HAVANA CROSSING HAVANA CROSSING "In Havana, the past, like no place on earth, lives side by side with contemporary life. Here, architecture, design, society and geography create a unique inspirational style. In that context, Stanley Furniture’s Havana Crossing™ is authentic to Cuba and its culture. With careful attention to detail this furniture collection has been designed with forms and materials inspired by the outstanding universal value of Havana — one of the world’s most beautiful cities and one that is recognized as a UNESCO World Heritage Site."

Victor Marin Retired UNESCO Staff, Architect, Professor and Heritage Preservationist Havana, Cuba

5 "My grandfather was captivated by Cuba, from 1936 when he first established casino resort operations in Havana, through the 1950s when travel to Cuba came alive. He loved the food, the music, the culture and the people of Havana. I hope you enjoy this spirit captured faithfully in Stanley Furniture’s Havana Crossing™.”

Meyer Lansky, II Grandson of Meyer Lansky, Founder of the Hotel Havana Riviera South Lake Tahoe, California

6 7 9 INTRODUCTION

Most people who grow up north of Miami-Dade County learn only the basics about Cuba and its tumultuous history. Yet, a mere ninety miles from Key West, across the Straits of Florida, lies an island nation — larger than all the other islands of the Caribbean combined — with a story that would seem inconceivable were it not true. Today, Cuba is at once frozen in time, while also, increasingly, crossing paths with the digital age of the Western world.

Thanks to the expertise of our guides, Dr. Justin White, Roberto Giraudy, Yovani Santana Guerrero, Victor Avila and Victor Marin, over the course of fifteen months and three trips, our team experienced Havana from the vantage point of local experts with an eye on how five hundred years of history has shaped its culture, its aesthetic and its architecture. Glenn Prillaman, Rick Schroeder, Denis Kissane and I set out to distill that experience into an eclectic yet well-edited home furnishings collection that is both reflective of the Stanley Furniture design language and authentic to Cuba.

Cuba is home to some of the best-preserved Colonial architecture in the Americas. From the 16th century Morro Castle to the 18th century Palacio del Segundo Cabo, we found examples of Spanish, Roman, Greek, Italian and Moorish influence. Throughout the 19th century, neoclassical style developed a strong following in Cuba, and we saw that on prominent display in Havana’s Vedado neighborhood, which was founded in 1859.

Beyond its notoriety with other schools of design, the Vedado neighborhood — particularly the seven-block stretch of 23rd Street known as La Rampa — holds many of the world’s finest examples of midcentury modern architecture. We spent considerable time there, and in the Nuevo Vedado neighborhood, as part of our exploration into the roots of what many refer to as Cuba’s “Tropical Modernism”.

To that end, while Havana has long been known as one of the world’s few intact Spanish Colonial cities, what is less widely known is that it was primarily constructed in the first half of the 20th century. Largely through foreign investment — both

10 11 traditional and not-so-traditional, via the likes of elite members of the mafia such as Meyer Lansky, Santo Trafficante, Jr. and Lucky Luciano — Havana experienced rapid expansion and an incredible influx of wealth.

Thanks to the timing of its growth and the influence of cities such as Miami and Las Vegas, with which it competed for tourists, Havana took a leadership position at the forefront of modern architecture in Latin America. The way that Havana’s architects, who were largely Cuban, so deftly reconciled the simplicity of midcentury modern design with the city’s prevailing European Colonial architecture created a beautiful style that fit perfectly in its Caribbean environment and influenced other architects and designers around the world.

This creativity, the impact of foreign investment and the ensuing post-1959 isolation, has yielded a uniquely Cuban aesthetic that is unlike anything you will see throughout the world. The very harmony with which all of these styles, colors and textures coexist, shoulder to shoulder, cuts right to the heart of our design thesis and mission: to experience the full spectrum of Havana’s architectural and cultural landscape and synthesize that into a beautiful collection of wood residential furnishings.

Cuba is an extraordinary place. No book or photograph can prepare you for the enormity of what you see and feel upon arrival. The architecture, the landscape, the food, the music, the art and the people are all exceptional. To experience Havana and see, firsthand, remnants of what it was before the Cuban Revolution, what it is today, and to catch a glimpse of the gradual changes the entire country is undergoing is breathtaking, enchanting and, at the same time, haunting.

As relations between the United States and Cuba continue to thaw, one can only hope that the collective wisdom of six decades will prevail in protecting and preserving the country’s many architectural treasures. If the same level of energy, effort and resources that were invested in Havana’s boom era are even fractionally invested in its restoration, the city will most assuredly reclaim its 20th century moniker — the Paris of the Caribbean.

Randy Wells Vice President, Creative Stanley Furniture High Point, North Carolina

12 13 As a result of our extraordinary access to the city of Havana, we saw firsthand the resourcefulness and ingenuity of its people as they persevere through the political struggles between our two countries. Over the course of three trips to Cuba, we have gained a profound respect for the Cuban people and the pride they take in the unique character of their nation. As an expression of our sincere appreciation, Stanley Furniture will donate one percent of Havana Crossing™ profits to organizations committed to the preservation and restoration of the country’s architectural and cultural treasures.

Glenn Prillaman President & Chief Executive Officer Stanley Furniture High Point, North Carolina

14 15 2 3

THANK YOU

In no particular order, our team at Stanley Furniture would like to thank the following for their contributions:

Randy Wayne White for devoting your career to writing books that inspire, inform and entertain millions of people; for the tireless research you do in the name of accuracy, authenticity and the enrichment of your works; and for kicking open the door to our travels and research in Cuba. Information on Randy’s body of work can be found at www.randywaynewhite.com.

Justin White, Ph.D. for doing an exceptional job of organizing and leading each of our three expeditions to Cuba, for being a great friend to every member of our group and for taking us well off the beaten path, watching our backs in the process. Justin can be found at www.docfordscubaexpeditions.com. 1 Roberto Giraudy, Yovani Santana Guerrero and Victor Avila for welcoming us to your country with open arms; for your tireless efforts and the many late nights spent managing the Cuban side of our expeditions; and for setting us up in some of Havana’s best attractions.

Victor Marin for sharing with us the history of Cuba, its architecture and its people. Every step of the way, you went above and beyond to provide our team the knowledge necessary to design and develop a collection true to its inspiration. Your patience, kindness and insight played a tremendous role in bringing Havana Crossing™ to fruition.

Dani & Meyer Lansky, II for sharing with us your stories of Meyer Lansky, his love of Cuba and the time he spent in Havana, and also for your research efforts in our fact-finding mission on the Havana Riviera. Learn more about Meyer Lansky at www.officialmeyerlansky.com.

Our design and marketing team would like to extend a very special thank you to Steve Wolf, Larry Hagwood, Jerry Hall, 6 5 4 Richard Ledger, Thomas Luk and our entire manufacturing team in Martinsville, Virginia and Saigon, Vietnam for Photo 1 (left to right): Victor Marin, Doc Ford’s Cuba Expeditions, Lynn Wright, Director of Visual Display, Stanley Furniture | Photo 2 (left to right): Richard Ledger, Starwood Manufacturing, George Jordan, President, The MT Company, Randy Wells, VP, Creative, Stanley Furniture, Denis Kissane, Furniture Designer, Stanley Furniture, Dr. Justin turning our inspiration and drawings into beautiful furniture that will endure for generations to come. White, President, Doc Ford’s Cuba Expeditions | Photo 3: Rick Schroeder, VP, Design, Stanley Furniture | Photo 4: Maggie Aardema, Principal, Design Associates | Photo 5: Denis Kissane, Furniture Designer, Stanley Furniture | Photo 6 (left to right): Victor Avila, Doc Ford’s Cuba Expeditions, Glenn Prillaman, President & CEO, Stanley Furniture.

16 17 To the left, the Museo Nacional de Bellas Artes (National Museum of Fine Arts), as seen from the Hotel Parque Central. To the right, the nation’s capitol as seen from the Hotel Parque Central.

19 The monument of El Templete marks the location where the founding of San Cristóbal de la Habana was celebrated in 1519.

Neptune stands guard at the entrance of Havana Bay.

20 21 Museo de la Ciudad de la Habana (City Museum of Havana), La Habana Vieja. Rubén Martínez Villena Public Library, La Habana Vieja.

22 23 Palacio del Segundo Cabo (Palace of the Second in Command), La Habana Vieja. Palacio del Segundo Cabo (Palace of the Second in Command), which later became the Designed and built by Fernandez de Trevejo, this 18th century palace located in the Instituto del Libro (Book Institute), now serves as an organization dedicated to Cuban- Plaza de Armas (Parade Ground), served as a general post office headquarters and European cultural exchange. Its extraordinary stone archways provided an important later as headquarters for the governor’s second in command. point of inspiration for this collection’s Segundo Cabo beds.

24 25 Segundo Cabo Panel Bed, King.

Palacio del Segundo Cabo (Palace of the Second in Command), La Habana Vieja.

26 27 Casa del Marques de Aguas Claras, La Habana Vieja. Casa del Marques de Aguas Claras, La Habana Vieja.

28 29 Casa del Conde de Casa Bayona now serves as the Museo de Arte Colonial (Musem of Colonial Art), La Habana Vieja.

La Catedral de la Virgen María de la Concepción Immaculada de La Habana (Cathedral of The Virgin Mary of the Immaculate Conception), Plaza de la Catedral, La Habana Vieja.

30 31 Museum Mirror Museo de Arte Colonial.

32 33 Copa Colonial Dresser

top: Doors of the Hotel Havana Riviera’s Copa Cabaret. below: Antique chest at the Museo de Arte Colonial.

34 35 Copa Colonial Media Console

La Habana Vieja.

36 37 La Habana Vieja. Museo Nacional de Bellas Artes de La Habana (National Museum of Fine Arts), La Habana Vieja.

38 39 Hotel Raquel, La Habana Vieja. Pharmacy Droguería Johnson, La Habana Vieja.

40 41 Portico Console Table

Pharmacy Droguería Johnson, La Habana Vieja.

42 43 Cocktail tables in the Hotel Havana Riviera Lobby.

Vedado neighborhood home. Havana’s abundance of porticos Portico Cocktail Table and archways were an important source of inspiration for this collection’s Portico pieces.

44 45 Museo Nacional de Bellas Artes de La Habana (National Museum of Fine Arts), Portico Lamp Table La Habana Vieja.

46 47 Casa del Conde de Santovenia, La Habana Vieja. La Habana Vieja.

48 49 Sloppy Joe’s, La Habana Vieja. Dating back to the 1930s, Sloppy Joe’s is considered to be the home of the Cuba Libre.

50 51 The Floridita, La Habana Vieja. The Floridita, La Habana Vieja.

52 53 The Floridita is known as the cradle of the daiquiri. La Cuna Bar Cart

54 55 The Floridita, La Habana Vieja. Daiquiri Table

56 57 The Tropicana opened on December 30, 1939 and is still running today, albeit with no casino. According to Domitila “Tillie” Fox, niece of The embodiment of jet-set 1950's Havana nightlife, Tropicana the Tropicana’s owner, Martín Fox, the club was spared the ransacking that other nightclubs experienced during the Revolution because showgirls still pack the house to this day. the chief of the armed forces, Camilo Cienfuegos, had worked in the Tropicana’s kitchen as a high school student.

58 59 La Habana Vieja. One of the many vintage automobiles that inspired this collection’s Auto Mirror. Auto Mirror

60 61 Hotel Plaza, La Habana Vieja. Hotel Plaza, La Habana Vieja.

62 63 La Habana Vieja.

La Habana Vieja.

64 65 La Habana Vieja. Balustrade Telephone Table. Inspired by the many beauiful and intricate balustrades of Havana.

66 67 La Habana Vieja. La Habana Vieja.

68 69 La Habana Vieja.

Built by the Cuban Galician Community in La Habana Vieja, Centro Gallego is now known as the Gran Teatro de La Habana (Great Theater of Havana.)

70 71 La Habana Vieja. La Habana Vieja.

72 73 La Habana Vieja. La Habana Vieja, adjacent to the Hotel Ambos Mundos.

74 75 Hotel Ambos Mundos, La Habana Vieja. Five Eleven Mirror

76 77 Passing thunderstorm, rooftop of the Hotel Ambos Mundos.

78 79 Stairwell, Centro Habana. Staircase, Paladar La Guarida, Centro Habana.

80 81 Concordia Dining Table (86" Rectangle.)

Paladar La Guarida, located at 418 Concordia, Centro Habana.

82 83 Paladar La Guarida, Centro Habana. Balcony view from Paladar La Guarida, Centro Habana.

84 85 Rooftop view from Paladar La Guarida, Centro Habana.

86 87 Vedado neighborhood, Havana. The beautiful architecture of this neighborhood inspired all of the collection’s Villa Virginia pieces. Villa Virginia Bed, King

88 89 Villa Virginia Dresser

Vedado neighborhood, Havana.

90 91 Vedado neighborhood, Havana. Villa Virginia Drawer Chest

92 93 Correspondent’s Entertainment Console

Doorway, La Habana Vieja.

94 95 Correspondent’s Writing Table Bonita Bucket Chair

96 97 The University of Havana, located in the Vedado neighborhood. The law school at the University of Havana, which counts Fidel Castro among its alumni.

98 99 Casa de la Amistad, located in the Vedado neighborhood.

100 101 Casa de la Amistad is home to one of Cuba’s most fabled romances, that of Spanish landowner Juan Pedro Baró and Catalina Lasa. Catalina, who was in a loveless marriage to a rich aristocrat, Pedro Estevez Abreu, was heralded as one of the most beautiful women in Cuba. Alas, Catalina fell in love with another man, Juan Pedro Baró, and because there were no divorce laws in Cuba, they fled to France where they Casa de la Amistad, located in the Vedado neighborhood. were married. Following Cuba’s adoption of divorce laws, she became the first person to benefit and, with that, she and Juan Pedro Baró returned to Havana.

102 103 Baró Host Chair

As a demonstration of his love for Catalina, Juan built her a fantastic mansion using the most luxurious materials he could find, including sand from the Nile to give the home’s walls their pink color, which was Catalina’s favorite. The dining room, which is believed to have been designed by René Lalique, is still filled with Lalique glass and crystal.

104 105 Lasa Arm Chair

The garden room at Casa de la Amistad.

106 107 Amistad Fretwork Bed, King

The garden room at Casa de la Amistad.

108 109 The Habana Hilton, located in a seven block stretch of the Vedado neighborhood known as La Rampa. When it opened on March 22, 1958 it was the tallest and largest hotel in Latin Towering in the background on Obispo Street is El Capitolio, the National Capitol Building, which was America. It would become Fidel Castro’s headquarters in January of 1959, at which point it modeled after the United States Capitol. was renamed the Hotel Habana Libre (Hotel Free Havana.)

110 111 The Habana Hilton was designed by Los Angeles architect Welton Becket in conjunction with Havana architects Nicolas Arroyo and La Rampa Dining Table (54" Round.) With such incredible midcentury architecture in the midst of Gabriela Mendez. Arroyo also served as the Minister of Public Works under President Fulgencio Batista, who was a principle steward of the such traditional surroundings, we felt the La Rampa section of the Vedado neighborhood would make project. Welton Becket’s firm also designed the Beverly Hilton. the perfect inspiration for a dining table that seamlessly blends traditional and contemporary elements.

112 113 Located on 42nd Street in the Nuevo Vedado neighborhood of Havana, the Pérez Farfante house, designed by Cuban architect Fran Martinez, Nuevo Vedado neighborhood, Havana. has been in the same family since its construction in 1955. The home won an award for outstanding architecture that same year and an award for architectural preservation in 2014.

114 115 Nuevo Vedado apartment complex. This, and the modern architecture found throughout the neighborhood, served as inspiration for the Nuevo Vedado Buffet Nuevo Vedado Buffet, which is designed to reflect a modern take on the styling of the porticos and arches of Havana.

116 117 The Malecón is a roadway, esplanade and seawall that runs five miles west from the mouth of Havana Harbor to the Vedado neighborhood. Building facades along the Malecón. Building facades along the Malecón.

120 121 Building facades along the Malecón. Building facades along the Malecón.

122 123 Building facades along the Malecón. An intersection along the Malecón where the nation’s capitol can be seen in the distance.

124 125 Parque José Martí Stadium, facing the Malécon.

126 127 Meyer Lansky’s crown jewel, the Hotel Havana Riviera, is located in the Vedado neighborhood along the Malecón at the Almendares River. Meyer Lansky chose Igor Boris Polevitzky, one of the founding fathers of Miami modern architecture, as the architect for the Hotel Havana The hotel opened on December 10, 1957. Just over one year later, on January 21, 1959, the Cuban Revolution brought an end to Lansky’s dream. Riviera. After a three-week attempt to keep his beloved resort open for remaining customers, he handed the keys to the Revolution and left the country. On January 22nd, Fidel Castro would address the world in a press conference regarding the Revolution from the hotel’s Copa Cabaret.

128 129 Sculptures by renowned Cuban sculptor, Florencio Gelabert, adorn the interior and exterior of the Hotel Havana Riviera. The sculpture, La Sirena y el Pez (The Mermaid and the Fish), by Florencio Gelabert greets guests as they approach the porte-cochere at the Hotel Havana Riviera.

130 131 Meyer Lansky tapped Albert Parvin of the Parvin-Dohrmann Company in Los Angeles for the interior design of the Hotel Havana Riviera. Though some believe Parvin-Dohrmann’s perceived inexperience to have made it a dubious choice, Lansky clearly knew what he was doing. The inclusion of Cuban artists, such as muralist Rolando López Dirube and sculptor Florencio Gelabert proved to be a stroke of genius that contributed greatly to the property’s enduring appeal.

Florencio Gelabert’s bronze statue, Ritmo Cubano (Cuban Rhythm) in the lobby of the Hotel Havana Riviera.

132 133 Lobby of the Hotel Havana Riviera. Murciélago Lobby Table

134 135 Lobby of the Hotel Havana Riviera. Promenade Sideboard

136 137 Lobby of the Hotel Havana Riviera. Promenade Bookcase

138 139 Upon restoration, the lobby furniture of the Hotel Havana Riviera would fit seamlessly The Hotel Havana Riviera’s flagship restaurant, L’aiglon, still shows traces of its former grandeur. into the world’s most rakish hotels today. Thankfully, the Hotel Havana Riviera has been preserved in what is virutally its original state.

140 141 The doors at L’aiglon, Hotel Havana Riviera. Cadena Dining Table (48" Round)

142 143 Hotel Havana Riviera lobby promenade. Cadena Demilune Console

144 145 Cadena Cocktail Table (48" Round)

Link pattern in the doors and walls of the Hotel Havana Riviera’s L’aiglon restaurant.

146 147 The lobby promenade of the Hotel Havana Riviera. Cadena Bedside Chest

148 149 Su Casa Party Chair from the Stanley Furniture Heritage Collection. Cadena Conversation Chair

150 151 High Dive End Table

Poolside at the Hotel Havana Riviera.

152 153 Ventana Mirror

The lobby bar at the Hotel Havana Riviera.

154 155 The Hotel Havana Riviera’s Cafeteria al Fresco. The Hotel Nacional as seen from the Malecón.

156 157 The Hotel Nacional de Cuba, which opened December 30, 1930, was designed by the New York In addition to its many illustrious guests, the hotel played host to the infamous mob summit of December 1946, which included such architecture firm of McKim, Mead & White. It is located in the Vedado neighborhood and built characters as Meyer Lansky, Lucky Luciano and Santo Trafficante, Jr.. The meeting was featured in The Godfather Part II but shot in the on the site of what was once the Santa Clara Battery, which dates back to 1797. Dominican Republic.

158 159 The Cojimar Bachelor’s Chest, with its raffia dawer fascias, combines the faded Caribbean elegance of Cojimar with the refined silhouette of the collection’s Copa Colonial pieces.

The fishing village of Cojimar, located eight miles east of Havana.

160 161 materials & Finishes materials & Finishes

FINISHES MATERIALS HARDWARE

Colonial Mahogany Colonial Mahogany Raffia Insert Trinidad Brass Warm cocoa-brown finish over mahogany Lightly distressed golden brown Colonial Named for the cobblestone streets of veneer that has been lightly hand-worn Mahogany finish over natural raffia. Trinidad, a city that is one of Cuba’s to mimic the patina of a cherished family UNESCO World Heritage sites, this dark Finca White Raffia Insert heirloom. brass finished hardware is accented by Lightly distressed and chipped Finca White a waxy taupe hang-up in the relief of its Colonial Mahogany Finish Colonial Mahogany Raffia Insert Finca White painted finish over natural raffia. stamped surfaces. Inspired by the whitewashed painted Indigo Blue Raffia Insert furniture found in Cuba’s coastal estates, this Lightly distressed and chipped Indigo Blue hand-worn, lightly distressed clean white FABRIC painted finish over natural raffia. painted finish ever so slightly reveals the grain Vedado Grey of its mahogany veneer. Oro Oscuro Gold Leaf A plush velvet-textured plain fabric in a soft, Lightly distressed pale gold leaf finish. Indigo Blue sandy grey hue. Warm mid-tone blue painted finish that is Santiago Parchment Varadero Salt hand-worn, lightly distressed and reveals Natural low-sheen parchment with warm grey A textured woven fabric in a relaxed softened just enough of its grain pattern to convey its and taupe undertones. white color. mahogany veneer. Malecón Cast Stone Varadero Sand Finca White Finish Finca White Raffia Insert Masonic Red Finely textured limestone-colored cast stone. A textured woven fabric in a relaxed softened Deep jewel tone red painted finish that is Miramar Stone sand color. hand-worn, lightly distressed and reveals An oyster shell and taupe colored granite with just enough of its grain pattern to convey its dramatic veining infused with rose, garnet, mahogany veneer. and steel grey hues.

Murciélago Brass Lustrous brass finish lightly aged to a beautiful patina that, with select pieces, has been debossed with an abstract pattern.

Galeria Mirror Cool grey antiqued mirror glass. Indigo Blue Finish Indigo Blue Raffia Insert

162 163 materials & Finishes materials & Finishes

Masonic Red Finish Oro Oscuro Gold Leaf Finish Murciélago Brass Finish Galeria Mirror

Santiago Parchment Malecón Cast Stone Trinidad Brass Hardware Trinidad Brass Hardware

Miramar Stone Vedado Grey Fabric Varadero Salt Fabric Varadero Sand Fabric

164 165 dining

PROMENADE SIDEBOARD Colonial Mahogany 678-11-06 Finca White 678-21-06 LASA SIDE CHAIR LASA ARM CHAIR BARÓ HOST CHAIR CONCORDIA DINING TABLE Details: Two doors with two adjustable shelves behind LA RAMPA DINING TABLE each door, felt-lined drawers, soft close drawer guides, Colonial Mahogany 678-11-60 Colonial Mahogany 678-11-70 Colonial Mahogany 678-11-75 Colonial Mahogany 678-11-36 adjustable shelf between two center drawers, electrical Colonial Mahogany Finca White 678-21-60 Finca White 678-21-70 Finca White 678-21-75 678-11-30 Finca White 678-21-36 outlets on back, 1/2" overhang on the wall side of top, Finca White 678-21-30 Fabric: Vedado Grey Fabric: Vedado Grey Fabric: Vedado Grey Details: Top available in Colonial Mahogany only, one Trinidad Brass hardware, Finca White has raffia Details: Santiago Parchment base only, one 23 1/2" 23 3/4" leaf included, no additional leaves available inserts on the doors Details: Upholstered seat Details: Upholstered seat Details: Upholstered seat (60 cm) leaf included, no additional leaves available Overall without leaf: Overall: Overall: Overall: Overall: Overall without leaf: W 85 3/4" D 41 3/4" H 30 1/16" (218 X 106 X 76 CM) W 65" D 19" H 36 1/2" (165 X 48 X 93 CM) W 20" D 22 1/2" H 39" (51 X 57 X 99 CM) W 25" D 22 1/2" H 39" (64 X 57 X 99 CM) W 23" D 23 11/16" H 39" (58 X 60 X 99 CM) DIA 54" H 30" (137 X 76 CM) Overall with leaf: See p. 135 See p. 105 See p. 103 Overall with leaf: W 109 1/2" D 41 3/4" H 30 1/16" (278 X 106 X 76 CM) W 77 1/2" D 54" H 30" (197 X 137 X 76 CM) See p. 81 LAY-ON STONE TOP FOR PROMENADE See p. 111 SIDEBOARD 678-71-106 Details: Miramar Stone, 1/2" chamfered edge Overall: W 64 1/2" D 18 3/4" H 13/16" (164 X 48 X 2 CM)

NUEVO VEDADO BUFFET Colonial Mahogany 678-11-05 Finca White 678-21-05 Details: Four adjustable shelves, electrical outlets on LASA COUNTER STOOL back, 1/2" overhang on the wall side of top, Trinidad Colonial Mahogany 678-11-72 LASA BARSTOOL Brass hardware, Finca White has raffia inserts on the Finca White 678-21-72 doors Colonial Mahogany 678-11-73 Fabric: Vedado Grey Finca White 678-21-73 Overall: CADENA DINING TABLE W 74 1/2" D 20" H 38 3/4" (189 X 51 X 98 CM) Details: Upholstered seat, Murciélago Fabric: Vedado Grey Brass finish scuff plate Malecón Stone 678-51-34 See p. 115 Details: Upholstered seat, Murciélago Overall: Brass finish scuff plate Details: Glass top with flat ogee edge, Malecón Cast LAY-ON STONE TOP FOR NUEVO W 18" D 20 3/4" H 38" (46 X 53 X 97 CM) Overall: Stone base VEDADO BUFFET 678-71-105 W 18" D 20 3/4" H 44" (46 X 53 X 112 CM) Overall: Details: Miramar Stone, 1/2" chamfered edge DIA 48" H 30" (122 X 76 CM) Overall: See p. 141 W 74" D 19 3/4" H 13/16" (188 X 50 X 2 CM)

166 167 bedroom

COJIMAR BACHELOR’S CHEST VILLA VIRGINIA DRESSER CADENA BEDSIDE CHEST Colonial Mahogany 678-13-16 Colonial Mahogany 678-13-05 Finca White 678-23-13 VILLA VIRGINIA MEDIA CHEST COPA COLONIAL DRESSER Finca White 678-23-16 Finca White 678-23-05 Masonic Red 678-33-13 Colonial Mahogany 678-13-11 Colonial Mahogany 678-13-06 Indigo Blue 678-43-13 Indigo Blue 678-43-16 Details: Eight drawers, cedar-lined bottom Finca White 678-23-11 Finca White 678-23-06 Details: Three drawers, soft close drawer guides, drawers, drop-front media drawer, drawer Details: Three drawers, soft close drawer guides, Details: Five drawers, one drop-front media Details: Eight drawers, cedar-lined bottom raffia on drawers painted to match, 1/2" overhang mounted wood coin valet, hidden drawer with finished back drawer, electrical outlet on back, 1/2" overhang drawers, drawer mounted wood coin valet, hidden on the wall side of top, Trinidad Brass hardware jewelry tray, electrical outlet on back, 1/2" on the wall side of top, soft close drawer guides, drawer with jewelry tray, 1/2" overhang on the wall Overall: overhang on the wall side of top, soft close drawer Overall at top: Trinidad Brass hardware side of top, soft close drawer guides, Trinidad Brass W 27 1/8" D 18 1/2" H 29 3/4" (69 X 47 X 76 CM) guides, Trinidad Brass hardware W 38 1/2" D 22" H 33 3/16" (98 X 56 X 84 CM) hardware Overall: See p. 147 Overall: Overall at base: W 52" D 22" H 40 3/8" (132 X 56 X 103 CM) Overall: W 70" D 22" H 37 1/2" (178 X 56 X 95 CM) W 48" D 22" H 33 3/16" (122 X 56 X 84 CM) W 70" D 21" H 36 1/8" (178 X 53 X 92 CM) See p. 89 See p. 159 See p. 33

LAY-ON STONE TOP FOR COJIMAR BACHELOR’S CHEST 678-73-116 Details: Miramar Stone, 1/2" chamfered edge Overall: BALUSTRADE TELEPHONE TABLE W 38" D 19 3/4" H 13/16" (97 X 50 X 2 CM) Colonial Mahogany 678-13-81 Finca White 678-23-81 VILLA VIRGINIA NIGHTSTAND COPA COLONIAL NIGHTSTAND Indigo Blue 678-43-81 Colonial Mahogany 678-13-80 Colonial Mahogany 678-13-82 Details: Three fixed shelves, one drawer, raffia end Finca White 678-23-80 Finca White 678-23-82 panels, 1/2" overhang on the wall side of top, finished Details: Three drawers, 1/2" overhang on Details: Three drawers, 1/2" overhang on the on backside, Trinidad Brass hardware the wall side of top, soft close drawer guides, wall side of top, Trinidad Brass hardware VILLA VIRGINIA DRAWER CHEST Overall: Trinidad Brass hardware Overall: W 21" D 17 1/2" H 29" (53 X 44 X 74 CM) Colonial Mahogany 678-13-10 Overall: W 30" D 19" H 27 3/4" (76 X 48 X 70 CM) Finca White 678-23-10 See p. 65 W 30" D 19" H 30 1/2" (76 X 48 X 77 CM) Details: Five drawers, 1/2" overhang on the wall side of top, soft close drawer guides, Trinidad Brass hardware Overall: W 44 1/2" D 22" H 54" (113 X 56 X 137 CM) See p. 91

168 169 bedroom

FIVE ELEVEN MIRROR MUSEUM MIRROR VILLA VIRGINIA BED AMISTAD FRETWORK BED Murciélago Brass 678-93-30 Oro Oscuro Gold Leaf 678-83-33 Colonial Mahogany Colonial Mahogany Details: Beveled glass Details: Beveled glass Queen 678-13-40 King 678-13-45 Cal King 678-13-46 Queen 678-13-50 King 678-13-55 Cal King 678-13-56 Overall: Overall: Finca White Finca White W 30" D 1 1/2" H 39" (76 X 4 X 99 CM) W 34" D 5" H 48 3/16" (86 X 13 X 122 CM) Queen 678-23-40 King 678-23-45 Cal King 678-23-46 Queen 678-23-50 King 678-23-55 Cal King 678-23-56 See p. 75 See p. 31 Fabric: Veradero Salt on Colonial Mahogany, Veradero Sand on Finca Details: Raffia inserts White Overall: Overall: 50 Queen W 6 4 7/8" H 60" L 88" (165 x 152 x 224 CM) 40 Queen W 69" H 5 8 1/2" L 88" (175 x 149 x 224 CM) 55 King W 8 0 7/8" H 60" L 88" (205 x 152 x 224 CM) 45 King W 85" H 58 1/2" L 88" (216 x 149 x 224 CM) 56 California King W 8 0 7/8" H 60" L 93" (205 x 152 x 236 CM) 46 California King W 85" H 58 1/2" L 93" (216 x 149 x 236 CM) Bottom of side rail to floor: 3 3/8 H Bottom of side rail to floor: 7 1/4 H See p. 107 See p. 87

AUTO MIRROR VENTANA MIRROR Murciélago Brass 678-93-31 Colonial Mahogany 678-13-34 Details: Beveled glass Finca White 678-23-34 Overall: Oro Oscuro Gold Leaf 678-83-35 W 52" D 1 1/8" H 40" (132 X 3 X 102 CM) Details: Beveled glass See p. 59 Overall: W 42" D 1 1/4" H 50" (107 X 3 X 127 CM) SEGUNDO CABO UPHOLSTERED BED SEGUNDO CABO PANEL BED See p. 153 Finca White Colonial Mahogany Queen 678-23-42 King 678-23-47 Cal King 678-23-48 Queen 678-13-52 King 678-13-57 Cal King 678-13-58 Fabric: Varadero Salt Details: Santiago Parchment on outside frame of headboard Overall: Overall: 42 Queen W 65 3/8" H 64" L 88" (166 x 163 x 224 CM) 52 Queen W 65 3/8" H 64" L 88" (166 x 163 x 224 CM) 47 King W 81 3/8" H 67 3/4" L 88" (207 x 172 x 224 CM) 57 King W 81 3/8" H 67 3/4" L 88" (207 x 172 x 224 CM) 48 California King W 81 3/8" H 67 3/4" L 93" (207 x 172 x 236 CM) 58 California King W 81 3/8" H 67 3/4" L 93" (207 x 172 x 236 CM)

Bottom of side rail to floor: 6 1/4 H Bottom of side rail to floor: 6 1/4 H See p. 25

170 171 living

CADENA COCKTAIL TABLE Malecón Stone 678-53-02 Details: Glass top with flat ogee edge, Malecón Cast Stone base LA CUNA BAR CART PORTICO LAMP TABLE Overall: Murciélago Brass 678-95-08 CORRESPONDENT’S ENTERTAINMENT DIA 48" H 18" (122 X 46 CM) PORTICO COCKTAIL TABLE Colonial Mahogany 678-15-09 CONSOLE Details: Galeria Mirror top and shelves, PROMENADE BOOKCASE See p. 145 Murciélago Brass gallery rail Colonial Mahogany 678-15-01 Finca White 678-25-09 Colonial Mahogany 678-15-42 Colonial Mahogany 678-15-18 Finca White 678-25-01 Masonic Red 678-35-09 Finca White 678-25-42 Overall: Finca White 678-25-18 Indigo Blue Indigo Blue 678-45-09 W 35 13/16" D 15 7/8" H 35 1/2" (91 X 40 X 90 CM) 678-45-01 Details: Two drawers, two file drawers, five fixed shelves, Details: Murciélago Brass finish laser cut end panels, Details: Murciélago Brass finish plate inlay Details: One pull-out shelf, one fixed shelf 1/2" overhang on the wall side of top, Trinidad Brass See p. 53 Colonial Mahogany & Finca White shelves, three fixed hardware Overall: Overall: shelves, one removable shelf, Trinidad Brass hardware W 54 3/4" D 30 1/16" H 17 3/4" (139 X 76 X 45 CM) DIA 26" H 27 1/8" (66 X 69 CM) Overall: Overall: See p. 43 See p. 45 W 66" D 20" H 32" (168 X 51 X 81 CM) W 36 1/8" D 14 1/8" H 77" (92 X 36 X 196 CM) See p. 93 See p. 137 LAY-ON STONE TOP FOR PORTICO CADENA CONVERSATION CHAIR LAMP TABLE 678-75-109 CADENA DEMILUNE CONSOLE Colonial Mahogany 678-15-75 Details: Miramar Stone, 1/2" chamfered edge Finca White 678-25-07 Finca White 678-25-75 Overall: Indigo Blue 678-45-07 Fabric: Vedado Grey DIA 25 1/2" H 13/16" (65 X 2 CM) Details: Two doors, one removable shelf, 1/2" MURCIELAGO LOBBY TABLE Details: Upholstered seat and back overhang on the wall side of top Murciélago Brass 678-95-14 Overall: Overall: Details: Galeria Mirror tops W 26 3/4" D 23 3/4" H 31" (68 X 60 X 79 CM) W 45 7/8" D 18 3/4" H 33 1/8" (117 X 48 X 84 CM) Overall: See p. 149 See p. 143 W 28 5/8" D 22 5/8" H 28" (73 X 57 X 71 CM)

PORTICO CONSOLE CORRESPONDENT’S WRITING TABLE LAY-ON STONE TOP FOR CADENA See p. 133 Colonial Mahogany 678-15-05 Colonial Mahogany 678-15-03 DEMILUNE CONSOLE 678-75-107 Finca White 678-25-05 Finca White 678-25-03 Details: Miramar Stone, 1/2" chamfered edge Masonic Red 678-35-05 COPA COLONIAL MEDIA CONSOLE Details: One pencil, side guided drawer Indigo Blue 678-45-05 Colonial Mahogany 678-15-30 Overall: Details: One fixed shelf, 1/2" overhang on the wall side Finca White 678-25-30 Overall: W 45 3/8" D 18 1/2" H 13/16" (115 X 47 X 2 CM) W 68" D 30 3/4" H 29 3/4" (173 X 78 X 76 CM) of top, Murciélago Brass finish plate inlay, finished on Details: Three drawers with soft close drawer guides, BONITA BUCKET CHAIR back side six removable shelves, 1/2" overhang on the wall See p. 94 DAIQUIRI TABLE Colonial Mahogany 678-15-65 side of top, electrical outlet on back, Trinidad Brass HIGH DIVE END TABLE Overall: Murciélago Brass 678-95-16 Finca White 678-25-65 W 80 3/8" D 14 1/4" H 33" (204 X 36 X 84 CM) hardware Colonial Mahogany 678-15-10 Details: Galería Mirror top, Fabric: Vedado Grey Overall at top: Finca White 678-25-10 See p. 41 gallery rail Masonic Red 678-35-10 Details: Upholstered seat and inside of back W 67 1/2" D 19" H 33 3/16" (171 X 48 X 84 CM) Overall: Indigo Blue 678-45-10 Overall at base: Overall: DIA 13" H 25" (33 X 64 CM) Overall: W 20" D 26" H 27" (51 X 66 X 69 CM) W 20" D 24 1/2" H 35 1/2" (51 X 62 X 90 CM) W 77" D 19" H 33 3/16" (196 X 48 X 84 CM) See p. 55 See p. 34 See p. 151 See p. 95

172 173 Copyright ©2016 by Stanley Furniture Company

Many of the designs and design elements featured in our furniture are original, proprietary and exclusive to Stanley Furniture. In order to protect our customers and dealers, we will protect aggressively our rights in our designs using all available legal means, including copyright and other forms of intellectual property protection.

All rights reserved under International and Pan-American Copyright Conventions.

No part of this book may be reproduced in any form, electronic, mechanical or otherwise without permission in writing from Stanley Furniture.

Please note that Stanley Furniture is in no way connected to any of the properties, establishments, organizations or persons pictured or referenced herein, excepting Meyer Lansky, II, who is under an endorsement contract with Stanley Furniture for the Havana Crossing™ Collection.

Contact: [email protected]

First Edition 2016

200 NORTH HAMILTON STREET NO. 200 HIGH POINT, NC 27260

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