7. Introduction 1–56 DB2622012
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Hebraic Aspects of the Renaissance Brill’S Series in Jewish Studies
Hebraic Aspects of the Renaissance Brill’s Series in Jewish Studies Series Editor David S. Katz VOLUME 45 Hebraic Aspects of the Renaissance Sources and Encounters Edited by Ilana Zinguer, Abraham Melamed, and Zur Shalev LEIDEN • BOSTON 2011 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Hebraic aspects of the Renaissance : sources and encounters / edited by Ilana Zinguer, Abraham Melamed, and Zur Shalev. p. cm. — (Brill’s series in Jewish studies) This volume presents a selection of papers from the international conference Hebraic Aspects of the Renaissance (University of Haifa, May, 2009). Includes bibliographical references and index. ISBN 978-90-04-21255-8 (hardback : alk. paper) 1. Renaissance—Congresses. 2. Civilization, Modern—Jewish inÁuences—Congresses. 3. Cabala and Christianity—Italy—Congresses. 4. Christian Hebraists—Europe—History—Congresses. 5. Jewish philosophy—History—Congresses. 6. Christianity and other religions—Judaism—Congresses. 7. Judaism—Relations—Christianity—Congresses. I. Zinguer, Ilana. II. Melamed, Avraham. III. Shalev, Zur, 1967– CB367.H43 2011 940.2’1—dc23 2011023046 ISSN 0926-2261 ISBN 978 90 04 21255 8 Copyright 2011 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
Introduction: Love, the Book Market, and the Popularization of Romance
Notes Introduction: Love, the Book Market, and the Popularization of Romance 1. “Maxume autem admonendus est, quantus sit furor amoris. omni- bus enim ex animi perturbationibus est profecto nulla vehemen- tior, . perturbatio ipsa mentis in amore foeda per se est.” Cicero, Tusculan Dispuations. Book 4.35. My translation. 2. Jacques Ferrand, A Treatise on Lovesickness, ed. and trans. Donald A. Beecher and Massimo Ciavolella (Syracuse, NY: Syracuse University Press, 1990), 217. 3. “Non si trovara in Venere, & Cupido che ordinatamente senza confusione parlasse.” Mario Equicola, De Natura d’amore (Venice, 1536), sig. I6v. My translation. 4. A song with this title was written by Boudleaux Bryant in 1960 and was recorded by the Everly Brothers, Roy Orbison, Gram Parsons, Nazareth, and others, with great commercial success. 5. Thomas M. D. Lewis, Fari Amini, and Richard Lannon, A General Theory of Love (New York: Random House, 2000), viii. This book, coauthored by three psychiatrists, argues that “new research in brain function has proven that love is a human necessity” (Publishers Weekly review). 6. Jacques Ferrand, Erotomania, or a treatise discoursing of the essence, causes, symptomes, prognosticks, and the cure of love, or erotique mel- ancholy, trans. Edmund Chilmead (Oxford, 1640), sig. B6r–B7r. 7. David Cressy, Birth, Marriage and Death: Ritual, Religion and the Life-Cycle in Tudor and Stuart England (New York: Oxford University Press, 1997). Guido Ruggiero, Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance (New York: Oxford University Press, 1993). 8. Alan Bray, The Friend (Chicago: Chicago University Press, 2003). Gail Paster, Katherine Rowe, and Mary Floyd-Wilson, eds., Reading the Early Modern Passions: Essays in the Cultural History of Emotion (Philadelphia, PA: University of Pennsylvania Press, 2004). -
Humanism and Spanish Literary Patronage at the Roman Curia: the Role of the Cardinal of Santa Croce, Bernardino López De Carvajal (1456–1523)
2017 IV Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456–1523) Marta Albalá Pelegrín Article: Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523) Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523)1 Marta Albalá Pelegrín Abstract: This article aims to analyze the role of Bernardino López de Carvajal (1456 Plasencia-1523 Rome) as a literary patron, namely his contributions to humanism in Rome and to Spanish letters, in the period that has been loosely identified as Spanish Rome. Carvajal held the dignities of orator continuus of Isabella of Castile and Ferdinand of Aragon, titular cardinal of Santa Croce in Gerusalemme, and Latin Patriarch of Jerusalem, and was even elected antipope with the name of Martin VI in the Conciliabulum of Pisa (1511) against Julius II. He belonged to the avant-garde of humanists devoted to creating a body of Neo-Latin and Spanish literature that would both foster the Spanish presence at Rome and leave a mark on the Spanish literary canon. He sponsored a considerable body of works that celebrated the deeds of the Catholic Kings and those of the Great Captain, Gonzalo Fernández de Córdoba. He also commissioned literary translations, and was involved in the production of theatrical pieces, such as those of Bartolomé Torres Naharro. Key Words: Benardino López de Carvajal; Literary Patronage; Catholic Kings; Erasmus; Bartolomé Torres Naharro; Gonzalo Fernández de Córdoba. -
Leon Battista Alberti
THE HARVARD UNIVERSITY CENTER FOR ITALIAN RENAISSANCE STUDIES VILLA I TATTI Via di Vincigliata 26, 50135 Florence, Italy VOLUME 25 E-mail: [email protected] / Web: http://www.itatti.ita a a Tel: +39 055 603 251 / Fax: +39 055 603 383 AUTUMN 2005 From Joseph Connors: Letter from Florence From Katharine Park: he verve of every new Fellow who he last time I spent a full semester at walked into my office in September, I Tatti was in the spring of 2001. It T This year we have two T the abundant vendemmia, the large was as a Visiting Professor, and my Letters from Florence. number of families and children: all these husband Martin Brody and I spent a Director Joseph Connors was on were good omens. And indeed it has been splendid six months in the Villa Papiniana sabbatical for the second semester a year of extraordinary sparkle. The bonds composing a piano trio (in his case) and during which time Katharine Park, among Fellows were reinforced at the finishing up the research on a book on Zemurray Stone Radcliffe Professor outset by several trips, first to Orvieto, the medieval and Renaissance origins of of the History of Science and of the where we were guided by the great human dissection (in mine). Like so Studies of Women, Gender, and expert on the cathedral, Lucio Riccetti many who have worked at I Tatti, we Sexuality came to Florence from (VIT’91); and another to Milan, where were overwhelmed by the beauty of the Harvard as Acting Director. Matteo Ceriana guided us place, impressed by its through the exhibition on Fra scholarly resources, and Carnevale, which he had helped stimulated by the company to organize along with Keith and conversation. -
BOOKS from the LIBRARY of the EARLS of MACCLESFIELD
BOOKS from the LIBRARY of THE EARLS OF MACCLESFIELD CATALOGUE 1440 MAGGS BROS. LTD. Books from the Library of The Earls of Macclesfield Item 14, Artemidorus [4to]. Item 111, Hexham [folio]. CATALOGUE 1440 MAGGS BROS. LTD. 2010 Item 195, Schreyer [8vo]. Item 211, del Torre [4to]. Front cover illustration: The arms of the first Earl of Macclesfield taken from an armorial head-piece to the dedication of Xenophon Cyropaedia ed. T. Hutchinson, Oxford, 1727. BOOKS FROM THE LIBRARY OF THE EARLS OF MACCLESFIELD AT SHIRBURN CASTLE This selection of 240 items from the Macclesfield of languages. The works are almost all new to the Library formerly at Shirburn Castle near Watlington, market, Maggs having been privileged to have MAGGS BROS LTD Oxfordshire, mirrors the multiform interests of the received the remainder of the library not previously 50 Berkeley Square library, encompassing classical texts, works on the consigned for sale. The books, which are mostly non- military arts, a (very) few works of a scientific nature, English, range from one very uncommon incunable London W1J 5BA works of more modern literature and history, some to a few printed in the eighteenth century, but most collections of emblems, and some items on the study are of the sixteenth and seventeenth centuries. Telephone 020 7493 7160 Fax 020 7499 2007 5 Email [email protected] 1 ABARBANEL, Isaac. Don Yitzhaq with loss of page numbers, modern half calf. [email protected] Abravani’el... & R. Mosis Alschechi Venice: M.A. Barboni, 1690 £2000 comment. in Esaiae prophetiam 30 [actually This work, clearly meant for those members of the Isaiah 52 v. -
Value and Symbolic Practices: Exch
NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 371-433 This reproduction is the best copy available. Value and Symbolic Practices: Objects, Exchanges, and Associations in the Italian Courts (1450-1500) Leah Ruth Clark Department of Art History and Communication Studies McGill University, Montreal February 2009 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy Copyright 2009 by Clark, Leah Ruth All rights reserved. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN:978-0-494-61903-2 Our file Notre référence ISBN: 978-0-494-61903-2 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. -
The Evolution of Landscape in Venetian Painting, 1475-1525
THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 by James Reynolds Jewitt BA in Art History, Hartwick College, 2006 BA in English, Hartwick College, 2006 MA, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by James Reynolds Jewitt It was defended on April 7, 2014 and approved by C. Drew Armstrong, Associate Professor, History of Art and Architecture Kirk Savage, Professor, History of Art and Architecture Jennifer Waldron, Associate Professor, Department of English Dissertation Advisor: Ann Sutherland Harris, Professor Emerita, History of Art and Architecture ii Copyright © by James Reynolds Jewitt 2014 iii THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 James R. Jewitt, PhD University of Pittsburgh, 2014 Landscape painting assumed a new prominence in Venetian painting between the late fifteenth to early sixteenth century: this study aims to understand why and how this happened. It begins by redefining the conception of landscape in Renaissance Italy and then examines several ambitious easel paintings produced by major Venetian painters, beginning with Giovanni Bellini’s (c.1431- 36-1516) St. Francis in the Desert (c.1475), that give landscape a far more significant role than previously seen in comparable commissions by their peers, or even in their own work. After an introductory chapter reconsidering all previous hypotheses regarding Venetian painters’ reputations as accomplished landscape painters, it is divided into four chronologically arranged case study chapters. -
Cardinal Pietro Bembo and the Formation of Collecting Practices in Venice and Rome in the Early Sixteenth Century
IL COLLEZIONISMO POETICO: CARDINAL PIETRO BEMBO AND THE FORMATION OF COLLECTING PRACTICES IN VENICE AND ROME IN THE EARLY SIXTEENTH CENTURY A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY By Susan Nalezyty January, 2011 Examining Committee Members: Tracy E. Cooper, Advisory Chair, Department of Art History Marcia B. Hall, Department of Art History Elizabeth Bolman, Department of Art History Peter Lukehart, External Member, CASVA, National Gallery of Art i © by Susan Nalezyty 2010 All Rights Reserved ii ABSTRACT Il collezionismo poetico: Cardinal Pietro Bembo and the Formation of Collecting Practices in Venice and Rome in the Early Sixteenth Century Candidate’s Name: Susan Nalezyty Degree: Doctor of Philosophy Temple University, 2011 Doctoral Advisor: Tracy E. Cooper Cardinal Pietro Bembo’s accomplishments as a poet, linguist, philologist, and historian are well known, but his activities as an art collector have been comparatively little studied. In his writing, he directed his attention to the past via texts—Ciceronean Latin and Petrarchan Italian—for their potential to transform present and future ideas. His assembly of antiquities and contemporary art served an intermediary function parallel to his study of texts. In this dissertation I investigate Bembo as an agent of cultural exchange by offering a reconstruction of his art collection and, in so doing, access his thinking in a way not yet accomplished in previous work on this writer. Chapter One offers a historiographic overview of my topic and collecting as a subject of art historical study. Chapter Two maps the competition and overlapping interests of collectors who bought from Bembo’s heirs. -
On the Art of Fighting: a Humanist Translation of Fiore Dei Liberi's
Acta Periodica Duellatorum, Scholarly section, articles 99 On the Art of Fighting: A Humanist Translation of Fiore dei Liberi’s Flower of Battle Owned by Leonello D’Este Ken Mondschein Anna Maria College / Goodwin College / Massachussets historical swordmanship Abstract – The author presents a study of Bibliothèque National de France MS Latin 11269, a manuscript that he argues was associated with the court of Leonello d’Este and which represents an attempt to “fix” or “canonize” a vernacular work on a practical subject in erudite Latin poetry. The author reviews the life of Fiore dei Liberi and Leonello d’Este and discusses the author’s intentions in writing, how the manuscript shows clear signs of Estense associations, and examines the manuscript both in light of its codicological context and in light of humanist activity at the Estense court. He also presents the evidence for the book having been in the Estense library. Finally, he examines the place of the manuscript in the context of the later Italian tradition of fencing books. A complete concordance is presented in the appendix. Keywords – Leonello d’Este, humanism, Fiore dei Liberi, Latin literature, Renaissance humanism, translation I. INTRODUCTION The Flower of Battle (Flos Duellatorum in Latin or Fior di Battaglia in Italian) of Fiore dei Liberi (c. 1350—before 1425) comes down to us in four manuscripts: Getty MS Ludwig XV 13; Morgan Library M.383; a copy privately held by the Pisani-Dossi family; and Bibliothèque National de France MS Latin 11269.1 Another Fiore manuscript attested in 1 The Pisani-Dossi was published by Novati as Flos duellatorum: Il Fior di battaglia di maestro Fiore dei Liberi da Premariacco, and republished by Nostini in 1982 and Rapisardi as Flos Duellatorum in armis, sine armis, equester et pedester. -
Profiling Women in Sixteenth-Century Italian
BEAUTY, POWER, PROPAGANDA, AND CELEBRATION: PROFILING WOMEN IN SIXTEENTH-CENTURY ITALIAN COMMEMORATIVE MEDALS by CHRISTINE CHIORIAN WOLKEN Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Edward Olszewski Department of Art History CASE WESTERN RESERVE UNIVERISTY August, 2012 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Christine Chiorian Wolken _______________________________________________________ Doctor of Philosophy Candidate for the __________________________________________ degree*. Edward J. Olszewski (signed) _________________________________________________________ (Chair of the Committee) Catherine Scallen __________________________________________________________________ Jon Seydl __________________________________________________________________ Holly Witchey __________________________________________________________________ April 2, 2012 (date)_______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. 1 To my children, Sofia, Juliet, and Edward 2 Table of Contents List of Images ……………………………………………………………………..….4 Acknowledgements……………………………………………………………...…..12 Abstract……………………………………………………………………………...15 Introduction…………………………………………………………………………16 Chapter 1: Situating Sixteenth-Century Medals of Women: the history, production techniques and stylistic developments in the medal………...44 Chapter 2: Expressing the Link between Beauty and -
Ruth Kelso Bibliography.Txt Ruth Kelso's Doctrine of the English Gentleman in the Sixteenth Century BIBLIOGRAPHY
Ruth Kelso Bibliography.txt Ruth Kelso's Doctrine of the English Gentleman in the Sixteenth Century BIBLIOGRAPHY To show how frequently issues and themes of moral philosophy spring up in Ruth Kelso's bibliography, I identified key words and then searched for them in the bibliograpy. In the following list, the numbers in parantheses refer to the number of times the word or phrase was mentioned in the bibliography. If you want to find the words in the bibliography, please use the search feature of this PDF file. INDEX: | Academia_d'Urbino+(1)| Academici+(1)| academie+(1)| active+(1)| affections+(1)| agricoltura+(1) | amante+(2)| amata+(1)| ambassadeur+(1)| ambassador+(1)| amicitia+(1)| amico+(1) | ammaestramento+(1)| amministratione+(1)| amor_platonico+(1)| amore_humano+(1)| amore+(13) | amori_humani+(1)| amoribus+(1)| amorosa+(1)| amorosi+(1)| amorous+(1)| amour+(2)| angling+(1) | anthropologia+(1)| Anti_duel+(2)| antiquis_auctoribus+(1)| antiquus+(1)| Aphorismes+(1) | apodemica+(1)| apprentiship+(1)| arboribus+(1)| archerie+(2)| ARETINO+(1)| ARIOSTO+(1) | Aristotele+(1)| Aristotelis+(1)| Aristotile+(1)| arithmeticke+(1) | arithmetike+(1)| armas+(4)| arme+(3)| armes+(6)| armis+(1)| armoiries+(1)| armorial+(1) | armorie+(2)| armories+(1)| Armorum_emblemata+(1)| armorum+(1)| armory+(1)| army+(1) | arte_di_scrimia+(1)| artes+(1)| arti_liberali+(1)| Artis_historicae+(1)| astronomie+(1) | auncientS+(1)| autobiography+(1)| Avertimenti_morali+(1)| ballarino+(1)| ballo+(1) | Basilikon_doron+(1)| batailes+(1)| batailles+(1)| beatitudine_humana+(1)| -
20. Bibliography 389–416 DB 432012
Bibliography Manuscripts Antigini, Giuliano. Cronaca 1384–1504. Ferrara, Biblioteca Comunale Ariostea, MS Classe I, 757. Azzari, Fulvio. Croniche di Reggio Lepido originale secondo le vite de’ suoi vescovi. Modena, Biblioteca Estense, no further details; a seventeenth-century copy is in Reggio, Biblioteca Panizzi, MS Reggiani C 44. Brancati, Giovanni. Oratio habita Neapoli in nuptiis Helionorae regis Ferdinandi filiae anno 1473 die 23 mense Mai. Valencia, Biblioteca Universitaria, MS cod. 774, ff. 25v−42v. Calcagnini, Teophilo. Letter to Ercole d’Este, Rome, 7 June 1473. Padua, Biblioteca Universitaria, MS 342, ff. 54v–59r. Caleffini, Ugo. Annals of Ferrara, 1471–1483, copied in 1581 by Giulio Mosto, and continued by Girolamo Merenda, in his own hand, down to 1534. London, British Library, MS Add. 22324. Carbone, Ludovico. Epithalamium Neapoli actum in divam leonoram Aragonensem et dvum Herculem estensem. London, British Library, MS Add. 20794, ff. 1r−30r. Cornazzano, Antonio. Rime. Modena, Biblioteca estense universitaria, MS Ital. 177 (formerly α.I.6.21). ———. Del modo di reggere e di regnare. New York, Pierpont Morgan Library, MS MS M 0731. Equicola, Mario di Alveto. Annali della città di Ferrara raccolti da Mario Equicola di Alveto ad annum 1559. Ferrara, Biblioteca Comunale Ariostea, MS Classe II, 355. ———. Genealogia degli Signori Estensi […] composto da Mario Equicola dell’anno MDXVI. London, British Library, MS Add. 22330 Genealogia Estense. The manuscript consists of two fragments, one in Modena, Biblioteca Estense Universitaria, MS Ita. 720 (formerly α.L.5.16), the other in Rome, Biblioteca Nazionale Centrale, MS Vittorio Emanuele 293. For a facsimile of the whole and commentary, see Genealogia dei Principe d’Este, ed.