Ledbury Poetry Festival Programme 2019
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Iipsgp Summer 2005 Newsletter
INTERNATIONAL INSTITUTE FOR PEACE STUDIES AND GLOBAL PHILOSOPHY Rhos y Gallt, Llanerfyl, Near Welshpool, Powys, Wales, SY21 OER Tel/Fax: 01938 820586 website: www.educationaid.net email: [email protected] Director, Thomas Clough Daffern B.A. (Hons) D.Sc. (Hon) PGCE email: [email protected] Tel. 01938 820586 Mobile: (m) 07960 971620 Secretary General, Mary Napper White (B.A. Hons.) 01939 233834 email: [email protected] Treasurer: Jenny Wheatcroft B.A. (Hons.) Tel. 00 64 4 2932987Email: [email protected] IIPSGP SUMMER 2005 NEWSLETTER 1. IIPSGP PARLIAMENTARY WORK: The interested in coming, either to present a talk, or developing All Party Parliamentary Group For simply to listen in, please contact: International Peace And Conflict Resolution will hopefully be Institute for Peace Studies and Global Philosophy, restarting its work now that a new UK parliament Rhos Gallt, Llanerfyl, Powys, Wales, SY21 OER, has been elected, with an expected meeting in Tel. 01938 820586 email: [email protected] parliament to take place in November 2005. Further details to IIPGSP members and associates once the 3. 2005 GENERAL ELECTION U.K.: A paper date has been finalised. from IIPSGP Director was issued in the run up to the general election, in the form of an election 2. DR. JOHN DEE (1527-1608) SYMPOSIUM – response document, entitled: A GARLAND OF JULY 16, 2005: This special event is being IDEAS: A PHILOSOPHICAL CONTRIBUTION organised by IIPSGP to commemorate the life and TO THE DEBATES IN THE BRITISH work and influence of Dr John Dee, one of the ELECTION, APRIL 2005. It had 23 numbered unsung heroes of the Elizabethan Renaissance. -
Going Greek Auction Action Sea Food
THE GRISTLE, P.06 + BOTTOMS UP, P.12 + FILM SHORTS, P.20 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT SURROUNDING AREAS 06-19-2019* • ISSUE:* 25 • V.14 AUCTION ACTION GOING GREEK VAN GOGH FOR SYLVIA CENTER’S THE YOUTH SUMMER REP P.14 P.13 SEA FOOD DINNER IN THE BAY P.26 Summer Solstice Music Festival P.16 A brief overview of this GET OUT 26 Longest Day 10K: 7pm, Fairhaven Village Green FOOD week’s happenings FOOD THISWEEK Ferndale Farmers Market: 2pm-6pm, LaBounty Drive 21 Bright Night Market: 5pm-11pm, Aslan Depot SATURDAY [06.22.19] B-BOARD ONSTAGE Visiting Mr. Green: 2pm Bellingham Theatre Guild 20 Briseis: 7:30pm, Maritime Heritage Park Nunsense: 7:30pm, Bellingham Theatre Guild FILM Writer’s Block: 7:30pm, Upfront Theatre James and the Giant Peach: 7:30pm, Anacortes Community Theatre 16 All are welcome PainProv: 9:30pm, Upfront Theatre MUSIC when the DANCE Bellingham Stepsisters, a Dance Story: 2pm and 7pm, Sylvia 14 Center Rubies: 7pm, Mount Baker Theatre ART Roller Betties An Evening of Belly Dance: 7pm, Firehouse Arts host a semifinal & Events Center 13 On Trend: 7pm, McIntyre Hall roller derby bout STAGE FILM Sat., June 22 Dudestock: 7pm, Lincoln Theatre, Mount Vernon Ferris Bueller’s Day Off: Dusk, Fairhaven Village 12 at the Whatcom Green Community College COMMUNITY GET OUT Green Home Tour: 10am-5pm, seven locales Pavilion. throughout Whatcom County 10 GET OUT Padden Triathlon: 8am, Lake Padden Park March Point Run: 9am, Andeavor Refinery, WORDS Anacortes NICK SADIGH PHOTOGRAPHY SADIGH NICK Rose Festival: 9am-4pm, Christianson’s Nursery, 8 Mount Vernon WEDNESDAY [06.19.19] Fun Fly Kite Day: 10am-4pm, Marine Park, Blaine Roller Betties: 5pm, Whatcom Community College CURRENTS ONSTAGE Pavilion Bard on the Beach: Through September, Vanier Park, 6 Vancouver B.C. -
Julius Caesar
BAM 2013 Winter/Spring Season Brooklyn Academy of Music BAM, the Royal Shakespeare Company, Alan H. Fishman, and The Ohio State University present Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Julius Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Caesar Executive Producer Royal Shakespeare Company By William Shakespeare BAM Harvey Theater Apr 10—13, 16—20 & 23—27 at 7:30pm Apr 13, 20 & 27 at 2pm; Apr 14, 21 & 28 at 3pm Approximate running time: two hours and 40 minutes, including one intermission Directed by Gregory Doran Designed by Michael Vale Lighting designed by Vince Herbert Music by Akintayo Akinbode Sound designed by Jonathan Ruddick BAM 2013 Winter/Spring Season sponsor: Movement by Diane Alison-Mitchell Fights by Kev McCurdy Associate director Gbolahan Obisesan BAM 2013 Theater Sponsor Julius Caesar was made possible by a generous gift from Frederick Iseman The first performance of this production took place on May 28, 2012 at the Royal Shakespeare Theatre, Leadership support provided by The Peter Jay Stratford-upon-Avon. Sharp Foundation, Betsy & Ed Cohen / Arete Foundation, and the Hutchins Family Foundation The Royal Shakespeare Company in America is Major support for theater at BAM: presented in collaboration with The Ohio State University. The Corinthian Foundation The Gladys Krieble Delmas Foundation Stephanie & Timothy Ingrassia Donald R. Mullen, Jr. The Fan Fox & Leslie R. Samuels Foundation, Inc. Post-Show Talk: Members of the Royal Shakespeare Company The Morris and Alma Schapiro Fund Friday, April 26. Free to same day ticket holders The SHS Foundation The Shubert Foundation, Inc. -
Making Speech-Matter: Recurring Mediations in Sound Poetics and Its Contemporary Practice
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice http://bbktheses.da.ulcc.ac.uk/35/ Version: Full Version Citation: Pester, Holly (2013) Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice. PhD thesis, Birkbeck, University of London. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email 1 Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice Holly Pester Birkbeck, University of London PhD 2013 2 I, Holly Pester, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ---------------------------------------------- 3 Abstract This thesis produces a critical and creative space for new forms of sound poetics. Through a reflective process combining theoretical research and poetic practice – performances, text-scores and installations – the thesis tests the contemporary terms of intermedial poetics and sound poetry, establishing a conceptual terminology for speech-matter. Beginning with a study of 1960s sound poet Henri Chopin and his relation to the tape machine, I argue that this technological mediation was based on a poetics of analogue sound hinged on bodily engagement. Social and physical properties of the tape machine contribute to a mode of practice that negotiates the body, machine, and effort. Exploring Michel Serres’s concept of parasitic noise and the relation of interference to lyric appeal, via the work of Denise Riley and Hannah Weiner, I understand sound poetics as a product of lyrically active noise. -
Mask and Persona: Creating the Bard for Bardcom
Persona Studies 2019, vol. 5, no. 2 MASK AND PERSONA: CREATING THE BARD FOR BARDCOM PETER HOLLAND ABSTRACT This article explores a number of perspectives on the creation of very different Shakespeares as personas by first examining the celebration of the 400th anniversary of his death in Stratford-upon-Avon in April 2016 and Shake, Mr Shakespeare, a remarkable Roy Mack 1936 Warner Brothers short. From there it moves on to consider the brief appearance of Shakespeare in the time-travel comedy Blackadder: Back and Forth, in ‘The Shakespeare Code’ episode of Doctor Who and in the off-Broadway musical Something Rotten!, before examining the work of Ben Elton in his screenplay for All Is True and in the seemingly unlikely success of Upstart Crow, the BBC sitcom with Shakespeare as the lead character, which has so far completed three six-episode series and three Christmas specials. The article is concerned with the multiple masks of the sequence of personas that create these Shakespeares, from Shakespeare as perhaps the epitome of the celebrity author to Shakespeare as a sitcom Dad. KEY WORDS Shakespeare, Mask, Celebrity, Comedy, Sitcom, Afterlife WHERE ISS SHAKESPEARE? In Act 2 of Emlyn Williams’ The Corn is Green (1938), a semi-autobiographical narrative of how education saved a bright Welsh boy from the mines and sent him to Oxford University, the end of a class in Miss Moffat’s new school leaves behind on stage Old Tom, “an elderly, distinguished- looking, grey-bearded peasant” (Williams 1995, p. 34), and Miss Ronberry, now one of Miss Moffat’s teachers. -
Danielle De Niese Performs a Valentine's Day
Shropshire Cover February 2019.qxp_Shropshire Cover 21/01/2019 16:41 Page 1 KEVIN CLIFTON ROCKS IT! Your FREE essential entertainment guide for the Midlands INTERVIEW INSIDE... SHROPSHIRE WHAT’S ON FEBRUARY 2019 ON FEBRUARY WHAT’S SHROPSHIRE Shropshire ISSUE 398 FEBRUARY 2019 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On shropshirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide A BRAVE FACE Vamos’ full-mask production tackles post-traumatic stress TWITTER: @WHATSONSHROPS TWITTER: SILJE NERGAARD bestselling jazz artist at Henry Tudor House FACEBOOK: @WHATSONSHROPSHIRE OUT OF THIS WORLD explore the night sky at Enginuity’s pop-up planetarium SHROPSHIREWHATSON.CO.UK BRB Beauty And The Beast Full Feb 2019.qxp_Layout 1 21/01/2019 17:26 Page 1 Contents February Wolves/Shrops/Staffs.qxp_Layout 1 21/01/2019 12:50 Page 2 February 2019 Contents It’s A Hard Knock Life - Annie The Musical returns to Wolverhampton Grand Theatre... page 24 Kevin Clifton Jasmin Vardimon Cooking up a storm the list rocking it at Stoke-on-Trent’s dance company explore the ‘bostin’ fittle’ aplenty at the Your 16-page Regent Theatre feminine symbol of Medusa Black Country Living Museum week-by-week listings guide feature page 8 page 33 page 49 page 51 inside: 4. First Word 11. Food 15. Music 20. Comedy 24. Theatre 35. Film 38. Visual Arts 43. Events @whatsonwolves @whatsonstaffs @whatsonshrops Wolverhampton What’s On Magazine Staffordshire What’s On Magazine Shropshire -
The Absence of America on the Early Modern Stage by Gavin R. Hollis A
The Absence of America on the Early Modern Stage by Gavin R. Hollis A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in The University of Michigan 2008 Doctoral Committee: Professor Valerie J. Traub, Chair Professor Michael C. Schoenfeldt Associate Professor Susan M. Juster Associate Professor Susan Scott Parrish © Gavin Hollis 2008 To my parents ii Acknowledgements In an episode of The Simpsons, Marge urges Bart not to make fun of graduate students because “they’ve just made a terrible life choice.” This may be true, but one of the many advantages of this “life choice” is that I have met, been inspired by, and become firm friends with an array of people on both sides of the pond. The first debt I owe is to my advisors at the University of Michigan, who have seen this project through its many stages of confusion and incoherence. Mike Schoenfeldt, Scotti Parrish, and Sue Juster have been supportive, critical, rigorous, inventive, and excellent company. My biggest debt of gratitude is owed however to Valerie Traub, the chair of my dissertation committee, whose influence on this project and has been, and I hope will continue to be, immense. I’m also indebted to faculty at Trinity Hall, Cambridge and at The Shakespeare Institute who have shaped me as a scholar before I made it these shores. I am especially grateful to Peter Holland, who, it is no exaggeration to say, taught me how to read Shakespeare. Thank you also to John Jowett, Drew Milne, and John Lennard. -
Download the 2015 Programme
LEDBURY POETRY FESTIVAL 2O15 03–12 July 2015 Programme poetry-festival.co.uk @ledburyfest Ledbury Poetry Festival 3 -12 July 2015 Thank you to all the generous and enthusiastic people who give their time and energy to making the Festival the jam-packed, fun-filled, world-class poetry event that it is. Thank you to all our volunteers who help with administration, stewarding, hospitality, accommodation, driving and much more. Thanks also to all our sponsors and supporters. This Festival grew out of its community and it remains a community celebration. Community Programme Poets Brenda Read Brown and Sara-Jane Arbury work all year round with people who may never be able to attend a Festival event, who have never attempted creative writing before, or have never taken part in any cultural activity. The impact this work can have is astounding. The Community Programme reaches out to people facing social exclusion due to physical or mental health issues, disability or learning challenges and engages them in life-affirming ways with poetry and the creative process. See the Mary and Joe event on Sunday 12th July. Recent projects have included poetry writing in doctors’ surgeries and hospital waiting rooms, and with vulnerable women at a women’s shelter. Opportunities for self-expression in these communities are hugely rewarding for all involved. “You’ve woken something up in me!” said one participant. This is only possible due to funding from the Esmée Fairbairn Foundation, Garfield Weston Foundation, Herefordshire Community Foundation and Sylvia Adams Charitable Trust. Poets in Schools All year round the Festival sends skilled and experienced poets into schools across Herefordshire to enable pupils to read, write and thoroughly enjoy poetry. -
Descriptive Video Service Supplement: 2020
Descriptive Video Service Supplement: 2020 Large Print Edition: Published May 2020 library.sd.gov/BTB Braille and Talking Book Library Descriptive Video Service The Braille and Talking Book Library is pleased to offer the DVD/Blu-ray collection to our patrons. Borrow great blockbuster videos from the South Dakota Braille and Talking Book Library! These videos are especially for the enjoyment of people who are blind or visually impaired. The videos carefully describe the visual elements of a movie—action, characters, locations, costumes, and sets—without interfering with the video dialogue or sound effects. Borrowers must be registered and active patrons in good standing with the Braille and Talking Book Library. All borrowers must complete a Descriptive Video Registration Form. Patrons may borrow two descriptive video titles at a time. Patrons may not check out another descriptive video title until the currently checked out title is returned to the library. The loan period is 2 weeks. There will be no renewals. Videos may be requested in the same way you request books: in person, by telephone, by email or by mail. There is no limit to the number of requests patrons may place on file for future loan. The first available descriptive video on a borrower's request list will be sent automatically each time a title is returned. Descriptive video titles should be mailed back to the Braille and Talking Book Library after viewing by turning over the mailing card so the Library's address is facing up. Videos may be mailed free of charge. "Free Matter for the Blind" is printed on each container's mailing card. -
SAVU, LAURA E., Ph.D. Postmortem Postmodernists: Authorship and Cultural Revisionism in Late Twentieth-Century Narrative. (2006) Directed by Dr
SAVU, LAURA E., Ph.D. Postmortem Postmodernists: Authorship and Cultural Revisionism in Late Twentieth-Century Narrative. (2006) Directed by Dr. Keith Cushman. 331 pp The past three decades have witnessed an explosion of narratives in which the literary greats are brought back to life, reanimated and bodied forth in new textual bodies. In the works herein examined—Penelope Fitzgerald’s The Blue Flower, Peter Ackroyd’s The Last Testament of Oscar Wilde and Chatterton, Peter Carey’s Jack Maggs, Michael Cunningham’s The Hours, Colm Toíbín’s The Master, and Geoff Dyer’s Out of Sheer Rage: Wrestling with D.H. Lawrence—the obsession with biography spills over into fiction, the past blends with the present, history with imagination. Thus they articulate, reflect on, and can be read through postmodern concerns about language and representation, authorship and creativity, narrative and history, rewriting and the posthumous. As I argue, late twentieth-century fiction “postmodernizes” romantic and modern authors not only to understand them better, but also to understand itself in relation to a past (literary tradition, aesthetic paradigms, cultural formations, etc.) that has not really passed. More specifically, these works project a postmodern understanding of the author as a historically and culturally contingent subjectivity constructed along the lines of gender, sexual orientation, class, and nationality. The immediate implications of my argument are twofold, and they emerge as the common threads linking the chapters that make up this study. First, to make a case for the return of the author into the contemporary literary space is to acknowledge that the postmodern, its antihumanist bias notwithstanding, does not discount the human. -
The Importance of the Poetry Book in the Digital
The Importance Of The Poetry Book In The Digital Age How Far Digital Technology Has Influenced Contemporary Poetry And The Status Of The Poetry Book & The Birth of Romance A Poetry Collection A thesis submitted for the degree of Doctor of Philosophy in Creative Writing at the University of Birmingham by Philip Monks Submitted 27th September 2017 This corrected version 1st March 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT An examination through the creation and curation of a printed poetry collection, together with other practice-based and wider research, of how far digital technology has influenced contemporary poetry and the status of the poetry book. Personal practice is considered and analysed and, from this, and research leading out from this, a more general survey provided of the impact of digital technology on the poet’s persona, the creation of the poems themselves and on their dissemination. These wider issues, and the practice-based research that underlies them, inform the specific consideration of the extent to which digital technology has affected the nature and importance of the single collection poetry book in the early part of the twenty-first century. -
Summer 2012 Greenstage Program
go see a play www.GreenStage.org 24th Season of FREE SHAKESPEARE in the ParK directed by Marc “Mok” Moser HENRY FREE VIII theatre! directed by Teresa Thuman JULY 13 – AUGUST 18 Seattle | Lynnwood | Redmond Fall City | Bainbridge Island | Burien SPONSORS MEDIA SPONSOR Seattle Office of 2012 SEASON FREE CONCERTS Thursdays at Noon REDMOND CITY HALL LAWN July 19 Talavya July 26 Mark DuFresne Aug 2 Clinton Fearon & Boogie Brown Band Aug 9 Sambatuque Aug 16 Carlos Cascante y su Tumbao w/ Free Dance Lesson! Aug 23 Kafana Republik Redmond.gov/ARTS (425) 556-2300 Redmond Parks & Recreation Department & Redmond Arts Commission page 2 2012 SEASON Welcome to 2012 Shakespeare in the Park! A note from the Artistic Director You are here, our cast is complete. Welcome. It is through the continued grace of others that we are still here: authors and artists who create these productions When I started thinking of these two plays as a pair, The and YOU – if not for you we would not be. Please take a Taming of the Shrew and HenryVIII, I was unsure how moment and look around you, at this beautiful park and people would respond to the pairing. There are many community of souls that have come together to create this preconceptions of Henry VIII, perhaps more of the man moment – this singular moment that we share. himself than the play; and Shrew has no shortage of preconception attached to it either. The more these plays It is your grace that supports us and we are humbled by it. tumbled about my consciousness the more they seemed to Thank you.