The Restructuring of a Jewish Gemeinde Into the “Prototype” of the Judenrat Beate Meyer
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Theresienstadt Concentration Camp from Wikipedia, the Free Encyclopedia Coordinates: 50°30′48″N 14°10′1″E
Create account Log in Article Talk Read Edit View history Theresienstadt concentration camp From Wikipedia, the free encyclopedia Coordinates: 50°30′48″N 14°10′1″E "Theresienstadt" redirects here. For the town, see Terezín. Navigation Theresienstadt concentration camp, also referred to as Theresienstadt Ghetto,[1][2] Main page [3] was established by the SS during World War II in the fortress and garrison city of Contents Terezín (German name Theresienstadt), located in what is now the Czech Republic. Featured content During World War II it served as a Nazi concentration camp staffed by German Nazi Current events guards. Random article Tens of thousands of people died there, some killed outright and others dying from Donate to Wikipedia malnutrition and disease. More than 150,000 other persons (including tens of thousands of children) were held there for months or years, before being sent by rail Interaction transports to their deaths at Treblinka and Auschwitz extermination camps in occupied [4] Help Poland, as well as to smaller camps elsewhere. About Wikipedia Contents Community portal Recent changes 1 History The Small Fortress (2005) Contact Wikipedia 2 Main fortress 3 Command and control authority 4 Internal organization Toolbox 5 Industrial labor What links here 6 Western European Jews arrive at camp Related changes 7 Improvements made by inmates Upload file 8 Unequal treatment of prisoners Special pages 9 Final months at the camp in 1945 Permanent link 10 Postwar Location of the concentration camp in 11 Cultural activities and -
USHMM Finding
http://collections.ushmm.org Contact [email protected] for further information about this collection RG-50.862: EHRLICH COLLECTION - SUMMARY NOTES OF AUDIO FILES Introductory note by Anatol Steck, Project Director in the International Archival Programs Division of the United States Holocaust Memorial Museum: These summary transcription notes of the digitized interviews recorded by Leonard and Edith Ehrlich in the 1970s as part of their research for their manuscript about the Jewish community leadership in Vienna and Theresienstadt during the Holocaust titled "Choices under Duress" are a work in progress. The project started in April 2016 and is ongoing. The summary notes are being typed while listening to the recordings in real time; this requires simultaneous translation as many of the interviews are in German, often using Viennese vernacular and/or Yiddish terms (especially in the case of the lengthy interview with Benjamin Murmelstein which the Ehrlichs recorded with Mr. and Mrs. Murmelstein over several days in their apartment in Rome and which constitutes a major part of this collection). The summary notes are intended as a tool and a finding aid for the researcher; researchers are strongly encouraged to consult the digitized recordings for accuracy and authenticity and not to rely solely on the summary notes. As much as possible, persons mentioned by name in the interviews are identified and described in the text; however, as persons are often referred to in the interviews only by last name, their identification is sometimes based on the context in which their names appear within the interview (especially in cases where different persons share the same last name). -
Crossing Central Europe
CROSSING CENTRAL EUROPE Continuities and Transformations, 1900 and 2000 Crossing Central Europe Continuities and Transformations, 1900 and 2000 Edited by HELGA MITTERBAUER and CARRIE SMITH-PREI UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press 2017 Toronto Buffalo London www.utorontopress.com Printed in the U.S.A. ISBN 978-1-4426-4914-9 Printed on acid-free, 100% post-consumer recycled paper with vegetable-based inks. Library and Archives Canada Cataloguing in Publication Crossing Central Europe : continuities and transformations, 1900 and 2000 / edited by Helga Mitterbauer and Carrie Smith-Prei. Includes bibliographical references and index. ISBN 978-1-4426-4914-9 (hardcover) 1. Europe, Central – Civilization − 20th century. I. Mitterbauer, Helga, editor II. Smith-Prei, Carrie, 1975−, editor DAW1024.C76 2017 943.0009’049 C2017-902387-X CC-BY-NC-ND This work is published subject to a Creative Commons Attribution Non-commercial No Derivative License. For permission to publish commercial versions please contact University of Tor onto Press. The editors acknowledge the financial assistance of the Faculty of Arts, University of Alberta; the Wirth Institute for Austrian and Central European Studies, University of Alberta; and Philixte, Centre de recherche de la Faculté de Lettres, Traduction et Communication, Université Libre de Bruxelles. University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council, an agency of the -
The Last of the Unjust a Film by Claude LANZMANN
SYNECDOCHE and LE PACTE present THE LAST OF THE UNJUST A FILM BY CLAUDE LANZMANN SYNECDOCHE and LE PACTE present THE LAST OF THE UNJUST A FILM BY CLAUDE LANZMANN 2013 - France/Austria – 218 minutes - 1.85 - 5.1 INTERNATIONAL SALES INTERNATIONAL PRESS RICHARD LORMAND - FILM PRESS PLUS www.FilmPressPlus.com 5, rue Darcet - 75017 Paris [email protected] Tel. : + 33 (0)1 44 69 59 59 Tel. : +33 9 7044 9865 / +33 6 2424 1654 Fax : + 33 (0)1 44 69 59 42 www.le-pacte.com Press kit and materials can be downloaded from www.le-pacte.com SYNOPSIS 1975. In Rome, Claude Lanzmann filmed Benjamin Murmelstein, the last President of the Jewish Council in the Theresienstadt ghetto, the only “Elder of the Jews”* not to have been killed during the war. A rabbi in Vienna, following the annexation of Austria by Germany in 1938, Murmelstein fought bitterly with Adolf Eichmann, week after week for seven years, managing to help around 121,000 Jews leave the country, and preventing the liquidation of the ghetto. 2012. Claude Lanzmann, at 87 – without masking anything of the passage of time on men, but showing the incredible permanence of the locations – exhumes these interviews shot in Rome, returning to Theresienstadt, the town “given to the Jews by Hitler”, a so-called “model ghetto”, but a ghetto of deceit chosen by Adolf Eichmann to dupe the world. We discover the extraordinary personality of Benjamin Murmelstein: a man blessed with a dazzling intelligence and a true courage, which, along with an unrivaled memory, makes him a wonderfully wry, sardonic and authentic storyteller. -
The Defense of a Jewish Collaborator by Mark Lilla | the New York
The Defense of a Jewish Collaborator by Mark Lilla | The New... http://www.nybooks.com/articles/archives/2013/dec/05/defense... The Defense of a Jewish Collaborator December 5, 2013 Issue Mark Lilla The Last of the Unjust a film directed by Claude Lanzmann Shown at the New York Film Festival in September; general release in February 2014 Terezin: Il ghetto-modello di Eichmann [Theresienstadt: Eichmann’s Model Ghetto] by Benjamin Murmelstein Brescia: La Scuola, 246 pp., €15.50 “Der Letzte der Ungerechten”: Der “Judenälteste” Benjamin Murmelstein in Filmen 1942–1975 [“The Last of the Unjust”: The “Jewish Head Elder” Benjamin Murmelstein in Films 1942–1975] edited by Ronny Loewy and Katharina Rauschenberger Frankfurt: Campus, 201 pp., €24.90 Cohen Media Group Claude Lanzmann and Benjamin Murmelstein, Rome, 1975; from Lanzmann’s film The Last of the Unjust 1 of 11 11/22/13 12:00 PM The Defense of a Jewish Collaborator by Mark Lilla | The New... http://www.nybooks.com/articles/archives/2013/dec/05/defense... 1. A half-century has passed since Hannah Arendt’s Eichmann in Jerusalem was first published. Yet somehow we can’t escape it. Even today historians of the Final Solution do battle with her misguided thesis that Adolf Eichmann, the cold-blooded engineer of the Nazi killing machine, was himself but a cog in it, a self-deceived simpleton who made evil seem banal.1 And her cavalier criticism of Jewish leaders who found themselves forced to cooperate with the Nazis in the expropriation, expulsion, internment, and even extermination of their own people still provokes outrage and rebuttals. -
The Marshall Plan in Austria 69
CAS XXV CONTEMPORARY AUSTRIANAUSTRIAN STUDIES STUDIES | VOLUME VOLUME 25 25 This volume celebrates the study of Austria in the twentieth century by historians, political scientists and social scientists produced in the previous twenty-four volumes of Contemporary Austrian Studies. One contributor from each of the previous volumes has been asked to update the state of scholarship in the field addressed in the respective volume. The title “Austrian Studies Today,” then, attempts to reflect the state of the art of historical and social science related Bischof, Karlhofer (Eds.) • Austrian Studies Today studies of Austria over the past century, without claiming to be comprehensive. The volume thus covers many important themes of Austrian contemporary history and politics since the collapse of the Habsburg Monarchy in 1918—from World War I and its legacies, to the rise of authoritarian regimes in the 1930s and 1940s, to the reconstruction of republican Austria after World War II, the years of Grand Coalition governments and the Kreisky era, all the way to Austria joining the European Union in 1995 and its impact on Austria’s international status and domestic politics. EUROPE USA Austrian Studies Studies Today Today GünterGünter Bischof,Bischof, Ferdinand Ferdinand Karlhofer Karlhofer (Eds.) (Eds.) UNO UNO PRESS innsbruck university press UNO PRESS UNO PRESS innsbruck university press Austrian Studies Today Günter Bischof, Ferdinand Karlhofer (Eds.) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 25 UNO PRESS innsbruck university press Copyright © 2016 by University of New Orleans Press All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage nd retrieval system, without prior permission in writing from the publisher. -
Whole Dissertation Hajkova 3
Abstract This dissertation explores the prisoner society in Terezín (Theresienstadt) ghetto, a transit ghetto in the Protectorate Bohemia and Moravia. Nazis deported here over 140, 000 Czech, German, Austrian, Dutch, Danish, Slovak, and Hungarian Jews. It was the only ghetto to last until the end of Second World War. A microhistorical approach reveals the dynamics of the inmate community, shedding light on broader issues of ethnicity, stratification, gender, and the political dimension of the “little people” shortly before they were killed. Rather than relegating Terezín to a footnote in narratives of the Holocaust or the Second World War, my work connects it to Central European, gender, and modern Jewish histories. A history of victims but also a study of an enforced Central European society in extremis, instead of defining them by the view of the perpetrators, this dissertation studies Terezín as an autarkic society. This approach is possible because the SS largely kept out of the ghetto. Terezín represents the largest sustained transnational encounter in the history of Central Europe, albeit an enforced one. Although the Nazis deported all the inmates on the basis of their alleged Jewishness, Terezín did not produce a common sense of Jewishness: the inmates were shaped by the countries they had considered home. Ethnicity defined culturally was a particularly salient means of differentiation. The dynamics connected to ethnic categorization and class formation allow a deeper understanding of cultural and national processes in Central and Western Europe in the twentieth century. The society in Terezín was simultaneously interconnected and stratified. There were no stark contradictions between the wealthy and majority of extremely poor prisoners. -
Images of the Golem in 20Th Century Austrian Literature
HEIMAT'S SENTRY: IMAGES OF THE GOLEM IN 20TH CENTURY AUSTRIAN LITERATURE A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in German By Jason P. Ager, M.A. Washington, DC December 18, 2012 Copyright 2012 by Jason P. Ager All Rights Reserved ii HEIMAT'S SENTRY: IMAGES OF THE GOLEM IN 20TH CENTURY AUSTRIAN LITERATURE Jason P. Ager, M.A. Thesis Advisor: Peter C. Pfeiffer , Ph.D . ABSTRACT In his collection of essays titled Unheimliche Heimat , W.G. Sebald asserts that, "Es ist offenbar immer noch nicht leicht, sich in Österreich zu Hause zu fühlen, insbesondere wenn einem, wie in den letzten Jahren nicht selten, die Unheimlichkeit der Heimat durch das verschiedentliche Auftreten von Wiedergänger und Vergangenheitsgespenstern öfter als lieb ins Bewußtsein gerufen wird" (Sebald 15-16). Sebald's term "Gespenster" may have a quite literal application; it is unheimlich to note, after all, how often the Golem makes unsettling appearances in twentieth-century Austrian-Jewish literature, each time as a protector and guardian of specific communities under threat. These iterations and reinventions of the Golem tradition give credence to Sebald’s description of Heimat as an ambivalent and often conflicted space, even in a relatively homogenous community, because these portrayals of Heimat juxtapose elements of innocence and guilt, safety and threat, logic and irrationality. In the face of the Holocaust's reign of death and annihilation, it seems fitting that Austrian-Jewish writers reanimated a long- standing symbol of strength rooted in religious tradition to counter destruction and find meaning in chaos and unexampled brutality. -
Identity and Belonging in the Novels of Doron Rabinovici1
IDENTITY AND BELONGING IN THE NOVELS OF DORON RABINOVICI1 Anabela Valente Simões Universidade de Aveiro Portugal [email protected] Abstract This essay analyses how the different types of memory may influence the process of identity formation. It shall be argued that not only memories formed upon the subject’s experiences play a key role in this process; intermediated, received narratives from the past, memories transmitted either symbolically or by elder members of the group, or, what has been meanwhile termed as “postmemory”, also play an important part in the development of an individual’s identitary map. This theoretical framework will be illustrated with the novelistic work of Austrian Israeli-born historian, writer and political activist Doron Rabinovici (*1961). As a representative of the so-called “second generation” of Holocaust writers, a generation of individuals who did not experience the nazi genocide violence, but who had to form their identities under the shadow of such a brutal past, Rabinovici addresses essential topics such as the intergenerational transmission of memory and guilt within survivor families, identity formation of second generation individuals (Jews and non-Jews) and the question of simultaneously belonging to different social, historical and linguistic contexts. 1 A version of this article was first presented at the “Eighth International Postgraduate Conference on Current Research in Austrian Literature”, held at the Institute of Germanic and Romance Studies, University of London, in 2011. Simões, Anabela Valente – Identity and belonging in the novels of Doron Rabinovici 39– 55 Resumo O presente artigo propõe uma reflexão sobre o modo como os diferentes tipos de memória influem no processo de formação de identidade de um indivíduo. -
The Future Fund of the Republic of Austria Subsidizes Scientific And
The Future Fund of the Republic of Austria subsidizes scientific and pedagogical projects which foster tolerance and mutual understanding on the basis of a close examination of the sufferings caused by the Nazi regime on the territory of present-day Austria. Keeping alive the memory of the victims as a reminder for future generations is one of our main targets, as well as human rights education and the strengthening of democratic values. Beyond, you will find a list containing the English titles or brief summaries of all projects approved by the Future Fund since its establishment in 2006. For further information in German about the content, duration and leading institutions or persons of each project, please refer to the database (menu: “Projektdatenbank”) on our homepage http://www.zukunftsfonds-austria.at If you have further questions, please do not hesitate to contact us at [email protected] Project-Code P06-0001 brief summary Soviet Forced Labour Workers and their Lives after Liberation Project-Code P06-0002 brief summary Life histories of forced labour workers under the Nazi regime Project-Code P06-0003 brief summary Unbroken Will - USA - Tour 2006 (book presentations and oral history debates with Holocaust survivor Leopold Engleitner) Project-Code P06-0004 brief summary Heinrich Steinitz - Lawyer, Poet and Resistance Activist Project-Code P06-0006 brief summary Robert Quintilla: A Gaul in Danubia. Memoirs of a former French forced labourer Project-Code P06-0007 brief summary Symposium of the Jewish Museum Vilnius on their educational campaign against anti-Semitism and Austria's contribution to those efforts Project-Code P06-0008 brief summary Effective Mechanisms of Totalitarian Developments. -
Benjamin Murmelstein, a Man from the “Town 'As If'”: a Discussion Of
Holocaust Studies A Journal of Culture and History ISSN: 1750-4902 (Print) 2048-4887 (Online) Journal homepage: http://www.tandfonline.com/loi/rhos20 Benjamin Murmelstein, a man from the “Town ‘as if’”: a discussion of Claude Lanzmann’s film The Last of the Unjust (France/Austria, 2013) Yvonne Kozlovsky Golan To cite this article: Yvonne Kozlovsky Golan (2017): Benjamin Murmelstein, a man from the “Town ‘as if’”: a discussion of Claude Lanzmann’s film The Last of the Unjust (France/Austria, 2013), Holocaust Studies To link to this article: http://dx.doi.org/10.1080/17504902.2017.1287463 Published online: 03 Mar 2017. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rhos20 Download by: [2.217.59.201] Date: 04 March 2017, At: 04:19 HOLOCAUST STUDIES, 2017 http://dx.doi.org/10.1080/17504902.2017.1287463 Benjamin Murmelstein, a man from the “Town ‘as if’”:a discussion of Claude Lanzmann’s film The Last of the Unjust (France/Austria, 2013)† Yvonne Kozlovsky Golan Graduate program for Culture and Film Studies, Humanities Faculty, University of Haifa, Haifa, Israel ABSTRACT KEYWORDS Claude Lanzmann’s film The Last of the Just (2013) presents the Judenrat; Lanzmann; director’s extended interview with Rabbi Dr. Benjamin Murmelstein Eichmann; Murmelstein, the only survivor of the Jewish Council of the Elders Theresienstadt of Theresienstadt. Lanzmann had shelved his1975 footage until 2013 for perspective, and now supplemented it with historical material and filmed sequences of the landscapes of “Ghetto Terezin,” Vienna and other locations. -
Skeletons in the Basement? Family (And) Politics in Josef Haslinger's Das Vaterspiel
Souchuk, A 2017 Skeletons in the Basement? Family (and) Politics in Josef Haslinger’s Das Vaterspiel. Modern Languages Open, 2017(4): 9, pp. 1–20, DOI: https://doi.org/10.3828/mlo. v0i0.114 ARTICLE Skeletons in the Basement? Family (and) Politics in Josef Haslinger’s Das Vaterspiel Anna Souchuk DePaul University, US [email protected] In an interview about his 2000 novel Das Vaterspiel, Josef Haslinger summarized what he termed the Vaterprinzip: “Während des ganzen verfluchten 20. Jahrhunderts waren Vaterspiele im Gange. Das Vaterprinzip war vorherrschend und das bedeutete: Gewalt, Gewalt der Männer. In verschiedensten Formen.” Das Vaterspiel was written at a moment when Haslinger’s frustration with his native Austria was ascendant (a sentiment informed by the rise of Jörg Haider and the dismantling of the long-established Große Koalition), and his novel considers the many ways in which Austria in 1999/2000 had failed to adequately come to terms with injustices that the “Väter” of previous generations had inflicted. In this analysis, I examine how Haslinger uses the Kramer family’s fall from grace, along with a consideration of (divided) space, performance, and self-presentation (embodied in particular by the constructed performance given by Jörg Haider on the European political stage), to metaphorize the disintegration of Austrian politics at the dawn of the new millenium. Further, I draw connections between Das Vaterspiel and Haslinger’s political essays, and consider how several of the themes that emerge in his novel are also present in his published sociopolitical commentaries such as Politik der Gefühle (1987) and Klasse Burschen (2001).