Colby Magazine Vol. 84, No. 3: August 1995
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eurovision Spotlight
EUROVISION SPOTLIGHT support from various age groups."er of Olexandr Ponomaryov, the artist Festival winners Fame are Magnuswho will sing Hasta La Vista for Backlund and Jessica Andersson, twoUkraine. "Yet they are very intrigued participants in reality TV series Famethat Ukraine will be taking part in a Factor-their Eurovision entry Give Europeanfestival,withallthe Me Your Love has already been num- European countries." Olexandr has ber one in Sweden. won the Ukraine's annual 'Singer of the Year' award seven times, released his SPAIN first album, From Dawn Until Dusk, in Dime 1996, and is now recording his fifth Beth (Vale Music) album for an autumn release on his Writers: Amaya Martinez & Jesus own label, Z Ranku Do Nochi, based in Ma. Perez Kiev. A single of Hasta La Vista has just Like last year, the Spanish entrantbeen issued. "Olexandr doesn't think comes from the TV series Operation there will be a new album titled `Hasta Triunfo. Beth came third in the realityLa Vista' because he sings primarily in show, but viewers were asked toUkranian and this [English -language] choosetheirfavouritesongfor song is one of a kind," says Yablonski. Eurovision from among compositions Hasta La Vista was written by Svicka performed by the final three contes-Pick and his ex-wife, Mirit Shem-Or. tants, and Beth's Dime (Vale Music)Pick won the 1998 Eurovision Song got the nod. Dime debuted at number Contest by composing the Israeli entry, one on the Spanish singles chart, andDiva, sung by Dana International. the album Otra Realidad entered the album chart in pole position, forcing CYPRUS Madonna's American Life to debut at Feeling Alive two. -
World Dog Show Leipzig 2017
WORLD DOG SHOW LEIPZIG 2017 09.-12. November 2017, Tag 1 in der Leipziger Messe Schirmherrin: Staatsministerin für Soziales und Verbraucherschutz Barbara Klepsch Patron: Minister of State for Social Affairs and Consumer Protection Barbara Klepsch IMPRESSUM / FLAG Veranstalter / Promoter: Verband für das Deutsche Hundewesen (VDH) e.V. Westfalendamm 174, 44141 Dortmund Telefon: (02 31) 5 65 00-0 Mo – Do 9.00 – 12.30/13.00 – 16.00 Uhr, Fr 9.00 – 12.30 Uhr Telefax: (02 31) 59 24 40 E-Mail: [email protected], Internet: www.vdh.de Chairmann/ Prof. Dr. Peter Friedrich Präsident der World Dog Show Secretary / Leif Kopernik Ausstellungsleitung Organization Commitee / VDH Service GmbH, Westfalendamm 174, 44141 Dortmund Organisation USt.-IdNr. DE 814257237 Amtsgericht Dortmund HRB 18593 Geschäftsführer: Leif Kopernik, Jörg Bartscherer TAGESEINTEILUNG / DAILY SCHEDULE DONNERSTAG, 09.11.2017 / THURSDAY, 09.11.2017 FCI-Gruppen: 4, 6, 7, 8 Gruppe 4/ Group 4: Teckel / Dachshunds Gruppe 6 / Group 6: Lauf- und Schweisshunde / Scent hounds and related breeds Gruppe 7/ Group 7: Vorstehhunde (Kontinentale-, Britische- und Irische-) / Pointing Dogs Gruppe 8 / Group 8: Apportier-, Stöber- und Wasserhunde / Retrievers - Flushing Dogs - Water Dogs TAGESABLAUF / DAILY ROUTINE 7.00 – 9.00 Uhr Einlass der Hunde / Entry for the Dogs 9.00 – 15.15 Uhr Bewertung der Hunde / Evaluation of the Dogs NOTICE: The World Winner 2017, World Junior Winner 2017 and the World Veteran Winner will get a Trophy. A Redelivery is not possible. HINWEIS: Die World Winner 2017, World Junior Winner 2017 und der World Veteranen Winner 2017 erhal- ten einen Pokal. Eine Nachlieferung ist nach der Veranstaltung nicht möglich. -
Pdf Liste Totale Des Chansons
40ú Comórtas Amhrán Eoraifíse 1995 Finale - Le samedi 13 mai 1995 à Dublin - Présenté par : Mary Kennedy Sama (Seule) 1 - Pologne par Justyna Steczkowska 15 points / 18e Auteur : Wojciech Waglewski / Compositeurs : Mateusz Pospiezalski, Wojciech Waglewski Dreamin' (Révant) 2 - Irlande par Eddie Friel 44 points / 14e Auteurs/Compositeurs : Richard Abott, Barry Woods Verliebt in dich (Amoureux de toi) 3 - Allemagne par Stone Und Stone 1 point / 23e Auteur/Compositeur : Cheyenne Stone Dvadeset i prvi vijek (Vingt-et-unième siècle) 4 - Bosnie-Herzégovine par Tavorin Popovic 14 points / 19e Auteurs/Compositeurs : Zlatan Fazlić, Sinan Alimanović Nocturne 5 - Norvège par Secret Garden 148 points / 1er Auteur : Petter Skavlan / Compositeur : Rolf Løvland Колыбельная для вулкана - Kolybelnaya dlya vulkana - (Berceuse pour un volcan) 6 - Russie par Philipp Kirkorov 17 points / 17e Auteur : Igor Bershadsky / Compositeur : Ilya Reznyk Núna (Maintenant) 7 - Islande par Bo Halldarsson 31 points / 15e Auteur : Jón Örn Marinósson / Compositeurs : Ed Welch, Björgvin Halldarsson Die welt dreht sich verkehrt (Le monde tourne sens dessus dessous) 8 - Autriche par Stella Jones 67 points / 13e Auteur/Compositeur : Micha Krausz Vuelve conmigo (Reviens vers moi) 9 - Espagne par Anabel Conde 119 points / 2e Auteur/Compositeur : José Maria Purón Sev ! (Aime !) 10 - Turquie par Arzu Ece 21 points / 16e Auteur : Zenep Talu Kursuncu / Compositeur : Melih Kibar Nostalgija (Nostalgie) 11 - Croatie par Magazin & Lidija Horvat 91 points / 6e Auteur : Vjekoslava Huljić -
4 Paws and a Smile By, Heather Bivin
HOME NEWS Ronald McDonald House Charities of San Antonio, Texas, Inc. Volume 36, Issue No. 32, 2015 4 Paws and a Smile By, Heather Bivin For just over a year, the San Antonio Ronald McDonald Houses have had visitors from very special volunteers. They don’t prepare meals, do chores, or engage in craft projects, but they will lick your face and allow you to groom them. They are always up for listening to the events of your day, taking a walk around the house or showing off the latest trick they recently learned. I am talking of course about our 4-legged furry friends from Therapy Animals of San Antonio! These smart, sweet natured pups and their amazing pet parents make regular visits to our Ronald McDonald Houses spreading joy, smiles, and compassion Ginny Flanders and Emma to everyone they meet! Their kind eyes and gentle souls warm the hearts of all who they encounter. They truly prove the old adage and live up to the title of “Man's Best Friend”. Headed up by Ginny Flanders, the T.A.S.A. teams are comprised of Ginny and Emma, Donna and Bailey, Kathi, Duncan and Zac, Norma and Shanti, Mary Ann and Kiley, Dan and Moose, Carla and Krissy. We would like to thank all of these terrific members of T.A.S.A. for sharing their 4-legged friends with us, Carla Spraggins and Krissy and we look forward to a long and happy relationship. Donna Schweitzer and Bailey Norma Brooks and Shanti Mary Ann Dove and Kiley Dan Lindahl and Moose Kathi France and Duncan Kathi France and Zac 1 PRESIDENT’S MESSAGE Board of By Penny Viteo Directors For the past almost two years, the Board of Directors and the staff have been working hard to plan for, and then execute on the plan, to expand our houses in San Anto- President nio. -
Oktober 2020
Radio SORA d.o.o. Kapucinski trg 4 Škofja Loka, 2.11.2020 4220 ŠKOFJA LOKA OKTOBER 2020 Datum Ura Izvajalec Naslov Jezik Dolžina 01.10.2020 0:00 BOMBE SREČEN SLO 3:40:00 01.10.2020 0:03 ZORAN PREDIN & ŽIVE LEGENDE ALFA SAMEC SLO 3:42:00 01.10.2020 0:07 MICHAEL BUBLE EVERYTHING ANG 3:23:00 01.10.2020 0:10 DENIS TRAP NOČ IN DAN SLO 3:31:00 01.10.2020 0:18 ALEKSANDER MEŽEK VREMENSKA NAPOVED SLO 3:07:00 01.10.2020 0:21 PATO BANTON FEAT. ALL & ROBIN CHAMPBELL BABY COME BACK ANG 3:47:00 01.10.2020 0:25 CANEGATTO (ANDRAŽ GARTNER) SAMO MIRNO SAMO DALJE SLO 3:04:00 01.10.2020 0:28 CLOUT SUBSTITUTE ANG 3:21:00 01.10.2020 0:32 POSKOČNI MUZIKANTI UPAM DA SI SREČNA SLO 3:07:00 01.10.2020 0:35 ANNA VISSI KANESAS ANG 4:18:00 01.10.2020 0:39 I.C.E. NA VRH SVETA SLO 4:03:00 01.10.2020 0:43 MERI CETINIČ & TOMISLAV IVČIĆ GORKA RIJEKA CRO 5:17:00 01.10.2020 0:48 KVATROPIRCI LJUBIM TE LJUBIM SLO 3:07:00 01.10.2020 0:52 JUSTIN HAYWARD TROUBADOUR ANG 6:30:00 01.10.2020 0:58 OTO PESTNER DALEČ JE ZA NAJU POMLAD SLO 5:17:00 01.10.2020 1:03 FED HORSES DOWN SLO 3:17:00 01.10.2020 1:07 ANA GABRIEL OBSESION ŠPA 3:34:00 01.10.2020 1:10 ZVITA FELTNA LUNINA BELINA SLO 3:11:00 01.10.2020 1:13 EMMELIE DE FOREST ONLY TEARDROPS - DANSKA ANG 2:58:00 01.10.2020 1:16 BAZAR ZATE SLO 4:08:00 01.10.2020 1:21 SWEET TOM TOM TURNAROUND ANG 3:54:00 01.10.2020 1:25 KINGSTON & DANIJELA ORIGINAL SLO 2:57:00 01.10.2020 1:28 SSGT BARRY SADLER THE BALLAD OF THE GREEN BERETS ANG 2:25:00 01.10.2020 1:30 KATARINA MALA DVA ZA MENE SLO 3:30:00 01.10.2020 1:34 CRANBERRIES ALL OVER NOW ANG 3:25:00 -
Science and Evolution in the Public Eye
Science and Evolution in the Public Eye Laurie R. Godfrey Many educators have expressed surprise at the extent to which students believe sensationalistic and catastrophic explanations of the origins of cultural and biological traits. Their inclination is to ignore sensationalism as "unworthy" of serious discussion, but they are being hampered by political pressures from the sensationalists, who tend to view themselves as bearers of "true science" and as opponents of outdated scientific beliefs or orthodoxies. Thus these catastrophic and often cryptoscientific views of racial and cultural trait origins are being given increasing exposure in popular literature, on TV, in movies, and in public school and college classrooms. Among the most notorious examples of this alarming trend are von Daniken's Chariots of the Gods? (1970), Barry Fell's America B.C. (1976), Jeffrey Goodman's Psychic Archaeology (1977), the "In Search of TV series, and the current UFO mania. Organizations with blatantly racist motives, such as the Nazis and the Ku Klux Klan, who proclaim separate "origins" (or creations) for different "races," are once again growing in visibility. The "orthodoxies" of the anthropological "establishment" are being challenged by students who proclaim separate-origins explanations (a series of invasions from outer space, or "experiments" by a creator) and by some of those proclaiming a single creation. These sensationalist views are financially supported by evangelistic grass-roots organizations. These organizations are politically active in the sense that each is "spreading the word." The various Bible research groups that hold weekly or biweekly meetings on college campuses engage in peculiar mixtures of odd-fact collecting and religious ceremony. -
An Anthology of Philosophical Studies Volume 2
AANN AANNTTHHOOLLOOGGYY OOFF PPHHIILLOOSSOOPPHHIICCAALL SSTTUUDDIIEESS VOLUME II EEddiitteedd bbyy PPaattrriicciiaa HHaannnnaa ATINER 2008 1 An Anthology of Philosophical Studies Volume 2 Editorial Board Carol Nicholson Rider University USA Donald Poochigian University of North Dakota USA T. Ann Scholl United Arab Emirates University UAE Board of Reviewers Chrysoula Gitsoulis City College, CUNY USA Keith Green East Tennessee State University USA Effie Papoutsis Kritikos Northeastern Illinois University USA Raymond Petridis-Tzombanos The New School for Social Research USA Penelope Voutsina University of Sheffield UK 2 Athens Institute for Education and Research 2008 AANN AANNTTHHOOLLOOGGYY OOFF PPHHIILLOOSSOOPPHHIICCAALL SSTTUUDDIIEESS VOLUME II EEddiitteedd bbyy PPaattrriicciiaa HHaannnnaa 3 An Anthology of Philosophical Studies Volume 2 PUBLISHED BY ATHENS INSTITUTE FOR EDUCATION AND RESEARCH 14 Solomou Street, 10683 Athens, Greece Tel. +30 210 36.34.210 Fax +30 210.36.34.209 Email: [email protected] URL: www.atiner.gr This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of the Athens Institute for Education and Research. First Published: 2008 ISBN: 978-960-6672-38-5 Typeset, printed and binding by Theta Co. 4 T a b l e o f C o n t e n t s List of Contributors History of Philosophy Introduction Hanna, P. Part I. Ancient and Medieval 1. Aquinas and Ibn Rushd on the Added Dimension of 1 Reason in the Comprehension of Revelation in Two Medieval Religious Tradition Ahmad, Isham P. 2. The Conquests of Alexander and Greek Knowledge 13 of Indian Philosophy: A Context of Understanding Bruseker, George 3. -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
Über 1300 Bands Und Künstler*Innen Stellen Fest: „Das Entsetzen Hat Kein Ende“
Über 1300 Bands und Künstler*innen stellen fest: „Das Entsetzen hat kein Ende“ Seit Jahren erleben wir massive Eingriffe in unsere künstlerischen Freiheiten zu Gunsten glo- bal operierender Digitalkonzerne. Diese künstler*innenfeindliche Prioritätensetzung zeigt sich auch im aktuellen Gesetzesentwurf der Bundesregierung zum neuen Urheberrecht. Bereits am 26. November 2020 wandten sich 657 Musiker*innen und Bands mit einem Appell „Spielt das Urheberrecht nicht gegen uns aus!“ an die Politik. Das Papier verschwand in den Schubladen und der geforderte Respekt für unsere künstlerische Arbeit blieb aus. Stattdes- sen gibt es regelmäßig Expertenanhörungen mit vermeintlich Netz-Expert*innen, nicht mit Künstler*innen. Aus ihrem ideologischen Elfenbeinturm heraus spinnen sie realitätsferne Zen- surszenarien und erwecken den Eindruck, das Netz sei aktuell „frei“ und erst mit der Umset- zung der DSM-Richtlinie stünde die Sintflut der „Uploadfilter“ bevor. Wir Künstler*innen sind mit Plattformnutzungen vertraut, denn es ist unser Tagesgeschäft. Probleme von Over- und Underblocking kennen wir aus erster Hand. Als unmittelbare Zielgruppe weltweiter Zensurbe- strebungen sind wir sensibel beim Schutz von Meinungs- und Kunstfreiheit. Es ist für uns ein Schlag ins Gesicht, wenn Netzaktivist*innen mit Schlagworten das Freiheitsnarrativ kapern, gegen die Plattformregulierung wie in der DSM-Richtlinie ins Feld führen und damit mehr Gehör finden. Fassungslos mussten wir 2019 mitansehen, wie die SPD gegen die DSM-Richtlinie stimmte. Fassungslos sehen wir, wie das SPD-geführte Bundesjustizministerium den europäischen Kompromiss unterminiert. Nahezu unverändert schickte die Bundesregierung den Gesetzent- wurf in den Bundestag – ungeachtet unseres anhaltenden Protests und ungeachtet all unserer Erläuterungen, warum insbesondere das „Urheberrechts-Diensteanbieter-Gesetz“ weitge- hend praxisuntauglich ist. Wir erkennen in dem deutschen Gesetzentwurf die Absicht, indivi- duelle urheberrechtliche Ansprüche sowie echte Lizenzverträge auf Augenhöhe zu vereiteln. -
Judith Magyar Isaacson Papers, 1945-1999
Judith Magyar Isaacson papers, 1945-1999 This finding aid was produced using ArchivesSpace on August 01, 2019. Describing Archives: A Content Standard Maine Women Writers Collection Abplanalp Library University of New England 716 Stevens Avenue Portland, Maine 04103 [email protected] URL: http://www.une.edu/mwwc Judith Magyar Isaacson papers, 1945-1999 Table of Contents Summary Information .................................................................................................................................... 3 Biographical/Historical Note ......................................................................................................................... 3 Collection Scope and Content ....................................................................................................................... 4 Arrangement ................................................................................................................................................... 4 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 5 Controlled Access Headings .......................................................................................................................... 5 Collection Inventory ...................................................................................................................................... -
Revision of Passiflora Subgenus Decaloba Supersection Cieca (Passifloraceae)
REVISION OF PASSIFLORA SUBGENUS DECALOBA SUPERSECTION CIECA (PASSIFLORACEAE) By KRISTEN E. PORTER-UTLEY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2003 Copyright 2003 by Kristen E. Porter-Utley ACKNOWLEDGMENTS This study was supported by grants from the National Science Foundataion (Doctoral Dissertation Improvement Grant, DEB-0104824), the American Society of Plant Taxonomists (Research Grants for Graduate Students), the Passiflora Society International (Graduate Research Award), Sigma Xi (Grant-in-Aid of Research), and the Haitian Resource Development Foundation (Travel Award). Norris Williams also provided funds for DNA sequencing and allowed me unlimited access to his laboratory in the University of Florida Herbarium (FLAS) at the Florida Museum of Natural History. Mark Whitten spent countless hours in the DNA sequencing lab (FLAS) with me where he patiently taught me various molecular techniques and generously provided advice, and for that I am eternally grateful. Pam Soltis also allowed me access to her laboratory and I greatly appreciate all of her help. Windy Zomlefer kindly donated her time to teach me techniques of botanical illustration and her expert advice is greatly appreciated. Tom Emmel generously allowed me to use his greenhouse so that I could cultivate the species in my study group. Peter Jørgensen sent me digital photographs that he took of herbarium specimens at the Muséum National d'Histoire Naturelle, Paris, France (P), the Real Jardín Botánico, Madrid, Spain (MA), and the Universität Göttingen, Göttingen, Germany (GOET) that I would have otherwise not seen. -
Noah's Ark and Ancient Astronauts: Pseudoscientific Beliefs About the Past Among a Sample of College Students
Noah's Ark and Ancient Astronauts: Pseudoscientific Beliefs About the Past Among a Sample of College Students Creationist views are tied to a deeply held set of values and world-view. Cult archaeology and other pseudoscientific beliefs are unrelated to most such variables. Francis B. Harrold and Raymond A. Eve OST PEOPLE are curious about the distant past, especially that of our own species. This curiosity has led to the rise of archaeology Mand related sciences, which have given us a growing understanding of human origins and prehistory; but it has also spawned some of the most outlandish pseudoscience on record. Many people readily accept baseless claims about the past—including college students, as one of us (an anthro- pologist) has come to learn while teaching courses in archaeology and human evolution. Students who held such beliefs when they entered these classes did not always change their minds when they were exposed to scientific ap- proaches to the past. One student wanted to leave no doubt as to where he stood; at the end of a test on the human fossil record, he wrote, "Of course I don't believe any of this. 1 believe in the Bible." Such encounters aroused our curiosity concerning these pseudoscientific beliefs among our students. The result was a research project, using the perspectives and methods of social science, to learn more about these beliefs: how widely and strongly they are held, by whom, and why. The research (for a more detailed report, see Eve and Harrold 1986) helped us progress toward answering these questions and suggested ways to deal with such beliefs.