CSU APPLICATIONS on the RISE 15 University Tries to Control 2008
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Cowl Island/Page 19 Vol
BACK PAGE: Focus on student health Deanna Cioppa '07 Men's hoops win Think twice before going tanning for spring Are you getting enough sleep? Experts say reviews Trinity over West Virginia, break ... and get a free Dermascan in Ray extra naps could save your heart Hear Repertory Theater's bring Friars back Cafeteria this coming week/Page 4 from the PC health center/Page 8 latest, A Delicate into the running for Balance/Page 15 NCAA bid Est. 1935 Sarah Amini '07 Men's and reminisces about women’s track win riding the RIPTA big at Big East 'round Rhose Championships The Cowl Island/Page 19 Vol. LXXI No. 18 www.TheCowl.com • Providence College • Providence, R.I. February 22, 2007 Protesters refuse to be silenced by Jennifer Jarvis ’07 News Editor s the mild weather cooled off at sunset yesterday, more than 100 students with red shirts and bal loons gathered at the front gates Aof Providence College, armed with signs saying “We will not stop fighting for an end to sexual assault,” and “Vaginas are not vulgar, rape is vulgar.” For the second year in a row, PC students protested the decision of Rev. Brian J. Shanley, O.P., president of Providence College, to ban the production of The Vagina Monologues on 'campus. Many who saw a similar protest one year ago are asking, is this deja vu? Perhaps, but the cast and crew of The Vagina Monologues and many other sup porters said they will not stop protesting just because the production was banned last year. -
Played 2013 IMOJP
Reverse Running Atoms For Peace AMOK XL Recordings Hittite Man The Fall Re-Mit Cherry Red Pre-Mdma Years The Fall Re-Mit Cherry Red Voodoo Posse Chronic Illusion Actress Silver Cloud WERKDISCS Recommended By Dentists Alex Dowling On The Nature Of ElectricityHeresy Records And Acoustics Smile (Pictures Or It Didn't Happen) Amanda Palmer & TheTheatre Grand Is EvilTheft OrchestraBandcamp Stoerung kiteki Rmx Antye Greie-Ripatti minimal tunesia Antye Greie-Ripatti nbi(AGF) 05 Line Ain't Got No Love Beal, Willis Earl Nobody knows. XL Recordings Marauder Black Pus All My Relations Thrill Jockey 1,000 Years Black Pus All My Relations Thrill Jockey Records All Out of Sorts Black Pus All My Relations Thrill Jockey Abstract Body/Head Coming Apart Matador Records Sintiendo Bomba Estéreo Elegancia Tropical Soundway #Colombia Amidinine Bombino Nomad Cumbancha Persistence Of Death Borut Krzisnik Krzisnik: Lightning Claudio Contemporary La noche mas larga Buika La noche mas largaWarner Music Spain Super Flumina Babylonis Caleb Burhans Evensong Cantaloupe Music Waiting For The Streetcar CAN The Lost Tapes [DiscMute 1] Obedience Carmen Villain Sleeper Smalltown Supersound Masters of the Internet Ceramic Dog Your Turn Northern-Spy Records track 2 Chris Silver T & MauroHigh Sambo Forest, LonelyOzky Feeling E-Sound Spectral Churches Coen Oscar PolackSpectral Churches Narrominded sundarbans coen oscar polack &fathomless herman wilken Narrominded To See More Light Colin Stetson New History WarfareConstellation Vol. 3: To See More Light The Neighborhood Darcy -
+26257-Abbgcg +26257-Abbgbj •Cuts by DJ Big Wiz (Def Jux)
"Legends...Def Jux...Rhymesayers...nuff said." -OKAY PLAYER STREET DATE: 11.17.09 FELT Felt 3: A Tribute to Rosie Perez Slug (Atmosphere/Rhymesayers) and Murs (Living Legends) are back with Volume 3 of their popular Felt series. This time dedicating their signature light hearted back and forth to Rosie Perez. With production being handled by Aesop Rock (Def Jux), Felt 3: A RSE-0116 Tribute to Rosie Perez takes on a darker, edgier feel than the two Format: Compact Disc / 2LP previous releases; Felt 1: A Tribute to Christina Ricci (‘02) produced CD Packaging: Digi-Pak by The Grouch and Felt 2: A Tribute to Lisa Bonet (‘05) produced by LP Packaging: Full Color Jacket + Ant. Completing the coastal trifecta with three of the most successful Poster + Digital Download Card independent Hip Hop artists from the West Coast, Mid West and the Box Lot: 30 East...Felt 3 is sure to please the followings of these three monsters File Under: Rap/Hip Hop “F” *cross merchandise with Atmosphere & Murs of indie Hip Hop. MOOKIE! Parental Advisory: Yes Street Date: 11.17.09 SELLING POINTS: •Produced by Aesop Rock (Aesop Rock, Murs, Cage, etc.). CD-826257011626 2LP-826257011619 •Last release Felt 2: A Tribute to Lisa Bonet has scanned 48,443 RTD. +26257-ABBGCg +26257-ABBGBj •Cuts by DJ Big Wiz (Def Jux). •Slug, Murs & Aesop have a combined catalog sales history of TRACKLISTING: close to 2,000,000. 1. protagonists 2. felt chewed up MARKETING POINTS: 3. get cake •Early online teaser/guess who campaign leading up to 4. -
ARTIST TITLE FORMAT Marie-Mai Elle Et
ARTIST TITLE FORMAT Marie-Mai Elle et Moi 12" vinyl Brandi Carlile A Rooster Says 12" The Trews No Time For Later (Limited Edition) 2XLP Charli XCX Vroom Vroom EP 12" EP Ron Sexsmith Hermitage (RSD20EX) 12" vinyl Grouplove Broken Angel 12" My Chemical Romance Life On The Murder Scene (RSD20 EX) LP Black Keys Let's Rock (45 RPM Edition)(RSD20 EX) 2-LP k.d. lang & the Reclines Angel With A Lariat (RSD20 EX) LP k.d. lang Drag (RSD20 EX) 2-LP Phenomenon (Music From The Motion Picture) Music From The Motion Picture (RSD20 EX) 2-LP Music From the X-Files: The Truth and the Light Mark Snow (RSD20 EX) LP Batman & Robin (Music From and Inspired By Music From And Inspired By The Motion Picture) (RSD20 EX) 2-LP Avalon (Original Motion Picture Score) (RSD20 Randy Newman EX) LP Lethal Weapon (Original Motion Picture Soundtrack Soundtrack) (RSD20 EX) LP Metroland (Music and Songs From The Film Mark Knopfler (RSD20 EX) LP Austin Powers: The Spy Who Shagged Me Music From The Motion Picture Soundtrack (RSD20 EX) LP Music From The Motion Picture: Austin Powers In Soundtrack Goldmember (RSD20 EX) LP Randy Newman The Natural (RSD20 EX) LP Tonight In The Dark We're Seeing Colors (RSD20 Tegan and Sara EX) LP Gary Clark Jr. Pearl Cadillac (feat. Andra Day) (RSD20 EX) 10" EP Gorillaz G-Sides (RSD20 EX) LP Gorillaz D-Sides (RSD20 EX) 3-LP Neil Young Homegrown (RSD20 EX) LP Biffy Clyro Moderns (RSD20 EX) 7" Wale Wow…That's Crazy (RSD20 EX) LP Skid Row Slave To The Grind (Expanded) 2LP Live from the Apollo Theatre Glasgow Feb Alice Cooper 19.1982 2LP - 140gram black vinyl Fleetwood Mac The Alternate Rumours 1LP, 180gram, black vinyl 5-LP, 180-gram vinyl, with Grateful Dead Buffalo 5/9/77 10th-side etching. -
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs. -
Maine Campus December 10 2012 Maine Campus Staff
The University of Maine DigitalCommons@UMaine Maine Campus Archives University of Maine Publications Fall 12-10-2012 Maine Campus December 10 2012 Maine Campus Staff Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainecampus Repository Citation Staff, Maine Campus, "Maine Campus December 10 2012" (2012). Maine Campus Archives. 5101. https://digitalcommons.library.umaine.edu/mainecampus/5101 This Other is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine Campus Archives by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. FREE Monday, December 10 2012 • Vol. 131, No. 12 mainecampus.com The Maine Campus Best gifts for your beer-drinking buddies Editorial: Safe Campus didn’t need to go Men’s basketball routs, then becomes routed A guide for holiday presents for all those diffcult Page A10 University’s handling of sex-assault cases mer- Page A6 Black Bears blow out Fisher before Page B1 friends and family to shop for its watching after transition to Student Affairs receiving their own pounding by Florida State Nursing student Amy Buxton Reports leak out dead from ‘sudden illness’ from Belcher’s Buxton, 26, was preparing to graduate in December, memorial set for Wednesday By Derrick Rossignol murder-suicide Barnes also knew of Buxton’s Family members have in- 04116. News Editor love for animals. vited anyone whose life has been Any students who may have “She was a foster parent for touched by Buxton to attend her been affected by this event and are By Jesse Scardina “She is still breathing, but Senior nursing student Amy dogs,” Barnes said. -
Phonte Pacific Time Torrent Download Phonte – Pacific Time [EP Stream] Whenever Phonte Releases New Music, It’S Always an Occasion
phonte pacific time torrent download Phonte – Pacific Time [EP Stream] Whenever Phonte releases new music, it’s always an occasion. After putting rap at the forefront for last year’s No News Is Good News album, he’s making singing the focus for his next surprise release — an EP called Pacific Time . The project features four tracks from the multi-talented North Carolina artist, with contributions coming from Kaytranada, BOSCO and Devin Morrison. For those wanting to hear some bars, no fear — he spits a verse on the closing track, “Heard This One Before.” And it’s a summer heater at that. Phonte Has Just Released A Surprise EP. Listen Here. With less than 24 hours notice, Phonte just released his second project since last March. 2018’s No News Is Good News marked the North Carolina MC/singer/producer’s first solo effort and Rap album in nearly seven years. It was subsequently named one of 2018’s best efforts by Ambrosia For Heads . For 2019, the Little Brother and Foreign Exchange co-founder (plus Questlove Supreme co-host) follows up with Pacific Time. At around noon EST on Thursday (March 28), Phonte announced that he would be dropping the new body of work at the start of Friday, attaching the project’s artwork. Freshly arrived, the four-song release features KAYTRANADA, Devin Morrison, and Bosco. Kaytranada, who involved ‘Te on 2016’s 99.9% , also produces “Heard This One Before.” Grammy-nominated producer (and Pac Div member) Like co-produces “Beverly Hills,” alongside Devin Morrison and Swarvy. Phonte handles the work behind the boards on “Ego.” Longtime Phonte collaborator plays keys, keys, and bass on multiple songs. -
Terror Since the Public School Error: Reconciling Hip Hop and Education 2
Terror Since the Public School Error: Reconciling Hip Hop and Education Randy Ojeda & Eduardo Roman Loyola University Chicago School of Law Education Law and Policy, 2013 Terror Since the Public School Error: Reconciling Hip Hop and Education 2 Introduction Hip Hop and Education have been presented as oppositional spheres of influence in youth culture. Since its inception, Hip Hop has promoted values that conflict with the aim of the Public Education System. This division was created by the educational budget cuts which led to the rise of Hip Hop instrumentation and ethic. These budgetary cuts, along with the Hip Hop movement it birthed, enforced a culture of destabilization and anti-education in inner-city schools. However, these two spheres of influence can in fact overlap successfully to the benefit of educating urban youth. A possible solution to ending this ceiling of stagnation is using hip hop culture as a tool for education. While Hip Hop has created an urban youth culture of destabilization and anti-education, an embracing of hip hop by the educational system could lead to the development of social consciousness and critical skills both in and out of the classroom. Part One – Education Births Hip Hop You got the music in your body and you can't comprehend When your mind won't wiggle and your knees will bend Music ain't nothin but a people's jam It's DJ Run-D.M.C. rockin without a band Run-D.M.C.1 In the 1970s, educational budget cuts were made throughout the nation.2 In New York City, the epicentre of American commerce and industry, these cuts 1 Simmons, Joseph "Run", and Darryl "D.M.C." McDaniels. -
ROTH-CO; Efefctive WORK of Murs JEWELRY
Kahwuy Record,, i-riday Afternoon, November 2. 1917. and Mrs... James Herring* , The 'home , BIRTHDAY CELEBRATED mac. - . -^ will be flowing and knitting;,- They SECOND PREaBYTEft)AN CHURCH Cottage prayer-" meetlne Tuesday was decorated. with autoxria ^ ?flaVe« In cilebratlon ol' nor sixth birthday recipient of many pretty gifts. Th« expect to do much work for tho Rev. Wallace H. Carver, Paator ' James Parker's house. anniversary M5ss Elizabeth A. Mc-home and dining table were prettily Church News soldiers. All girls are invited to Join. 10.30 a- m.. Morning worship; aer- A hearty welcome to an. and. chrysanthemums, Thoto present Miss Marion Rittor and Mrs. Benja- mon topic, "Knowing and Trustta*." were: Mr, and Mrs. Frank Splane,, Mic-.hnel, daughter of Mr. and , Mrs'. decorated for the occasfon. .Those F1HST BAPTIST CHURCH •IS m- Bible schooL i I Lnwls C. MtiMichanl. of 39 East Mlf- min King,.Jiv.are in charge. .7 p. HL. C- B ipawMiig. Q. F. John-- PLEASANT GATHERING Miss. Ruth Splane,' Mrvand Mra. Oeo. present were: The ««»•••«*£" •voafimAm^' — - - •-• V/and iira^i Ed- aiSB«CKH«i«?'J5s^.^.sp 0.45 a. ttu Brotherboofl moating; 7.45 p. m.. Evening worship* sermon Schultz, Mr. and Mrs. William Mel- lior young friends on Tuesday after- 8T. PAUL'S CHURCH -.^ ward Struber, of 190 Eaat Milton ave- tore, Flora Iledoirfaii. VnroMC- Gin- topic, "Ruth—A' Woman's Choice/" .^r^JMr. ^and JMr^: Ja.mes^Her/lng, mjon_^_^Tho time waa Voli occupied ElSBS»KT$i$nfsgrne,a, yoial J^liSJ^tB\; Marion McCormlck. Mildred lO.ffO a, m. -
The Intertextuality and Translations of Fine Art and Class in Hip-Hop Culture
arts Article The Intertextuality and Translations of Fine Art and Class in Hip-Hop Culture Adam de Paor-Evans Faculty of Culture and the Creative Industries, University of Central Lancashire, Lancashire PR1 2HE, UK; [email protected] Received: 24 October 2018; Accepted: 12 November 2018; Published: 16 November 2018 Abstract: Hip-hop culture is structured around key representational elements, each of which is underpinned by the holistic element of knowledge. Hip-hop emerged as a cultural counter position to the socio-politics of the urban condition in 1970s New York City, fuelled by destitution, contextual displacement, and the cultural values of non-white diaspora. Graffiti—as the primary form of hip-hop expression—began as a political act before morphing into an artform which visually supported the music and dance elements of hip-hop. The emerging synergies graffiti shared with the practices of DJing, rap, and B-boying (breakdancing) forged a new form of art which challenged the cultural capital of music and visual and sonic arts. This article explores moments of intertextuality between visual and sonic metaphors in hip-hop culture and the canon of fine art. The tropes of Michelangelo, Warhol, Monet, and O’Keefe are interrogated through the lyrics of Melle Mel, LL Cool J, Rakim, Felt, Action Bronson, Homeboy Sandman and Aesop Rock to reveal hip-hop’s multifarious intertextuality. In conclusion, the article contests the fallacy of hip-hop as mainstream and lowbrow culture and affirms that the use of fine art tropes in hip-hop narratives builds a critical relationship between the previously disparate cultural values of hip-hop and fine art, and challenges conventions of the class system. -
At the Time of His Death in 1937, Maurice Ravel Was the Most Celebrated Contemporary Composer in France
PURLOINED POETICS: THE GROTESQUE IN THE MUSIC OF MAURICE RAVEL By JESSIE FILLERUP Copyright 2009 Submitted to the graduate degree program in Music and the faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree Doctor of Philosophy. ____________________________ Chairperson Committee members: ____________________________ ____________________________ ____________________________ ____________________________ ____________________________ Date defended: 6 April 2009 The Dissertation Committee for Jessie Fillerup certifies that this is the approved version of the following dissertation: PURLOINED POETICS: THE GROTESQUE IN THE MUSIC OF MAURICE RAVEL Committee: ____________________________ Chairperson ____________________________ ____________________________ ____________________________ ____________________________ ____________________________ Date approved: 6 April 2009 ii To Michael and Rebecca Mahalo nui loa iii ACKNOWLEDGMENTS Early on, I wondered if my experience writing a dissertation would resemble the fictional Jack Burden’s, who entered a period of inert semi-consciousness known as “the Great Sleep.” Faced with the prospect of completing his dissertation, Jack slept fourteen or fifteen hours a night; when he finally woke, it was to contemplate this thought: “If I don’t get up I can’t go back to bed.”1 I was fortunate to have better reasons for getting up in the morning. Those reasons begin with my dissertation advisor, Roberta Freund Schwartz, a scholar of Renaissance music and the blues; she shepherded my project with such care and conviction that anyone not looking closely would think I was writing about Robert Johnson, not Ravel. Roberta encouraged me to strive for greater clarity by sloughing off the stylistic and scholarly accretions that cling to graduate students like barnacles. I am grateful for her patience and conscientious attention to my writing, as well as her sustained enthusiasm for this project; her dedication is inspiring. -
Four Studies in Consciousness and Philosophical Fiction by Maya
Spontaneous Form: Four Studies in Consciousness and Philosophical Fiction By Maya Kronfeld A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor in Philosophy in Comparative Literature in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Judith Butler, Chair Professor Stephen M. Best Professor C.D. Blanton Professor Robert Kaufman Spring 2020 ©2020 Maya Kronfeld ALL RIGHTS RESERVED Abstract Spontaneous Form: Four Studies in Consciousness and Philosophical Fiction by Maya Kronfeld Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Judith Butler, Chair “Spontaneous Form: Four Studies in Consciousness and Philosophical Fiction” rethinks modernist stream of consciousness narration and its precursors in light of a critical epistemology informed by David Hume, Immanuel Kant and William James. I trace an experimental literary counter-tradition from Victor Hugo and Edgar Allan Poe to Virginia Woolf and Toni Morrison that parodies philosophical empiricism by foregrounding what Kant called the “spontaneity” of the mind – that dimension by which we actively construct our knowledge. Drawing my notion of spontaneity not from Kantian aesthetics but rather from an anti-psychologistic reading of Kant’s First Critique, I propose that formal structures of the mind are embedded in literary form. Against current trends in cognitive science-inspired treatments of the literary that regard full knowledge of “other minds” as an intellectual achievement for which fiction is a laboratory, “Spontaneous Form” argues that verbal art articulates an alternative imperative: that the presumption of exhaustive knowledge is something to be unlearned. Rather than seeing literature as merely a vehicle for the circulation of independently specifiable philosophical themes, I explore ways in which new categories for the mind can be theorized on the basis of imaginative discourse.