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Boatbuilding Myth and Ritual in South Mukhlis and Darmawan M. Rahman

For many centuries before European colonial We Tenri Abeng had given a very difficult task powers came to , trade was carried on to Sawerigading, because it would take a large throughout the archipelago. Makassarese and boat and a long time to sail to We Cudai's king­ Buginese islanders traveled by sea throughout dom. We Tenri Abeng showed Sawerigading a and even to . Only after the big tree called Walenrang growing in the forest. Portuguese and Dutch arrived in the late 16th A boat for the journey could be made from this century was the sea trade lost to European fleets, tree. Sawerigading resolved to follow his twin's which forced local cultures to submit to the mo­ suggestion. But although he tried for days to cut nopoly of the Dutch East Company. Local down the Walenrang tree he was not successful. boatbuilding traditions adapted to the arrival of In despair Sawerigading went to his grandfather, Europeans, and they have continued to evolve to La Toge Langi Batara , who lived in heaven. this day. For centuries now, particular ethnic He told him what had happened. After hearing groups have been building boats of many sizes the story, La Toge Langi told Saweri­ and sailing them in inter-island and interconti­ gading to return to the world and to wait by the nental trade. sea. C. C. Macknight (1979) writes that there are La Toge Langi Batara Guru used his supernatu­ four principal boatbuilding traditions in Indone­ ral power to fell the Walenrang tree. It disap­ sia. The first is found among coastal peoples peared into the earth and reappeared suddenly living in and on the west and south on the shore, in the form of a large boat. Saweri­ coasts of the Malay peninsula. A second gading named his new boat "La Walenrang." boatbuilding tradition is found in the port towns Before sailing across the ocean to find his bride, and fishing villages of the north coast of Central he swore an oath that after he married We Cudai, , in the port of Gresik in East Java and on the he would never return to . island of Madura. The third and fourth traditions Soon after Sawerigading arrived at his destina­ are found in the eastern part of the Indonesian tion, he found his princess, We Cudai, married archipelago: the tradition and the her and settled in her kingdom. tradition of boatbuilding found in Moluccas, Aru One day he felt homesick, so he gathered his islands, and southern . In this article wife and followers together and sailed his boat we examine the South Sulawesi tradition of back across the sea to his home kingdom of boatbuilding. Luwu, thus breaking the oath he had sworn. South Sulawesi boatbuilding is still connected Before he could arrive, a fierce storm smashed in the minds of many people to the following his boat "La Walenrang" to pieces. All its passen­ myth of origin called Sawerigading. It is told in gers were drowned. The waves beached the keel the Buginese legend of I Lagaligo that one day of his boat on one of the islands to the south, the Sawerigading, a prince of Luwu, a kingdom in mast in a different coastal village, the shattered South Sulawesi, fell in love with a beautiful girl, pieces of deck nearby, and the hull on a shore in We Tenri Abeng. The two lovers were to be mar­ the same region. ried, but the young girl learned that she was The people who lived nearby collected all the really Sawerigading's twin sister. Seeking a way sea-strewn pieces of the boat. Thus it was that out, We Tenri Abeng suggested that her twin from the wreck of Sawerigading's boat "La look for another girl who resembled her - We Walenrang," the ancestors of the Buginese Cudai, a princess of a neighboring kingdom to people learned to build large boats, which they the southwest. have been building for generations ever since.

FOREST, FIELD AND SEA: FOLKLIFE IN INDONESIA 73 Above: Sulawesi boatbuilders are renown throughout Indonesia. This boatbuilder near Majene, South Sulawesi, works with simple tools. The dowels are made of ironwood and the caulk of crushed coral and oil. The large ship he is building will carry cattle and passengers between (Borneo) and Sulawesi. Photo by Charles Zerner

Right: Sulawesi navigators have directed their boats through the seas ofIndonesia for centuries. Pua' Haji Saniaya, a Mandar captain and navigator, sails to fishing waters offshore from his home in Majene, South Sulawesi. Photo by Charles Zerner

74 FOREST, FIELD AND SEA : FOLKLIFE IN INDONESIA This myth tells the origin of boatbuilding in identity, which was kept secret until this moment. South Sulawesi. A typical prau (sailboat) from Then, the punggawa mounts the front deck and this region has curving stem posts and a broad gives the command to launch the boat. A song in hull. The mast is a tripod, easily lowered by re­ the local dialect is sung that encourages and leasing the front legs so the other two legs can gives spirit to the people pushing the boat into pivot on pins that provide the main footing. The the water. sail is rectangular and slung at an angle. Myths and ritual in boatbuilding in South Su­ The initial steps in building a boat are marked lawesi still exist in the knowledge and practice of by ceremonial and ritual activities. The tree used traditional experts, even though their traditional for a boat must be of a specific type. When cut ways face challenges from ever-increasing mod­ down, it must topple in the direction decided by ern technology. a panrita (boatbuilding master). If the tree falls otherwise, it should be abandoned. Before start­ Darmawan M. Rahman is a professor and researcher at ing to saw up the tree, people gather at the the Teacher Training College (I.K.I.P.) in Ujung boatyard for a ritual. On what will be the rear Pandang, South Sulawesi. He received his M.Sc. in section of the keel they put traditional Buginese Anthropology from the University of Pennsylvania and cakes including onde-onde (marble-shaped cake his Ph.D. in Anthropology from Hasanuddin University with palm sugar filler), songkolo (sticky ), in Ujung Pandang. cucur (disc-shaped, wrinkle fried brown sugar Mukhlis graduated from Gajah Mada University in and sticky rice flour cake), baje (steamed sticky Yogyakarta in Central java. He did advanced studies rice with palm sugar) and bananas. The keel is in Social Anthropology at the University of Oslo, then sawn to length with a tool that has been Norway, and received his Ph.D. in Social Anthropology given supernatural power by the master crafts­ from Hasanuddin University in Ujung Pandang. man. It must be cut through without stopping by one man alone. The night before the boat is launched, another Citations and Further Readings public ceremony takes place. People gather at Abidin, Andi Zainal. 1974. The I Epic Cycle the boatyard throughout the evening. They are of South Celebes and its Diffusion. Indonesia served the traditional Buginese cakes. Everyone 17:161-169. who attends this ceremony also comes the fol­ Clad, James. 1981. Before the Wind: Southeast Asian lowing day to help the launch, which is led by a Sailing Traders. Asia 4:20-23, 43. punggawa (a traditional respected leader in Horridge, Adrian. 1985. The Prahu: Traditional Sailing boatbuilding). The punggawa starts the work by Boat ofIndonesia. : Oxford. drilling into the middle of the keel for about one Macknight, C. C. 1979. The Study ofPraus in the Indo­ centimeter. The dust from the drill is then given nesian Archipelago. Canberra: Australian National to the owner of the boat, publically declaring his University.

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