DOCSLIB.ORG

European Cities and Capitals of Culture

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
European Cities and Capitals of Culture PALMER/RAE ASSOCIATES International Cultural Advisors European Cities and Capitals of Culture Study Prepared for the European Commission PART I PALMER/RAE ASSOCIATES, BRUSSELS August 2004 Palmer-Rae Associates Rue de la Croix de Pierre 74, B-1060 Brussels, Belgium Tel. +32 (0)2 5343484 - Fax +32 (0)2 5348161 E-mail: [email protected] - Web site: http://www.palmer-rae.com REPORT ON EUROPEAN CITIES AND CAPITALS OF CULTURE PART I Project Team Director Robert Palmer Research Manager Susie Jones Senior Researcher Caspar Will Assistants Sofie Sweygers Susanna Malzacher Raphael Bosch-Joubert Database Consultant Stephanie Racette Cover Design Julie Doutrelepont Expert Advisers Tourism Perspectives Greg Richards Social Perspectives François Matarasso Economic Perspectives Stuart Gulliver External Advisers Eric Corijn Rod Fisher Beatriz Garcia Brit Holtebekk Gottfried Wagner European Cities and Capitals of Culture Preface and Acknowledgements Preface and Acknowledgements This report is based on a six-month study of European Cities and Capitals of Culture. It encompassed the gathering and compiling of facts and opinions from people in 27 different European countries. This task was only possible with the cooperation and help of hundreds of individuals who submitted answers to questionnaires, offered information and views in interviews and discussions and sent in reports and data. Most were pleased to be asked and expressed deep interest in the terms of the study and its possible findings. A frustration is that in a report such as this, it is not possible to record every experience and insight, and in an attempt to address the specifications for the study, we have had to focus on specific topics and issues. Because of the scale of European Cities of Culture, there is a wealth of knowledge that cannot be captured easily. The research uncovered many strongly held viewpoints of people who were directly involved in one or more of the European Cities or Capitals of Culture, and those who observed from the sidelines. Attitudes (and even perceived facts) sometimes contradicted one another. Whilst some felt an experience to be positive and problem-free, others expressed disappointment and pointed to major weaknesses of that same experience. We recorded faithfully what respondents said and felt and, in the alchemy of combining all the responses to questionnaires and in interviews, assessed relative views and made observations. Terms such as success and failure, strong and weak, good and poor are value judgments, and in this study we have relied on combinations of such judgements, many of which have been quantified, to offer a snapshot of what took place in the European Cities of Culture over a ten-year period. We have tried to check and validate facts wherever possible and to seek balance when contradictory views emerged. The data contained in the report were gathered from many different sources, and if certain information or detail is lacking, it was because we received no responses to our repeated requests, or what we did receive was incomplete and, in some cases, inaccurate when compared with other data. We have used our best endeavours to locate and use accurate information, but apologise for any inadvertent errors that have been made. There were many individuals who supported and assisted this study. We owe a debt to the respondents and interviewees who committed time to respond to our questions and to offer views, and apologise for our persistence with e-mails and telephone calls. Mr. Antonios Kosmopoulos and Mr. Harald Hartung, the former and present Heads of Unit, as well as other staff working within the Directorate-General for Education and Culture of the European Union, offered advice. Analysis and texts received from Greg Richards (Tourism Perspectives), François Matarasso (Social Perspectives) and Stuart Gulliver (Economic Perspectives) were essential to the compiling of this report. Thanks also to Eric Corijn, Rod Fisher, Beatriz Garcia, Brit Holtebekk and Gottfried Wagner who, as external advisers, offered suggestions at various points of the study, and to Karyn Allen for her help in analysing data on sponsorship. The project team for this study had to deal with heavy workloads and pressures, and devoted long hours with diligence to compile reports and develop the database. In particular, I must record the enormous efforts of Susie Jones, Research Manager and Caspar Will, Senior Researcher. Their relentless work that involved crowded travel schedules, the recording and analysis of endless data, and the meeting of near impossible deadlines was handled with skill and persistence, and is a tribute to the dedication of the many thousands of people who have worked on the programmes of European Cities and Capitals of Culture over the years. We hope that this report will make a contribution to an important European cultural project that has attracted substantial interest and attention. Robert Palmer Palmer/Rae Associates, Brussels Page 5 Preface and Acknowledgements European Cities and Capitals of Culture Page 6 Palmer/Rae Associates, Brussels European Cities and Capitals of Culture Table of Contents PART I Table of Contents PREFACE AND ACKNOWLEDGEMENTS 5 SUMMARY OF REPORT 13 Introduction 13 Methodology 13 History, Procedures, Designations 13 Aims and Objectives 13 Operational Features 13 Cultural Programme and Impact 14 Infrastructure 16 Communication, Promotion and Media Response 16 European Perspectives and Dimension 16 Sharing the Title 17 Economic Perspectives 17 Visitor Perspectives 18 Social Perspectives 19 Monitoring and Evaluation 19 Legacy and Long-Term Effects 20 Keys to Success 20 Cultural Months 20 The EU Community Action 21 City Reports 21 Conclusions 21 Recommendations 22 Organisation of the Report 22 RESUME DU RAPPORT 23 Introduction 23 Méthodologie 23 Origines, procédures et nomination 23 Motivations et objectifs 23 Caractéristiques opérationnelles 24 Programme culturel et impact 24 Infrastructure 26 Communication, Promotion et Réaction des Médias 27 Perspectives européennes 27 Le partage du titre 28 Perspectives économiques 28 La perspective des visiteurs 29 Perspectives sociales 30 Palmer/Rae Associates, Brussels Page 7 Table of Contents European Cities and Capitals of Culture Contrôle et évaluation 30 Conséquences et effets à long terme 31 Clés du succès 31 Mois culturels 31 L’action communautaire 32 Rapports de la ville 32 Conclusions 32 Recommandations 33 Organisation du rapport 34 INTRODUCTION 35 Background 35 Terms of Reference of the Study 35 Timing and Length of the Study 36 Methodology 36 History, Procedures, Designations 37 Submission of Nominations 39 European Cities of Culture/European Capitals of Culture 40 European Cultural Month 40 The Choice of Cities 1995-2004 41 AIMS AND OBJECTIVES 43 Main Motivation 43 Mission and Objectives 43 Consultation 45 Advice 46 OPERATIONAL FEATURES OF DESIGNATED CITIES 47 Governance Structures and Boards 47 Problems and Issues 48 Advice 48 Involvement of Public Authorities 49 Advice 50 Operational Structure 50 Problems and Issues 52 Advice 53 CULTURAL PROGRAMME AND IMPACT 54 Introduction 54 Location and Timing 54 Programme Themes, Orientations and Coherence 55 Project Selection 56 Scale of the Programme 57 Programme Management 57 Programme Range 58 Art and Culture 58 Tradition and Innovation 58 Cultural Institutions and Independent Groups 59 Page 8 Palmer/Rae Associates, Brussels European Cities and Capitals of Culture Table of Contents Public Space 59 Blockbusters and International Stars 60 Community Development, Participation and Inclusion 61 Support for Local Talent 62 Spin-off 62 Programme Expenditure 63 ECOC as an ‘Event’ or a ‘Process’ 64 Isolated vs. Integrated Planning 65 Problems and Issues 66 Advice 66 INFRASTRUCTURE 67 Objectives 67 Types of Infrastructure 67 Expenditure 68 Organisation 69 Results 69 Problems 70 Advice 70 COMMUNICATION, PROMOTION AND MEDIA RESPONSE 71 Objectives and Targets 71 Tools for Communication and Promotion 71 Press Coverage 74 Expenditure 75 Staff and Organisation 75 Problems 75 Advice 75 EUROPEAN PERSPECTIVES 77 Approaches 77 Scope and Scale 78 Third Countries 79 Problems 79 Advice 80 Sharing the Title 81 Future 83 ECONOMIC PERSPECTIVES 85 Operating Expenditure 85 Overall Financial Performance 87 Capital Expenditure 88 Total Expenditure 89 Income 90 The Private Sector 91 Sponsorship 92 Economic Aims and Objectives 94 Economic Benefits 94 Palmer/Rae Associates, Brussels Page 9 Table of Contents European Cities and Capitals of Culture Economic Impact and Economic Importance 97 ECOC and ‘Megaproject’ Economics 97 Advice 98 VISITOR PERSPECTIVES 99 Introduction 99 Visitor Related Objectives 99 Visitor Numbers 100 Long-term Changes in Visitor Numbers 103 Types of Visitors 107 Socio-demographic Profile 108 Motivation to Visit ECOC 110 Impact on Cultural Visits 111 Visitor Expenditure 112 Marketing 113 Collaboration between the Cultural and Tourism Sectors 114 Image Impacts 115 Trends and Major Issues 115 Future Approaches 117 Methodology for Monitoring and Evaluation 118 Advice 119 SOCIAL PERSPECTIVES 120 Introduction 120 Access Development 120 Cultural Instrumentalism 121 Cultural Inclusion 122 A Framework 123 Social Aims and Objectives 123 Outcomes 124 Problems 126 Monitoring and Evaluation 127 Possible Future Research 128 Advice 128 MONITORING AND EVALUATION 130 Monitoring 130 Evaluation 130 Problems and Issues 131 Advice 132 LEGACY AND LONG-TERM EFFECTS 133 Introduction 133 Greatest Impact 133 Other Important Effects 134 Minor Effects,
Load more

Recommended publications
  • Download .PDF
    Yale university press Fall/Winter 2020 Marcus Carey Batchelor Bate Under the Red White A Little History of The Art of Solitude Radical Wordsworth and Blue Poetry Hardcover Hardcover Hardcover Hardcover 978-0-300-25093-0 978-0-300-16964-5 978-0-300-22890-8 978-0-300-23222-6 $23.00 $35.00 $26.00 $25.00 Unwin/Tipling Delbanco Leibovitz Campbell Flights of Passage Why Writing Matters Stan Lee Year of Peril Hardcover Hardcover Hardcover Hardcover 978-0-300-24744-2 978-0-300-24597-4 978-0-300-23034-5 978-0-300-23378-0 $40.00 $26.00 $26.00 $30.00 Van Engen Reynolds Taylor Musonius Rufus City on a Hill Allah Sons of the Waves That One Should Hardcover Hardcover Hardcover Disdain Hardships 978-0-300-22975-2 978-0-300-24658-2 978-0-300-24571-4 Hardcover $30.00 $30.00 $30.00 978-0-300-22603-4 $22.00 RECENT GENERAL INTEREST HIGHLIGHTS Yale university press FALL/WINTER 2020 GENERAL INTEREST 01 JEWISH LIVES® 24 MARGELLOS WORLD REPUBLIC OF LETTERS 26 SCHOLARLY AND ACADEMIC 56 PAPERBACK REPRINTS 73 ART + ARCHITECTURE A 1 front cover illustration: Via Roma, Genoa, Italy, ca. 1895. From Stories for the Years, page 28 “This book is superb, utterly FROM TAKE ARMS AGAINST A SEA OF TROUBLES: convincing, and absolutely invigorating. Bloom’s final argument with mortality What you read and how deeply you read matters almost as much as how you ultimately has a rejuvenating love, work, exercise, vote, practice charity, strive for social justice, cultivate effect upon the reader, kindness and courtesy, worship if you are capable of worship.
    [Show full text]
  • PALMER/RAE ASSOCIATES International Cultural Advisors
    PALMER/RAE ASSOCIATES International Cultural Advisors European Cities and Capitals of Culture - City Reports Study Prepared for the European Commission PART II Palmer/Rae Associates Rue de la Croix de Pierre 74, B-1060 Brussels, Belgium Tel. +32 (0)2 5343484 - Fax +32 (0)2 5348161 E-mail: [email protected] - Web site: http://www.palmer-rae.com PALMER/RAE ASSOCIATES, BRUSSELS August 2004 Palmer/Rae Associates REPORT ON EUROPEAN CITIES AND CAPITALS OF CULTURE PART II Project Team Director Robert Palmer Research Manager Susie Jones Senior Researcher Caspar Will Assistants Sofie Sweygers Susanna Malzacher Raphael Bosch-Joubert Database Consultant Stephanie Racette Cover Design Julie Doutrelepont Expert Advisers Tourism Perspectives Greg Richards Social Perspectives François Matarasso Economic Perspectives Stuart Gulliver External Advisers Eric Corijn Rod Fisher Beatriz Garcia Brit Holtebekk Gottfried Wagner European Cities and Capitals of Culture - City Reports Table of Contents PART II Table of Contents INTRODUCTION 8 EUROPEAN CAPITALS AND CITIES OF CULTURE 1995 - 2004 LUXEMBOURG 1995 11 COPENHAGEN 1996 27 THESSALONIKI 1997 47 STOCKHOLM 1998 63 WEIMAR 1999 81 AVIGNON 2000 97 BERGEN 2000 112 BOLOGNA 2000 129 BRUSSELS 2000 147 CRACOW 2000 167 HELSINKI 2000 182 PRAGUE 2000 203 REYKJAVIK 2000 219 SANTIAGO DE COMPOSTELA 2000 235 PORTO 2001 248 ROTTERDAM 2001 267 BRUGES 2002 287 Palmer/Rae Associates, Brussels Page 6 SALAMANCA 2002 303 GRAZ 2003 319 GENOA 2004 341 LILLE 2004 346 EUROPEAN CULTURAL MONTHS 1995-2003 NICOSIA 1995 353 ST. PETERSBURG 1996 AND 2003 359 LJUBLJANA 1997 364 LINZ 1998 367 VALLETTA 1998 372 PLOVDIV 1999 376 BASEL 2001 379 RIGA 2001 383 ANNEX: QUESTIONNAIRE 387 Table of Contents European Cities and Capitals of Culture - City Reports Introduction Part II comprises reports on each of the 21 ECOC and the 8 cities that hosted European cultural months in the period 1995-2004.
    [Show full text]
  • Feasibility Study for an EU Literary Translation Award.Pdf
    FEASIBILITY STUDY ON A LITERARY TRANSLATION PRIZE (no. EAC/35/2009) Final Report by Rüdiger Wischenbart Content & Consulting FEASIBILITY STUDY ON A LITERARY TRANSLATION PRIZE Final Report Vienna, October 29, 2010 1 Table of Content Table of Figures ........................................................................................................... 6 1. The Starting Point and the Aims of the Study...................................................... 8 1.1 Structure of the work process, and changes from offer and inception report ............................................................................................................ 9 2. Why a European Literary Translation Award? Setting the agenda .................... 10 2.1 Recent European key initiatives on literary translation ................................ 11 2.2 Surveying literary translations in the European Union ................................. 11 2.3 Close up on translations and the European book sector ............................. 13 2.3.1 Variations in translations between countries and languages ............... 13 2.3.2 The main actors responsible for the penetration of literary translations. ............................................................................................................ 19 2.3.3 The role and the impact of awards. ..................................................... 19 2.3.4 Further characteristics and dynamics relevant for the book sector and translation ...........................................................................................
    [Show full text]
  • Archipelago Books
    archipelago books fall 2020 / spring 2021 archipelago books fall 2020 / spring 2021 frontlist Igifu • Scholastique Mukasonga • Jordan Stump . 2 The Distance • Ivan Vladislavić . 4 Fantastic Tales • Iginio Ugo Tarchetti • Lawrence Venuti . 6 Allegria • Giuseppe Ungaretti • Geoffrey Brock . 8 Salt Water • Josep Pla • Peter Bush . 10. In the Land of the Cyclops • Karl Ove Knausgaard • Martin Aitken . 12. If You Kept a Record of Sins • Andrea Bajani • Elizabeth Harris . 14. Acrobat • Nabaneeta Dev Sen • Nandana Dev Sen . .16 Stories with Pictures • Antonio Tabucchi • Elizabeth Harris . .18 Animals • Hebe Uhart • Robert Croll . 20 Everything Like Before • Kjell Askildsen • Seán Kinsella . 22 Kin • Miljenko Jergović • Russell Scott Valentino . 24 elsewhere editions fall 2020 / spring 2021 frontlist My Little One • Germano Zullo • Albertine • Katie Kitamura . 28 Juan Hormiga • Gustavo Roldán • Robert Croll . 30 Sleepy Stories • Mario Levrero • Diego Bianki • Alicia López . .32 recently published . 37. backlist . 46 forthcoming . 94 memberships & donations . .99 donors . 101 board of directors, advisory board, & staff . 104 September 15, 2020 Mukasonga lived through unspeakable terror and loss, but I believe 160 pages she wants readers to know her mother, father, kin, and friends, as $18 us / $24 can they were, to remember not just their massacre, but their wonderful trade paperback humanity . Keeping their memory alive, keeping it vital, Mukasonga isbn: 9781939810786 lives . This is an unforgettable book, told by an inimitable writer . e-isbn: 9781939810793 —Lynne Tillman fiction Scholastique Mukasonga’s short stories bring to light a glorious Rwanda from the horrors of mass murder . In one story, she revisits the sacred cattle of her homeland and the noble people who watched over them .
    [Show full text]
  • Fiction Matters 2012.Indd
    THE NEWSLETTER OF THE INTERNATIONAL IMPAC DUBLIN LITERARY AWARD FICTION MATTERS No.18 February 2012 Complete List of Eligible Titles 12TH APRIL 13TH JUNE www.impacdublinaward.ie Perpetual Trophy sponsored by Waterford Crystal Let Th e Great World Spin by Colum McCann, Winner of the 2011 award Jason Clarke Photography Th e 2011 winner is presented with the trophy (L-R) John Tierney, Dublin City Manager, Colum McCann and Th e Lord Mayor of Dublin and Patron of the Award, Gerry Breen. Jason Clarke Photography Jason Clarke Photography (L-R) Dominique Monnot, representing Bibliothèques Municipales Genève, Alexandra Pringle, Bloomsbury Publishing, publishers of Let the Great Switzerland is presented with a scroll by Margaret Hayes, Dublin City Word Spin (also published by Random House Inc.) is presented with a Librarian and Chair of the Award Committee, in recognition of library Dublin Crystal Bowl by John Tierney, Dublin City Manager. participation worldwide. Perpetual Trophy sponsored by Waterford Crystal Congratulations to the 14 libraries in Canada, Germany, Greece, Ireland, Norway, Switzerland and the USA, who nominated Let the Great World Spin Th is is not just a book about New York City or 9/11, but about fi nding grace, Cork City (Ireland) Librarian, Liam Ronayne with colleagues Sinéad Feely connection and meaning in the chaos of life. Congrats to Mr. McCann! and Th omas McCarthy, nominators of Let the Great World Spin. – Th eresa Parise, Jane Bickford, Betsy Clarke, Kate Brown, Melissa Andrews Boston Public Library, USA Th is was a book Richmond Public Library recommended to every reader who walked through our doors, and we are delighted that the IMPAC Dublin award will bring it similar attention worldwide.
    [Show full text]
  • Annotated Books Received
    Annotated Books Received A SUPPLEMENT OF Translation Review Volume 10, No. 1 – 2004 THE UNIVERSITY OF TEXAS AT DALLAS EDITOR Rich DeRouen ADVISORY EDITOR Rainer Schulte All correspondence and inquiries should be directed to: Translation Review The University of Texas at Dallas Box 830688 (JO 51) Richardson TX 75083-0688 Telephone: 972-883-2092 or 2093 Fax: 972-883-6303 E-mail: [email protected] Annotated Books Received, published twice a year, is a supplement of Translation Review, a joint publication of the American Literary Translators Association and the Center for Translation Studies at The University of Texas at Dallas. ISSN 0737-4836 Copyright © 2004 by American Literary Translators Association and The University of Texas at Dallas The University of Texas at Dallas is an equal opportunity/affirmative action employer. Annotated Books Received Table of Contents Arabic ............................................................................................................................................................1 Catalan...........................................................................................................................................................1 Chinese ..........................................................................................................................................................1 Croatian .........................................................................................................................................................4 Czech.............................................................................................................................................................5
    [Show full text]
  • Novel Districts Critical Readings of Monika Fagerholm
    Novel Districts Critical Readings of Monika Fagerholm Edited by Kristina Malmio and Mia Österlund Studia Fennica Litteraria The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia Fennica Editorial board Editors-in-chief Pasi Ihalainen, Professor, University of Jyväskylä, Finland Timo Kaartinen, Title of Docent, University Lecturer, University of Helsinki, Finland Taru Nordlund, Professor, University of Helsinki, Finland Riikka Rossi, Title of Docent, University Researcher, University of Helsinki, Finland Katriina Siivonen, Title of Docent, University Teacher, University of Turku, Finland Lotte Tarkka, Professor, University of Helsinki, Finland Deputy editors-in-chief Eeva Berglund, Title of Docent, University of Helsinki, Finland Anne Heimo, Title of Docent, University of Turku, Finland Saija Isomaa, Professor,
    [Show full text]
  • European Community Action in Favour of Culture 1996-1998 Summarv
    European Community Action in favour of Culture 1996-1998 Summarv Introduction page 1 The Kaleidoscope Program tne page 6 The Ariane Programme page 9 The Aristeion Price page 12 The Raphael Programme page 16 European City of Culture page 20 Cultural Networks page 24 The consideration of culture I aspects page 21 in the European Communit) action \ The basis of Community cu tural action page 30 Who does what With the entry into force of the Maa tricht Treaty, the Community enters into a new phase of its develo ment: that of an ever-closer union between the peoples of Europe, which finds expression above all in the emergence of a shared citiz nship, which is nourished by the recognition of certain specific co petences in sectors such as culture. With the introduction of the new rticle 128, culture is firmly established as a branch of Communit competence and is given an appropriate legal basis. The text of the Article is ambitious. It i also eminently political, since it represents the first explicit recogniti n that the Community is not simply a union of an economic and s cial character, but that it also has a cultural dimension, which is ess ntial to promote a true union between citizens and to create a feeli g of common belonging.The field which this Article opens to C mmunity action is important because of the aims and areas of inte ention listed therein, and also because of the means of interventi n and the decision-making process which is envisaged. While the aims and areas of interventi n open a very broad horizon to Community action in the cultural fiel , certain limitations do appear in the type of actions envisaged, in th instruments available, and in the procedures which must be followed.
    [Show full text]
  • FICTION MATTERS 2019 No.25 February 2019
    The Newsletter of the International DUBLIN Literary Award FICTION MATTERS 2019 No.25 February 2019 Full details of the 2019 Longlisted Books SHORTLIST 4 April WINNER 12 June www.dublinliteraryaward.ie @DublinLitAward #DubLitAward Solar Bones by Mike McCormack is the winner of the 2018 award! Mike McCormack, winner of the 2018 award, announced by Lord Mayor/Ardmhéara, Mícheál Mac Donncha, on 13th June in the Mansion House, Dublin Chief Executive Dublin City Council, Owen Keegan; Ardmhéara Mícheál Mac Donncha, Mike McCormack, Brendan Teeling, Deputy Dublin City Librarian The International DUBLIN Literary Award is the international book prize from Dublin, a UNESCO City of Literature. Presented each year since 1996 for a novel written in English or translated into English, the award is sponsored by Dublin City Council. Uniquely among literary prizes, books are nominated by library systems in major cities throughout the world. The 24th winner will be presented on 12th June 2019. 2 www.dublinliteraryaward.ie Congratulations to Tramp Press! Solar Bones is the first winner of the award to have been published by an Irish publisher Sarah Davis-Goff (left) and Lisa Coen, Tramp Press, publishers of Solar Bones, with Mike McCormack Judges and winner – (L-R) Nicky Harman, Mpalive Msiska, Mike McCormack, Ardmhéara Mícheál Mac Donncha, Vona Groarke. The judging panel also included Courttia Newland, Xiaolu Guo and Judge Eugene Sullivan (non-voting chair) You can watch video highlights of the winner, shortlist and longlist announcements, as well as interviews with the judges and the full winner’s speech on Facebook and YouTube or the news section of our website.
    [Show full text]
  • Roles and Modi Operandi in European Building Prospective
    The politics on Culture and cultural policies on European Union Roles and modi operandi in european building prospective 1. The concepts of “politics on culture” and “cultural policies” 2. The politics on Culture of European Union: perspectives of a path 3. Cultural policies of European Union: a historical overview 4. The cultural policies of the 27 EU member states 5. The importance of regional and local policies 6. The private sector 7. The Present: the networking society, the globalisation and cultural identities 8. EU as a space of “variable geometry” and stakes on definition of cultural politics and cultural policies for the future 9. EU and Member States: from the “principle of subsidiarity” and “principle of complementarity” to the principle of “european building” 10. Arguing the “european building” concept and its further developments in european union politics and policies a) The concepts b) The roles and the agents c) The modi operandi 1. The concepts of “politics on culture” and “cultural policies” The politics on culture is a composite object, integrating history of ideas, social representations, the State (or other public institutions) evolution, the distribution of power in society and the role in that distribution of the expectations on Culture (individuals and groups). The politics on culture does not reduce itself neither to an certain aggregate of sectorial politics nor to a contemporary revival of royal patronage. It is an coherent ensemble buid by ideas, political and administrative practices in a certain intelectual and political context, with the active (or passive) role of the politicians on charge.1234 It will be intended to make an overview of politics on culture beetween the period from the end of the II World War to nowadays in Western countries.
    [Show full text]
  • Creative Artists, Market Developments and State Policies
    Creative Artists, Market Developments and State Policies Background paper for Conditions for Creative Artists in Europe EU Presidency Conference in Visby, Sweden 30 March 1 April 2001 prepared by European Research Institute for Comparative Cultural Policy and the Arts (ERICarts) Table of Contents Introduction A. Spotlight on Selected Public Measures for Creative Artists, page 7 I. Individual Support Schemes for Creative Artists 1.1 Specific experiences with cultural awards and competitions 1.2 Travel grants and -compensations 1.3 Residencies and similar grants 1.4 Project grants, work-grants, experimental commissions 1.5 Artists and authors salaries and honorary pensions 1.6 Loans and support via practical project aid (e.g. equipment) 1.7 Measures to improve communication between artists (e.g. networking inside a country and beyond) 1.8 Support for newcomers and start-ups; re-training opportunities II. Market Support for Artists Work 2.1 Aid for artist-run or controlled production and distribution facilities 2.2 General subsidies or guarantees for publications, exhibitions, concerts 2.3 (Media) Content regulations and production support 2.4 Programmes to counteract market inequalities of specific groups of artists 2.5 Arts promotion in foreign countries (e.g. via art fairs, translations etc.) 2.6 Support of market-transparency (e.g. handbooks, research etc.) III. Dissemination Support for Artistic Work (work with target groups etc.) 3.1 General programmes to improve audience reception of contemporary art, music and literature 3.2 Broad-scale artistic, musical, literary events and alternative forms of presenting art, music and literature in the public space 3.3 Public call on artists to assist in civic tasks 3.4 Other forms of dissemination support for target groups in social and working life IV.
    [Show full text]
  • View Our Catalog
    archipelago books fall 2020 / spring 2021 frontlist Igifu • Scholastique Mukasonga • Jordan Stump . 2 The Distance • Ivan Vladislavić . 4 Fantastic Tales • Iginio Ugo Tarchetti • Lawrence Venuti . 6 Allegria • Giuseppe Ungaretti • Geoffrey Brock . 8 Salt Water • Josep Pla • Peter Bush . 10 In the Land of the Cyclops • Karl Ove Knausgaard • Martin Aitken . 12 If You Kept a Record of Sins • Andrea Bajani • Elizabeth Harris . 14 Acrobat • Nabaneeta Dev Sen • Nandana Dev Sen . 16 Stories with Pictures • Antonio Tabucchi • Elizabeth Harris . 18 Animals • Hebe Uhart • Robert Croll . 20 Everything Like Before • Kjell Askildsen • Seán Kinsella . 22 Kin • Miljenko Jergović • Russell Scott Valentino . 24 elsewhere editions fall 2020 / spring 2021 frontlist My Little One • Germano Zullo • Albertine • Katie Kitamura . 28 Juan Hormiga • Gustavo Roldán • Robert Croll . 30 Sleepy Stories • Mario Levrero • Diego Bianki • Alicia López . 32 recently published . 37 backlist . 46 forthcoming . 94 memberships & donations . 99 donors . 101 board of directors, advisory board, & staff . 104 September 15, 2020 Mukasonga lived through unspeakable terror and loss, but I believe 160 pages she wants readers to know her mother, father, kin, and friends, as $18 us / $24 can they were, to remember not just their massacre, but their wonderful trade paperback humanity . Keeping their memory alive, keeping it vital, Mukasonga isbn: 9781939810786 lives . This is an unforgettable book, told by an inimitable writer . e-isbn: 9781939810793 —Lynne Tillman fiction Scholastique Mukasonga’s short stories bring to light a glorious Rwanda from the horrors of mass murder . In one story, she revisits the sacred cattle of her homeland and the noble people who watched over them . And in the title story, These stories five-year-old Colomba tells of her companion Igifu (Hunger), the merciless force by Scholastique gnawing away at her belly .
    [Show full text]