Visiting Artists and Academics Petition
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Sturm Und Drang : JONAS BURGERT at BLAIN SOUTHERN GALLERY DAFYDD JONES : JONAS BURGERT at JONAS BURGERT I BERLIN
FREE 16 HOT & COOL ART : JONAS BURGERT AT BLAIN SOUTHERN GALLERY : JONAS BURGERT AT Sturm und Drang DAFYDD JONES JONAS BURGERT I BERLIN STATE 11 www.state-media.com 1 THE ARCHERS OF LIGHT 8 JAN - 12 FEB 2015 ALBERTO BIASI | WALDEMAR CORDEIRO | CARLOS CRUZ-DÍEZ | ALMIR MAVIGNIER FRANÇOIS MORELLET | TURI SIMETI | LUIS TOMASELLO | NANDA VIGO Luis Tomasello (b. 1915 La Plata, Argentina - d. 2014 Paris, France) Atmosphère chromoplastique N.1016, 2012, Acrylic on wood, 50 x 50 x 7 cm, 19 5/8 x 19 5/8 x 2 3/4 inches THE MAYOR GALLERY FORTHCOMING: 21 CORK STREET, FIRST FLOOR, LONDON W1S 3LZ CAREL VISSER, 18 FEB - 10 APR 2015 TEL: +44 (0) 20 7734 3558 FAX: +44 (0) 20 7494 1377 [email protected] www.mayorgallery.com JAN_AD(STATE).indd 1 03/12/2014 10:44 WiderbergAd.State3.awk.indd 1 09/12/2014 13:19 rosenfeld porcini 6th febraury - 21st march 2015 Ali BAnisAdr 11 February – 21 March 2015 4 Hanover Square London, W1S 1BP Monday – Friday: 10.00 – 18.00 Saturday: 10.00 – 17.0 0 www.blainsouthern.com +44 (0)207 493 4492 >> DIARY NOTES COVER IMAGE ALL THE FUN OF THE FAIR IT IS A FACT that the creeping stereotyped by the Wall Street hedge-fund supremo or Dafydd Jones dominance of the art fair in media tycoon, is time-poor and no scholar of art history Jonas Burgert, 2014 the business of trading art and outside of auction records. The art fair is essentially a Photographed at Blain|Southern artists is becoming a hot issue. -
Introducing the 10 Shortlisted Ghetto Film School Fellows for the Inaugural Deutsche Bank Frieze Los Angeles Film Award 2020
Frieze Los Angeles Press Release December 19, 2019 Introducing the 10 Shortlisted Ghetto Film School Fellows for the Inaugural Deutsche Bank Frieze Los Angeles Film Award 2020 Today Frieze and Deutsche Bank announce the ten shortlisted fellows that will headline the inaugural Deutsche Bank Frieze Los Angeles Film Award. Presented in partnership with award-winning, non-profit film academy Ghetto Film School (GFS), the initiative offers a platform and development program for ten emerging, Los Angeles-based filmmakers aged 20-34 years old. Frieze Los Angeles takes place February 14 – 16, 2020 at Paramount Pictures Studios in Hollywood. Launched in 2019, Frieze Los Angeles brings together more than 70 galleries from around the world and is supported by global lead partner Deutsche Bank for the second consecutive year. The ten shortlisted fellows are as follows: Danielle Boyd, Mya Dodson, Michelle Jihyon Kim, Nabeer Khan, Silvia Lara, Alima Lee, Timothy Offor, Toryn Seabrooks, Noah Sellman and Nicole L. Thompson. The recipient of the award, selected by a jury of leading art and entertainment figures including Doug Aitken, Shari Frilot, Jeremy Kagan, Sam Taylor Johnson and Hamza Walker will be announced at a ceremony on February 13 at Paramount Pictures Theatre and receive a $10,000 prize. Selected from an open call throughout Los Angeles, the ten shortlisted fellows completed an intensive three-month program at GFS each producing a short film in response to Los Angeles’ vibrant art, culture and social landscape. The resulting 10 short films will be screened at the Paramount Pictures Theatre throughout the fair, February 14-16, 2020. -
Damien Hirst E Il Mercato Dell'arte Contemporanea: La Carriera Di Un Young British Artist
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Economia e Gestione delle Arti e delle attività culturali Tesi di Laurea DAMIEN HIRST E IL MERCATO DELL'ARTE CONTEMPORANEA: LA CARRIERA DI UN YOUNG BRITISH ARTIST Relatore Prof. Stefania Portinari Laureanda Martina Pellizzer Matricola 816581 Anno Accademico 2012 / 2013 1 INDICE INTRODUZIONE p. 3 CAPITOLO 1 ALCUNE RIFLESSIONI SUL MERCATO DELL'ARTE CONTEMPORANEA: ISTITUZIONI E STRUTTURE DI PROMOZIONE E VENDITA 1 L'Evoluzione del sistema delle gallerie e della figura del gallerista p. 3 2. Il ruolo dei musei p. 19 3 Il ruolo dei collezionisti p. 28 4 Le case d'asta p. 36 CAPITOLO 2 DAMIEN HIRST: DA A THOUSAND YEARS (1990) A FOR THE LOVE OF GOD (2007) 1 Il sistema dell'arte inglese negli anni Novanta: gli Young British Artist …........p. 41 2 Damien Hirst una carriera in ascesa, da “Frezze” alla retrospettiva presso la Tate Modern p. 47 3 I galleristi di Damien Hirst p. 67 CAPITOLO 3 IL RUOLO DEL MERCATO DELL'ARTE NELLA CARRIERA DI DAMIEN HIRST 1 L'asta di Sotheby's: “Beautiful inside my head forever” p. 78 2 Rapporto tra esposizione e valore delle opere dal 2009 al 2012..............................p. 97 CONCLUSIONI p. 117 APPENDICE p. 120 BIBLIOGRAFIA p. 137 2 INTRODUZIONE Questa tesi di laurea magistrale si pone come obiettivo di analizzare la carriera dell'artista inglese Damien Hirst mettendo in evidenza il ruolo che il mercato dell'arte ha avuto nella sua carriera. Il primo capitolo, dal titolo “Alcuni riflessioni sul mercato dell'arte contemporanea”, propone una breve disanima sul funzionamento del mercato dell'arte contemporanea, analizzando in particolar modo il ruolo di collezionisti, galleristi, istituzioni museali e case d'asta, tutti soggetti in grado di influenzare notevolmente la carriera di un artista, anche se in maniera differente. -
Art REVOLUTIONARIES Six Years Ago, Two Formidable, Fashionable Women Launched a New Enterprise
Art rEVOLUtIONArIES SIx yEArS AgO, twO fOrmIdAbLE, fAShIONAbLE wOmEN LAUNchEd A NEw ENtErprISE. thEIr mISSION wAS tO trANSfOrm thE wAy wE SUppOrt thE ArtS. thEIr OUtSEt/ frIEzE Art fAIr fUNd brOUght tOgEthEr pAtrONS, gALLErIStS, cUrAtOrS, thE wOrLd’S grEAtESt cONtEmpOrAry Art fAIr ANd thE tAtE IN A whIrLwINd Of fUNdrAISINg, tOUrS ANd pArtIES, thE LIkES Of whIch hAd NEVEr bEEN SEEN bEfOrE. hErE, fOr thE fIrSt tImE, IS thEIr INSIdE StOry. just a decade ago, the support mechanism for young artists in Britain was across the globe, and purchase it for the Tate collection, with the Outset funds. almost non-existent. Government funding for purchases of contemporary art It was a winner all round. Artists who might never have been recognised had all but dried up. There was a handful of collectors but a paucity of by the Tate were suddenly propelled into recognition; the national collection patronage. Moreover, patronage was often an unrewarding experience, both acquired work it would never otherwise have afforded. for the donor and for the recipient institution. Mechanisms were brittle and But the masterstroke of founders Gertler and Peel was that they made it old-fashioned. Artists were caught in the middle. all fun. Patrons were whisked on tours of galleries around the world or to Then two bright, brisk women – Candida Gertler and Yana Peel – marched drink champagne with artists; galleries were persuaded to hold parties into the picture. They knew about art; they had broad social contacts across a featuring collections of work including those by (gasp) artists tied to other new generation of young wealthy; and they had a plan. -
Lucy Sparrow Photo: Dafydd Jones 18 Hot &Coolart
FREE 18 HOT & COOL ART YOU NEVER FELT LUCY SPARROW LIKE THIS BEFORE DAFYDD JONES PHOTO: LUCY SPARROW GALLERIES ONE, TWO & THREE THE FUTURE CAN WAIT OCT LONDON’S NEW WAVE ARTISTS PROGRAMME curated by Zavier Ellis & Simon Rumley 13 – 17 OCT - VIP PREVIEW 12 OCT 6 - 9pm GALLERY ONE PETER DENCH DENCH DOES DALLAS 20 OCT - 7 NOV GALLERY TWO MARGUERITE HORNER CARS AND STREETS 20 - 30 OCT GALLERY ONE RUSSELL BAKER ICE 10 NOV – 22 DEC GALLERY TWO NEIL LIBBERT UNSEEN PORTRAITS 1958-1998 10 NOV – 22 DEC A NEW NOT-FOR-PROFIT LONDON EXHIBITION PLATFORM SUPPORTING THE FUSION OF ART, PHOTOGRAPHY & CULTURE Art Bermondsey Project Space, 183-185 Bermondsey Street London SE1 3UW Telephone 0203 441 5858 Email [email protected] MODERN BRITISH & CONTEMPORARY ART 20—24 January 2016 Business Design Centre Islington, London N1 Book Tickets londonartfair.co.uk F22_Artwork_FINAL.indd 1 09/09/2015 15:11 THE MAYOR GALLERY FORTHCOMING 21 CORK STREET, FIRST FLOOR, LONDON W1S 3LZ TEL: +44 (0) 20 7734 3558 FAX: +44 (0) 20 7494 1377 [email protected] www.mayorgallery.com EXHIBITIONS WIFREDO ARCAY CUBAN STRUCTURES THE MAYOR GALLERY 13 OCT - 20 NOV Wifredo Arcay (b. 1925, Cuba - d. 1997, France) “ETNAIRAV” 1959 Latex paint on plywood relief 90 x 82 x 8 cm 35 1/2 x 32 1/4 x 3 1/8 inches WOJCIECH FANGOR WORKS FROM THE 1960s FRIEZE MASTERS, D12 14 - 18 OCT Wojciech Fangor (b.1922, Poland) No. 15 1963 Oil on canvas 99 x 99 cm 39 x 39 inches STATE_OCT15.indd 1 03/09/2015 15:55 CAPTURED BY DAFYDD JONES i SPY [email protected] EWAN MCGREGOR EVE MAVRAKIS & Friend NICK LAIRD ZADIE SMITH GRAHAM NORTON ELENA SHCHUKINA ALESSANDRO GRASSINI-GRIMALDI SILVIA BRUTTINI VANESSA ARELLE YINKA SHONIBARE NIMROD KAMER HENRY HUDSON PHILIP COLBERT SANTA PASTERA IZABELLA ANDERSSON POPPY DELEVIGNE ALEXA CHUNG EMILIA FOX KARINA BURMAN SOPHIE DAHL LYNETTE YIADOM-BOAKYE CHIWETEL EJIOFOR EVGENY LEBEDEV MARC QUINN KENSINGTON GARDENS Serpentine Gallery summer party co-hosted by Christopher Kane. -
Iipsgp Summer 2005 Newsletter
INTERNATIONAL INSTITUTE FOR PEACE STUDIES AND GLOBAL PHILOSOPHY Rhos y Gallt, Llanerfyl, Near Welshpool, Powys, Wales, SY21 OER Tel/Fax: 01938 820586 website: www.educationaid.net email: [email protected] Director, Thomas Clough Daffern B.A. (Hons) D.Sc. (Hon) PGCE email: [email protected] Tel. 01938 820586 Mobile: (m) 07960 971620 Secretary General, Mary Napper White (B.A. Hons.) 01939 233834 email: [email protected] Treasurer: Jenny Wheatcroft B.A. (Hons.) Tel. 00 64 4 2932987Email: [email protected] IIPSGP SUMMER 2005 NEWSLETTER 1. IIPSGP PARLIAMENTARY WORK: The interested in coming, either to present a talk, or developing All Party Parliamentary Group For simply to listen in, please contact: International Peace And Conflict Resolution will hopefully be Institute for Peace Studies and Global Philosophy, restarting its work now that a new UK parliament Rhos Gallt, Llanerfyl, Powys, Wales, SY21 OER, has been elected, with an expected meeting in Tel. 01938 820586 email: [email protected] parliament to take place in November 2005. Further details to IIPGSP members and associates once the 3. 2005 GENERAL ELECTION U.K.: A paper date has been finalised. from IIPSGP Director was issued in the run up to the general election, in the form of an election 2. DR. JOHN DEE (1527-1608) SYMPOSIUM – response document, entitled: A GARLAND OF JULY 16, 2005: This special event is being IDEAS: A PHILOSOPHICAL CONTRIBUTION organised by IIPSGP to commemorate the life and TO THE DEBATES IN THE BRITISH work and influence of Dr John Dee, one of the ELECTION, APRIL 2005. It had 23 numbered unsung heroes of the Elizabethan Renaissance. -
Making Speech-Matter: Recurring Mediations in Sound Poetics and Its Contemporary Practice
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice http://bbktheses.da.ulcc.ac.uk/35/ Version: Full Version Citation: Pester, Holly (2013) Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice. PhD thesis, Birkbeck, University of London. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email 1 Making Speech-Matter: Recurring Mediations in Sound Poetics and its Contemporary Practice Holly Pester Birkbeck, University of London PhD 2013 2 I, Holly Pester, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ---------------------------------------------- 3 Abstract This thesis produces a critical and creative space for new forms of sound poetics. Through a reflective process combining theoretical research and poetic practice – performances, text-scores and installations – the thesis tests the contemporary terms of intermedial poetics and sound poetry, establishing a conceptual terminology for speech-matter. Beginning with a study of 1960s sound poet Henri Chopin and his relation to the tape machine, I argue that this technological mediation was based on a poetics of analogue sound hinged on bodily engagement. Social and physical properties of the tape machine contribute to a mode of practice that negotiates the body, machine, and effort. Exploring Michel Serres’s concept of parasitic noise and the relation of interference to lyric appeal, via the work of Denise Riley and Hannah Weiner, I understand sound poetics as a product of lyrically active noise. -
Danskernes Kunstfavorit Den 13
KUNST : FRIEZE, LONDON Af grevinde Cath Alexandrine Danneskiold-Samsøe Danskernes kunstfavorit Den 13. udgave af udstillingen Frieze London og Frieze Masters trak over fire dage i oktober over 100.000 kunstinteresserede gæster, der dedikerede deres fulde ’Magdalena’ af Marlene opmærksomhed til udstillinger fra 164 gallerier fra 27 lande. Dumas, præsenteret ved Hauser & Wirth/Moretti Fine Art. FRIEZE blev etableret i 2003 af Matthew Slotover og Amanda Sharp i London og er en af verdens vigtigste kunstbegivenheder inden for samtidskunst. Med sin høje kvalitet af kunstpræsenta- tioner og en ’overkommelig’ størrelse er Frieze relevant for både den trænede connaisseurs øje og for ’nybegyndere’ – dem, der endnu ikke har den store indsigt i den krævende kunstverden. Det er tydeligt, at der her ses flere skandinaviske gæster end ved eksempelvis Art Basel. Årets program bød på flere bogsigneringer, art-talks og film, og som noget helt nyt bød Frieze på ’galleries rehangs’, som gav gallerierne mulighed for at skifte udstillinger og på den måde tilbyde det kunstinteresserede publikum en ny oplevelse hver eneste dag. ’Asylum’ – ’The Collectors’ Tre hovedsektioner -standen var dedikeret til ’Frieze Sculpture Park’ åbnede med en udstilling, som i øvrigt Jean Dubuffet og præsenteret vises frem til den 17. januar 2016. Ud over Frieze Masters, som ved galleriet Helly Nahmad. var placeret 12 minutters gang væk, bestod Frieze London 2015 af tre hovedsektioner: ’the main section’, ’Focus’ og ’Live’. ’The main section’ præsenterede udstillinger i regi af kom- mercielle gallerier, både de veletablerede og helt nye, og bød på et varieret program af internationale kunstnere. ’Focus’ var dedikeret til unge gallerier og fremhævede kon- ceptuelle præsentationer af spirende talenter, enten i form af solo- eller gruppeudstillinger baseret på et udvalgt tema. -
The Next Gen Art Collectors 2021
COLLECTORS 1 THE NEXT COLLECTORS REPORT 2021 3 LARRY’S LIST is pleased to present The Next Gen that have not yet been acknowledged or made visible For us, size wasn’t a main consideration. Indeed, not a blue-chip artist will most likely generate more “likes” FOREWORDArt Collectors Report. Here, we continue our mission on a global scale. We want to share their stories and everyone listed has a large collection; charmingly, the than an unknown artist in an equally brilliant interior of monitoring global happenings, developments and thoughts. Next Gen often have collections in the making. The setting. But we still try to balance it and set aside any trends in the art world—particularly in the contemporary We also consider LARRY’S LIST as a guide and tool process is a development that happens over years care about the algorithm. art collector field—by looking extensively at the next for practitioners. We share and name collectors, those and so a mid-20-year-old collector may not yet be at generation of young art collectors on the scene. Over people who are buying art and contributing to the the same stage in their collection as someone in their Final words the past few months, we have investigated and profiled art scene. The Next Gen Art Collectors Report is a late 30s. I would like to express my gratitude to all the collectors these collectors, answering the questions central to this resource for artists, galleries, dealers, a general art- The end result of our efforts is this report listing over we exchanged with in the preparation of this report topic: Who are these collectors founding the next art interested audience and, of course, peer collectors. -