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Crossing Central Europe
CROSSING CENTRAL EUROPE Continuities and Transformations, 1900 and 2000 Crossing Central Europe Continuities and Transformations, 1900 and 2000 Edited by HELGA MITTERBAUER and CARRIE SMITH-PREI UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press 2017 Toronto Buffalo London www.utorontopress.com Printed in the U.S.A. ISBN 978-1-4426-4914-9 Printed on acid-free, 100% post-consumer recycled paper with vegetable-based inks. Library and Archives Canada Cataloguing in Publication Crossing Central Europe : continuities and transformations, 1900 and 2000 / edited by Helga Mitterbauer and Carrie Smith-Prei. Includes bibliographical references and index. ISBN 978-1-4426-4914-9 (hardcover) 1. Europe, Central – Civilization − 20th century. I. Mitterbauer, Helga, editor II. Smith-Prei, Carrie, 1975−, editor DAW1024.C76 2017 943.0009’049 C2017-902387-X CC-BY-NC-ND This work is published subject to a Creative Commons Attribution Non-commercial No Derivative License. For permission to publish commercial versions please contact University of Tor onto Press. The editors acknowledge the financial assistance of the Faculty of Arts, University of Alberta; the Wirth Institute for Austrian and Central European Studies, University of Alberta; and Philixte, Centre de recherche de la Faculté de Lettres, Traduction et Communication, Université Libre de Bruxelles. University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council, an agency of the -
The Marshall Plan in Austria 69
CAS XXV CONTEMPORARY AUSTRIANAUSTRIAN STUDIES STUDIES | VOLUME VOLUME 25 25 This volume celebrates the study of Austria in the twentieth century by historians, political scientists and social scientists produced in the previous twenty-four volumes of Contemporary Austrian Studies. One contributor from each of the previous volumes has been asked to update the state of scholarship in the field addressed in the respective volume. The title “Austrian Studies Today,” then, attempts to reflect the state of the art of historical and social science related Bischof, Karlhofer (Eds.) • Austrian Studies Today studies of Austria over the past century, without claiming to be comprehensive. The volume thus covers many important themes of Austrian contemporary history and politics since the collapse of the Habsburg Monarchy in 1918—from World War I and its legacies, to the rise of authoritarian regimes in the 1930s and 1940s, to the reconstruction of republican Austria after World War II, the years of Grand Coalition governments and the Kreisky era, all the way to Austria joining the European Union in 1995 and its impact on Austria’s international status and domestic politics. EUROPE USA Austrian Studies Studies Today Today GünterGünter Bischof,Bischof, Ferdinand Ferdinand Karlhofer Karlhofer (Eds.) (Eds.) UNO UNO PRESS innsbruck university press UNO PRESS UNO PRESS innsbruck university press Austrian Studies Today Günter Bischof, Ferdinand Karlhofer (Eds.) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 25 UNO PRESS innsbruck university press Copyright © 2016 by University of New Orleans Press All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage nd retrieval system, without prior permission in writing from the publisher. -
Images of the Golem in 20Th Century Austrian Literature
HEIMAT'S SENTRY: IMAGES OF THE GOLEM IN 20TH CENTURY AUSTRIAN LITERATURE A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in German By Jason P. Ager, M.A. Washington, DC December 18, 2012 Copyright 2012 by Jason P. Ager All Rights Reserved ii HEIMAT'S SENTRY: IMAGES OF THE GOLEM IN 20TH CENTURY AUSTRIAN LITERATURE Jason P. Ager, M.A. Thesis Advisor: Peter C. Pfeiffer , Ph.D . ABSTRACT In his collection of essays titled Unheimliche Heimat , W.G. Sebald asserts that, "Es ist offenbar immer noch nicht leicht, sich in Österreich zu Hause zu fühlen, insbesondere wenn einem, wie in den letzten Jahren nicht selten, die Unheimlichkeit der Heimat durch das verschiedentliche Auftreten von Wiedergänger und Vergangenheitsgespenstern öfter als lieb ins Bewußtsein gerufen wird" (Sebald 15-16). Sebald's term "Gespenster" may have a quite literal application; it is unheimlich to note, after all, how often the Golem makes unsettling appearances in twentieth-century Austrian-Jewish literature, each time as a protector and guardian of specific communities under threat. These iterations and reinventions of the Golem tradition give credence to Sebald’s description of Heimat as an ambivalent and often conflicted space, even in a relatively homogenous community, because these portrayals of Heimat juxtapose elements of innocence and guilt, safety and threat, logic and irrationality. In the face of the Holocaust's reign of death and annihilation, it seems fitting that Austrian-Jewish writers reanimated a long- standing symbol of strength rooted in religious tradition to counter destruction and find meaning in chaos and unexampled brutality. -
Identity and Belonging in the Novels of Doron Rabinovici1
IDENTITY AND BELONGING IN THE NOVELS OF DORON RABINOVICI1 Anabela Valente Simões Universidade de Aveiro Portugal [email protected] Abstract This essay analyses how the different types of memory may influence the process of identity formation. It shall be argued that not only memories formed upon the subject’s experiences play a key role in this process; intermediated, received narratives from the past, memories transmitted either symbolically or by elder members of the group, or, what has been meanwhile termed as “postmemory”, also play an important part in the development of an individual’s identitary map. This theoretical framework will be illustrated with the novelistic work of Austrian Israeli-born historian, writer and political activist Doron Rabinovici (*1961). As a representative of the so-called “second generation” of Holocaust writers, a generation of individuals who did not experience the nazi genocide violence, but who had to form their identities under the shadow of such a brutal past, Rabinovici addresses essential topics such as the intergenerational transmission of memory and guilt within survivor families, identity formation of second generation individuals (Jews and non-Jews) and the question of simultaneously belonging to different social, historical and linguistic contexts. 1 A version of this article was first presented at the “Eighth International Postgraduate Conference on Current Research in Austrian Literature”, held at the Institute of Germanic and Romance Studies, University of London, in 2011. Simões, Anabela Valente – Identity and belonging in the novels of Doron Rabinovici 39– 55 Resumo O presente artigo propõe uma reflexão sobre o modo como os diferentes tipos de memória influem no processo de formação de identidade de um indivíduo. -
Skeletons in the Basement? Family (And) Politics in Josef Haslinger's Das Vaterspiel
Souchuk, A 2017 Skeletons in the Basement? Family (and) Politics in Josef Haslinger’s Das Vaterspiel. Modern Languages Open, 2017(4): 9, pp. 1–20, DOI: https://doi.org/10.3828/mlo. v0i0.114 ARTICLE Skeletons in the Basement? Family (and) Politics in Josef Haslinger’s Das Vaterspiel Anna Souchuk DePaul University, US [email protected] In an interview about his 2000 novel Das Vaterspiel, Josef Haslinger summarized what he termed the Vaterprinzip: “Während des ganzen verfluchten 20. Jahrhunderts waren Vaterspiele im Gange. Das Vaterprinzip war vorherrschend und das bedeutete: Gewalt, Gewalt der Männer. In verschiedensten Formen.” Das Vaterspiel was written at a moment when Haslinger’s frustration with his native Austria was ascendant (a sentiment informed by the rise of Jörg Haider and the dismantling of the long-established Große Koalition), and his novel considers the many ways in which Austria in 1999/2000 had failed to adequately come to terms with injustices that the “Väter” of previous generations had inflicted. In this analysis, I examine how Haslinger uses the Kramer family’s fall from grace, along with a consideration of (divided) space, performance, and self-presentation (embodied in particular by the constructed performance given by Jörg Haider on the European political stage), to metaphorize the disintegration of Austrian politics at the dawn of the new millenium. Further, I draw connections between Das Vaterspiel and Haslinger’s political essays, and consider how several of the themes that emerge in his novel are also present in his published sociopolitical commentaries such as Politik der Gefühle (1987) and Klasse Burschen (2001). -
Staging Jo¨Rg Haider: Protest and Resignation in Elfriede Jelinek's Das
STAGING JO¨ RG HAIDER: PROTEST AND RESIGNATION IN ELFRIEDE JELINEK’S DAS LEBEWOHL AND OTHER RECENT TEXTS FOR THE THEATRE In memory of Francesca Gibson and Christine Flude A reader comparing the introduction to Elfriede Jelinek’s first publication, the novel wir sind lockvo¨gel baby! of 1970, with some of the authorial inferences and statements found in and about her recent works for the stage, Macht nichts. Eine kleine Trilogie des Todes (1999)orEin Sportstu¨ck (1998),1 might initially be tempted to conclude that Elfriede Jelinek’s political vigour and critical voice had very much waned. For her first novel, Jelinek provided a ‘gebrauchsanweisung’ which encouraged the reader to take an active, interventionist part in her book and then to become empowered to effect protest outside the bounds of the law. ‘sie sollen hergehen’, the author advises, ‘& sich u¨berhaupt zu VERA¨ NDERUNGEN ausserhalb der legalita¨t hinreissen lassen.’ She goads her potential readers not to bother reading the book at all if they feel they are not capable of counter-violence (‘gegengewalt’) and continues in what would for today’s publishing market be a most unlikely vein: ‘wenn sie aber gerade daran arbeiten jene massiven offiziellen kontrollen & organe zu unter- minieren zu zersto¨ren dann ist es unsinnig & verfehlt diese zeit fu¨r das lesen des buches zu verschwenden’ (lockvo¨gel, gebrauchsanweisung). The ‘Nachbemerkung’ to Macht nichts shows little of this obvious protest and rebellion, and the author seems almost resigned by contrast. The third part of the trilogy is a monologue entitled ‘Der Wanderer’, in which Jelinek’s own father is dramatized as the speaker. -
Ucin1236187503.Pdf (900.17
U UNIVERSITY OF CINCINNATI Date: I, , hereby submit this original work as part of the requirements for the degree of: in It is entitled: Student Signature: This work and its defense approved by: Committee Chair: Approval of the electronic document: I have reviewed the Thesis/Dissertation in its final electronic format and certify that it is an accurate copy of the document reviewed and approved by the committee. Committee Chair signature: Criminals and Artists: Detecting the Artist in German Crime Literature of the Twentieth Century A Dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the DOCTORATE OF PHILOSOPHY (Ph.D.) in the Department of German Studies of the College of Arts and Sciences 2009 by Erick Francis Urbaniak M.A., University of Cincinnati, 2002 B.A., Xavier University, 2000 Committee Chair: Todd Herzog, Ph.D. ABSTRACT My dissertation, Criminals and Artists: Detecting the Artist in German Crime Literature of the Twentieth Century, examines how German speaking authors of the twentieth century reflect upon their identity as artists through writing about criminals both real and fictional. Moreover, each case represents a response to a specific era. This project begins with Thomas Mann’s crime novel Die Bekenntnisse des Hochstaplers Felix Krull. Mann’s work draws on a long, but rarely examined tradition of linking the criminal to the artist that stretches back to Plato and forward to Michel Foucault. Mann’s novel establishes the nexus in which the artist and the criminal are united. Felix Krull, a confidence man, is a unique case because he is simultaneously a criminal deceiving society for one’s personal gain, and an artist, performing a role for an audience like a masterful actor. -
The Compromise of Return: Viennese Jews After the Holocaust
PRAISE FOR THE COMPROMISE OF RETURN “In an engaging, thoroughly researched study, Elizabeth Anthony reveals how and why Jewish returnees came back to ‘their’ city, Vienna, but not to Austria. They persisted in reclaiming their familial, professional, and polit- ical homes, as they compromised with ongoing individual and governmen- tal antisemitism, including the refusal to return their property. Elegantly written, Anthony’s book highlights the hardships and disappointments of Jewish survivors as they settled back ‘home.’” —Marion Kaplan, author of Hitler’s Jewish Refugees: Hope and Anxiety in Portugal “With The Compromise of Return Elizabeth Anthony brings history alive. She paints a vivid picture of the life of Jewish Austrians who chose to remain in or returned to Vienna after the fall of the Nazi regime. Through poignant personal interviews coupled with meticulous archival research and in conversation with international scholarship, the author convinc- ingly argues how their unique Jewish-Viennese identities allowed them to remain in an anti-Semitic society that presented itself as Hitler’s first vic- tim. The Compromise of Return, the first comprehensive English-language study on the topic, constitutes a major contribution to post-war Austrian and Holocaust histories.” —Jacqueline Vansant, author of Reclaiming Heimat: Trauma and Mourning in Memoirs by Jewish Austrian Reémigrés “Deeply researched and beautifully written, this book tells the poignant story of Jewish survivors’ return to Vienna, really for the first time. Brim- ming with insights, it gives voice to the returnees; it is they who stand at the core of this history.” —Dirk Rupnow, Institute for Contemporary History, University of Innsbruck The Compromise of Return THE COMPROMISE OF RETURN VIENNESE JEWS AFTER THE HOLOCAUST ELIZABETH ANTHONY WAYNE STATE UNIVERSITY PRESS Detroit © 2021 by Elizabeth Anthony. -
Inhaltsverzeichnis
Inhaltsverzeichnis Vorwort............................................................................................................ 7 Einleitung 1. Das literarische Feld Österreichs .......................................................... 9 2. Zur Methode........................................................................................... 14 3. Biographische Kontexte......................................................................... 15 1. Die nichtfiktionalen Texte 1.1 Veröffentlichungsstrategien .................................................................. 23 1.1.1 Essaybände ............................................................................................ 23 1.1.2 Die Rolle der Literaturzeitschriften ...................................................... 26 1.1.3 Erste eigenständige Veröffentlichungen: Die sozialpartnerschaftliche Ästhetik als Beispiel .............................................................................. 31 1.2 Öffentliche Debatten und strukturelle Veränderungen.......................... 39 1.3 Zwischenfazit: Bedingungen einer neuen Österreich-Kritik ................ 53 1.4 Die neue Österreich-Kritik und die Kritik der Kritik ............................ 57 1.5 Positionen der neuen Österreich-Kritik ................................................ 63 1.5.1 Robert Menasse und die Normalisierungsthese .................................... 63 1.5.2 Doron Rabinovici: Ein Hysteriker? ...................................................... 78 1.5.3 Die Waldheim-Affäre: Verschobene oder -
Jewish Reality in Germany and Its Reflection in Film Europäisch-Jüdische Studien Beiträge European-Jewish Studies Contributions
Contemporary Jewish Reality in Germany and Its Reflection in Film Europäisch-jüdische Studien Beiträge European-Jewish Studies Contributions Edited by the Moses Mendelssohn Center for European-Jewish Studies, Potsdam, in cooperation with the Center for Jewish Studies Berlin-Brandenburg Editorial Manager: Werner Treß Volume 2 Contemporary Jewish Reality in Germany and Its Reflection in Film Edited by Claudia Simone Dorchain and Felice Naomi Wonnenberg An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org ISBN 978-3-11-021808-4 e-ISBN (PDF) 978-3-11-021809-1 e-ISBN (EPUB) 978-3-11-021806-2 ISSN 0179-0986 e-ISSN 0179-3256 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License, as of February 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliogra- fie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar. -
Role Reversa1 and Passing in Postwar German and Austrian Jewish Literature
Role Reversa1 and Passing in Postwar German and Austrian Jewish Literature Robert Lawson A thesis submitted to the Department of German in conformity with the requirements for the degree of Doctor of Philosophy Queen's University Kingston, Ontario, Canada Decembei, 2ûûl copyright O Robert Lawson, 2001 Acquisitions and AcquWions et Bib(iognphi Sewices senkes bibliographiques The author has granted a non- L'auteur a accordé une licence non exclusive licence dowing the excIusive permettant à la National Liiof Canada to Bibliothèque nationaie du Caaada de reproâuce, loan, disûiiute or sel reproduire, prêter, distribuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or elecîronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author reiains ownership of the L'auteur conserve la pmpneté du copyrighî in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom t Ni la thèse ni des extraits substantiels may be printed or othecwise de celle-ci ne doivent être imprimés reproduced withouî the author's ou auîrement reproduits sans son permission. autorisation. PhD. Thesis Abstnct Role Reversal and Passim in Postwar Austrian and German Tetvish Literature Robert Lawson This dissertation examines role reversal and passing in poshar Xushian and Cerman Jewish literahw. Role reversal is a strategy in which individuals or characters in a Literary text trawform their identities by assuming attributes commonly associated with their oppsites. This transformation could involve a perpetrator posing as a victim or the victirn turning into a perpetrator. Passing refers to the way in which individuals or characters hide their identity in order to cross ethnic or social boundaries. -
L I S a S I L V E R M a N University of Wisconsin-Milwaukee Department
L I S A S I L V E R M A N University of Wisconsin-Milwaukee Department of History P.O.B. 413, Milwaukee, WI 53201 [email protected] EDUCATION • Ph.D., German Studies, Yale University (2004) • M.A., The Fletcher School of Law and Diplomacy, Tufts University (1997) • B.A., Political Science, cum laude, Yale University (1991) CURRENT ACADEMIC POSITION University of Wisconsin-Milwaukee, WI • Associate Professor of History and Jewish Studies (2012 – present) • Assistant Professor of History and Jewish Studies (2006 – 2012) VISITING ACADEMIC POSITIONS Karl-Franzens-Üniversität Graz, Austria • Visiting Faculty, Centrum für Jüdische Studien (June, 2018) Whitman College, Walla Walla, WA • Visiting Assistant Professor of German and Religious Studies (2005-2006) PUBLICATIONS Books: • Becoming Austrians: Jews and Culture between the World Wars. New York: Oxford University Press, 2012. Reviewed in: American Historical Review (118:4), Austrian History Yearbook (45), Central European History (47:1), German History (33:1), German Quarterly (86:3), HABSBURG, H-Antisemitism, The Historian (76:3), History: Reviews of New Books (42:2), Journal of Austrian Studies (46:3), Journal of Modern History (86:3), Monatshefte (107:1) • Holocaust Representations in History: An Introduction, with Daniel H. Magilow. London: Bloomsbury, 2015. Edited volumes: • Jews, Jewish Difference and Austrian Culture: Literary and Historical Perspectives, ed. and intr. with Deborah Holmes, Austrian Studies 24 (2016). • Making Place: Space and Embodiment in the City, ed. and intr. with Arijit Sen. Bloomington: Indiana University Press, 2014. • Interwar Vienna: Culture between Tradition and Modernity, ed. and intr. with Deborah Holmes. Rochester, NY: Camden House, 2009. Articles in refereed journals: • “Absent Jews and Invisible Antisemitism in Postwar Vienna: Der Prozess (1948) and The Third Man (1949),” Journal of Contemporary History 52:2 (2017): 211-228.