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Programme information Saturday 17 February to Friday 23 February 2018 WEEK 08 NEW SERIES: TURNING POINTS on CLASSIC FM Saturday 17 February, 9pm to 10pm Tonight, we launch a brand new series on Classic FM in partnership with the Honda Jazz, exploring the biggest moments, changes and ‘turning points’ in the history of classical music. Who were the innovators? Who took the risks? Who challenged the norm – and what did they do? From Franz Liszt, whose radical approach made him the first true classical music ‘superstar’; to the invention of the printing press; to the revolutionary female composer Hildegard of Bingen, we’ll hear stories of extraordinary people – and the music that accompanied the most exciting moments in classical music over the last 600 years. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com and on the Classic FM app. 1 WEEK 08 SATURDAY 17 FEBRUARY 5pm to 7pm: SATURDAY NIGHT AT THE MOVIES with ANDREW COLLINS With the awards season in full flow, Andrew Collins presents the first of two special awards trivia shows, looking at the big winners, losers and surprises over the decades. Who was the first woman to win Best Picture at the Academy Awards? Who was the first actress to receive twenty nominations for acting? And which film composers have received Oscar nominations over the longest span of time – six decades to be precise? Expect two hours of fun facts and great film scores from the 1930s to the present day, including Toy Story, Gone With the Wind and Ben-Hur. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
Programme Information
Programme information Saturday 3rd April to Friday 9th April 2021 WEEK 14 Clockwise from top left: John Suchet, Margherita Taylor, Bill Turnbull, Anne-Marie Minhall THE CLASSIC FM HALL OF FAME 2021 Saturday 3rd to Monday 5th April, 9am to 9pm Across the Easter weekend, we continue to count down the world’s biggest annual survey of classical music tastes: The Classic FM Hall of Fame. The chart, which is now in its 26th year, is compiled entirely by the public from votes received during the first months of 2021. From 9am to 9pm, across all four days, the 300 pieces of music the nation has chosen as its favourites are unveiled, with that all-important number one revealed just before 9pm on Easter Monday. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, on Global Player on your smart speaker (“play Classic FM”), iOS or Android device and at ClassicFM.com. 1 WEEK 14 SATURDAY 3RD APRIL 9am to 9pm: THE CLASSIC FM HALL OF FAME 2021 Across the Easter weekend, we continue to count down the world’s biggest annual survey of classical music tastes: The Classic FM Hall of Fame. The chart, which is now in its 26th year, is compiled entirely by the public from votes received during the first months of 2021 From 9am to 9pm, across all four days, the 300 pieces of music the nation has chosen as its favourites are unveiled, with that all-important number one revealed just before 9pm on Easter Monday. 9am to 12pm: THE CLASSIC FM HALL OF FAME with BILL TURNBULL 12pm to 3pm: THE CLASSIC FM HALL OF FAME with CATHERINE BOTT 3pm to 6pm: THE CLASSIC FM HALL OF FAME with JOHN BRUNNING 6pm to 9pm: THE CLASSIC FM HALL OF FAME with MARGHERITA TAYLOR 9pm to 10pm: THE CLASSIC FM CHRONICLES with MOIRA STUART (2 / 4) Moira continues her musical journey through the ages and tonight focuses on the Classical and Early romantic periods. -
Programme Information
Programme information Saturday 3rd October to Friday 9th October 2020 WEEK 41 Chi-chi Nwanoku | Classic FM CHI-CHI’S CLASSICAL CHAMPIONS (1 / 6) Sunday 4th October, 9pm to 10pm Classic FM launches a brand-new Sunday night series with Chi-chi Nwanoku OBE, the renowned double-bass player and founder of the Chineke! Foundation, who makes her presenting debut on the UK’s most popular classical music station. Chi-chi’s Classical Champions shines the spotlight on Black, Asian & ethnically diverse composers and performers – those who have enjoyed success, as well as those yet to receive recognition. Each week, Chi-chi champions brilliant music; tells the stories behind the works and performances, and plays a varied range of recordings – all personally chosen by her – by artists from diverse backgrounds from the 16th century up to the present day. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com, and on the Classic FM and Global Player apps. 1 WEEK 41 SATURDAY 3RD OCTOBER 3pm to 5pm: MOIRA STUART’S HALL OF FAME CONCERT Moira presents an all-British programme of music from the Classic FM Hall of Fame, beginning with John Barry, and his music from the film Dances with Wolves, which was released thirty years ago this month, before a moment for the clarinet to shine in Finzi’s 5 Bagatelles. Moira also shines the spotlight on some of the country’s greatest young musicians, as star cellist Sheku Kanneh-Mason plays Elgar’s Cello Concerto, and Edward Gardner conducts the National Youth Orchestra in Holst’s showstopper The Planets. -
Musicweb International August 2020 RETROSPECTIVE SUMMER 2020
RETROSPECTIVE SUMMER 2020 By Brian Wilson The decision to axe the ‘Second Thoughts and Short Reviews’ feature left me with a vast array of part- written reviews, left unfinished after a colleague had got their thoughts online first, with not enough hours in the day to recast a full review in each case. This is an attempt to catch up. Even if in almost every case I find myself largely in agreement with the original review, a brief reminder of something you may have missed, with a slightly different slant, may be useful – and, occasionally, I may be raising a dissenting voice. Index [with page numbers] Malcolm ARNOLD Concerto for Organ and Orchestra – see Arthur BUTTERWORTH Johann Sebastian BACH Concertos for Harpsichord and Strings – Volume 1_BIS [2] Johann Sebastian BACH, Georg Philipp TELEMANN, Carl Philipp Emanuel BACH The Father, the Son and the Godfather_BIS [2] Sir Arnold BAX Morning Song ‘Maytime in Sussex’ – see RUBBRA Amy BEACH Piano Quintet (with ELGAR Piano Quintet)_Hyperion [9] Sir Arthur BLISS Piano Concerto in B-flat – see RUBBRA Benjamin BRITTEN Serenade for Tenor, Horn and Strings, etc._Alto_Regis [15, 16] Arthur BUTTERWORTH Symphony No.1 (with Ruth GIPPS Symphony No.2, Malcolm ARNOLD Concerto for Organ and Orchestra)_Musical Concepts [16] Paul CORFIELD GODFREY Beren and Lúthien: Epic Scenes from the Silmarillion - Part Two_Prima Facie [17] Sir Edward ELGAR Symphony No.2_Decca [7] - Sea Pictures; Falstaff_Decca [6] - Falstaff; Cockaigne_Sony [7] - Sea Pictures; Alassio_Sony [7] - Violin Sonata (with Ralph VAUGHAN WILLIAMS Violin Sonata; The Lark Ascending)_Chandos [9] - Piano Quintet – see Amy BEACH Gerald FINZI Concerto for Clarinet and Strings – see VAUGHAN WILLIAMS [10] Ruth GIPPS Symphony No.2 – see Arthur BUTTERWORTH Alan GRAY Magnificat and Nunc dimittis in f minor – see STANFORD Modest MUSSORGSKY Pictures from an Exhibition (orch. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
RCM International Student Guide.Pdf
INTERNATIONAL STUDENT GUIDE TOP WITH MORE THAN CONSERVATOIRE FOR 800 PERFORMING ARTS STUDENTS IN THE UK, SECOND IN FROM MORE THAN EUROPE AND JOINT THIRD IN THE WORLD QS WORLD UNIVERSITY RANKINGS 2016 60 COUNTRIES THE RCM IS AN INTERNATIONAL LOCATED OPPOSITE THE COMMUNITY ROYAL IN THE HEART OF LONDON ALBERT HALL HOME TO THE ANNUAL TOP UK SPECIALIST INSTITUTION BBC PROMS FESTIVAL FOR MUSIC COMPLETE UNIVERSITY GUIDE 2017 100% OF SURVEY RESPONDENTS IN OVER OF EMPLOYMENT OR 40% FURTHER STUDY STUDENTS BENEFIT FROM SIX MONTHS AFTER GRADUATION FOR SCHOLARSHIPS THREE CONSECUTIVE YEARS HIGHER EDUCATION STATISTICS AGENCY SURVEY CONCERTS AND MASTERCLASSES TOP LONDON WATCHED IN CONSERVATOIRE COUNTRIES FOR WORLD-LEADING WORLDWIDE IN 2014 75 RESEARCH VIA THE RCM’s RESEARCH EXCELLENCE FRAMEWORK YOUTUBE CHANNEL 2 ROYAL COLLEGE OF MUSIC / WWW.RCM.AC.UK WELCOME The Royal College of Music is one of the world’s greatest conservatoires, training gifted musicians from all over the globe for a range of international careers as performers, conductors and composers. We were proud to be ranked the top conservatoire for performing arts in the UK, second in Europe and joint third in the world in the 2016 QS World University Rankings. The RCM provides a huge Founded in 1882 by the future King Edward VII, number of performance the RCM has trained some of the most important opportunities for its students. figures in British and international music life. We hold more than 500 Situated opposite the Royal Albert Hall, our events a year in our building and location are the envy of the world. -
The Universi J- -Nsical Society
The Universi J - -nsical Society Presents Orchestre de Paris Societe des Concerts du Conservatoire DANIEL BARENBOIM Musical Director and Conductor WEDNESDAY EVENING, OCTOBER 27, AT 8:30 P.M. HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Love Scene from "Romeo and Juliet," Dramatic Symphony, Op. 17 BERLIOZ Serene Night The Capulets' Garden Silent and Deserted Daphnis et Chloe-Symphonic Fragments, Second Suite (1911) RAVEL Lever du jour Pantomime Danse generale INTERMISSION Symphony No.1 in C minor, Op. 68 BRAHMS Un poco sostenuto ; aIIegro Andante sostenuto Un poco aIIegretto e grazioso Adagio; aIIegro non troppo rna con brio Tonight is Mr. Barellboim's second visit to Ann Arbor; he appeared ill piano recital in the 1964 Slimmer C ollcert Series. CBS, Polydor, Angel, Philips, alld Decca Records Third Concert Ninety-eighth Annual Choral Union Series Complete Programs 4013 PROGRAM NOTES Love Scene from "Romeo and Juliet," HECTOR BERLIOZ Dramatic Symphony, Op. 17 (1803-1869) Romeo et Juliette, Symphonie dramatique avec Choeurs, Solos de Chant et Prologue en recitati/ choral, composee d'apres la Tragedie de Shakespeare," was written in 1839. Its first per formance was November 24, 1839, in Paris, the composer conducting. "There should be no doubt about the character of this work," wrote the composer in a preface to the score. "Although voices are frequently employed, this is not a concert-opera, a cantata, but a symphony with chorus. If song occurs in the beginning, it is for the purpose of preparing the mind of the hearer for the dramatic scenes in which sentiments and passions are to be expressed by the orchestra." The movement opens with an Allegretto (pianissimo) for the strings, to which horns and flutes are added. -
Carmel Music Society
Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna -
A Prima Vista
A PRIMA VISTA a survey of reprints and of recent publications 2011/2 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: + 31 (0)20 679 65 75 CDs: + 31 (0)20 675 16 53 / fax: + 31 (0)20 664 67 59 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 CONTENTS A PRIMA VISTA 2011/2 PAGE HEADING 03 PIANO LEFT-HAND, PIANO 2-HANDS 16 PIANO 4-HANDS 17 2 AND MORE PIANOS 18 HARPSICHORD, ORGAN 20 ACCORDION 1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: 20 VIOLIN SOLO, VIOLA SOLO, CELLO SOLO, DOUBLE BASS SOPLO 21 VIOLA DA GAMBA SOLO 1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 21 VIOLIN with accompaniment 23 VIOLIN PLAY ALONG 24 VIOLA with accompaniment, VIOLA PLAY ALONG, CELLO with accompaniment 25 CELLO PLAY ALONG 26 DOUBLE BASS with accompanimemt, VIOLA DA GAMBA with accompaniment 26 2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 30 FLUTE SOLO 32 OBOE SOLO, CLARINET SOLO 33 SAXOPHONE SOLO, TRUMPET SOLO, HORN SOLO, TROMBONE SOLO, TENORHORN SOLO 34 MOUTH ORGAN (HARMONICA) SOLO 1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 34 PICCOLO with accompaniment, FLUTE with accompaniment 36 FLUTE PLAY ALONG 37 OBOE with accompaniment 38 COR ANGLAIS with accompaniment, CLARINET with accompaniment 39 CLARINET PLAY ALONG, 40 SAXOPHONE with accompaniment 41 SAXOPHONE PLAY ALONG 43 BASSOON with accompaniment, TRUMPET with accompaniment 44 TRUMPET PLAY ALONG, HORN with accompaniment 45 HORN PLAY ALONG, TROMBONE -
Concerto.MUS
ANTONIO VIVALDI (Venezia 1678 - Wien 1741) CONCERTO RV 93 (F. XII n. 15) con 2 Violini Leuto, e Basso Del Vivaldi P.S.E. Il Conte Wrttby Urtext edition by Fabio Rizza based on the original manuscript housed in the Biblioteca Nazionale, Turin, Italy, "Renzo Giordani Collection", vol. 35, fol. 297 - 302 [email protected] PREFACE 3 CONCERTO RV 93 4 1. [Allegro giusto] 4 2. Largo 8 3. Allegro 10 BIBLIOGRAPHY/BIBLIOGRAFIA 13 DISCOGRAPHY/DISCOGRAFIA 14 PREFACE Probably this Concerto con 2 Violini Leuto, e Basso has been written in the early 1730s, when Vivaldi was in Prague, and it's dedicated to a Bohemian Count, Johann Joseph von Wrtby (Jan Josef Vrtba, according to the Czech form). The present edition is a faithful copy of the autograph housed in the Biblioteca Nazionale, Turin (Italy), "Renzo Giordani Collection", vol. 35, fol. 297 - 302. I've corrected only an obvious mistake (a C-sharp instead of a B) in measure 9 of the second movement. The music has been engraved in Finale 98. PREFAZIONE È probabile che questo Concerto con 2 Violini Leuto, e Basso sia stato scritto intorno al 1730, mentre Vivaldi si trovava a Praga, ed è dedicato al conte boemo Johann Joseph von Wrtby (o Jan Josef Vrtba, secondo la grafia ceca). Questa edizione è una copia fedele del manoscritto autografo conservato presso la Biblioteca Nazionale di Torino, fondo "Renzo Giordani", vol. 35, fol. 297 - 302. Mi sono limitato a correggere un palese errore (un do diesis al posto di un si) a misura 9 del secondo movimento.