacksonville Jaguars vs. New England Patriots NFC Divisional Playoff FOX New Orleans Saints vs. Minnesota Vikings OUTSTANDING EDITED SPORTS EVENT COVERAGE 2017 World Series Film FS1/MLB Network Houston Astros vs. Los Angeles Dodgers All Access Epilogue: Showtime Mayweather vs. McGregor [Showtime Sports] Ironman World Championship NBC Deadline[Texas Crew Productions] Sound FX: NFL Network Super Bowl 51 [NFL Films] UFC Fight Flashback FS1 Cruz vs. Garbrandt [UFC] 9 OUTSTANDING SHORT SPORTS DOCUMENTARY Resurface Netflix SC Featured ESPNews A Mountain to Climb SC Featured ESPN Arthur SC Featured ESPNews Restart The Reason I Play Big Ten Network OUTSTANDING LONG SPORTS DOCUMENTARY 30 for 30 ESPN Celtics/Lakers: Best of Enemies [ESPN Films/Hock Films] 89 Blocks FOX/FS1 Counterpunch Netflix Disgraced Showtime Deadline[Bat Bridge Entertainment] VICE World of Sports Viceland Rivals:
    [Show full text]
  • Displays Are 'Points of Interest'
    Project1:Layout 1 6/10/2014 1:13 PM Page 1 Golf: Morikawa wins British Open for second major / B1 MONDAY TOD AY C I T R U S C O U N T Y & ne t morning HIGH 92 LOW P artly sunny wit scattered stor s. 72 PAGE A4 www.c ronicleonline.co JULY 19, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 285 NEWS BRIEFS Displays are ‘points of interest’ Hepatitis A, COVID shots F ait Lut eran County libraries would be ‘warehouse of books’ without them, says director C urc is ostin t e MIKE WRIGHT “There wouldn’t be anything in Pride Month. Now in his 26th year with the Healt e art ent at Staff writer there, basically a warehouse of Commissioners in general re- library system, Head is both a 9 a. ., h ursday, books,” Eric Head, director of Cit- sponded that library displays fierce defender of the library and J uly 2 , to ad inister Imagine walking into a grocery rus County Libraries, said in an should avoid taking political sides its biggest cheerleader. h e atitis and store with no displays — just rows interview. and be fair to all groups. And considering he deals with C V I D -1 b ot Mod- and rows of shelved food. Nothing Head finds himself grappling Head is a fifth-generation Cit- diverse printed material, he erna and o nson and to draw in the shoppers’ interest. with that issue in recent weeks as rus Countian who grew up in knows not everyone will be happy J o nson vaccina- Now imagine the same thing at some in the community ques- Homosassa and spent his days with what they see inside the tions.
    [Show full text]