SUPER SENTAI HEROES of the 1980S!

Total Page:16

File Type:pdf, Size:1020Kb

SUPER SENTAI HEROES of the 1980S! StrangerAtaru Ranks THE 50 (+1) SUPER SENTAI HEROES OF THE 1980s! Introduction: The 1980s: a time period that was alive with pop cultural relevance; with things emerging that came about and touched our hearts and souls even today, over 30-plus years later. Of course with all that was going on in the 1980s in the United States and the Western cultures, we shouldn’t forget everything that emerged in Japan in this time period. And while Super Sentai is a peculiar franchise to talk about in relation to the 80s, remember this: while it was created during the tokusatsu boom of the 1970s after the successes of franchises like Ultraman and Kamen Rider, it really was in the 1980s that the franchise actually “found itself”, creating an identity beyond its original basis of being “five Kamen Riders fighting together against evil villains” as defined by Shotaro Ishinomori. Due to certain flukes, the franchise dominated a major section of the tokusatsu sector that its predecessors brought about while likewise working alongside and creating other franchises alongside it, such as the Metal Heroes and Fushigi Comedy series. It was the only franchise that actually was able to survive all the way from 1980 to 1989; sure it had to evolve along the way and had a lot of its own unique problems in remaining relevant to the kids watching it (while dealing with many that became more popular for periods like the Space Sherriff trilogy and Kamen Rider Black), but its constant survival is a testament of it being a major force in Japanese popular culture. But while there are probably many factors that drive what makes Super Sentai what it is then and now, it is the characters that drive these stories; and that’s sort of what I’m going to be talking about here and now. With the generalizations that tend to happen regarding the seasons and the teams, we tend to forget about the actual individual Rangers who make up these teams. Unfortunately with a franchise that has lasted this long, we end up just grouping the teams together, giving a one-sentence description, and then move on; not even that in some cases such as with recent seasons where many of the much older seasons are just “there”. Its obvious why: these teams don’t matter to the kids watching today and obviously there isn’t enough of an older audience to even watch and care enough to give a greater context of the franchise’s history since they move on when they grow out of it. So that’s where being a geek comes in I suppose: with as much “love” that can be given to these “teams”, I sort of wanted to rank the Rangers themselves, not just as some spandex costume, helmet-wearing hero but as the characters who appeared in the series that came about and what they went through during these ten seasons. Thus this little countdown, which I have to admit is a biased, personal feeling regarding these characters. This list is going to be of the 50 Rangers (well…51; there is one I’m counting as a Ranger even though he only appeared in one episode because, technically, he is an official Ranger as defined by the season and I just felt like giving him the respect he deserved) of the 10 Super Sentai series that emerged in the 1980s, from Denshi Sentai Denziman in 1980 to Kousoku Sentai Turboranger in 1989. These are my opinions about all of these Rangers and more or less why they are where they are. This comes about more or less after spending the last 5 years watching the shows; and while I’m a bit rusty on some of them, the general ideas and feelings are genuine. A few guidelines before I get started, though: -I decided to do the 80s mostly because it just felt like a concise unit of the franchise in being 10 years and 10 seasons I’ve seen. While some would probably want me to do “pre-Zyuranger” due to all the changes that come about due to Noboru Sugimura and Mighty Morphin Power Rangers, I find that having the first two series of the 1990s, Chikyuu Sentai Fiveman and Choujin Sentai Jetman, stay in the 1990s is a better classification to show the evolution of that decade in particular. And while it leaves out the first three Sentai from the 1970s, they just feel somewhat different from what came after; with Denziman literally being a complete overhaul of the franchise for a new period, it felt like the best starting point. I may list the Rangers of Gorenger, J.A.K.Q. and Battle Fever at a later time though… -I know that Battle Fever ends early in 1980 and likewise Turboranger ends at the start of 1990, but for consistency sake I just stick with what aired and when they started since it is one season per year. -There are probably some wondering why I went with one particular Ranger for my extra and not others; while there are others you probably could count as Rangers or associated, they really aren’t identified as Rangers or don’t last long enough. Probably one of the weirdest omissions I have made is the 2nd Blue Turbo, Ken’ichi Yamada, while including “someone else”. I didn’t use Yamada mostly because it was one episode and he doesn’t really do that much as Blue Turbo; plus the “other character” is a unique identified Ranger who has an entire storyline that is told in his one episode. On the other hand there is also Bioman’s Magne Warrior…who literally isn’t a Ranger at all: he’s a soldier basically tied to a Neo Mecha-Gigan that was to be part of a mass-produced Gear plot. While his human identity, Shota Yamamori, does have heroic elements to his character, it is only in his human form; he’s brainwashed as Magne Warrior and the moment the suit is finally removed, he never uses it again and remains an allied human. While some sort of see this as a pseudo Kamen Rider (or Metal Hero considering his actor becomes Juspion), I would have included Magne Warrior if Yamamori ever used it on his own as a heroic suit/warrior character; which he doesn’t and thus he’s not here. -As with Magne Warrior, I’m not including the Evil Rangers on the list either: if they were good at any point then they’d be here, but most of the time the Evil Rangers never really have anything significant to bring to the series. I may change that when I get to the 1990s due to the likes of the Flowery Kunoichi Team, Jaden Sentai Neziranger…and “that first Gingaman team” (Ginga Sentai Gingaman of Fiveman), but we’ll see. -I was originally thinking of doing this by color I admit, except that due to the weird elements of colors and Rangers even back then (mostly due to one White Ranger, 8 Pinks and 11 Reds due to Sun Vulcan), I just decided it was easier to do all of them on one list since it more or less comes out to an even 50. -And of course remember this: these are all my opinions; if you say or think otherwise then no worries. So with that said…Let’s Change…er, Prism Flash…um, Aura Mask…OK, let’s just get this started. 50. TAKERU (RED MASK – HIKARI SENTAI MASKMAN) My list begins with an obvious one, and those who have read my Maskman review should know why. Takeru is probably one of the most overhyped, overdone and overly “perfected” Rangers in franchise history; more or less the definition of “Red Hype” before such a thing even existed. Obviously the main reason why has to do with him being the main focus of the season: he’s the one who ends up falling for an underground princess without realizing it and essentially becomes the focus by which Maskman has to fight their war against Tube. But I think that the reason that Takeru is at the bottom is simply because they make him too flawless a character, being not just the main focus but the one who becomes Ial’s love interest, the “main racer” of Sugata’s team before Maskman, and this out and out Aura genius who can literally summon aliens to Earth to communicate with him with nothing but his Aura Power! I think that with Sentai’s evolution of storytelling throughout the 80s and the successes in Flashman with a character like Sara, they wanted to push it forwards by having the “face” of the season be the one with said storyline; but did so in a way that unfortunately just made him the face of “how not to write a main character”. Now if you excuse me as I stop talking about him before I get sick…again. Preferred Episodes: Ep. 10: Igam vs. Takeru, Ep. 39: Revival! The Mysterious X-1 Mask 49. HARUKA (YELLOW MASK – HIKARI SENTAI MASKMAN) I know there are quite a few people who sort of find Haruka as a rather underdeveloped character…but unfortunately, I just had a hard time with her, period. You don’t make a character you make out as your first female ninja of the franchise and turn her into a generic female Ranger who threatens to quit the team over a doll or who claims she’s worthless because “she can’t do ninja abilities anymore due to not practicing”…when you’re martial artists regardless! The problem with Haruka isn’t that she’s underdeveloped; it’s that she’s just a terrible character in general that no one had any ideas what to do with.
Recommended publications
  • Kaizoku Sentai Gokaiger ~Super Hero Getter~ the Showboat Pirates of Gokaiger ​
    Kaizoku Sentai Gokaiger ~Super Hero Getter~ The showboat pirates of Gokaiger ​ Space Empire Zangyack, a powerful interstellar empire, made of all manner of alien forces have conquered many planets. Just days after the Goseiger’s victory over their final foe, countless Zangyack battleships came to earth bombarding human cities. Hundreds of gormin troops led by Sugormin commanders fought on the ground. How long the war lasted is unknown, what is known is that before the final confrontation a battle between hundreds of mecha and the Zangyack fleet occurred. Many of the mecha were destroyed during this battle. The Goseigers as the 34th sentai team went to war with Zangyack, but suffered greatly their mache crippled or destroyed. They were forced to flee, hiding in a forest. Just when all hope was lost and the forces of Zangyack had cornered them, they were saved by Akaranger the first red ranger. He had begun mobilising all 33 previous teams with Big One of JACKQ as his right hand. Fighting their way past enemy lines, the Goseigers, Akared, Big One and several other legendary sentai made it to the main sentai force. Together all 34 sentai teams went to battle with Zangyack, eventually combining all of their powers in one final attack. Shortly afterward the Sentai awakened and, though they had one, they all lost their ability to transform. Their powers were scattered across space in the form of Ranger Keys. Knowing they did the right thing the sentai went their separate ways and carried on with their lives. Yet AkaRed, the embodiment of all red rangers, sought to remedy this.
    [Show full text]
  • You Are Victim: the Depiction of Enemies in Japanese Super Hero Series
    IZUMI, Volume 10 No 1, 2021, [Page | 84] e-ISSN: 2502-3535, p-ISSN: 2338-249X Available online at: http://ejournal.undip.ac.id/index.php/izumi Research Article You are Victim: The Depiction of Enemies in Japanese Super Hero Series Daniel Hermawan Japanese Department, Bina Nusantara University, Indonesia Email: [email protected] Received: November 9st, 2020; Revised: April 26th, 2021; Accepted: April 26th, 2021 Available online: April 28th, 2021; Published regularly: June 2021 Abstract The depiction of Super-Villain in Japanese Super Hero series usually showing the western country as the main villain. The result of World War II primarily influences this. Nevertheless, recently there have been several Super Hero Series that depicted the minorities as the main villain. The purpose of this study is to present the issue of minorities in the Japanese Super Hero Series. Through the cultural study approach, this paper will discuss how minorities being represented by the antagonist character, Roimudde. This study had two aims (i) how does the Roimudde representing the minorities in Japanese society. (ii) how the characters Heart and Medic represent that minorities were victims of society. We found that the Roimudde was a different race from humans representing the minorities through content analysis of the Children television series Kamen Rider Drive. At the same time, Heart and Medic have painful memories that made them grudge toward humanity. It is also mean that this film was recognizing the minorities as the victim of prejudice by society. It is necessary to throw all prejudice to other people just because of physical or race differences to enter transnational society without prejudice.
    [Show full text]
  • Power Rangers: Green Ranger Hardcover Ruled Journal Pdf, Epub, Ebook
    POWER RANGERS: GREEN RANGER HARDCOVER RULED JOURNAL PDF, EPUB, EBOOK Insight Editions | 192 pages | 06 Mar 2018 | Insight Editions | 9781683831389 | English | San Rafael, United States Power Rangers: Green Ranger Hardcover Ruled Journal PDF Book Tags: red, rangers, ranger, new, power, power rangers, power rangers, morpher, quote, once upon a time, morphing. John W. Scott Campbell, sometimes known as Scott C. Get a FREE e-book by joining our mailing list today! Tags: power rangers, mighty morphin power rangers, mmpr, power rangers movie. Add a Review. The Oxford Book of Common Prayer, Economy Edition is a beautifully constructed and reasonably-priced prayer book, making it a perfect choice for wide distribution in schools and for use as a pew prayer book. Your secrets and dreams written in ink, or drawn in pencil, and hidden behind your favorite art. Scott lives in New York City. Monster Enhancement Hardcover Journal By sk8rdan. Tags: power rangers, pink ranger, pink power ranger, classic, 90s, 90s tv, mighty morphin power rangers, retro, girl power, pink. This ultimate attack lands Orion on this spot of the list. Coraline, a must-see stop-motion classic from director Henry Selick and best-selling author Neil Gaiman, tells Notify me of follow-up comments by email. He'll risk everything to save others, exemplifying his spirit as a Ranger. Tags: power rangers, power, rangers, dinosaurs, tyrannosaurus, zord, zords, megazord, power rangers. About this product Product Information Featuring striking imagery from the beloved Power Rangers TV series, this journal is an exciting addition to Insight's best-selling line of collectible pop- culture notebooks.
    [Show full text]
  • (Japon, 1992-1993) Dans Mighty Morphin Power Rangers (États-Unis, 1993-1996) Julian Mordelet
    Processus et enjeux de l’occidentalisation de Kyoryu Sentai Zyuranger (Japon, 1992-1993) dans Mighty Morphin Power Rangers (États-Unis, 1993-1996) Julian Mordelet To cite this version: Julian Mordelet. Processus et enjeux de l’occidentalisation de Kyoryu Sentai Zyuranger (Japon, 1992- 1993) dans Mighty Morphin Power Rangers (États-Unis, 1993-1996). Sciences de l’Homme et Société. 2019. dumas-02369036 HAL Id: dumas-02369036 https://dumas.ccsd.cnrs.fr/dumas-02369036 Submitted on 21 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Université Rennes 2 UFR Arts, Lettres, Communication - VOLUME 1 : MÉMOIRE - Processus et enjeux de l’occidentalisation de Kyoryu Sentai Zyuranger (Japon, 1992-1993) dans Mighty Morphin Power Rangers (États-Unis, 1993-1996) Julian MORDELET Sous la direction de Priska MORRISSEY Master Cinéma et Audiovisuel : histoire et esthétique du cinéma 2018-2019 Université Rennes 2 UFR Arts, Lettres, Communication - VOLUME
    [Show full text]
  • Delivering “Dreams, Fun and Inspiration” All Around the World
    © 2 0 1 8 テ レ ビ 朝 日・東 映 A G・東 映 © A B C - A・東 映 ア ニ メ ー シ ョ ン © や な せ た か し / フ レ ー ベ ル 館・T M S・N T V © 藤 子 プ ロ・小 学 館・テ レ ビ 朝 日・シン エ イ・A D K © 1 9 7 6 , 2 0 1 3 , 2017 SANRIO CO.,LTD.APPROVAL NO.S582299 ©2017 San-X Co., Ltd. All Rights Reserved. © バ ー ド ス タ ジ オ / 集 英 社・フ ジ テ レ ビ・東 映 ア ニ メ ー シ ョ ン © B A N D A I © 2 0 1 7 石 森 プ ロ・テ レ ビ 朝 日・A D K・東 映 ©ダイナミック企画・東映アニメーション ©バードスタジオ/集英社・東映アニメーション ©武内直子・PNP・東映アニメーション ©創通・サンライズ ©ROBOKICHI ©サンライズ ©東北新社 ©1982 ビックウエスト ©ちみもりを・AIC ©NIPPON ANIMATION CO., LTD ©石森プロ・東映 ©東北新社 ©ゆでたまご/集英 社・MTV・東映 動画 ©車田正美/集英 社・テレビ朝日・東映 動画 ©1993 Saban Entertainment, Inc, & Saban International N.V. All Rights Reserved. TM&©1993 Toei Company, Ltd. All Rights Reserved. ©BANDAI,WiZ ©BANDAI ©1999 BANDAI・WiZ ©バードスタジオ/集 英 社・フジテレビ・東映アニメーション ©L5/YWP・TX ©池田理代子プロダクション ©BNP/BANDAI, DENTSU, TV TOKYO ©BANDAI ©鈴木サバ缶/小学館・爆釣団 ©2018 BANDAI NAMCO Entertainment Inc. ©円谷プロ ©BANDAI/TV TOKYO・ここたま製作委員会 ©Fujiko-Pro, Shogakukan, TV-Asahi, Shin-ei, and ADK ©石森プロ・テレビ朝日・ADK・東映ビデオ・東映 東京地下鉄 株式会社商品化許諾済 ©広島東洋カープ ©BNP/BANDAI, NAS, TV TOKYO ©臼井儀人/双葉社・シンエイ・テレビ朝日・ADK ©池田理代子プロダクション ©Ikeda Riyoko Production ©武内直子・PNP・東映アニメーション ©Naoko Takeuchi ©2015-2017 DMM GAMES/Nitroplus ©武内直子・PNP・東映アニメーション ©Naoko Takeuchi ©Naoko Takeuchi/PNP, Toei Animation ©車 田 正 美 /集 英 社・東映アニメーション ©Legendary 2018.All Rights Reserved.
    [Show full text]
  • Tokusatsu Kamen Rider Super Sentai Metal Hero Aiba Hiroki Bandai Spiderman Sieu Nhan I N Quang Nagasawa Nao Sport Ranger
    TOKUSATSU KAMEN RIDER SUPER SENTAI METAL HERO AIBA HIROKI BANDAI SPIDERMAN SIEU NHAN I N QUANG NAGASAWA NAO SPORT RANGER PDF-30TKRSSMHAHBSSNINQNNSR6 | Page: 123 File Size 5,455 KB | 0 Oct, 2020 TABLE OF CONTENT Introduction Brief Description Main Topic Technical Note Appendix Glossary PDF File: Tokusatsu Kamen Rider Super Sentai Metal Hero Aiba Hiroki Bandai Spiderman Sieu Nhan I N 1/2 Quang Nagasawa Nao Sport Ranger - PDF-30TKRSSMHAHBSSNINQNNSR6 Tokusatsu Kamen Rider Super Sentai Metal Hero Aiba Hiroki Bandai Spiderman Sieu Nhan I N Quang Nagasawa Nao Sport Ranger e-Book Name : Tokusatsu Kamen Rider Super Sentai Metal Hero Aiba Hiroki Bandai Spiderman Sieu Nhan I N Quang Nagasawa Nao Sport Ranger - Read Tokusatsu Kamen Rider Super Sentai Metal Hero Aiba Hiroki Bandai Spiderman Sieu Nhan I N Quang Nagasawa Nao Sport Ranger PDF on your Android, iPhone, iPad or PC directly, the following PDF file is submitted in 0 Oct, 2020, Ebook ID PDF-30TKRSSMHAHBSSNINQNNSR6. Download full version PDF for Tokusatsu Kamen Rider Super Sentai Metal Hero Aiba Hiroki Bandai Spiderman Sieu Nhan I N Quang Nagasawa Nao Sport Ranger using the link below: Download: TOKUSATSU KAMEN RIDER SUPER SENTAI METAL HERO AIBA HIROKI BANDAI SPIDERMAN SIEU NHAN I N QUANG NAGASAWA NAO SPORT RANGER PDF The writers of Tokusatsu Kamen Rider Super Sentai Metal Hero Aiba Hiroki Bandai Spiderman Sieu Nhan I N Quang Nagasawa Nao Sport Ranger have made all reasonable attempts to offer latest and precise information and facts for the readers of this publication. The creators will not be held accountable for any unintentional flaws or omissions that may be found.
    [Show full text]
  • DECEMBER 2017 Issue of Messenger
    ISSUE NO. 15 DECEMBER 2017 EVERGREEN VALLEY COLLEGE THE MESSENGER ‘F’ailing Our Women discuss any problems or events that happened on EMERGENCY High-level individuals campus.” How tragic that we as a society are still focused on what women should do to protect themselves, REPORTING must be held accountable rather than on how to ensure that men not abuse women. By: Marjorie Clark Systemic change will not come easily. There is no one EVC Police Station ( E VC C o u n s e l o r / P s y c h o l o g y fix. We need to start holding those high-level individuals 408-270-6468 Instructor and Service-Learning entrusted with our safety and students’ dreams FAX: (408)239-0417 and Public Service Coordinator) accountable. Everyone must be at the table. Location: We need bystander programs, full-time Recently, many courageous women have Central Plant Building mental health professions, robust women and gender gone public with allegations of workplace harassment, assault and rape, against very powerful men in studies programs for our students and allies to provide Hollywood, media, businesses and even politics. As a result of these high profile accusations, actress Hours of Operation: essential resources, services and leadership opportunities Alyssa Milano tweeted for a show of numbers, by those impacted by asking them to tweet #MeToo on Monday - Saturday for our students, classified and faculty sisters. We have to social media platforms. Overnight, social activist Tarana Burke’s decade old “MeToo” movement gave 7:00 a.m. - 11:00 p.m. change the culture of privilege by decreasing the voice to hundreds of women and some men, including members of our District community, the Sunday multiple layers of high-level administrators and replacing opportunity to tell their stories of harassment and abuse, or simply to say #MeToo.
    [Show full text]
  • Universidad Peruana De Ciencias Aplicadas (UPC)
    Henshin: Elementos visuales, narrativos y culturales Tokusatsu adaptados en producciones audiovisuales no orientales mainstream: Power Rangers y Pacific Rim. Item Type info:eu-repo/semantics/bachelorThesis Authors Muñoz Tancún, Gabriel Alexander Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 06/10/2021 17:34:30 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/653936 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE COMUNICACIONES PROGRAMA ACADÉMICO DE COMUNICACIÓN AUDIOVISUAL Y MEDIOS INTERACTIVOS Henshin: Elementos visuales, narrativos y culturales Tokusatsu adaptados en producciones audiovisuales no orientales mainstream: Power Rangers y Pacific Rim. TESIS Para optar el título profesional de Licenciado en Comunicación Audiovisual y Medios Interactivos AUTOR Muñoz Tancún, Gabriel Alexander (0000-0002-2672-8820) ASESOR Gomero Correa, Giancarlo (0000-0001-6777-0999) Lima, 02 de Noviembre del 2020 1 DEDICATORIA A Mariella, Jaime y Ximena por el aliento que permitió aventurarme en este reto. A Pablo, García y Alma por las risas durante toda esta etapa. A todas esas personas que forman parte de mi gran universo. Cada uno de ustedes ha aportado de una manera u otra a convertirme en el héroe que quiero llegar a ser. 2 AGRADECIMIENTOS A mi asesor, quien estuvo pendiente de las dudas que tenía y me encaminó a lograr este documento: Giancarlo Gomero. A Lissette Ponce, quien su dedicación por difundir el Tokusatsu la llevó a ser una fuente de información para esta investigación. A Aldo Salvini, quien amablemente se interesó en mi investigación y me permitió usar su experiencia para este proyecto.
    [Show full text]
  • スーパー戦隊 私の愛 * * Super Sentai Mon Amour
    スーパー戦隊 私の愛 * * Super Sentai Mon Amour Compagnie du 7ème étage Association loi 1901 - Siret: 531 478 089 00026 - APE: 9001 Z - N° de licence: 2-1086611 Les Studios de Virecourt - 1 domaine de Virecourt, 86470 BENASSAY スーパー戦隊 私の愛 * * Super Sentai Mon Amour Une équipe de super-héros japonais multicolore fait passer le temps dans son QG jusqu’à ce qu’elle décide d’aller tuer Dieu. Sentai [sɛntaj] : Le terme sentai signifie en japonais “escadron de combat”. Il désigne également toutes les oeuvres audiovisuelles nippones (généralement des séries télévisées) mettant en scène un groupe de super-héros costumés. Le terme précis utilisé au Japon est “super-sentai” : Flashman, Bioman, etc. Amour : L’amour désigne un sentiment d’affection et d’attachement envers un être vivant ou une chose qui pousse ceux qui le ressentent à rechercher une proximité physique, spirituelle ou même imaginaire avec l’objet de cet amour et à adopter un comportement particulier. --- J’ai toujours eu un plaisir honteux avec le super Sentaï. Je l’ai découvert avec Bioman dans les années 80, et il n’est pas étranger à ma passion pour l’esthétique tokyoïte de la fin des années 70. Un jour, à la Japan expo au début des années 2000, j’ai vu des trentenaires déguisés en personnages de manga, j’ai pris peur et j’ai enfoui cette passion, j’ai renié cet amour. Quinze ans plus tard... Shinzo Abe, premier ministre du Japon, au moment de la cérémonie de clôture des J.O. de Rio, apparaît déguisé en Mario Bros, tel un cosplayeur1 chevronné, pour présenter la prochaine nation organisatrice.
    [Show full text]
  • Desain Mainan Robot Binatang Berubah Bentuk Dengan Konsep Collectible Mrechandise Megazord Nusantaranger
    Laporan Tugas Akhir Desain Produk – (RD141530) DESAIN MAINAN ROBOT BINATANG BERUBAH BENTUK DENGAN KONSEP COLLECTIBLE MRECHANDISE MEGAZORD NUSANTARANGER Mahasiswa: Muhammad Anyakra Kusuma NRP. 3411100149 Dosen Pembimbing: Primaditya, S.Sn., M.Ds. NIP. 197205151998021001 JURUSAN DESAIN PRODUK INDUSTRI FAKULTAS TEKNIK SIPIL DAN PERENCANAAN INSTITUT TEKNOLOGI SEPULUH NOPEMBER SURABAYA 2016 Final Project – (RD141530) DESIGN OF TRANSFORMABLE WOODEN ANIMAL TOYS WITH COLLECTIBLE MERCHANDISE MEGAZORD CONCEPT FOR NUSANTARANGER Student: Muhammad Anyakra Kusuma NRP. 3411100149 Counselor Lecturer: Primaditya, S.Sn., M.Ds. NIP. 197205151998021001 INDUSTRIAL PRODUCT DESIGN DEPARTMENT FACULTY OF CIVIL ENGINEERING AND PLANNING SEPULUH NOPEMBER INSTITUTE OF TECHNOLOGY SURABAYA 2016 DESAIN MAINAN ROBOT BINATANG BERUBAH BENTUK DENGAN KONSEP COLLECTIBLE MRECHANDISE MEGAZORD NUSANTARANGER Nama : Muhammad Anyakra Kusuma Nrp : 3411100149 Jurusan : Desain Produk Industri FTSP-ITS Dosen Pembimbing : Primaditya, S.Sn., M.Ds. NIP : 19720515 199802 1001 ABSTRAKSI Mayoritas pasar mainan bongkar pasang robot di Indonesia lebih didominasi mainan impor. Sekretaris Dirjen Industri Kecil dan Menengah Kementerian Perindustrian, Busharmaidi mengatakan Pangsa pasar mainan 70 persennya adalah (mainan) impor dan 30 persen adalah (mainan) lokal. Banyak diantara mainan tersebut yang tidak memenuhi standar, bahkan berbahaya bagi kesehatan. Selain itu juga pada jaman modern ini, mainan Indonesia lebih condong pada mainan tradisional dan tidak mengikuti perkembangan modern. Seperti
    [Show full text]
  • Cross-Influence Between Robot Anime and Tokusatsu in SSSS.Gridman Angela Longo, Yokohama National University, Japan the Asian Co
    Cross-influence Between Robot Anime and Tokusatsu in SSSS.Gridman Angela Longo, Yokohama National University, Japan The Asian Conference on Arts & Humanities 2019 Official Conference Proceedings Abstract This article focuses on the cross-influence between the establishment of the Robot Anime genre and the Tokusatsu in order to understand how both genres were fundamental in shaping and changing the way we perceive Japanese media, domestically and across the world. The design of plamodels and robotic mechanisms will be a point of contact for influencing one another, in terms of aesthetics and industry models. From the television broadcasting of friendly robots in the 1960s — to the giant robots of the 1970s and the henshin boom in Tokusatsu — to the explosion of the more realistic robots in the 1980 and the influence of Super Sentai shows — to the increasing mix between robots and humans in the 1990s — the robot imagery brought philosophical questions about the increasing use of technology in daily life and in the technicity of media itself. Particularly we will analyze the case of the anime SSSS.Gridman (2018) adapted from the original Tokusatsu series Denkō Chōjin Gridman (Gridman the Hyper Agent, 1993-1994) created by Tsuburaya Productions. The anime context is a personalized otaku world with the everlasting influence of Tokusatsu and Super Sentai series. In that sense, the aesthetic analysis will be grounded on how different media captures other media, and how that brings an opening for choices with a deliberate difference in the composing of the moving image. Keywords: Anime; Tokusatsu; Robot; SSSS.Gridman; Aesthetics. iafor The International Academic Forum www.iafor.org Introduction Since the globalization boom of Japanese animation on the 90s, we have seen a continuous rise of interest in the aspects of production, distribution and the establishment of an academic research field dedicated to exploring anime and other Japanese media.
    [Show full text]
  • A 2Nd Story Study Guide Inspired by the Original Story by Tiffany Moten
    MIGHTY A 2ND STORY STUDY GUIDE INSPIRED BY THE ORIGINAL STORY BY TIFFANY MOTEN W W W . 2 N D S T O R Y . C O M CCOONNTTEENNTTSS pg. 2 START TALKING ACTIVITY: Questions for guided conversation HHOOWW TTOO UUSSEE pg. 3 TTHHIISS GGUUIIDDEE THE POWER OF THE Welcome to our study guide. SUPERHERO Learn more about the prevalence of superheroes. We are a collective of story-makers and story-lovers committed to building a more empathetic world by sharing one great story at a time. We believe in the pg. 4 unique power of sharing one's personal story. This guide takes a closer look at a true story told by a IT'S MORPHIN' TIME real person. A primer on the Mighty Morphin' Power Rangers. Tiffany Moten's Mighty is a story of how our childhood heroes can inspire us to take action, and how these heroes sometimes help us find the strength we didn't pg. 5 know we had. THE HERO IN ME Inside this study guide, you will find activities, an An intimate conversation with storyteller Tiffany interview with Tiffany, and historical and contextual Moten. information that will add to your understanding of her story. On our website you can find additional resources pg. 6 and related learning standards. To use this guide in any capacity, please start by FIVE MIGHTY listening to Tiffany's story, available on the 2nd Story MILESTONES website at 2ndStory.com/studyguides. A look at major moments in superhero history. Happy listening! Happy learning! pg. 7 The 2nd Story Collective WHAT MEDIA SHOWS US Study guide curated by Max Spitz and Lauren Sivak A closer look at the role the media plays in how Articles by Max Spitz with support from Lauren Sivak we see ourselves and others.
    [Show full text]