US-China Museum Directors Forum Press
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Biting the Big Apple
Biting the Big Apple Curator Nicholas Baume talks to Fran Molloy lumnus Nicholas Baume has a new gallery space to curate: New York City. He has recently been art appointed Director and AChief Curator of the New York Public Art Fund, where he will guide the selection and installation of artworks by established and emerging artists in public spaces throughout the city. “The role does make me look at New York in a different way,” Baume says. “I’m really excited about it.” This is also the first time Baume has lived in New York, though his “Nicholas is like a son to me,” my lot in a professional direction, long association with the city’s cultural Kaldor says. “He is a brilliant young I felt that education for its own landscape started with a high school man who is very passionate about art.” sake was a very valuable thing.” art club trip in the early ’80s while an Baume and his two brothers were Baume has fond memories of his exchange student in Houston, Texas. similar in age and close friends with time at the University. “It was the first Graduating from the University Kaldor’s sons and spent a lot of time time I felt I was in an environment in 1987 with joint honours in Fine at the Kaldor home. But while his that nourished my intellectual Arts and Philosophy, Baume became brothers preferred the swimming and creative development. I loved an influential Australian curator, pool, Nicholas was drawn to Kaldor’s discovering the world of ideas.” exhibiting such artists as Andy extraordinary art collection. -
Shanghai, China Overview Introduction
Shanghai, China Overview Introduction The name Shanghai still conjures images of romance, mystery and adventure, but for decades it was an austere backwater. After the success of Mao Zedong's communist revolution in 1949, the authorities clamped down hard on Shanghai, castigating China's second city for its prewar status as a playground of gangsters and colonial adventurers. And so it was. In its heyday, the 1920s and '30s, cosmopolitan Shanghai was a dynamic melting pot for people, ideas and money from all over the planet. Business boomed, fortunes were made, and everything seemed possible. It was a time of breakneck industrial progress, swaggering confidence and smoky jazz venues. Thanks to economic reforms implemented in the 1980s by Deng Xiaoping, Shanghai's commercial potential has reemerged and is flourishing again. Stand today on the historic Bund and look across the Huangpu River. The soaring 1,614-ft/492-m Shanghai World Financial Center tower looms over the ambitious skyline of the Pudong financial district. Alongside it are other key landmarks: the glittering, 88- story Jinmao Building; the rocket-shaped Oriental Pearl TV Tower; and the Shanghai Stock Exchange. The 128-story Shanghai Tower is the tallest building in China (and, after the Burj Khalifa in Dubai, the second-tallest in the world). Glass-and-steel skyscrapers reach for the clouds, Mercedes sedans cruise the neon-lit streets, luxury- brand boutiques stock all the stylish trappings available in New York, and the restaurant, bar and clubbing scene pulsates with an energy all its own. Perhaps more than any other city in Asia, Shanghai has the confidence and sheer determination to forge a glittering future as one of the world's most important commercial centers. -
Leading Cultural Figures Attend Asia Society Art Gala, Launching Art Basel in Hong Kong
FOR IMMEDIATE RELEASE LEADING CULTURAL FIGURES ATTEND ASIA SOCIETY ART GALA, LAUNCHING ART BASEL IN HONG KONG GUESTS INCLUDED ROBERT AND CHANTAL MILLER, JULIA AND VICTOR FUNG & BASSAM SALEM THIS YEAR’S HONOUREES FEATURED BHARTI KHER, LIU GUOSONG, TAKASHI MURAKAMI & ZHANG XIAOGANG (Hong Kong, 15 May 2014) More than four hundred of the world’s most distinguished collectors, curators, gallerists and dignitaries gathered this evening to honor four exceptional contemporary artists at the Asia Society’s second annual Art Gala, hosted by Ms. S. Alice Mong and Dr. Melissa Chiu at their spectacular Hong Kong Center. Kicking off Art Basel in Hong Kong, the evening celebrated world-renowned artists Bharti Kher, Liu Guosong, Takashi Murakami and Zhang Xiaogang for their extraordinary contributions to contemporary art in Asia. Guests were also treated to a private viewing of the first major solo exhibition of Xu Bing’s work in Hong Kong, currently on display through 31 August 2014. Notable guests included artists Li Songsong, Mariko Mori, Michael Joo and Song Dong. International collectors attended, including Deddy Kusama, Basma Al Sulaiman, Maggie Tsai, Alexandra Prasetio, and Bharat and Swati Bhise. Gallerists present included Nick Simunovic of Gasgosian Gallery, one of the evening’s hosts, Rachel Lehmann, Emmanuel Perrotin, Arne Glimcher, Marcia Levine, and Jane Lombard and Lisa Carlson. Supporters of Asia Society included Robert and Chantal Miller, Hal and Ruth Newman, Mitch and Joleen Julis. Other guests included actress Lynn Hsieh, Nam June Paik’s Nephew, Ken Hakuta, Director of Art Basel, Marc Spiegler, Managing Director of Christie’s Asia, Rebecca Wei, and Curator of UBS Art Collection, Stephen McCoubrey. -
Art and Culture Committee HIGHLY RECOMMENDED the SHAPE of TIME CENTRE POMPIDOU X WEST BUND MUSEUM
Art and Culture Committee HIGHLY RECOMMENDED THE SHAPE OF TIME CENTRE POMPIDOU X WEST BUND MUSEUM Daily except Mon until May 9 2021 2600 Longteng Dadao, near Longteng Lu 龙腾大道2600号, 近龙腾路 The Shape of Time takes us on a journey through the shapes and forms that defined art in the 20th century. Displayed in a linear and educational form, the exhibition illustrates a chain of influences across painting and sculptures HIGHLY RECOMMENDED OBSERVATIONS CENTRE POMPIDOU X WEST BUND MUSEUM Daily except Mon until May 9 2021 2600 Longteng Dadao, near Longteng Lu 龙腾大道2600号, 近龙腾路 With the second most extensive collection of modern art in the world, Centre Pompidou can undoubtedly present a his- torical perspective for any medium. In a nonlinear maze-like form, this exhibition brings works by artists that pioneered in video art and experimented with digital imagery spanning from the early 70s to the present day. HIGHLY RECOMMENDED HUGO BOSS ASIA ART 2019 ROCKBUND ART MUSEUM Daily except Mon until Jan 5 2020 20 Huqiu Lu, near Beijing Dong Lu 虎丘路20号, 近北京东路 The Rockbund Art Museum and HUGO BOSS are presenting the exhibition of the HUGO BOSS ASIA ART AWARD. The show will open on October 18th presenting the works of the four finalists from Vietnam, The Philippines, Taiwan, and China. Based on this exhibition, a jury comprised of international experts will select a winner that will take home an award of 300,000rmb. The focus of the selection is always on young artists whose works contribute to the redevelopment of the regional art scene. This year, the public can expect an inter- esting mix of paintings, videos and sound Installations, and performances. -
Rockbund Project & Rockbund Art Museum
Rockbund Project & Rockbund Art Museum Shanghai, China 2006 – 2011 Following the establishment of international trading relations in the nineteenth century, Shanghai became a commercial and cultural centre of East Asia and home to a large number of European commercial offices and consulates. Examples of Shanghai’s Art Deco style – European building styles combined with Asian elements, characteristic of the city’s early twentieth century architecture, are strung along the Bund, Shanghai’s boulevard on the west bank of the Huangpu river. An ensemble of historic buildings, now called the Rockbund Project, reflects the diversity of the colonial architecture and forms the Northern part of the Bund. By restoring the existing buildings and planning new ones, a team of international architects is helping to revitalise the Rockbund Project, which will accommodate office complexes, hotels, retail and apartments. David Chipperfield Architects has been commissioned with the restoration and conversion of eleven buildings1. The aim of the restoration concept is to present buildings that have aged with dignity and style: The façades will be carefully cleaned and repaired without destroying the original fabric. Subsequent conversions will be removed and the buildings returned to their original state as much as possible. Existing structures within the roof area of some buildings will be expanded in reaction to contemporary changes in usage. The expansion of the Andrews & George Building to create Rockbund 6 will see its historic fabric being combined with contemporary architecture: The listed three- storey façade of the existing building that marks the southern edge of the planning area will be renovated and eleven storeys added in the form of a stacked construction. -
Arts & Museum Summit
Arts & Museum Summit Asia Society Hong Kong Center November 21–22, 2013 What should museums of the twenty-first century look like? How should they display art and engage viewers? Is there a kind of disruption taking place within current thought that should be addressed? There is no doubt that most museum growth in the next few decades will be in Asia. Bringing together museum leaders from across Asia, Europe, and the United States, the Arts & Museum Summit explores the future of museums and navigates the challenges and opportunities in the cultural sector today; the developing museum ecology in Asia; and opportunities for professional development and partnerships among museums. Pre-registration online is required for the full program. The online registration will close on Thursday, November 14 so please plan accordingly. Thursday, November 21 3:30 p.m.–4:30 p.m. Registration 4:30 p.m.–6:00 p.m. Museum Leaders in Conversation: Making a Museum in the Twenty-first Century Leading museum professionals join in conversation on the future of museums in the twenty-first century. Free and open to the public. Please RSVP to [email protected] as seats are limited. Caroline Collier, Director, Tate National, London Glenn D. Lowry, Director, The Museum of Modern Art, New York Lars Nittve, Executive Director, M+, Hong Kong Wang Chunchen, Head of Curatorial Research, CAFA Art Museum, Beijing Moderated by Melissa Chiu, Museum Director and Senior Vice President, Global Arts and Cultural Programs, Asia Society Friday, November 22 8:00 a.m.–9:00 a.m. Registration 9:00 a.m. -
Chinese Contemporary Art-7 Things You Should Know
Chinese Contemporary Art things you should know By Melissa Chiu Contents Introduction / 4 1 . Contemporary art in China began decades ago. / 14 2 . Chinese contemporary art is more diverse than you might think. / 34 3 . Museums and galleries have promoted Chinese contemporary art since the 1990s. / 44 4 . Government censorship has been an influence on Chinese artists, and sometimes still is. / 52 5 . The Chinese artists’ diaspora is returning to China. / 64 6 . Contemporary art museums in China are on the rise. / 74 7 . The world is collecting Chinese contemporary art. / 82 Conclusion / 90 Artist Biographies / 98 Further Reading / 110 Introduction 4 Sometimes it seems that scarcely a week goes by without a newspaper or magazine article on the Chinese contemporary art scene. Record-breaking auction prices make good headlines, but they also confer a value on the artworks that few of their makers would have dreamed possible when those works were originally created— sometimes only a few years ago, in other cases a few decades. It is easy to understand the artists’ surprise at their flourishing market and media success: the secondary auction market for Chinese contemporary art emerged only recently, in 2005, when for the first time Christie’s held a designated Asian Contemporary Art sale in its annual Asian art auctions in Hong Kong. The auctions were a success, including the modern and contemporary sales, which brought in $18 million of the $90 million total; auction benchmarks were set for contemporary artists Zhang Huan, Yan Pei-Ming, Yue Minjun, and many others. The following year, Sotheby’s held its first dedicated Asian Contemporary sale in New York. -
PPT 0326 Julie Chun
China Art Museum (2012) Power Station of Art (2012) 2011-2019 Natural History Museum (RelocateD 2015) State & Liu Haisu Art Museum (ReloCateD 2016) Shanghai Museum of Glass (2011) Private art Long Museum PuDong (2012) OCAT Art Terminal Shanghai (2012) museums in Shanghai Himalayas Museum (2012) Aurora Museum (2013) Shanghai K11 Art Museum (2013) Chronus Art Center (2013) 21st Century Minsheng Art Museum (2014) Long Museum West BunD (2014) Yuz Museum (2014) Mingyuan Contemporary Art Museum (2015) Shanghai Center of Photography (2015) Modern Art Museum (2016) How Museum Shanghai (2017) Powerlong Art Museum (2017) Fosun FounDation Art Center (2017) Qiao Zhebing Oil Tank Museum (2019) SSSSTART Museum (under Construction) PompiDou Shanghai (unDer ConstruCtion) China Art Museum (2012) Power Station of Art (2012) 2011-2019 Natural History Museum (RelocateD 2015) State & Liu Haisu Art Museum (ReloCateD 2016) Shanghai Museum of Glass (2011) Private art Long Museum PuDong (2012) OCAT Art Terminal Shanghai (2012) museums in Shanghai Himalayas Museum (2012) Aurora Museum (2013) Shanghai K11 Art Museum (2013) Chronus Art Center (2013) 21st Century Minsheng Art Museum (2014) Long Museum West BunD (2014) Yuz Museum (2014) Mingyuan Contemporary Art Museum (2015) Shanghai Center of Photography (2015) Modern Art Museum (2016) How Museum Shanghai (2017) Powerlong Art Museum (2017) Fosun FounDation Art Center (2017) Qiao Zhebing Oil Tank Museum (2019) SSSSTART Museum (under Construction) PompiDou Shanghai (unDer ConstruCtion) Art for the Public Who is the ”public”? Who “speaks” for the public? On what authority? What is the viewers’ reception? And, does any of this matter? Sites for public art in Shanghai (Devoid of entry fee, open access to public) Funded by the city Shanghai Sculpture Space (est. -
Shanghai Apps for the Busy, Sophisticated Traveler CITI PRESENTS LUXE CITY GUIDES Luxecityguides.Com
Citi Prestige® The cult pocket city guides and mobile Shanghai apps for the busy, sophisticated traveler CITI PRESENTS LUXE CITY GUIDES luxecityguides.com HOME TO MORE THAN 20 In this city divided by the Huangpu Add world-renowned chefs, a thriving MILLION PEOPLE, STUNNING, river, the futuristic Pudong skyline is nightlife, plus a burgeoning art and SPACE-AGE SUPER-CITY juxtaposed with the historic Bund on design scene, and that’s really all SHANGHAI IS BURSTING WITH the riverbank opposite, and together you need… Anchored by its past, but LIFE AND QUITE LITERALLY they paint a picture-perfect portrayal ever-changing and forward-looking, BREATHTAKING. of this busy metropolis, a financial and Shanghai is a model for the city of cultural force to be reckoned with. tomorrow. P1 / LUXE SHANGAI Intro Blah Blah LUXE Insider LUXE Loves LUXE Loathes Drab vs. Fab LUXE Itineraries Citi Prestige® Blah blah • Pudong airport to town: 50 mins • Many smaller businesses do not • The Huangpu river carves the city / RMB160-170 by cab, at least accept credit cards in two: on the east bank is the sci-fi RMB230 after 11pm; or take the Pudong financial district, and on super-fast Maglev (RMB50 one-way) the west bank (PuXi) is the famous to the end and change to metro or • Tipping is not expected, though Bund and enormous former French cab (RMB60 into town) some places add a service charge, Concession or allow it on your charge docket • The metro is easy but taxis are easier, cheap and plentiful, though • You will be pushed, shoved and disappear in peak hours or rain elbowed out of the way, simply take a deep breath and smile politely • Drivers don’t speak English and • Try to take a tour of the don’t need tipping atmospheric but fast diminishing old areas before it’s all too late • Lu is the generic term meaning road, though some roads now have commonly used English names • In Shanghai stores the G/F is the 1/F P2 / LUXE SHANGAI Intro Blah Blah LUXE Insider LUXE Loves LUXE Loathes Drab vs. -
Art Shanghai
WORDS DAVID ELLIOTT PLAYING TO THE GALLERIES While it may have become best known for its explosion of skyscrapers, Shanghai has also been busy building an impressive collection of contemporary art museums. ike Sydney and Melbourne, NYC and LA, and Delhi and Mumbai, Beijing and Shanghai have always competed with each other. As the capital, Beijing has the political Lstatus, but Shanghai has long been the commercial hub of China. In 2008, Beijing proudly presented the Olympic Games, but Shanghai was just as honoured to host the 2010 World Expo. Last year saw the topping out of the Shanghai Tower, China’s tallest (and the second highest in the world), but there are rumours that a new skyscraper in Beijing’s CBD will be even higher. China’s museum and gallery sector is no different. Beijing has claimed superiority, but now Shanghai is a very serious challenger, especially in the new growth area of private museums. Shanghai is huge – by most counts the biggest city in the world – and its art museums are spread out. Luckily, the city’s metro is excellent, so you can get to most of them by under- ground, and short taxi hops will see to the remainder. ❯ The Long Museum, PHOTOGRAPHY: GETTY IMAGES West Bund, Shanghai 82 QANTAS SEPTEMBER 2014 ART SHANGHAI CENTRAL SHANGHAI THE LONG MUSEUM IS ONE A good place to start is Shanghai Museum on People’s Square (201 OF THE BEST TO GAIN AN Renmin Avenue; 9am-5pm daily, free; www.shanghaimuseum.net/ en). Ugly on the outside, fantastic within, it provides a crash course UNDERSTANDING OF 20TH in China’s long cultural history including ceramics, bronze work, CENTURY CHINESE ART sculpture, painting, calligraphy, jade, seals, even furniture. -
Museum Leaders Gather in Hong Kong for First Asia Society Arts & Museum Summit, November 21-22, 2013
News Public Relations Department 725 Park Avenue New York, NY 10021-5088 www.AsiaSociety.org Phone 212.327.9271 Contact: Elaine Merguerian 212.327.9313; [email protected] Fax 212.517.8315 E-mail [email protected] Museum Leaders Gather In Hong Kong For First Asia Society Arts & Museum Summit, November 21-22, 2013 Recognizing Exponential Growth of Museums in Asia, Talks Focus on New Museum Models Hong Kong (November 21, 2013) — Museum leaders from across Asia, Europe, and North America gathered in Hong Kong today to explore ideas of new models for museums in the twenty-first century. Over 200 attendees are participating in the inaugural Asia Society Arts & Museum Summit, held at the Asia Society Hong Kong Center. The two-day event recognizes that the majority of new museums constructed in the next decade will be in Asia, where it has been estimated that over 3,000 new museums are being planned in China alone. Issues addressed at the summit include the challenges and opportunities in the cultural sector today; the developing museum ecology in Asia; and opportunities for professional development and partnerships among museums. “The Asia Society’s Arts & Museum Summit is designed to create powerful bonds between cultural leaders throughout Asia and America and build vital bridges of understanding through the arts,” says Asia Society President Josette Sheeran. “The Arts & Museum Summit will be held each year, building on Asia Society’s fifty-year history of fostering positive transformation in relations through arts and culture.” Where“The Asia and past America two Meet decades have seen enormous societal changes across Asia that have the potential to 725 Park Avenue New York,catalyze NY 10021 new-5088 thinking in the museum field. -
Rockbund Project
Rockbund Project Shanghai, China 2006–2016 Following the establishment of international trading relations in the nineteenth century, Shanghai became a commercial and cultural centre of East Asia and home to a large number of European business offices and consulates. Along the Bund, the popular waterfront area on the west bank of the Huangpu River, there are examples of Shanghai’s Art Deco style – European building styles combined with Asian elements, characteristic of the city’s early twentieth-century architecture. A group of historic buildings reflects the diversity of the colonial architecture and forms the northern part of the Bund. This ensemble, described as the Rockbund Project, is currently being revitalised by a team of international architects and will accommodate office complexes, hotels, retail premises and apartments. The practice was commissioned with the restoration and conversion of eleven 1 of these buildings. During the course of their history the buildings have undergone various changes and mutations. These were removed and the buildings returned to their former state where feasible. The façades were carefully cleaned and repaired, maintaining as much of the original fabric as possible. The extensions to the National Industrial Bank (N.I.B.) and the building for the Royal Asiatic Society (R.A.S.) are visible from Museum Square, an inner courtyard located in the south-west of the block. The new façades have been rendered using ‘Shanghai Plaster’ of the same quality as that used on the adjoining buildings. The former R.A.S. Building, once China’s first public museum, now houses the Rockbund Art Museum, dedicated to contemporary art.