A New Nation Struggles to Find Its Footing: Power Struggles, 1789-1804
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Soldiers and Veterans Against the War
Vietnam Generation Volume 2 Number 1 GI Resistance: Soldiers and Veterans Article 1 Against the War 1-1990 GI Resistance: Soldiers and Veterans Against the War Follow this and additional works at: http://digitalcommons.lasalle.edu/vietnamgeneration Part of the American Studies Commons Recommended Citation (1990) "GI Resistance: Soldiers and Veterans Against the War," Vietnam Generation: Vol. 2 : No. 1 , Article 1. Available at: http://digitalcommons.lasalle.edu/vietnamgeneration/vol2/iss1/1 This Complete Volume is brought to you for free and open access by La Salle University Digital Commons. It has been accepted for inclusion in Vietnam Generation by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. GI RESISTANCE: S o l d ie r s a n d V e t e r a n s AGAINST THE WAR Victim am Generation Vietnam Generation was founded in 1988 to promote and encourage interdisciplinary study of the Vietnam War era and the Vietnam War generation. The journal is published by Vietnam Generation, Inc., a nonprofit corporation devoted to promoting scholarship on recent history and contemporary issues. ViETNAM G en eratio n , In c . ViCE-pRESidENT PRESidENT SECRETARY, TREASURER Herman Beavers Kali Tal Cindy Fuchs Vietnam G eneration Te c HnIc a I A s s is t a n c e EdiTOR: Kali Tal Lawrence E. Hunter AdvisoRy BoARd NANCY ANISFIELD MICHAEL KLEIN RUTH ROSEN Champlain College University of Ulster UC Davis KEVIN BOWEN GABRIEL KOLKO WILLIAM J. SEARLE William Joiner Center York University Eastern Illinois University University of Massachusetts JACQUELINE LAWSON JAMES C. -
68: Protest, Policing, and Urban Space by Hans Nicholas Sagan A
Specters of '68: Protest, Policing, and Urban Space by Hans Nicholas Sagan A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Architecture in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Galen Cranz, Chair Professer C. Greig Crysler Professor Richard Walker Summer 2015 Sagan Copyright page Sagan Abstract Specters of '68: Protest, Policing, and Urban Space by Hans Nicholas Sagan Doctor of Philosophy in Architecture University of California, Berkeley Professor Galen Cranz, Chair Political protest is an increasingly frequent occurrence in urban public space. During times of protest, the use of urban space transforms according to special regulatory circumstances and dictates. The reorganization of economic relationships under neoliberalism carries with it changes in the regulation of urban space. Environmental design is part of the toolkit of protest control. Existing literature on the interrelation of protest, policing, and urban space can be broken down into four general categories: radical politics, criminological, technocratic, and technical- professional. Each of these bodies of literature problematizes core ideas of crowds, space, and protest differently. This leads to entirely different philosophical and methodological approaches to protests from different parties and agencies. This paper approaches protest, policing, and urban space using a critical-theoretical methodology coupled with person-environment relations methods. This paper examines political protest at American Presidential National Conventions. Using genealogical-historical analysis and discourse analysis, this paper examines two historical protest event-sites to develop baselines for comparison: Chicago 1968 and Dallas 1984. Two contemporary protest event-sites are examined using direct observation and discourse analysis: Denver 2008 and St. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
It's Hip to Unzip Open Land Communes and Their Neighbours
“It’s Hip to Unzip”: Open Land Communes and Their Neighbours in Northern California, 1966-1979 by John Stuart Miller B.A., The University of British Columbia, 2013 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (History) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2016 © John Stuart Miller, 2016 Abstract This essay considers the histories of two countercultural, back-to-the-land communes located in northern California: Siskiyou County’s Black Bear Ranch and Sonoma County’s Morning Star Ranch. Both of these communes were highly influenced by the concept of Open Land, according to which anyone may freely live in a given space, particularly those individuals rejected or alienated by urban modernity. I examine the ways in which these communes related to and were shaped by their rural neighbours, as well as the local state, asserting the importance of the surrounding community in effecting events at each commune. I argue that positive relations with neighbours determined the continued viability of these communes, and that these positive relations in turn required a compromise of original founding principles including Open Land. I further uncover the changing perceptions rural people held of hippie communards, and contextualize the back-to-the-land ideal within broader American traditions of frontier settlement and reinvention. !ii Preface This thesis is entirely the original, unpublished, and independent work of the author, John -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Selected Chronology of Political Protests and Events in Lawrence
SELECTED CHRONOLOGY OF POLITICAL PROTESTS AND EVENTS IN LAWRENCE 1960-1973 By Clark H. Coan January 1, 2001 LAV1tRE ~\JCE~ ~')lJ~3lj(~ ~~JGR§~~Frlt 707 Vf~ f·1~J1()NT .STFie~:T LA1JVi~f:NCE! i(At.. lSAG GG044 INTRODUCTION Civil Rights & Black Power Movements. Lawrence, the Free State or anti-slavery capital of Kansas during Bleeding Kansas, was dubbed the "Cradle of Liberty" by Abraham Lincoln. Partly due to this reputation, a vibrant Black community developed in the town in the years following the Civil War. White Lawrencians were fairly tolerant of Black people during this period, though three Black men were lynched from the Kaw River Bridge in 1882 during an economic depression in Lawrence. When the U.S. Supreme Court ruled in 1894 that "separate but equal" was constitutional, racial attitudes hardened. Gradually Jim Crow segregation was instituted in the former bastion of freedom with many facilities becoming segregated around the time Black Poet Laureate Langston Hughes lived in the dty-asa child. Then in the 1920s a Ku Klux Klan rally with a burning cross was attended by 2,000 hooded participants near Centennial Park. Racial discrimination subsequently became rampant and segregation solidified. Change was in the air after World "vV ar II. The Lawrence League for the Practice of Democracy (LLPD) formed in 1945 and was in the vanguard of Post-war efforts to end racial segregation and discrimination. This was a bi-racial group composed of many KU faculty and Lawrence residents. A chapter of Congress on Racial Equality (CORE) formed in Lawrence in 1947 and on April 15 of the following year, 25 members held a sit-in at Brick's Cafe to force it to serve everyone equally. -
Summer of Love Program Guide
S an F e ran ov cisco ary f L Public Libr er o mm celebrates the Su sfpl.org/summeroflove EXHIBITIONS Summer of Love and Haight uring the summer of 1967, young people from throughout the country flocked to San Francisco for the promise of a cultural, political and social revolution. The epicenter Dfor this experience was the previously unnoticed, suddenly notorious, Haight-Ashbury neighborhood. This exhibit showcases period photographs and films, rock posters, grass roots newspapers and flyers, record albums and manuscript materials from community groups and local government collections, all document- ing the upheaval of the Summer of Love of 1967. July 15–Oct. 29, 2017, Main Library, Jewett Gallery Opening Event: Revolution – Film and discussion. The Oracle, cover by Rick Griffin. Golden Gate Park, 1967, photo: Patrick Lofthouse July 16, 1 p.m., Main Library, Koret Auditorium Courtesy of SF History Center Sex, Drugs and Runaways Haight-Ashbury’s Summer of Love: Few observers will deny the impact, for National and Local Media Coverage better or worse, that the summer of 1967 This small display shows the national coverage of the had on the Haight-Ashbury district of “Hashbury” through magazine and newspaper articles that San Francisco. On January 14, the focused on the Summer of Love. Many stories from the Human Be-In at the Polo Fields in San Francisco Chronicle will be featured. See what people Golden Gate Park drew between thought about the Summer of Love 40 years ago. 15,000–50,000 people to the area. Some Be-In participants remained June 15–Sept. -
Student Protest Movements at University of Cape Town and University of California-Berkeley from 1960-1965 Brianna White [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wellesley College Wellesley College Wellesley College Digital Scholarship and Archive Honors Thesis Collection 2015 A Cross-Cultural Study: Student Protest Movements at University of Cape Town and University of California-Berkeley from 1960-1965 Brianna White [email protected] Follow this and additional works at: https://repository.wellesley.edu/thesiscollection Recommended Citation White, Brianna, "A Cross-Cultural Study: Student Protest Movements at University of Cape Town and University of California- Berkeley from 1960-1965" (2015). Honors Thesis Collection. 252. https://repository.wellesley.edu/thesiscollection/252 This Dissertation/Thesis is brought to you for free and open access by Wellesley College Digital Scholarship and Archive. It has been accepted for inclusion in Honors Thesis Collection by an authorized administrator of Wellesley College Digital Scholarship and Archive. For more information, please contact [email protected]. A Cross-Cultural Study: Student Protest Movements at University of Cape Town and University of California-Berkeley from 1960-1965 Brianna White Department of American Studies [email protected] 1 Acknowledgements The student would like to thank my committee of advisors, including Dr. Michael Jeffries, Dr. Barbara Beatty, and Dr. Paul MacDonald. Thank you for your support and patience as I worked to solidify my ideas. I appreciate your feedback and understanding. I would also like to thank the Department of American Studies and Wellesley College for allowing me to pursue this project. Finally I would like to thank my parents and friends for their support. 2 Table of Contents Chapter I: University of Cape Town and University of California- Berkeley: A Comparative Study ........................................................... -
Chapter One: Postwar Resentment and the Invention of Middle America 10
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Jeffrey Christopher Bickerstaff Doctor of Philosophy ________________________________________ Timothy Melley, Director ________________________________________ C. Barry Chabot, Reader ________________________________________ Whitney Womack Smith, Reader ________________________________________ Marguerite S. Shaffer, Graduate School Representative ABSTRACT TALES FROM THE SILENT MAJORITY: CONSERVATIVE POPULISM AND THE INVENTION OF MIDDLE AMERICA by Jeffrey Christopher Bickerstaff In this dissertation I show how the conservative movement lured the white working class out of the Democratic New Deal Coalition and into the Republican Majority. I argue that this political transformation was accomplished in part by what I call the "invention" of Middle America. Using such cultural representations as mainstream print media, literature, and film, conservatives successfully exploited what came to be known as the Social Issue and constructed "Liberalism" as effeminate, impractical, and elitist. Chapter One charts the rise of conservative populism and Middle America against the backdrop of 1960s social upheaval. I stress the importance of backlash and resentment to Richard Nixon's ascendancy to the Presidency, describe strategies employed by the conservative movement to win majority status for the GOP, and explore the conflict between this goal and the will to ideological purity. In Chapter Two I read Rabbit Redux as John Updike's attempt to model the racial education of a conservative Middle American, Harry "Rabbit" Angstrom, in "teach-in" scenes that reflect the conflict between the social conservative and Eastern Liberal within the author's psyche. I conclude that this conflict undermines the project and, despite laudable intentions, Updike perpetuates caricatures of the Left and hastens Middle America's rejection of Liberalism. -
The Orkustra
THE ORKUSTRA This day-by-day diary of The Orkustra's live, studio, broadcasting and private activities is the result of two decades of research and interview work by Bruno Ceriotti, but without the significant contributions by other kindred spirits this diary would not have been possible. So, I would like to thank all the people who, in one form or another, contributed to this timeline: Jaime Leopold (RIP), Bobby Beausoleil, David LaFlamme, Henry Rasof, Nathan Zakheim, Stephen Hannah, Jesse Barish, Steve LaRosa, Rod Harper (RIP), Colin Hill, Ross Hannan, Corry Arnold, William Hjortsberg, Aldo Pedron, Klemen Breznikar, Reg E. Williams, Charles Perry, Penny DeVries, Claire Hamilton, Lessley Anderson, Ralph J. Gleason (RIP), Craig Fenton, Alec Palao, Johnny Echols, 'Cousin Robert' Resner, Roman Garcia Albertos, James Marshall, Chester Kessler, Gene Anthony, Christopher Newton, Loren Means, The San Francisco Examiner, San Francisco Chronicle, San Francisco Oracle, and Berkeley Barb. September 1966 Undoubtedly the most experimental and ecletically diverse band of the so-called 'San Francisco Sound', The Orkustra were put together by the infamous Bobby Beausoleil. A larger than life character with a mixed reputation ("He was like Bugs Bunny," says Orkustra's bandmate Nathan Zakheim. "Very in your face, enthuastic."), Robert Kenneth Beausoleil, aka 'Cupid', aka 'Bummer Bob', aka 'Bobby Snofox', was born on Thursday, November 6, 1947, in Santa Barbara, California. After dropping out of high school and let his hair grow out, Bobby moved to Los Angeles in search of fame and fortune in 1965. There, over the summer, he played a six-string rhythm guitar with The Grass Roots, a folk- rock band later known as LOVE, for only three weeks, and also made a cameo appearance (as 'Cupid') in the famous underground documentary movie Mondo Hollywood. -
Summer of Love: San Francisco,1967
Nonprofit Org. U.S. Postage PO Box 546 PAID San Francisco San Francisco, CA Permit No. 11882 2016–2017 SEASO N California 94104 AUniqueLecture & Performance Series SummerofLove: San Francisco,1967 JUNE 10, 2017 t e e r t S t Marines’ Memorial Theatre h g i a 609 Sutter Street, San Francisco H n o l Tickets: 415.392.4400 a r u or Cityboxoffice.com M For more information, visit humanitieswest.org SummerofLove: San Francisco,1967 Exploring History. Celebrating the Arts. SATURDAY, JUNE10, 2017 6:30–10:00 PM Tickets for Summer of Love at Marines’ Memorial Theatre: cityboxoffice.com Humanities West commemorates the 50th anniversary of the transformational Summer of or 415.392.4400. Tickets also available on April 15 for our 2017–2018 Season: Love.We explore San Francisco’s Haight-Ashbury neighborhood as it blossomed into the Norman Sicily, Nov 3–4, 2017; Ancient Greece’s Age of Expansion, Feb 23–24, nexus of 1960s counterculture. Learn about the vibrant forms of cultural expression that 2018; The Borgias, May 4–5, 2018; and an evening with Robert Greenberg and the Erik Jekabson Quartet, Blues, Jazz, & Rock ’n’ Roll, Feb 1, 2018. defied the status quo of the time, and continue to be relevant today.We celebrate the iconic music of the Grateful Dead with a live performance by the tribute band, China Cats. Are you 25 or younger? Attend programs FREE! [email protected] ■ Hippies in the Hood: Haight-Ashbury in the Summer of Love / Mitchell Schwarzer Donate online at humanitieswest.org (Urban and Architectural History,California College of the Arts) ■ MITCHELL Situating the Summer of Love / Peter Richardson (American Studies, SFSU) SCHWARZER ■ The Soundtrack of the Summer of Love / Nicholas Meriwether (Director, Center for Counterculture Studies) ■ m Performance: The China Cats / Scott Cooper. -
Berkeley-In-The-60S-Transcript.Pdf
l..J:J __J -- '-' ... BERKELEY IN THE SIXITES Transcript House n-American Activities Committee Demonstration, May 196(J (Music. "Ke a Knockin") T Narrator: y In the 1960s y generation set out on a journey of change. Coming out of an atmosphere f conformity a new spirit began to appear. One of the first signs was a demo tration, organized by Berkeley students in May of 1960 against .;')~u.P -'- the House -American Activities Committee. Archival/Co gressman Willis, HUAC Chairman: \ ' .., iJ' ,o-, «\' What we are ere to do is to gather information as we are ordered to by an act of Congress ith respect to the general operation of the communist conspiracy. Chairman W lis (off camera): Proceed to th next question. Archival/Un entified Witness: I'm not in the habit of being intimidated and I don't expect to start now. Now what was yo_ question? "{/\Thatwas your question. C Lawyer (off camera): Are you now n this instant a member of the communist party. BITS TRAN RIPT 2 t,...J-,,i._l-.. } 'Li..- Narrator: We came out 0 protest because we were against HUAC's suppression of political free m. In the 50s HUAC created a climate of fear by putting people on trial for t ir political beliefs. Any views left of center were labeled subversive. e refused to go back to McCarthyism. Archival/Wi liam Mandel: )/",'; 0 ~ If you think am going to cooperate with this collection of Judases, of men who sit ther in violation of the United States Constitution, if you think I will cooperat with you in any way, you are insane.