Nicholas Scott Tenor

Praised for his ‘sonorous timbre’ and ‘remarkable diction’, (Olyrix Le Stagioni: une saison d’hiver à Semur-en-Auxois 2018) Nicholas is a British Tenor with a busy international schedule, and extensive experience in the field of Early Music. Recent engagements include a return to Zurich to perform the role of Parque in Rameau’s under Emmanuelle Haim, a tour of Monteverdi’s L’Orfeo and performances with Cappella Mediterranea throughout Europe and South America, notably including Teatro Colon, Buenos Aires, Pagliardi’s Caligula, a concert and recording of Breve e la Vita Nostra with Vincent Dumestre and Le Poème Harmonique, Damon, Acis and Galatea with Damien Guillon and Le Banquet Céleste, Telemann’s Brockes Passion with Rapahel Pichon and Ensemble Pygmalion, Handel’s Messiah with Laurence Cummings and the Bournemouth Symphony Orchestra, Bach’s B Minor Mass with Sir Roger Norrington, Charpentier’s La Decent d’Orphée aux enfers with Sébastien Daucé and Monteverdi’s Selve Morale with William Christie and Paul Agnew with Les Arts Florissants. Other Highlights include a programme of Charpentier, Filius, Filius Prodigus and Tiburtius Caecilia virgo et martyr under William Christie, Evangelist in the St Matthew Passion with Masato Suzuki and Bach Collegium Japan and again with Laurence Cummings at The London Handel Festival, Lully’s Cadmus et Hermione with Opera de Royal de Versailles, King Arthur at the Zurich Opera, a concert of motets by Bouteiller and Brossard entitled Maîtres du Motet Français with Les Arts Florissants and Paul Agnew, King Arthur with Brisbane Baroque, a programme of Bach Cantatas with Queensland Symphony Orchestra and Charpentier’s Médée under William Christie at Zurich Opera. Nicholas recently completed performances and recording of Monteverdi’s L’Orfeo at the Royal Opera, Versailles with Cappella Mediterranea. Upcoming engagements include performances with Le Poème Harmonique in Cavalli’s Egisto at Royal Opera in Versailles, Desmarets’ Didon with Le Concert Spirtituel at Théâtre des Champs-Elysées, as well as returning to Purcell’s King Arthur in a European tour 2021.

Nicholas’ discography includes the roles of St Pierre in Marc-Antoine Charpentier’s Le reniement de St. Pierre and the role of Isaac in Le sacrifice d’Abraham for La Nuova Music and Harmonia Mundi USA, and to be released, a recording as the Haute Contre soloist, of motets by Bouteiller and Brossard with Les Arts Florissants and Paul Agnew.

Spring 2020

www.clbmanagement.co.uk [email protected] V418, Vox Studios, 1-45 Durham Street, London SE11 5JH Phone: +44 (0) 20 3176 9295