DOCSLIB.ORG

Proquest Dissertations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Proquest Dissertations TRANSFORMATIVE BODIES: ANIME, FANDOM, AND CYBORG SUB- CULTURES MADELINE ASHBY A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN INTERDISCIPLINARY STUDIES YORK UNIVERSITY, TORONTO, ONTARIO SEPTEMBER 2009 Library and Archives Bibliothdque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'6dition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre r6f6rence ISBN: 978-0-494-62249-0 Our file Notre r6f4rence ISBN: 978-0-494-62249-0 NOTICE: AVIS: The author has granted a non- L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduce, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author's permission. In compliance with the Canadian Conformement a la loi canadienne sur la Privacy Act some supporting forms protection de la vie privee, quelques may have been removed from this formulaires secondaires ont ete enleves de thesis. cette these. While these forms may be included Bien que ces formulaires aient inclus dans in the document page count, their la pagination, il n'y aura aucun contenu removal does not represent any loss manquant. of content from the thesis. 14-1 Canada ABSTRACT As anime and manga (Japanese animation and comics) continue to swarm theD twenty-first century media landscape, studies of both the artforms and their • consumers have becoming increasingly common. Previous analyses of anime, manga, • and fandom indicate the interdisciplinarity necessary for thoughtful critique, • with contributions from the areas of film theory, feminist analysis, and AsianD studies being the most prominent. This thesis examines anime and fandom from • the perspective of Donna Haraway's cyborg theory. Each chapter highlights an • anime title which disrupts binarist notions of the body, identity, or nation, • and questions where the activities of online fans fit on the spectrum ofD current cyborg politics. The thesis proposes Haraway's cyborg as a new metaphor • for the online fan in the hope that her vision of a liberated subjectivity whose • focus is on affinity rather than identity will open new interpretive pathways • for fan scholars. iv DEDICATION This writing is dedicated to the memory of Emm Townsend. Everything is clearer now Life is just a dream you know That's never ending I'm ascending -Yoko Kanno, "Blue" ACKNOWLEDGEMENTS This thesis would not have been possible without the generous support of the program in Interdisciplinary Studies, the tireless work of Ouma Jaipaul-Gill, and my committee: Jennifer Brayton, Wendy Wong, and Suzie Young. Jennifer especially gave me more than my share of her time, books, conversation and guidance. I would also like to thank Kristina Busse and Karen Hellekson and everyone at Transformative Works and Cultures for their efforts and their patience with me as a writer. Robin Anne Reid also helped steer me, and the online communities of both the Anime and Manga Research Circle and the International Association for the Fantastic in the Arts acted as a group mind when I had seemingly lost my own. Frenchy Lunning encouraged me. So did Brian Ruh. Peter Watts watched Evangelion with me. Karl Schroeder watched Avatar: The Last Airbender with me, and then argued with me about race, forcing me to defend and further articulate my opinions. David Nickle listened every day, and Caitlin Sweet motivated me to finish strong. My husband Robert Ashby did all of these things, and more. His intellect is outmatched only by his (continually surprising) patience with and belief in me. vi TABLE OF CONTENTS 1. Introduction: Girls Who Are Plugged In Some History: Power Lesbians 1 The Vanishing Cyborg: Why Cyborg Theory Remains Relevant in the 21st Century 6 Girls Who Are Plugged In: The Subjects of this Thesis 14 2. The Home Theory Network: A Shopping List of Metaphors 17 A Shopping List of Metaphors 21 The Cyborg in (American) Academic and (Japanese) Popular Culture 26 Conclusion 34 3. Orienting the Otaku: Fandom, Fantasy, and Mash-up Asia 36 The Nation in Translation 37 "This show is not an accurate portrayal...like we care." 42 "Long ago, the Four Nations lived in harmony." 47 Fans Who Go Pro: Cyborgs, Gender-benders, and Cosplayers 53 4. Ownership, Authority, and the Body: Does Anti-Fanfic Sentiment Reflect Post-human Anxiety? 58 The Post-human Body 61 The Post-author Fandom 74 5. Getting Our Bodies Back: Fullmetal Alchemist, Fan Foresight, and Cognitive Narratology 87 My Brother, My Burden: Fullmetal Alchemist and Cyborg Reproduction 89 All Parts in Working Order: Fullmetal Fandom and the Body 100 vii "Be thou for the people": Fan Studies and Other Sciences 107 6. Conclusion: Women on the Integrated Circuit 116 Lost in Yoyogi 116 Surviving the Econopocalypse 121 7. Works Cited 126 viii Introduction: Girls Who Are Plugged In Some History: Power Lesbians In explaining a thesis on anime and fandom, I find that I must first explain two concepts which might be foreign to my readers: anime, and fandom. For while many outsiders understand the concepts in the abstract, they have only a postcard snapshot of both ideas. And just as one cannot understand the fascinating history and complexities of either an entire artform or an entire culture based on a single postcard, one cannot grasp what makes both anime (Japanese animation) and its fandom (the group of people who enjoy it) so special based on the nouns alone. The tendency to lump all anime into one category shares an alarming resemblance to Orientalist thinking in both its lack of subtlety and its assumption that an artform identified with a particular East Asian country (Japan) must therefore indicate the whole of that country's history, culture, and experience. All anime is not the same in the way that all Japanese are the same: Japan is a nation of islands, and anime is a medium of genres. There are anime targeted at women, men, and children of all ages, and there are anime featuring robots, aliens, kittens, high school students, baseball players, doctors, tofu makers, and nuns. Similarly, there is no single face of anime fandom: the old guard who first watched Battleship Yamato at a Los Angeles science 1 fiction convention in 1989 and ushered in the practise of fansubbing is greying, and the continuing popularity of anime and manga as media has spread as far beyond its roots as a medium for Asian immigrants and white pop cosmopolitans. My students are perhaps the best indicator of where anime fandom is going: first-year arts majors who downloaded anime and manga (Japanese comics frequently adapted for use in anime) straight to their in-class laptops and who were black, Hispanic, Chinese, Korean, and Muslim. Nor are my experiences with anime and fandom either full or complete. I came to the party late, years after the first fansubs were so painstakingly made with VHS tapes and careful editing. I attend few fan conventions. I have never worked as a "scanlator" (one who translates unreleased manga into English, then scans it and makes it available for download) or "fansubber" (one who translates unreleased episodes of anime, then re-encodes the file and releases it online for download, often as part of a transnational team of translators and encoders providing the files via torrent services). I have not seen every anime title in existence, nor do I ever wish to. Researching this thesis has led me to chapters of the fandom's history that I never knew existed. In many ways, I am still a student, still a cultural immigrant to a community whose lexicon and textual canon continues to evolve and likely always will. My introduction to anime and anime fandom happened, like that of many other fans, in high school. While fulfilling a graduation requirement, I acted as a teacher's assistant. During class, I found myself partnered with another young woman 2 with whom I had never taken classes before. She was the exact opposite of both my peers and my school's ruling social elite: she wore her hair short and un-styled, dressed in giant t-shirts, men's jeans, and hiking boots every day of the year. She was completely unapologetic about her appearance, at a time when most everyone else (including myself) sought to fit a mould and assume a brand identity. But beneath this exterior was a girl who desperately loved shoujo (girls') anime, who read 'shipper (romantic) fanfiction from a massive binder towed everywhere in her backpack, and who spent her free time during class periods carefully shading in the Sailor Moon colouring books she had scoured local toy stores and thrift shops to find. Over our ten-week period together, she introduced me not only to anime, but to fanfiction and fanart.
Load more

Recommended publications
  • 285 Summer 2008 SFRA Editors a Publication of the Science Fiction Research Association Karen Hellekson Review 16 Rolling Rdg
    285 Summer 2008 SFRA Editors A publication of the Science Fiction Research Association Karen Hellekson Review 16 Rolling Rdg. Jay, ME 04239 In This Issue [email protected] [email protected] SFRA Review Business Big Issue, Big Plans 2 SFRA Business Craig Jacobsen Looking Forward 2 English Department SFRA News 2 Mesa Community College Mary Kay Bray Award Introduction 6 1833 West Southern Ave. Mary Kay Bray Award Acceptance 6 Mesa, AZ 85202 Graduate Student Paper Award Introduction 6 [email protected] Graduate Student Paper Award Acceptance 7 [email protected] Pioneer Award Introduction 7 Pioneer Award Acceptance 7 Thomas D. Clareson Award Introduction 8 Managing Editor Thomas D. Clareson Award Acceptance 9 Janice M. Bogstad Pilgrim Award Introduction 10 McIntyre Library-CD Imagination Space: A Thank-You Letter to the SFRA 10 University of Wisconsin-Eau Claire Nonfiction Book Reviews Heinlein’s Children 12 105 Garfield Ave. A Critical History of “Doctor Who” on Television 1 4 Eau Claire, WI 54702-5010 One Earth, One People 16 [email protected] SciFi in the Mind’s Eye 16 Dreams and Nightmares 17 Nonfiction Editor “Lilith” in a New Light 18 Cylons in America 19 Ed McKnight Serenity Found 19 113 Cannon Lane Pretend We’re Dead 21 Taylors, SC 29687 The Influence of Imagination 22 [email protected] Superheroes and Gods 22 Fiction Book Reviews SFWA European Hall of Fame 23 Fiction Editor Queen of Candesce and Pirate Sun 25 Edward Carmien The Girl Who Loved Animals and Other Stories 26 29 Sterling Rd. Nano Comes to Clifford Falls: And Other Stories 27 Princeton, NJ 08540 Future Americas 28 [email protected] Stretto 29 Saturn’s Children 30 The Golden Volcano 31 Media Editor The Stone Gods 32 Ritch Calvin Null-A Continuum and Firstborn 33 16A Erland Rd.
    [Show full text]
  • Add Second Life to Your Training Without Having Users Log Into Second Life
    708 Add Second Life to your Training without Having Users Log into Second Life David Miller, Newmarket International www.eLearningGuild.com DevLearn08 Session 708 Reference This session follows a case study in which a text-based lesson is converted into a more immersive learning experience. Starting with a “text and image” lesson written by a subject matter expert, we will write an easy-to-follow script that will help us create inexpensive video footage using Second Life. This video footage will then be integrated with the lesson to create a richer learning experience. All materials will be available online at http://subquark.com and access to a DevLearn08 dedicated sim will be provided to all attendees. To access that land, join the ELearning Guild in Second Life group “in-world”. Principles and Tools: Two underlying principles guide the approach presented in this session: rapid development and low cost. Filming in Second Life, and within any computer-generated imagery (CGI), is known as machinima. This session introduces several tools specific to filming in Second Life in case you are interested in experimenting with them before attending the session. These tools include Filming Path, Fraps, and Sizer. The Second Life viewer is needed to access the virtual world that we will be using as a film studio for creating footage to incorporate into our eLearning. Filming Path is an “in-world” filming system that helps to create smooth camera pans and camera dolly shots. Fraps is a real-time video-capturing application for Windows. Other Mac-based programs accomplish similar results (see the Fraps section).
    [Show full text]
  • CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj
    CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection
    [Show full text]
  • Le Grand Duc, Buck Danny, Biggles
    LE PREMIER MAGAZINE CULTUREL SUR LA BD ET LES ARTS VISUELS - GRATUIT BD m CINÉ m JEUX VIDÉO m EXPOS m POP CULTURE La BD d’aviation Le Grand Duc, Buck Danny, Biggles... JOANN SFAR - MŒBIUS - MIDAM - LES BIDOCHON - NICOLAS HULOT EN BD... 27 SEPT-OCT 2010 27 SEPT-OCT ° N m Édito m our fêter la sortie prochaine du nouvel opus du Grand Duc de Ro- main Hugault, nous avons (re)mis Pà l'honneur les BD d'aviation dans ce numéro. Que ceux qui s'estiment non concernés ou non intéressés passent outre leur première appréhension. Les BD d'avia- tion sont surtout de formidables BD d'aven- tures, pleines de retournements de situa- tions, d'intrigues touffues et de personnages hauts en couleurs comme on les aime. Nous avons interrogé nos lecteurs sur les améliorations qu'ils souhaiteraient voir apportées à Zoo. ¤ notre surprise, et loin de- vant tout le reste, la réponse la plus citée a été : ÿ un Zoo mensuel Ÿ. ¤ partir du 1er janvier donc, Zoo passera, non pas mensuel, mais presque : 10 numéros sur l'année, plus 2 numéros spéciaux. Voilà qui devrait as- souvir votre soif de lecture. Et qui devrait nous permettre de couvrir comme il se doit, c'est-à-dire plus en profondeur, les fluvres qui le méritent. Pour distinguer certaines d'entre elles qui ont retenu, non pas notre attention, mais nos émotions, nous mar- queront d'ailleurs désormais nos coups de cflur d'un petit sigle idoine. Il y a en effet de nouveau beaucoup de sorties lors de cet- te rentrée de septembre.
    [Show full text]
  • Audiences, Gender and Community in Fan Vidding Katharina M
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding Katharina M. Freund University of Wollongong, [email protected] Recommended Citation Freund, Katharina M., "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding, Doctor of Philosophy thesis, School of Social Sciences, Media and Communications, Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3447 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] “Veni, Vidi, Vids!”: Audiences, Gender and Community in Fan Vidding A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong by Katharina Freund (BA Hons) School of Social Sciences, Media and Communications 2011 CERTIFICATION I, Katharina Freund, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Arts Faculty, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Katharina Freund 30 September, 2011 i ABSTRACT This thesis documents and analyses the contemporary community of (mostly) female fan video editors, known as vidders, through a triangulated, ethnographic study. It provides historical and contextual background for the development of the vidding community, and explores the role of agency among this specialised audience community. Utilising semiotic theory, it offers a theoretical language for understanding the structure and function of remix videos.
    [Show full text]
  • Expressions in Fan Culture
    Háskóli Íslands Hugvísindasvið Japanskt mál og menning Expressions in Fan Culture Cosplay, Fan Art, Fan Fiction Ritgerð til BA-prófs í japönsku máli og menningu Ragnhildur Björk Jóhannsdóttir Kt.: 210393-2189 Leiðbeinandi: Gunnella Þorgeirsdóttir Maí 2017 Expressions in Fan Culture Abstract This composition is a BA thesis for Japanese Language and Culture at the University of Iceland. In this essay, I will give the reader a little insight into the world of fan culture and will be focusing on how fans express themselves. Fans get inspired by books, movies and television programmes to create all kinds of fan work; whether it is fan fiction, fan art, doujinshi, cosplay, or any other creations. Furthermore, the thesis will explore fan culture as it presents itself in Japan and compare it to fan culture in Europe and the USA. I will discuss the effect these creations, although mainly fan fiction, has on authors of popular media and on social media and how the Internet has made it easier for fans all over the world to connect, as well as for fans and creators to connect. 2 Expressions in Fan Culture Contents Abstract ..................................................................................................................... 2 Contents .................................................................................................................... 3 Introduction ............................................................................................................... 4 What is Fan Culture ..................................................................................................
    [Show full text]
  • The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
    The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子.
    [Show full text]
  • 11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air
    11eyes A­Channel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air Master Amaenaideyo Angel Beats Angelic Layer Another Ao No Exorcist Appleseed XIII Aquarion Arakawa Under The Bridge Argento Soma Asobi no Iku yo Astarotte no Omocha Asu no Yoichi Asura Cryin' B Gata H Kei Baka to Test Bakemonogatari (and sequels) Baki the Grappler Bakugan Bamboo Blade Banner of Stars Basquash BASToF Syndrome Battle Girls: Time Paradox Beelzebub Ben­To Betterman Big O Binbougami ga Black Blood Brothers Black Cat Black Lagoon Blassreiter Blood Lad Blood+ Bludgeoning Angel Dokuro­chan Blue Drop Bobobo Boku wa Tomodachi Sukunai Brave 10 Btooom Burst Angel Busou Renkin Busou Shinki C3 Campione Cardfight Vanguard Casshern Sins Cat Girl Nuku Nuku Chaos;Head Chobits Chrome Shelled Regios Chuunibyou demo Koi ga Shitai Clannad Claymore Code Geass Cowboy Bebop Coyote Ragtime Show Cuticle Tantei Inaba D­Frag Dakara Boku wa, H ga Dekinai Dan Doh Dance in the Vampire Bund Danganronpa Danshi Koukousei no Nichijou Daphne in the Brilliant Blue Darker Than Black Date A Live Deadman Wonderland DearS Death Note Dennou Coil Denpa Onna to Seishun Otoko Densetsu no Yuusha no Densetsu Desert Punk Detroit Metal City Devil May Cry Devil Survivor 2 Diabolik Lovers Disgaea Dna2 Dokkoida Dog Days Dororon Enma­Kun Meeramera Ebiten Eden of the East Elemental Gelade Elfen Lied Eureka 7 Eureka 7 AO Excel Saga Eyeshield 21 Fight Ippatsu! Juuden­Chan Fooly Cooly Fruits Basket Full Metal Alchemist Full Metal Panic Futari Milky Holmes Ga­Rei Zero Gatchaman Crowds Genshiken Getbackers Ghost
    [Show full text]
  • Fuwaku No Adagio] Friday 8 October at 9:30Pm
    AUTUMN ADAGIO [FUWAKU NO ADAGIO] FRIDAY 8 OCTOBER AT 9:30PM A nun going through her menopause might sound like the punch-line of a joke you wouldn’t tell your mum, but Tsuki Inoue’s disarmingly beautiful film Autumn Adagio takes what could have so easily been a premise ripe for exploitation and makes from it a profoundly moving and utterly restrained masterpiece. Mariko, who is first seen absent-mindedly plucking the stamen from a bouquet of lilies, lives a cloistered, routine life. One day, confused by the way she is feeling, she takes a leap of faith and volunteers to play the piano for the local ballet school. Whilst working she becomes entranced by the instructor’s graceful movements in a scene that is both gently surreal and quietly erotic. Although she plays well, the instructor tries to encourage her to put more of herself into the music. Moriko, who has spent her life repressing her sexuality and emotions, decides to let them out for a short time before they are lost forever and we can’t help but be swept along with her new enthusiasm. From then on the film is by turns disturbing, tragic and uplifting as she learns to reengage with the world. More and more we start to see her without her habit, and the change is striking. The tension between religion and sexuality has been explored in many films, but rarely has it been handled with such sensitivity. DB Country Japan Running Time 70 mins Format HDCam Director/Producer/ Screenplay Tsuki Inoue DoP Yosuke Omori Cast Rei Shibakusa, Peyton Chiba, Takuo Shibuya Print Source Dongyu Email [email protected] 104 18TH RAINDANCE FILM FESTIVAL BOYS ON THE RUN [BOIZU ON ZA RAN] FRIDAY 1 OCTOBER AT 6:30PM Boys on the Run stars Kazunobu Mineta (frontman for punk-rock band Ging Nang Boyz) as Tanishi, a 29-year-old virgin stuck in a menial position at a failing company.
    [Show full text]
  • Building Pedagogical Curb Cuts: Incorporating Disability in the University Classroom and Curriculum 4105-11 SU 4/1/05 3:50 PM Page 4
    4105-11_SU 4/1/05 3:50 PM Page 3 Building Pedagogical Curb Cuts: Incorporating Disability in the University Classroom and Curriculum 4105-11_SU 4/1/05 3:50 PM Page 4 Copyright 2005© The Graduate School, Syracuse University. For more information about this publication, contact: The Graduate School Syracuse University 423 Bowne Hall Syracuse, New York 13244. 4105-11_SU 4/1/05 3:50 PM Page 5 v Contents Acknowledgements vii Chancellor’s Preface ix Editors’ Introduction xi I. Incorporating Disability in the Curriculum Mainstreaming Disability: A Case in Bioethics 3 Anita Ho Language Barriers and Barriers to Language: Disability 11 in the Foreign Language Classroom Elizabeth Hamilton and Tammy Berberi Including Women with Disabilities in Women and 21 Disability Studies Maria Barile Seeing Double 33 Ann Millett Cinematically Challenged: Using Film in Class 43 Mia Feldbaum and Zach Rossetti “Krazy Kripples”: Using South Park to Talk 67 about Disability Julia White Teaching for Social Change 77 Kathy Kniepmann II. Designing Instruction for Everyone Nothing Special: Becoming a Good Teacher for All 89 Zach Rossetti and Christy Ashby 4105-11_SU 4/1/05 3:50 PM Page 6 vi contents Tools for Universal Instruction 101 Thomas Argondizza “Lame Idea”: Disabling Language in the Classroom 107 Liat Ben-Moshe Learning from Each Other: Syracuse University 117 and the OnCampus Program Cheryl G. Najarian and Michele Paetow III. Students with Disabilities in the Classroom Being an Ally 131 Katrina Arndt and Pat English-Sand Adapting and “Passing”: My Experiences as a 139 Graduate Student with Multiple Invisible Disabilities Elizabeth Sierra-Zarella “We’re not Stupid”: My College Years 147 as a Mentally Challenged Student Anthony J.
    [Show full text]
  • Understanding the Emerging Danger of the Stand Alone Complex
    Andrew DeMarco University Honors in Communications, Legal Institutions, Economics, and Government Capstone Advisor: Professor Andrea Tschemplik, CAS: Philosophy Standing Alone: Understanding the Emerging Danger of the Stand Alone Complex Japanese director and screenwriter, Kenji Kamiyama, has written works on the implications of the acceleration of technology, but it is in his most famous work, Ghost in the Shell: Stand Alone Complex, that he renders his most insightful and ominous theory about the changing nature of human society. Kamiyama proposes that in an increasingly interconnected society, the potential for individuals to act independently of one another, yet toward what may appear to others to be the same goal increases as well. Standalone individuals may be deceived into emulating the actions of an original actor for a perceived end when neither of these exist­­becoming “copycats without originals.” Kamiyama’s theory of the Stand Alone Complex is a valid one, and the danger it heralds needs to be addressed before the brunt of its effects are felt by those unable obtain remedy. What little literature exists on the theory is primarily concerned with medialogy, but the examination herein addresses the theoretical and philosophical grounding on which the theory stands. This study finds sufficient grounding for the theory through theoretical and philosophical discourse and historical case study. The practical and moral implications of the Stand Alone Complex are addressed through related frameworks, as Kant’s moral system provides a different perspective that informs legal discussions of intent. The implications for national governments are found highly dangerous, and further discourse on the theory is recommended, despite its “juvenile” origins.
    [Show full text]
  • Download Sonic
    Download sonic click here to download How far can the world's fastest hedgehog run? Play as Sonic the Hedgehog as you dash, jump and spin your way across stunning 3D environments. Swipe your way over and under challenging obstacles in this fast and frenzied endless running game. SONIC The world famous Sonic the Hedgehog stars in his first. The Sonic game that started it all is now free-to-play and optimized for mobile devices! Race at lightning speeds across seven classic zones as Sonic the Hedgehog. Run and spin through loop-de-loops as you collect rings and defeat enemies on your mission to save the world from the evil Dr. Eggman. Sonic the Hedgehog. Download Sonic Dash Go. An endless runner featuring Sonic. Sonic Dash is a platform game starring Sonic. It uses similar gameplay to the now classic 'Temple Run' to produce an exciting experience that demands that you have good reflexes if you want to succeed. Everything you'd expect from a Sonic. Sonic Games, free and safe download. Sonic Games latest version: Remember Sonic? Relive the old days with this game collection. Sonic Games is a set of classic arcade games with the famous blue hedgehog as protagonist. Play as Sonic the Hedgehog as you dash, jump and spin your way across stunning 3D environments. Swipe your way over and under challenging obstacles in this fast and frenzied endless running game for iPad, iPad mini, iPhone & iPod touch. SONIC The world famous Sonic the Hedgehog stars in his first endless. Download Sonic. Free and safe download.
    [Show full text]