1 King William III 4 The Golden Mean 7 Words of Hewitt 10 Nelson Memorial Church 14 Queen Victoria Statue 18 McKelvey’s Birthplace This statue of King William III was This Wall sculpture was inspired John Hewitt, the famous Irish This church was named after the The statue was carved from Francis Baird McKelvey was born placed on the roof of by the organic round shape of poet, was a pupil at Agnes Street Rev. Isaac Nelson. He decided Portland stone in 1897 for the and raised in 31 Woodvale Road. Orange Hall in 1889, four years shells and its continuous spiral Methodist Church. Inspiration for to leave his post as a clerical Queen’s Diamond Jubilee, when He went on to become one of after the hall’s offi cial opening. pattern that is always growing. this art work comes from his minister to enter politics, and she was 78 years old. There is ’s more celebrated artists. At the time the statue cost £600 Each panel consists of hand poem, Mosaic; became the Nationalist MP for much intricate detail in the statue There are many local scenes and was sculpted by Harry Hems drawn images that directly relate County Mayo. He served in the particularly in the dress which featured amongst his work, such of Exeter, and cast in bronze by to customs surrounding childbirth “History is selective; give us Government from was modelled on one made of as Woodvale Park. His work can from around the world and text be seen at the Museum. Singer of Frome. Today the hall is instead the whole mosaic.” 1880 - 1888, and was successor Nottingham Lace. describing the family unit often referred to as Clifton Street to Charles Stewart Parnell. 19 Fernhill House Orange Hall. Artist Martin McClure worked The sculptor John Cassidy was Artist Lucy Turner worked with Sited on the slopes of Black the Friend, Parent and Toddler with young people from the 11 Divis and Black Mountain born in , Co. Meath but lived Ashmore area to create this piece. most of his life in Manchester. Mountain, this house was one of 2 Jail group from the Alessie Centre. This piece was completed by many built for Belfast’s The piece was constructed by He died in 1939 in Ashton - ShankillShankill aandnd Built between 1843 and 1845, this artist Lucy Turner. Inspiration for mercantile elite. It belonged to listed building was designed by fabricator Norman Moody. 8 Hidden Treasures the piece came from Divis and on Mersey. the Cunningham family, who Charles Lanyon, one of the This graffi ti mural piece depicts a Black Mountain. They form the were owners of the Northern leading architects of the time. 5 The Lost Streets treasure map showing the hidden skyline of the Shankill and are The statue is located in Shankill Whig newspaper and were It was modelled on Pentonville treasures of Northern Ireland visible the length of the road. The Graveyard. This graveyard has prominent in the Orange Order West Belfast “Creating Common Ground” and been thoroughly documented over Prison in London, and constructed artists Karen Gibson, Claire such as the Giants Causeway and sections represent the layers of and adamant in their opposition Arts and Heritage T r a i l from black basalt from the Belfast Gibson and Zona Crilly worked the Harland & Wolf cranes. It also different rock that form the the years and knowledge of a to Home Rule. Today it houses a Hills and sandstone from with the local community to depicts a tribute to Belfast born mountains, images on the piece church on the site dates back to community museum. The exhibitions explore the social, Scotland. The prison fi nally closed create a piece that shows the CS Lewis, writer of The Lion, the show some of the fl ora and fauna the 5th Century AD. economic and military history of its doors in 1996 after years of changing face of the Shankill Witch and the Wardrobe. that can be found on the over the last eighty years. 15 The Bullaun Stone the Greater Shankill area and the imprisoning both loyalist and mountains as well as images of museum has the largest republican prisoners. Graffi ti Writers: Dias, Insa, Tekor, the Shankill. The Bullaun Stone sits at the collection of Orange Memorabilia One side shows the streets of the Rask, Sums, Dris, Solo and Kas. main entrance to St. Matthews Shankill in the 1920’s, the other in the world. Church. It was unearthed in Auld kirk an Wast Bilfawst 3 Crumlin Courthouse how the Shankill looks today. 12 Zender excavations of the Shankill A listed building built in 1850, The piece is due for completion 9 Shankill Memorial Gardens These two murals on the side of 20 The Crucible Airts an Heirskip Pad Crumlin Road Courthouse was early 2006. Laid as a memorial to those who the Spectrum Centre were Graveyard. It is believed that the This piece commemorates the originally known as the County gave their lives in the First and completed in 2003 by visiting stone was used as a christening bygone industries of Belfast, and font in the Middle Ages and may Courthouse. During 6 Mission Second World Wars. More Los Angeles artist John Estrada. the role the Shankill residents many high profi le paramilitary recently, an old street lamp has One illustrates the variety of have origins back in Druid times played in these. Artist Lucy Rev. Henry Montgomery was the when it would have been used Turner and metal fabricator cases were tried here and founder of the mission and been added to commemorate activities that take place in the several attempts were made to those who lost their lives in the centre, the other shows for pagan sacrifi ces. Locals now Norman Moody used materials dedicated his life to working such as rope and iron that have blow up the courthouse in the 1993 Shankill bomb. “Zender”, Estrada’s ‘tag’ (graffi ti believe it has the power to cure with the underprivileged families associations with these seventies and eighties. Prison writing name). warts. from the Shankill and beyond. industries. The sculpture takes transfer from the courthouse to Rev. Montgomery was opposed to 16 Roots of America the form of a chair, which is the jail across the road was via the Irish Home Rule Bill and was 13 West Belfast Orange Hall shaped like a crucible. the fi rst person to sign the Ulster an underground tunnel. West Belfast Orange Hall was This mural depicts James Covenant in his own blood. built in 1898 to serve as the Buchanan, 15th President of the 21 Springfi eld Dam headquarters of the growing USA, whose term of offi ce lasted This man made dam, located number of local Orange Lodges from 1857 -1861. It is an offi cial in the grounds of Farset in the area. It has acted as a mural on the Ulster-Scots trail and International accommodation, community centre for a number is one of many locations in the is now a wildfowl reserve it was 11 17 6 of years and continues to offer a Province giving recognition to originally constructed in the late Ballysillan range of cultural activities. people who have left Ulster and 1800’s to service the local mills

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1234567890 QWERTYUIOP[ ASDFGHJKL; \ZXCVBNM ! #$% &*() QWERTYUIOP ASDFGHJKL: ZXCVBNM 15 The Spring This Spring located in the Springfi eld area, commonly referred to as the “Top of the

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O C R 32ft high metallic spring made D U M V L I N by artist Gavin Weston, and is A R L O A E D symbolic of the fact that there

R used to be natural springs in D D A O the area. This sculpture quite R S h a n k i l l D literally puts the spring back I N T A R O into Springfi eld. A R M O G R Y L A 16 Ardmonagh “Impressions L L West Belfast B l a c k A U S B H A N K I in Stone” C L L R O A D R

M o u n t a i n I ‘Ardmonagh Stone Carvings’ was

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G W Artist Mark Anthony Grimley M A A O R R 2 F a l l s ST R E worked with the women to T E Arts and Heritage T r a i l I I S T N LD I V design and produce these hand R IE D s O F A G carved stone sculptures for D IN l W h i t e r o c k R Ardmonagh Community Garden. SP l 13 11 C i t y 14 12 10 H a l l 17 Turf Lodge Welcome Stone i 9 D G The Upper Sprngfi eld Development Ballymurphy ROSVENOR ROAD 15 A H O GVS Trusts’ Arts Unit and Groundwork Bealach na nEalaíon R 3 Northern Ireland’s Greencare S Project worked in partnership with agus na hOidhreachta 8 L L A Turf Lodge Residents Association t 16 W H F B R Iarthar Bhéal Feirste 17 I T O to come up with a piece of art E R A s O D C K R O 4 which would celebrate the history AD W agus na Sean Chille A a 7 5 Y of Turf Lodge Housing Estate and 18 DON also act as a welcome feature. f EGAL L ROA The sculpture was made by artist l D M Botanic Farhad Nargol O’Neill in O e N Tu r f L o d g e conjunction with residents from A Falls G Park the Turf Lodge area. B H G B L Y T E - AT 18 Seat of Tara N P E’S S A I AV D S E One interpretation of the name E S OAD N R 6 Tara says it means a “place of R LE H G O great prospect”. The Hill of Tara, A U 19 A P D N P A D O known as Temair in gaeilge, was N E R R A L D K D H E once the ancient seat of power in S I E A D S P R N G F N 10 Springhill Celtic Cross I O T N A Ireland - 142 Kinga are said to O E R O W D R Situated in Springhill Avenue, have reigned there in prehistoric N Y R D E 19 13 H A W the history of this powerful Celtic times. In ancient Irish religion O H N I R L A C Adelaide R L N Y Cross symbol is ambiguous. and mythology Temair was the L E U U 21 G O B B S The 9ft colourful cross mosaic sacred place of dwelling for the S Andersonstown Y I H AW L depicts several themes including Gods, and was the entrance to ’ S A traditional music, Gaelic sports the otherworld. R 20 D W O A A D O R and the claddagh symbol, L R E N O associated with friendship & love. 19 Ait na Mona N TOW S A S T U SON F D NDER O The Ait Na Mona residents F O A O O M ST L N O 11 Tir na nOg Bronzes association along with The 17 K C A 1 KM R V M A Northern Ireland Housing O E N Located in Tir na nOg Park, D A ’S Executive and Groundwork A D L Springhill Avenue, three bronze AN O 22 E statues outline the story of Tir na Northern Ireland worked in ww w .visitwestbelf. v i s i t w e s t b e l f a s t . c o m R nOg, the land of youth. The quest partnership on these particular

N S u f f o l k pieces of art. The artist Michael Balmoral for eternal youth has obsessed N BA Baker along with the children E LM man through the ages and L L a d y b r o o k O from the area worked on the F R G I A legends such as Tir na nOg N L mural and mosaic. The artist N A A 4 21 I G V inspires us to dream. Tir na nOg H E Farhad O’Neill along with L D P o l e g l a s s Y A was an enchanted land where O R O residents worked on the welcome D R C B LAC the beautiful Tuatha de Danann K N Finaghy N stone, inserted in the stone is a ’ S O R R U lived. According to Celtic R T salvaged door from the old British O B U A H I S mythology, the Tuatha de Danann P D L Army Base Fort Jericho. P E were the last generation of gods R R P E D P and to rule Ireland U U 20 The Druid and The seat of N and they were possessed with M 6 National Graves Association Knowledge U R F i n a g h y magical abilities and great skills 14 5 RY F This Monument is situated in the Artist Raymond Watson worked in RO I D AD N in the arts. A A heart of Milltown Cemetery, were conjunction with the Upper West Belfast G O H R Y many thousands of people are Andersonstown Community R 12 “Our Culture is Alive” Mural Forum. It is based on the story of D buried. Recently refurbished, N S This vibrant mural is based on Finn and the Salmon Of W O the monument was built as a D U O Knowledge. The fi rst person to A T memorial to Ireland’s Patriot Irish culture, history and T Tw i n b r o o k O H R S and Shankill mythology celebrating the rich taste the salmon would gain Y dead, and is maintained by the T D R A R Dunmurry knowledge and the power to see R history and culture of the Irish O E 3 Railings at Royal Victoria National Graves Association. A R H the future. Finn came as a young Arts and Heritage T r a i l 2 11 C people past, present and future. L W Many relatives, friends and L Hospital I warrior to work with the Druid. E The scale of this impressive H international visitors visit the BA T R Life is the core of the Royal Finally the Druid caught the E D R S mural is the children’s gift to M A monument for refl ection and to This trail is an initiative of Fáilte industrial growth of the city. In N Victoria Hospital’s work. ‘Ordinary salmon, while cooking it he left F M O their community, which they hope I U R pay their respects. Feirste Thiar, Forbairt Feirste, fact it is from the River Farset E S Lives’ and the ‘Extraordinary Finn alone to watch that it did not L D u n m u r r y will be a visible sign of the deep D N West Belfast Partnership Board, (Féarsaid in Irish) that Belfast as T O Miracle of Life’ are the themes of burn. The fl ames touched the R H pride and appreciation for who O G ‘Life Span’, the railing artwork salmon and blistered its side. Shankill Tourism, Greater a city gets it’s name (Béal A E I 7 Teach na Féile - Festival they are and where they have D R Finn touched the blister and burnt Shankill Partnership, Upper Feirste, meaning “the mouth of C outside the hospital. Artist Bruce House Féile an Phobail come from. Artist Gerard Kelly Williams and Avril Wilson designed his fi nger, he then put his fi nger in Springfi eld Development Trust the sandy-ridged river”). 8 9 Féile An Phobail, based in West worked closely with the youth of his mouth and tasted the salmon the railings, which were put in the area to produce this mural. and Spectrum Centre. The trail place in 1999. The high-tech, Belfast, provides a programme - so he gained the special power takes you around works of art in Similar working conditions were laser-cut structure depicts an of activities throughout the year. of seeing into the future. 13 Herald of Jericho the area, as well as sites of shared by both communities, as immense DNA formation, with It runs one major festival, the historical and cultural interest. they toiled in the factories and AD eleven, decade-by-decade August Féile, for ten days and an The Herald of Jericho is made 21 Roddy McCorley Society D ERRIAGHY RO linen mills through the end of portraits of people associated with increasing number of specialist from salvaged remains of the old and Museum Although the traditions of the the 19th and into the 20th Derriaghy the Royal - a life span from birth to festivals including Draíocht, a two fort in the area, Fort The Roddy McCorley Society, communities in the two areas Century. Alas, the big industries 100 years. week arts festival for children and Jericho. The sculpture, made by situated in the heart of West differ in some very signifi cant went into decline, and of the 16 young people, and Féile an artist Farhad O’Neill and Frank Belfast, is named after the famous respects, and can be classed as original thirty two mills, none 1 Conway Mill Earraigh, focusing on Irish Quigley, involved the local United Irishman. You will fi nd that 4 An Cultúrlann McAdam broadly Unionist/Protestant in exist today. Take a tour of the mill (circa Ó Fiaich culture, music and language. community residents, ex-political both the Socirty and the well 1840) and learn about the harsh, prisoners and young people in known Moyard House (museum) the Shankill and Nationalist/ Cultúrlann McAdam Ó Fiaich, 3 15 wet, working conditions that mill the project. Corrugated sheet are steeped in rich, Irish culture. Catholic in the Falls, there is History has moved on, and with Belfast’s only 8 Westrock Garden Sculpture workers had to endure. This mill, metal and rocket wire have been The museum and grounds are very much a shared history, and the city emerging from the Arts/Cultural Centre, is located in formerly the Falls Flax Spinning Westrock Garden Sculpture was transformed into an outstanding home to many signifi cant one that is not well highlighted. upheavals of the 1960’s, 70’s, a former Presbyterian Church on run in conjunction with L historical artefacts. A Belfast’s growth was immense 80’s and 90’s, we are now

D N Company, ceased producing work depicting a large angel in R S S C AR D

R UL O

RC O U D CI M M A RTH W the Falls Road. The centre is

L I RO NO E R Whiterock Westrock Residents N NE L T O Tourist Information I R in the period of the late entering a more hopeful and C D linen in 1972. The Mill complex fl ight, with materials carved with G N 1 A O K N V P AM S D EH LI home to a very popular café/ I WIL E A RTR H O O Association and Corpus Christi L F O O I R LL A D R R D Y A

A 22 Finn and the E itself was awarded B2 listed celtic symbols. The shadows cast O O nineteenth century, and was due peaceful period, and this N D SKIGO A R A R A W D R L D N R L O N R T restaurant (An Café Glas).

I N T EILL O

A O S A A S R A

T School. Artist Frank Quigley Y L D F

L O T I AV D M L ENUE O L L D S E Church building status of in 2000. Today by the Herald refer to shadows A P E M to a number of factors, including initiative is but one of many B Giant’s Causeway B AR W K R

2 O D Within the centre is An Ceathrú

R T BELFAST CITY A A O M E O

D worked with the young people to A E AIRPORT R

D R T ninety fi ve percent of the mill is C cast on the communities’ lives by S D L D the expansion of the industrial cross community initiatives I O This piece depicts various images E FT A L T D U O Póilí bookshop, which stocks the O IM R O N E E A R W V E C S O I T N Y design and produce this piece of L R G C L O R U L T E N T 6 20 L R D E O S Artpiece used for local community K R the former army road. E U R R H

N M O D R associated with the story of Finn O base as thousands of people which will help in making the

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A A P largest range of Irish language I Y IR N E O P D N R E R I R A L O U R O sculpture for Westrock A A R D Q S K O W ’ A W projects such as education N D O McCool and his challenge to a H E A O moved from the countryside to city more attractive to the T E Y D titles and language learning aids R U V O Q D A T N S A

L S S D Community Garden. A O

E C R A Mural P T L

T IF - W programmes and craft makers. TO Y N S Scottish giant. After building the R N S B D O

E E T

R 14 Poet Tree O S the city in face of the potato visitor. We have a wealth of D in the north of Ireland. S M

N A T O E N H R

N W C N E E Y A G D I T D L L R A O SY L U C N C I R C causeway to fi ght the Giant in D O U S E HANK L G H L ILL RO AD E A A blights of 1845-1847. history and culture to be I L D Every tree has a spirit, and the R F L E A L V R S SYDE O L T A Historic Building/Place D D NH R I A A M NT 9 Seat of Dreams Scotland, Finn retreated when he O M T LM RO EET S V BE R I 2 Clonard Monastery T H C D S G NEW DU explored - come and uncover S I T T N spirit of this tree is visualised L I H OW D 5 James Connolly Plaque E IV O NAR ELA A I D R DS F R V I O G A AD N E realised that his Scottish SP R I S D T OA Situated in Tir na nOg Park, R UP PER N Built in early French Gothic style through the Dryad image of a The Forth and the Farset rivers, some of those hidden riches. GR A E WTO WNARDS ROAD O RD G LBERT Irish Revolutionary James S OR D VEN T A Historic Person V O S counterpoint was larger than he I R C W A D T O E N O O G Land of the youth is an excellent W A D D R D ING’S H O S BE I O K with mosaics above the altar, I beautiful woman and two red R E R R I A T R which fl ow through the West of T S B O E S O W Connolly was born in Edinburgh L A R L S NT O INK E C N D A L T CK F T M K E was. His wife got him to hide in S RO E K D AD W R A R N O R O A A example of artist Mark Anthony A A OAD B D P D designed by Ludwig Oppenheimer. squirrels. Artist Raymond Watson DONEG R M AL L D the City, were sites of much M D to Irish parents and came to R O E C N Graveyard/Monument the baby’s cot. The Scottish Giant A A D N Y A T O S R I 10 18 22 U T O A T G G S UNIVERSITY S R L R H A E R Grimley’s working with the youth. M R B E E K As you enter the monastery a worked with local children and Y T E D A E - A T V A C E I M Ireland in 1896. Famous for his activity associated with the O D C G P R ’S A O A N R H A looked into the cot and said, ‘If EN A U R E N S GL VE U O V R O E I S T O K G R R A EN D D M A Inspiration for the hand-carved S K R G L rose window, 22 feet in diameter, A residents through a programme D N O H L D involvement in the Easter Rising A A D I A Hospital B A that’s the size of Finn’s baby then A L K O M H E D O D N E N R N D

ED A Y R A

A E S Y O I D O W V R

W R N L A R design originates from the Farset A R E R A R O crowns the entrance doors. L of workshops on poetry, art, Y I R L O U R O of 1916, he lived on the Falls H IE T B M Y L Finn must be massive.’ The giant C R N A OW O U S AN S E E R A I UNNY D M R B

M O L D R SIDE O

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A B D S A ON N 1 O M River Gods, whose faces have

W M O R The nave features red granite mythology and storytelling. O T R Accommodation Road between 1910 and 1914. S ON D fl ed back to Scotland. Artist RS A ANDE E A D N S N O I N A O R O L A R L IL D

A been engraved. Sitting on the A M A H columns with marble bases and F D A D Connolly was executed after Childrens’ poems are carved into I N L E C O N M A L R Raymond Watson along with the R R E E A ST K B R I G OC U N H AVE KN H B R A Y NU C R E ER PPE B PP U Black Taxi Rank bench gives a wonderful view of A capes of Portland Stone. The the tree ensuring the legacy will U R L the 1916 Rising. A plaque Lenadoon youth made clay w w w .shankilltourism.com M O O A R D D A B OA L A N R A AD LL O VE RO YG R N O the Black Mountain, encouraging R E W shrine of St Joseph was crafted G commemorating him can be continue for years and will be T U S sculptures of different elements L A H B E NCR N N IS E A G D M R L A G ROA R H O E A P P D Hop-on/hop-off point people to appreciate the beauty U by an Italian sculptor and funded found on this building, now forwarded from generation to of the story, and are incorporated w w w .visitwestbelf a s t . c o m 12 7 by Patrick McGowan in 1932. occupied by a dentist surgery. of the local landscape. generation. onto the fi nal piece.