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2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and W abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection current and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
Iipsgp Summer 2005 Newsletter
INTERNATIONAL INSTITUTE FOR PEACE STUDIES AND GLOBAL PHILOSOPHY Rhos y Gallt, Llanerfyl, Near Welshpool, Powys, Wales, SY21 OER Tel/Fax: 01938 820586 website: www.educationaid.net email: [email protected] Director, Thomas Clough Daffern B.A. (Hons) D.Sc. (Hon) PGCE email: [email protected] Tel. 01938 820586 Mobile: (m) 07960 971620 Secretary General, Mary Napper White (B.A. Hons.) 01939 233834 email: [email protected] Treasurer: Jenny Wheatcroft B.A. (Hons.) Tel. 00 64 4 2932987Email: [email protected] IIPSGP SUMMER 2005 NEWSLETTER 1. IIPSGP PARLIAMENTARY WORK: The interested in coming, either to present a talk, or developing All Party Parliamentary Group For simply to listen in, please contact: International Peace And Conflict Resolution will hopefully be Institute for Peace Studies and Global Philosophy, restarting its work now that a new UK parliament Rhos Gallt, Llanerfyl, Powys, Wales, SY21 OER, has been elected, with an expected meeting in Tel. 01938 820586 email: [email protected] parliament to take place in November 2005. Further details to IIPGSP members and associates once the 3. 2005 GENERAL ELECTION U.K.: A paper date has been finalised. from IIPSGP Director was issued in the run up to the general election, in the form of an election 2. DR. JOHN DEE (1527-1608) SYMPOSIUM – response document, entitled: A GARLAND OF JULY 16, 2005: This special event is being IDEAS: A PHILOSOPHICAL CONTRIBUTION organised by IIPSGP to commemorate the life and TO THE DEBATES IN THE BRITISH work and influence of Dr John Dee, one of the ELECTION, APRIL 2005. It had 23 numbered unsung heroes of the Elizabethan Renaissance. -
2021 PDF Catalogue
Spring & Summer CATALOGUE2021 Contents 3 Spring & Summer Selection 4 Featured Title When I Think of My Body as a Horse by Wendy Pratt 6 Featured Title Talking to Stanley on the Telephone by Michael Schmidt 9 The PB Bookshelf The AQI by David Tait 10 The North 11 New Poets List Ugly Bird by Lauren Hollingsworth-Smith Have a nice weekend I think you’re interesting by Lucy Holt Aunty Uncle Poems by Gboyega Odubanjo Takeaway by Georgie Woodhead 14 Forthcoming Titles 15 Subject Codes Pamphlet | 9781912196418 | £6 Black Mascara (Waterproof) eBook | 9781912196517 | £4.50 Published 1st Feb 2021 Rosalind Easton 34pp Black Mascara (Waterproof) is a glamorous and lively debut exploring Rosalind Easton grew up in Salisbury and relationships, popular culture, and the enduring power of teenage memories. now lives in South East London, where she works as an English teacher. After a first degree at Exeter University, she trained as Full of wicked invention. – Imtiaz Dharker a dance teacher and spent several years Love and the possibilities of love and intimacy are examined and celebrated teaching tap, modern and ballet before completing her PGCE at Bristol and MA at and quotidian adventures like bra fittings and running mascara are given the Goldsmiths. She has recently completed her power of myth. – Ian McMillan PhD thesis on Sarah Waters. Black Mascara (Waterproof) is her first collection. Witty, sexy poems that strut across the page – Natalie Whittaker Pamphlet | 9781912196425 | £6 In Your Absence eBook | 9781912196524 | £4.50 Published 1st Feb 2021 Jill Penny 36pp In Your Absence is a response to a year of bereavement, a murder and a trial, Jill Penny is from a touring theatre and estrangements, departures and insights. -
Making Speech-Matter: Recurring Mediations in Sound Poetics and Its Contemporary Practice
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice http://bbktheses.da.ulcc.ac.uk/35/ Version: Full Version Citation: Pester, Holly (2013) Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice. PhD thesis, Birkbeck, University of London. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email 1 Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice Holly Pester Birkbeck, University of London PhD 2013 2 I, Holly Pester, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ---------------------------------------------- 3 Abstract This thesis produces a critical and creative space for new forms of sound poetics. Through a reflective process combining theoretical research and poetic practice – performances, text-scores and installations – the thesis tests the contemporary terms of intermedial poetics and sound poetry, establishing a conceptual terminology for speech-matter. Beginning with a study of 1960s sound poet Henri Chopin and his relation to the tape machine, I argue that this technological mediation was based on a poetics of analogue sound hinged on bodily engagement. Social and physical properties of the tape machine contribute to a mode of practice that negotiates the body, machine, and effort. Exploring Michel Serres’s concept of parasitic noise and the relation of interference to lyric appeal, via the work of Denise Riley and Hannah Weiner, I understand sound poetics as a product of lyrically active noise. -
Contemporary Irish Poetry and the Canon, New Directions in Irish and Irish American Literature, DOI 10.1007/978-3-319-51112-2 232 BIBLIOGRAPHY
BIBLIOGRAPHY A Poem for Ireland. “About: Ten Poems for Ireland. Which is Your Best-Loved?” Accessed 9 October 2016. http://apoemforireland.rte.ie/about/. ———. “Our Jury”. Accessed 9 October 2016. http://apoemforireland.rte.ie/ jury/. ———. “Terms and Conditions”. Accessed 9 October 2016. http://apoemforire land.rte.ie/terms-conditions/. Alcobia-Murphy, Shane. “‘My Cleverly Dead and Vertical Audience’: Medbh McGuckian’s ‘Difficult’ Poetry”. New Hibernia Review 16.3 (2012): 67–82. Allen, Michael. “Horse-People and Others”. Review of Mules, by Paul Muldoon. Honest Ulsterman 56 (1977): 136–41. ———. “The Poetry of Medbh McGuckian”.InContemporary Irish Poetry: A Collection of Critical Essays, edited by Elmer Andrews, 286–309. Basingstoke: Macmillan, 1992. Allen-Randolph, Jody, and Eavan Boland. “An Interview with Eavan Boland”. Irish University Review 23.1 (1993): 117–30. Allison, Jonathan. “Questioning Yeats: Paul Muldoon’s ‘7, Middagh Street’”.In Learning the Trade: Essays on W. B. Yeats and Contemporary Poetry, edited by Deborah Fleming, 3–20. West Cornwall, CT: Locust Hill, 1993. ———. “Acts of Memory: Poetry and the Republic of Ireland Since 1949”.In Writing in the Irish Republic: Literature, Culture, Politics 1949–1999, edited by Ray Ryan, 44–63. Basingstoke: Macmillan, 2000. “Ancrene Wisse”.InAnchoritic Spirituality: Ancrene Wisse and Associated Works, edited by Anne Savage and Nicholas Watson, 41–208. Mahwah, NJ: Paulist, 1991. © The Author(s) 2017 231 K. Keating, Contemporary Irish Poetry and the Canon, New Directions in Irish and Irish American Literature, DOI 10.1007/978-3-319-51112-2 232 BIBLIOGRAPHY Andrews, Elmer, ed. Seamus Heaney: A Collection of Critical Essays. Basingstoke: Macmillan, 1992. -
Ledbury Poetry Festival 2019 Annual Report
1 2 Chair’s Report The 2019 Festival, celebrating its twenty second anniversary, was as vibrant, engaging and accessible as ever. Audiences were able to uncover genuine surprises as well as to experience well-established poets and writers like Margaret Atwood, Ali Smith, Roger McGough, Carol Ann Duffy, Andrew Motion and the new Poet Laureate, Simon Armitage. We would like to thank our many volunteers, our funders and sponsors, our schools and all our supporters for making the Festival what it is. We are particularly proud of our growing international links, our closer co-operation with small publishers and our developing and potential working partnerships. On a practical note, we are very pleased with growing ticket sales, which increased substantially. We are also very fortunate in our Board, and we are particularly pleased that the Festival will now have the skills and energy of a new trustee, Sandeep Parmar. Our staff too continue to work to the highest calibre, and we feel confident about the future and look forward to further promoting the enjoyment in the art of poetry by working with poets, sponsors and audiences locally, nationally and internationally. As the permanent sign at the railway station confirms: “Ledbury - Junction for Poetry”. Peter Arscott Artistic Director’s Report The 2019 Festival flexed its cultural might with an offering of 60 ticketed events, 24 free events, 4 exhibitions and 2 writing trails. High profile events included two exclusive appearances from Canada’s most respected living poet and writer Margaret Atwood, who also visited pupils at local John Masefield High School. -
Barbarian Masquerade a Reading of the Poetry of Tony Harrison And
1 Barbarian Masquerade A Reading of the Poetry of Tony Harrison and Simon Armitage Christian James Taylor Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English August 2015 2 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others This copy has been supplied on the understanding that it is copyright material and that no quotation fro m the thesis may be published without proper acknowledgement The right of Christian James Taylor to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. © 2015 The University of Leeds and Christian James Taylor 3 Acknowledgements The author hereby acknowledges the support and guidance of Dr Fiona Becket and Professor John Whale, without whose candour, humour and patience this thesis would not have been possible. This thesis is d edicat ed to my wife, Emma Louise, and to my child ren, James Byron and Amy Sophia . Additional thanks for a lifetime of love and encouragement go to my mother, Muriel – ‘ never indifferent ’. 4 Abstract This thesis investigates Simon Armitage ’ s claim that his poetry inherits from Tony Harrison ’ s work an interest in the politics o f form and language, and argues that both poets , although rarely compared, produce work which is conceptually and ideologically interrelated : principally by their adoption of a n ‘ un - poetic ’ , deli berately antagonistic language which is used to invade historically validated and culturally prestigious lyric forms as part of a critique of canons of taste and normative concepts of poetic register which I call barbarian masquerade . -
Download the 2015 Programme
LEDBURY POETRY FESTIVAL 2O15 03–12 July 2015 Programme poetry-festival.co.uk @ledburyfest Ledbury Poetry Festival 3 -12 July 2015 Thank you to all the generous and enthusiastic people who give their time and energy to making the Festival the jam-packed, fun-filled, world-class poetry event that it is. Thank you to all our volunteers who help with administration, stewarding, hospitality, accommodation, driving and much more. Thanks also to all our sponsors and supporters. This Festival grew out of its community and it remains a community celebration. Community Programme Poets Brenda Read Brown and Sara-Jane Arbury work all year round with people who may never be able to attend a Festival event, who have never attempted creative writing before, or have never taken part in any cultural activity. The impact this work can have is astounding. The Community Programme reaches out to people facing social exclusion due to physical or mental health issues, disability or learning challenges and engages them in life-affirming ways with poetry and the creative process. See the Mary and Joe event on Sunday 12th July. Recent projects have included poetry writing in doctors’ surgeries and hospital waiting rooms, and with vulnerable women at a women’s shelter. Opportunities for self-expression in these communities are hugely rewarding for all involved. “You’ve woken something up in me!” said one participant. This is only possible due to funding from the Esmée Fairbairn Foundation, Garfield Weston Foundation, Herefordshire Community Foundation and Sylvia Adams Charitable Trust. Poets in Schools All year round the Festival sends skilled and experienced poets into schools across Herefordshire to enable pupils to read, write and thoroughly enjoy poetry. -
Cork Spring Poetry Festival 15-182012 February Dear Patron, for Years Cork Was a Region Which Produced Major Short Story Writers
Cork Spring Poetry Festival 15-182012 February Dear Patron, For years Cork was a region which produced major short story writers. She still brings forth many writers of fiction and plays, but in the past thirty years she has been most prodigious in fostering poets. Here is the festival brochure for the first Cork Spring Poetry Festival. The Munster Literature Centre has been presenting Spring literary festivals in Cork for over fifteen years. This year we have decided to make the festival exclusively poetry in acknowledgement of the preference for poetry by our past Spring Festival audiences and also to celebrate Cork’s poetic heritage at a time when the country has just acquired its first poet President. This year at our festival we have poets from eight countries. From Ireland we have poets writing in Irish such as Nuala Ní Dhomhnaill, and Irish poets writing in English such as Kerry Hardie and Thomas McCarthy, as well as many others, both established poets and some with their first book published. The United States is represented by senior poet Gregory Orr from Virginia, not only a great poet and teacher of poetry but a veteran activist of the Civil Rights movement. From America comes also ethnic Palestinian Nathalie Handal and Cork exile, now US citizen, Greg Delanty. From the UK we have poets and industry luminaries Fiona Sampson and Neil Astley who will be making a special presentation from his Being Human anthology - the latest in a phenomenal best-selling series. Poets from Canada, Croatia, Italy, New Zealand and Slovenia are also represented. -
Not Only for Now Strategic Plan (2018-2021) Contents
Not Only For Now Strategic Plan (2018-2021) Contents Mission 3 Vision 3 Values 3 Introduction 4 Strategic Objective 1 7 Strategic Objective 2 9 Strategic Objective 3 11 Strategic Objective 4 13 Strategic Objective 5 14 Evaluation and Monitoring 17 Governance 17 Mission The purpose is praise. Peter Fallon founded The Gallery Press in 1970 to publish, preserve and promote the achievements of outstanding Irish writers, with particular emphasis on books of poetry and drama. By care- ful, caring editing The Gallery Press nurtures exceptional talents, both new and established, and introduces those authors to local, national and international audiences. Vision As a vital presence in Ireland’s literary and cultural life for almost half a century The Gallery Press aims to continue to inspire, celebrate and honour exceptional achievements in the arts and in the artists it pub- lishes who, in turn, enrich the lives of many. Values Our core values are excellence and integrity, and by adhering to them The Gallery Press is intent on safeguarding the standards that have earned its reputation for quality and distinction in Ireland, and abroad. The poets on the Gallery list are indispensible to the art of poetry as an ongoing endeavour in Ireland: indispensible to the honour in which that art is held at home and to the honour which it earns for us abroad. — Seamus Heaney 3 Introduction History Peter Fallon started publishing books in 1970 to provide a platform for the work of new writers. The publication of plays (the first by Tom Murphy) soon followed. Within a few years, as the reputations of some of those authors grew, other established writers joined The Gallery Press from other imprints. -
The Importance of the Poetry Book in the Digital
The Importance Of The Poetry Book In The Digital Age How Far Digital Technology Has Influenced Contemporary Poetry And The Status Of The Poetry Book & The Birth of Romance A Poetry Collection A thesis submitted for the degree of Doctor of Philosophy in Creative Writing at the University of Birmingham by Philip Monks Submitted 27th September 2017 This corrected version 1st March 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT An examination through the creation and curation of a printed poetry collection, together with other practice-based and wider research, of how far digital technology has influenced contemporary poetry and the status of the poetry book. Personal practice is considered and analysed and, from this, and research leading out from this, a more general survey provided of the impact of digital technology on the poet’s persona, the creation of the poems themselves and on their dissemination. These wider issues, and the practice-based research that underlies them, inform the specific consideration of the extent to which digital technology has affected the nature and importance of the single collection poetry book in the early part of the twenty-first century. -
Breaking New Ground: Celebrating
BREAKING NEW GROUND: CELEBRATING BRITISH WRITERS & ILLUSTRATORS OF COLOUR BREAKING NEW GROUND: Work for New Generations BookTrust Contents Represents: 12 reaching more readers by BookTrust Foreword by My time with 5 Speaking Volumes children’s Winter Horses by 14 literature by 9 Uday Thapa Magar Errol Lloyd Our Children Are 6 Reading by Pop Up Projects Reflecting Grandma’s Hair by Realities by Ken Wilson-Max 17 10 the Centre for Literacy in Primary Education Feel Free by Irfan Master 18 Authors and Illustrators by Tiles by Shirin Adl 25 62 Location An Excerpt from John Boyega’s 20 Paper Cup by Full List of Authors Further Reading Catherine Johnson and Illustrators 26 63 and Resources Weird Poster by Author and Our Partners Emily Hughes Illustrator 23 28 Biographies 65 Speaking Volumes ‘To the woman crying Jon Daniel: Afro 66 24 uncontrollably in Supa Hero the next stall’ by 61 Amina Jama 4 CELEBRATING BRITISH WRITERS & ILLUSTRATORS OF COLOUR BREAKING NEW GROUND clear in their article in this publication, we’re in uncertain times, with increasing intolerance and Foreword xenophobia here and around the world reversing previous steps made towards racial equality and social justice. What to do in such times? The Centre for Literacy in Primary Education and BookTrust, who have also contributed to this brochure, point to new generations as the way forward. Research by both organisations shows that literature for young people is even less peaking Volumes is run on passion contribution to the fight for racial equality in the representative of Britain’s multicultural society and a total commitment to reading as arts and, we hoped, beyond.