Filmography Star Films Amitabhbachchan

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Filmography Star Films AmitabhBachchan Dil Jo Bhi Kahein Rahul Roy Aashiqui, Junoon Aamir Khan Hum Hain Rahi Pyaar Ke, Rangeela, Akele Hum AkeleTum, Pyaar ka Jashn (Music Video with Gauri Karnik) Manisha Koirala Bombay, 1942 A Love Story, Khamoshi, Abhay, Moksha, Company, Escape from Talibaan, Chahat EkNasha Akshaye Khanna Himalyputra, Mohabbat, Laawaris, Taal Sushmita Sen Biwi No. 1, Do Not Disturb Raveena Tandon Ghulam-e-Mustafa Nana Patekar Agnisakshi, Ghulam-e-Mustafa, Hum Dono, Krantiveer Arjun Rampal Moksha, Deewanapan, Dil Hain Tumhara, Aankhen Manoj Bajpai Satya, Road, Shool Saif Ali Khan Rehna Hain Tere Dil Mein, Na Tum Jaano Na Hum, Love Ke Liye Kucch Bhi Karega, Darna Mana Hain, EkHaseena Thi, Hum Tum, Omkara Fardeen Khan Jungle, Pyaar Tu Ne Kya Kiya, Om Jai Jagadish, Khushi, Bhoot, Jaanasheen, Dev, Fida, No Entry, Shaadi No.1, Ek Khiladi Ek Haseena, Pyaare Mohan, Just Married, Darling, Heyy Baby, Life Partner, Jai Veeru Esha Deol Darling, 123 Madhavan Dil Vil Pyaar Vyaar, Deal Ya No Deal (Sony Ent. TV) Vivek Oberoi Saathiyaa, Dum, Road, Darna Mana Hain, PyaareMohan RiteishDeshmukh Kya Kool Hain Hum, Heyy Baby Priyanshu Aap Ko Pehle Bhi Kahin Dekha Hain, Dil Ka Rishta Zayed Khan Shabd, Vaada, Dus, Tez, Desi Magic Adnaan Sami Teri Yaad, Kisi Din, Kabhi Nahin (Music Videos), BolBaby Bol (TV Show) ShatrughanSinha Great Indian Laughter Challenge 4 Anil Kapoor Chocolate Tanushri Dutta Chocolate Sushma Reddy Chocolate Upen Patel 36 China Town Govinda Bhagam Bhag, Life Partner, Do Knot Disturb Entire Cast Kya Kool Hain Hum Entire Cast Sirf Kunal Khemu Jai Veeru Entire Male Cast Singh is King Entire Cast Victory Entire Male Cast Acid Factory Entire Cast Do Not Disturb Fardeen Khan All The Best Mughda Godse All The Best Entire Male Cast Dulha Mil Gaya Akash Sagar Rabba Main Kya Karoon Entire Cast Sarbjit Entire Cast Ganglords of 1985 Entire Cast Boy in Bollywood Entire Male Cast Xpose Entire Cast Ishq Forever Entire Cast Jamai Raja – Zee TV Series Entire Cast Sindbad - Zee TV Series SonalVengurlekar Yeh Vaada Raha - Zee TV Series Ankush Arora Yeh Vaada Raha - Zee TV Series Entire Cast Yeh Un Dino Ki Baat Hai – Sony TV Series Entire Cast Love Sonia Entire Cast Aksar2 Entire Cast Dilsita Entire Cast Genius In Process Torbaaz (Entire Cast) .

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Page 01 Dec 24.Indd
WEDNESDAY 24 DECEMBER 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Japanese COMMUNITY reptile takes on • AMU Alumni observes founder’s birth anniversary Hollywood rival P | 4 P | 8-9 MARKETPLACE • AlFaisal Without Borders flies students to Beijing P | 5 ART AND CULTURE • Rome’s Maxxi art museum aims to build Cancer patients are paying private labs to breed mice that creativity out of crisis carry bits of their own tumours so treatments can be tried first on the customised rodents. The idea is to see which drugs might work best on a specific person’s specific P | 6 cancer. FOOD • Shawarma sizzles Indian city of Hyderabad P | 7 HEALTH • Medical tourism CANCER PATIENTS booms in Asia TURN TO RATS FOR P | 11 LEARN ARABIC • Learn commonly used Arabic words CURE and their meanings P | 13 2 PLUS | WEDNESDAY 24 DECEMBER 2014 COVER STORY Cancer patients testing drugs on mouse Charles Cook, manager of facilities and operations at Champions Oncology, opens a plastic cage containing mice carrying bits of a cancer patient’s tumour in a lab in Baltimore. By Marilyn Marchione hey are paying a private lab to breed mice that carry bits of their own tumours so treat- Tments can be tried first on the customised rodents. The idea is to see which drugs might work best on a specific person’s specific cancer. The mice may help patients make what can be very hard choices under difficult circumstances. Studies can suggest a certain chemotherapy may help, but patients wonder whether it will work for them.
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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
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DLD‰†‰KDLD‰†‰DLD‰†‰MDLD‰†‰C A class apart: It’s Item numbers: THE TIMES OF INDIA back to school for Yana Gupta Friday, November 28, 2003 Pamela Anderson eyes a century! Prisoners in love seek extended term Page 9 Page 10 A Danish judge has receiv- sentence as a way to spend ed requests from two pris- more time with each other. oners — a Scottish man and Why don’t they just get out Swedish woman — for exte- and get married? Both of nded prison ti- them are alrea- me. Both have dy married asked for two and also have extra months children. behind bars to ‘‘There is no help fight alco- way my wife holism. will agree to It was later this arrangem- discovered that the Scott ent,’’ says the Scot, Kenne- and Swede had fallen in lo- th Graham. Ironically, nei- ve while in prison and wan- ther prisoner was granted ted to use their extended a longer sentence. OF INDIA ENTERTAINMENT PLUS PRASHANT NAKWE Polls wheel in flashy cars ARUN KUMAR DAS possession of a Fiat in his poll papers; Vishwa Bandhu Times News Network Gupta, chief of the Congress’ publicity committee, is moving around in a Mercedes Benz; and Delhi health nce upon a time, life in the fast lane of netadom minister AK Walia is using a Tata Sumo for electionee- was all about the good ol’ Amby.However,for aaj ring purposes after returning the Ambassador official- Oka MLA on the campaign trail, nothing but the ly allocated to him. Walia, it may be mentioned, has not snazziest dream machine will do.
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Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp.
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Hindu-Muslim Relationship in Bollywood in Post 26/11: a Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3
Hindu-Muslim Relationship in Bollywood in post 26/11: A Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3 1. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran ([email protected]) 3. M. A. in Indian Studies, University of Tehran, Tehran, Iran ([email protected]) (Received: Jan. 2, 2019 Revised: Feb. 28, 2019 Accepted: Ma r. 28, 2019) Abstract This study investigates the representations of Hindu-Muslim relationship in Bollywood movies from 2008 to 2018. It is assumed that after 2008 Mumbai terrorist attacks, which are known as 26/11, conflicts between Hindus and Muslims have escalated. Since Indian people are extreme fans of movies, especially Bollywood movies, in this regard, it is expected that media could play a significant role in increasing or alleviating the conflicts by influencing people’s attitudes and opinions. This research seeks to examine the extent and modality of the representation of Hindu-Muslim relationships in Bollywood after the 2008 Mumbai attacks. The study was conducted through a content analysis of 11 Bollywood movies, which were selected from 70 Muslim-characters-based movies. Favorable, unfavorable, neutral and unclear were the four factors through which the movies’ contents were analyzed. The overall analysis of these factors indicate that 66.17% of the scenes were favorable, 14.70% were unfavorable, 2.94% were neutral, and 16.17% presented unclear images of Hindu-Muslim relationship in Bollywood movies.
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Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham..
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JAMMU | WEDNESDAY | APRIL 28, 2021 JB ENTERTAINMENT JAMMU BULLETIN 7 Aashka Goradia quits showbiz: ‘Would Dhanush film Jagame Thandhiram will rather call it moving on to a different phase’ start streaming on Netflix from this date hanush-starrer ashka Goradia has shocked did that when I took up acting two Jagame Thandhiram fans and television audience decades back, and I gave it my all. will be released on by deciding to quit acting to Right now, yes it’s a tough decision D A Netflix on June 18, the pursue her entrepreneurial dreams. and choices are always tough. I am not Having started her make-up brand a just walking away from a career I built streaming giant announced few years back, the actor wants to from the scratch but also the city, on Tuesday evening. Sharing focus on the same in a bid to take it to memories, relationships — I will miss a new poster of the movie in a new level. Calling it a ‘three year everything but I have always believed which a smiling Dhanush is plan’ as of now, Aashka however calls that you have to stride to make a mark seen sporting shades, Netflix it a ‘moving on’ decision rather than in your career,” she replied with a wrote, “Suruli oda aatatha ‘quitting’. The Maharana Pratap actor smile. paaka naanga ready! Neenga shared, “I don’t think you can give up And if you are wondering what ready ah? something that has been such an would Aashka Goradia miss the most, #JagameThandhiram coming important phase in your life.
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Persons – 2012
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H.C. Ganesiya Pt. Suresh Mishra Patron President Sanskriti Yuva Sanstha Sanskriti Yuva Sanstha
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