L I S a S I L V E R M a N University of Wisconsin-Milwaukee Department
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Empire in the Provinces: the Case of Carinthia
religions Article The Empire in the Provinces: The Case of Carinthia Helmut Konrad Institut für Geschichte, Karl-Franzens-Universität Graz, Attemsgasse 8/II, [505] 8010 Graz, Austria; [email protected] Academic Editors: Malachi Hacohen and Peter Iver Kaufman Received: 16 May 2016; Accepted: 1 August 2016; Published: 5 August 2016 Abstract: This article examines the legacy of the Habsburg Monarchy in the First Austrian Republic, both in the capital, Vienna, and in the province of Carinthia. It concludes that Social Democracy, often cited as one of the six ingredients that held the old Empire together, took on distinct forms in the Republic’s different federal states. The scholarly literature on the post-1918 “heritage” of the Monarchy therefore needs to move beyond monolithic generalizations and toward regionally focused comparative studies. Keywords: empire; socialism; Jews; Habsburg Monarchy; Austria; Vienna; Carinthia; German Nationalism; Sprachenkampf 1. Introduction Which forms did the ideas take that allowed the Habsburg monarchy to persist, despite the diversity of nationalisms present in the small Republic of German-Austria, for so long after the end of the First World War? What was the “glue” that held this multiethnic empire together, when its collapse had been predicted since 1848, and which of its elements continued to exist beyond 1918? How was this heritage expressed in the different regions of the new republic? At least six factors can be identified as ingredients of the “glue” that held the monarchy together: first, the Emperor, a figure who symbolized the fusion of the complex linguistic, ethnic and religious components of the Habsburg state; second, the administrative officials, who were loyal to the Emperor and worked in the ubiquitous and even architecturally similar buildings of the Monarchy’s district authorities and train stations; third, the army, whose members promoted the imperial ideals through their long terms of service and acknowledged linguistic diversity. -
Crossing Central Europe
CROSSING CENTRAL EUROPE Continuities and Transformations, 1900 and 2000 Crossing Central Europe Continuities and Transformations, 1900 and 2000 Edited by HELGA MITTERBAUER and CARRIE SMITH-PREI UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press 2017 Toronto Buffalo London www.utorontopress.com Printed in the U.S.A. ISBN 978-1-4426-4914-9 Printed on acid-free, 100% post-consumer recycled paper with vegetable-based inks. Library and Archives Canada Cataloguing in Publication Crossing Central Europe : continuities and transformations, 1900 and 2000 / edited by Helga Mitterbauer and Carrie Smith-Prei. Includes bibliographical references and index. ISBN 978-1-4426-4914-9 (hardcover) 1. Europe, Central – Civilization − 20th century. I. Mitterbauer, Helga, editor II. Smith-Prei, Carrie, 1975−, editor DAW1024.C76 2017 943.0009’049 C2017-902387-X CC-BY-NC-ND This work is published subject to a Creative Commons Attribution Non-commercial No Derivative License. For permission to publish commercial versions please contact University of Tor onto Press. The editors acknowledge the financial assistance of the Faculty of Arts, University of Alberta; the Wirth Institute for Austrian and Central European Studies, University of Alberta; and Philixte, Centre de recherche de la Faculté de Lettres, Traduction et Communication, Université Libre de Bruxelles. University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council, an agency of the -
O Du Mein Österreich: Patriotic Music and Multinational Identity in The
O du mein Österreich: Patriotic Music and Multinational Identity in the Austro-Hungarian Empire by Jason Stephen Heilman Department of Music Duke University Date: _______________________ Approved: ______________________________ Bryan R. Gilliam, Supervisor ______________________________ Scott Lindroth ______________________________ James Rolleston ______________________________ Malachi Hacohen Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 ABSTRACT O du mein Österreich: Patriotic Music and Multinational Identity in the Austro-Hungarian Empire by Jason Stephen Heilman Department of Music Duke University Date: _______________________ Approved: ______________________________ Bryan R. Gilliam, Supervisor ______________________________ Scott Lindroth ______________________________ James Rolleston ______________________________ Malachi Hacohen An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 Copyright by Jason Stephen Heilman 2009 Abstract As a multinational state with a population that spoke eleven different languages, the Austro-Hungarian Empire was considered an anachronism during the age of heightened nationalism leading up to the First World War. This situation has made the search for a single Austro-Hungarian identity so difficult that many historians have declared it impossible. Yet the Dual Monarchy possessed one potentially unifying cultural aspect that has long been critically neglected: the extensive repertoire of marches and patriotic music performed by the military bands of the Imperial and Royal Austro- Hungarian Army. This Militärmusik actively blended idioms representing the various nationalist musics from around the empire in an attempt to reflect and even celebrate its multinational makeup. -
The Marshall Plan in Austria 69
CAS XXV CONTEMPORARY AUSTRIANAUSTRIAN STUDIES STUDIES | VOLUME VOLUME 25 25 This volume celebrates the study of Austria in the twentieth century by historians, political scientists and social scientists produced in the previous twenty-four volumes of Contemporary Austrian Studies. One contributor from each of the previous volumes has been asked to update the state of scholarship in the field addressed in the respective volume. The title “Austrian Studies Today,” then, attempts to reflect the state of the art of historical and social science related Bischof, Karlhofer (Eds.) • Austrian Studies Today studies of Austria over the past century, without claiming to be comprehensive. The volume thus covers many important themes of Austrian contemporary history and politics since the collapse of the Habsburg Monarchy in 1918—from World War I and its legacies, to the rise of authoritarian regimes in the 1930s and 1940s, to the reconstruction of republican Austria after World War II, the years of Grand Coalition governments and the Kreisky era, all the way to Austria joining the European Union in 1995 and its impact on Austria’s international status and domestic politics. EUROPE USA Austrian Studies Studies Today Today GünterGünter Bischof,Bischof, Ferdinand Ferdinand Karlhofer Karlhofer (Eds.) (Eds.) UNO UNO PRESS innsbruck university press UNO PRESS UNO PRESS innsbruck university press Austrian Studies Today Günter Bischof, Ferdinand Karlhofer (Eds.) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 25 UNO PRESS innsbruck university press Copyright © 2016 by University of New Orleans Press All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage nd retrieval system, without prior permission in writing from the publisher. -
CUL Keller Archive Catalogue
HANS KELLER ARCHIVE: working copy A1: Unpublished manuscripts, 1940-49 A1/1: Unpublished manuscripts, 1940-49: independent work This section contains all Keller’s unpublished manuscripts dating from the 1940s, apart from those connected with his collaboration with Margaret Phillips (see A1/2 below). With the exception of one pocket diary from 1938, the Archive contains no material prior to his arrival in Britain at the end of that year. After his release from internment in 1941, Keller divided himself between musical and psychoanalytical studies. As a violinist, he gained the LRAM teacher’s diploma in April 1943, and was relatively active as an orchestral and chamber-music player. As a writer, however, his principal concern in the first half of the decade was not music, but psychoanalysis. Although the majority of the musical writings listed below are undated, those which are probably from this earlier period are all concerned with the psychology of music. Similarly, the short stories, poems and aphorisms show their author’s interest in psychology. Keller’s notes and reading-lists from this period indicate an exhaustive study of Freudian literature and, from his correspondence with Margaret Phillips, it appears that he did have thoughts of becoming a professional analyst. At he beginning of 1946, however, there was a decisive change in the focus of his work, when music began to replace psychology as his principal subject. It is possible that his first (accidental) hearing of Britten’s Peter Grimes played an important part in this change, and Britten’s music is the subject of several early articles. -
Images of the Golem in 20Th Century Austrian Literature
HEIMAT'S SENTRY: IMAGES OF THE GOLEM IN 20TH CENTURY AUSTRIAN LITERATURE A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in German By Jason P. Ager, M.A. Washington, DC December 18, 2012 Copyright 2012 by Jason P. Ager All Rights Reserved ii HEIMAT'S SENTRY: IMAGES OF THE GOLEM IN 20TH CENTURY AUSTRIAN LITERATURE Jason P. Ager, M.A. Thesis Advisor: Peter C. Pfeiffer , Ph.D . ABSTRACT In his collection of essays titled Unheimliche Heimat , W.G. Sebald asserts that, "Es ist offenbar immer noch nicht leicht, sich in Österreich zu Hause zu fühlen, insbesondere wenn einem, wie in den letzten Jahren nicht selten, die Unheimlichkeit der Heimat durch das verschiedentliche Auftreten von Wiedergänger und Vergangenheitsgespenstern öfter als lieb ins Bewußtsein gerufen wird" (Sebald 15-16). Sebald's term "Gespenster" may have a quite literal application; it is unheimlich to note, after all, how often the Golem makes unsettling appearances in twentieth-century Austrian-Jewish literature, each time as a protector and guardian of specific communities under threat. These iterations and reinventions of the Golem tradition give credence to Sebald’s description of Heimat as an ambivalent and often conflicted space, even in a relatively homogenous community, because these portrayals of Heimat juxtapose elements of innocence and guilt, safety and threat, logic and irrationality. In the face of the Holocaust's reign of death and annihilation, it seems fitting that Austrian-Jewish writers reanimated a long- standing symbol of strength rooted in religious tradition to counter destruction and find meaning in chaos and unexampled brutality. -
Vermessung Einer Zeitenschwelle Surveying A
3.–6. NOVEMBER 2018 ÖSTERREICHISCHE AKADEMIE DER WISSENSCHAFTEN FESTSAAL DR. IGNAZ SEIPEL-PLATZ 2 WWW.OEAW.AC.AT 1010 WIEN VERMESSUNG EINER ZEITENSCHWELLE DIE BEDEUTUNG DES JAHRES 1918 IN EUROPÄISCHER UND GLOBALER PERSPEKTIVE SURVEYING A TIME THRESHOLD THE MEANING OF 1918 IN EUROPEAN AND GLOBAL PERSPECTIVE Programm_Entwurf.indd 2 25.10.2018 09:56:30 INTERNATIONALE KONFERENZ AUS ANLASS DES 100JÄHRIGEN GEDENKENS AN DAS JAHR 1918 UND SEINE WEITREICHENDEN FOLGEN INTERNATIONAL CONFERENCE TO COMMEMORATE THE CENTENARY OF 1918 AND ITS FAR-REACHING CONSEQUENCES Programm_Entwurf.indd 3 25.10.2018 09:56:30 VERMESSUNG EINER ZEITENSCHWELLE DIE BEDEUTUNG DES JAHRES 1918 IN EUROPÄISCHER UND GLOBALER PERSPEKTIVE Das Ende des Ersten Weltkriegs im November 1918 brachte neben der Bewältigung der Kriegsfolgen auch die Notwendigkeit mit sich, das Trümmerfeld Europa poli- tisch, wirtschaftlich und sozial neu zu ordnen. Der Eintritt der Vereinigten Staaten in den Krieg im April 1917 erwies sich – globalgeschichtlich gesehen – bereits als An- fang vom Ende der bisherigen europäischen Vormachtstellung. Mit den Russischen Revolutionen im Jahr 1917 zeigten sich zudem immer deutlicher die innenpoliti- schen Folgen der „Urkatastrophe“: sozialpolitisch bedingte Umsturzbewegungen, welche die bisherige traditionelle Ordnung in Frage stellten und die bald auch in anderen europäischen Ländern ein Ende des Krieges forderten. Große Imperien (Russland, Österreich-Ungarn, Osmanisches Reich) brachen zu- sammen, auf die Monarchien folgten in Deutschland und Russland sowie in den Nachfolgestaaten Österreich-Ungarns neue Republiken und Monarchien, deren in- nenpolitische Stabilität durch mangelnde Demokratieerfahrung, revolutionäre Be- wegungen und eine Vielzahl neuer Minderheitenfragen überall gefährdet war. Aus dem Osmanischen Reich gingen neben der Türkei unter Völkerbund- bzw. briti- schem Mandat stehende Territorialstaaten hervor. -
Identity and Belonging in the Novels of Doron Rabinovici1
IDENTITY AND BELONGING IN THE NOVELS OF DORON RABINOVICI1 Anabela Valente Simões Universidade de Aveiro Portugal [email protected] Abstract This essay analyses how the different types of memory may influence the process of identity formation. It shall be argued that not only memories formed upon the subject’s experiences play a key role in this process; intermediated, received narratives from the past, memories transmitted either symbolically or by elder members of the group, or, what has been meanwhile termed as “postmemory”, also play an important part in the development of an individual’s identitary map. This theoretical framework will be illustrated with the novelistic work of Austrian Israeli-born historian, writer and political activist Doron Rabinovici (*1961). As a representative of the so-called “second generation” of Holocaust writers, a generation of individuals who did not experience the nazi genocide violence, but who had to form their identities under the shadow of such a brutal past, Rabinovici addresses essential topics such as the intergenerational transmission of memory and guilt within survivor families, identity formation of second generation individuals (Jews and non-Jews) and the question of simultaneously belonging to different social, historical and linguistic contexts. 1 A version of this article was first presented at the “Eighth International Postgraduate Conference on Current Research in Austrian Literature”, held at the Institute of Germanic and Romance Studies, University of London, in 2011. Simões, Anabela Valente – Identity and belonging in the novels of Doron Rabinovici 39– 55 Resumo O presente artigo propõe uma reflexão sobre o modo como os diferentes tipos de memória influem no processo de formação de identidade de um indivíduo. -
Joseph Roth (1894-1939) and the Dilemma of Jewish Anchorage
Department of History and Civilization Against the Great: Joseph Roth (1894-1939) and the Dilemma of Jewish Anchorage Ilse Josepha Maria Lazaroms Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 1 October 2010 EUROPEAN UNIVERSITY INSTITUTE Department of History and Civilization Against the Great: Joseph Roth (1894-1939) and the Dilemma of Jewish Anchorage Ilse Josepha Maria Lazaroms Examining Board: Prof. Martin van Gelderen, Supervisor, European University Institute Prof. Antony Molho, European University Institute Prof. Sander L. Gilman, Emory University Prof. Raphael Gross, Frankfurt am Main / Leo Baeck Institute London © 2010, Ilse Josepha Maria Lazaroms No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Table of Contents Table of Contents i Acknowledgements iii Chapter I The Lives of Man. Joseph Roth 1894-1939 Introduction & Biographical Sketch 1 Historiography 4 Main Questions 11 Responses to Catastrophe. Outline of the Thesis 15 Chapter II A Time Divided against Itself. Debates, Methods, Sources Introduction 19 Debates 20 Methods 25 Note on (Auto)Biography 33 Sources 35 Chapter III Opening up the Crypt. Nostalgia, Retrospective Belonging and the Present Introduction 43 Nostalgia, Historical Discontinuity, and the Critical Eye 45 1918 49 Vienna: a Cardboard Décor 52 Identities and Diasporas 55 The Emperor’s Tomb (1938) 61 Conclusion 69 Chapter IV The Lamentations of an “Old -
Siebenjährige Kriegsodyssee Franz Theodor Csokors
GERMANICA WRATISLAVIENSIA 140 Acta Universitatis Wratislaviensis No 3658 Wroc³aw 2015 Marcin Marek Universität Wrocław, Wrocław Siebenjährige Kriegsodyssee Franz Theodor Csokors Die Ereignisse in Europa in der ersten Hälfte des 20. Jahrhunderts hatten großen Einfl uss nicht nur auf sein späteres Bild, aber vor allem auf die Menschen, die in den Zeiten voller politischen Wirren leben mussten. Entscheidend war die Macht- übernahme der Nationalsozialisten in Deutschland im Jahre 1933 und später, im Jahre 1938, auch in Österreich, was der freien Entfaltung des Theaters, der Kunst, Musik und Literatur ein Ende setzte. Neue Realität machte in erster Linie den Schriftstellern das Leben schwer. Diejenigen, die sich nicht der Zensur und dem Diktat einer Parteidisziplin unterwarfen, waren dem Ausschluss, der Erniedrigung ausgesetzt. Neue politische Lage bedeutete für sie den Tod. Den einzigen Ausweg sahen sie in der Flucht in ein anderes Land, wo sie ihr literarisches Schaffen fort- setzen könnten. Die Flucht vor dem Faschismus aus Deutschland und dann Öster- reich war von solch einem großen Ausmaß, dass die emigrierenden Schriftsteller nicht nur in Europa, sondern in der ganzen Welt Zufl ucht suchten. Wie Wieland Herzfeld schrieb, „es gibt fast kein Land auf der Welt, in das deutsche Schriftsteller nicht verschlagen wurden. Von Frankreich bis zur Sowjetunion, von der Schweiz bis China, von Finnland bis Südafrika, von Brasilien bis Island, über den Globus zerstreut, versuchten sie überall, ihre Arbeiten und Gedanken zu verarbeiten […]“ (Herzfeld 1973: 40). Obwohl die Zeit der Emigration der deutschen Schriftsteller anders als der österreichischen war, bleiben ihre Motive gleich – sie fl ohen vor der Unfreiheit und Unterdrückung, „um ihre Würde und die Menschenrechte zu wah- ren“ (Kesten 1967: 45). -
Skeletons in the Basement? Family (And) Politics in Josef Haslinger's Das Vaterspiel
Souchuk, A 2017 Skeletons in the Basement? Family (and) Politics in Josef Haslinger’s Das Vaterspiel. Modern Languages Open, 2017(4): 9, pp. 1–20, DOI: https://doi.org/10.3828/mlo. v0i0.114 ARTICLE Skeletons in the Basement? Family (and) Politics in Josef Haslinger’s Das Vaterspiel Anna Souchuk DePaul University, US [email protected] In an interview about his 2000 novel Das Vaterspiel, Josef Haslinger summarized what he termed the Vaterprinzip: “Während des ganzen verfluchten 20. Jahrhunderts waren Vaterspiele im Gange. Das Vaterprinzip war vorherrschend und das bedeutete: Gewalt, Gewalt der Männer. In verschiedensten Formen.” Das Vaterspiel was written at a moment when Haslinger’s frustration with his native Austria was ascendant (a sentiment informed by the rise of Jörg Haider and the dismantling of the long-established Große Koalition), and his novel considers the many ways in which Austria in 1999/2000 had failed to adequately come to terms with injustices that the “Väter” of previous generations had inflicted. In this analysis, I examine how Haslinger uses the Kramer family’s fall from grace, along with a consideration of (divided) space, performance, and self-presentation (embodied in particular by the constructed performance given by Jörg Haider on the European political stage), to metaphorize the disintegration of Austrian politics at the dawn of the new millenium. Further, I draw connections between Das Vaterspiel and Haslinger’s political essays, and consider how several of the themes that emerge in his novel are also present in his published sociopolitical commentaries such as Politik der Gefühle (1987) and Klasse Burschen (2001). -
Austrian Lives
Austrian Lives Günter Bischof, Fritz Plasser, Eva Maltschnig (Eds.) CONTEMPORARY AUSTRIAN STUDIES | Volume 21 innsbruck university press Copyright ©2012 by University of New Orleans Press, New Orleans, Louisiana, USA. All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive, New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America. Book and cover design: Lauren Capone Cover photo credits given on the following pages: 33, 72, 119, 148, 191, 311, 336, 370, 397 Published in the United States by Published and distributed in Europe University of New Orleans Press: by Innsbruck University Press: ISBN: 9781608010929 ISBN: 9783902811615 Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Fritz Plasser, Universität Innsbruck Production Editor Copy Editor Bill Lavender Lauren Capone University of New Orleans University of New Orleans Executive Editors Klaus Frantz, Universität Innsbruck Susan Krantz, University of New Orleans Advisory Board Siegfried Beer Sándor Kurtán Universität Graz Corvinus University Budapest Peter Berger Günther Pallaver