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DIJ-Mono 63 Utomo.Book
Monographien Herausgegeben vom Deutschen Institut für Japanstudien Band 63, 2019 Franziska Utomo Tokyos Aufstieg zur Gourmet-Weltstadt Eine kulturhistorische Analyse Monographien aus dem Deutschen Institut für Japanstudien Band 63 2019 Monographien Band 63 Herausgegeben vom Deutschen Institut für Japanstudien der Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland Direktor: Prof. Dr. Franz Waldenberger Anschrift: Jochi Kioizaka Bldg. 2F 7-1, Kioicho Chiyoda-ku Tokyo 102-0094, Japan Tel.: (03) 3222-5077 Fax: (03) 3222-5420 E-Mail: [email protected] Homepage: http://www.dijtokyo.org Umschlagbild: Quelle: Franziska Utomo, 2010. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Dissertation der Universität Halle-Wittenberg, 2018 ISBN 978-3-86205-051-2 © IUDICIUM Verlag GmbH München 2019 Alle Rechte vorbehalten Druck: Totem, Inowrocław ISBN 978-3-86205-051-2 www.iudicium.de Inhaltsverzeichnis INHALTSVERZEICHNIS DANKSAGUNG . 7 SUMMARY: GOURMET CULTURE IN JAPAN – A NATION OF GOURMETS AND FOODIES. 8 1EINLEITUNG . 13 1.1 Forschungsfrage und Forschungsstand . 16 1.1.1 Forschungsfrage . 16 1.1.2 Forschungsstand . 20 1.1.2.1. Deutsch- und englischsprachige Literatur . 20 1.1.2.2. Japanischsprachige Literatur. 22 1.2 Methode und Quellen . 25 1.3 Aufbau der Arbeit . 27 2GOURMETKULTUR – EINE THEORETISCHE ANNÄHERUNG. 30 2.1 Von Gastronomen, Gourmets und Foodies – eine Begriffs- geschichte. 34 2.2 Die Distinktion . 39 2.3 Die Inszenierung: Verstand, Ästhetik und Ritual . 42 2.4 Die Reflexion: Profession, Institution und Spezialisierung . 47 2.5 Der kulinarische Rahmen . 54 3DER GOURMETDISKURS DER EDOZEIT: GRUNDLAGEN WERDEN GELEGT . -
November / December 2017
November / December 2017 See Page 21 2 Love The Blues? Live The Blues? The Detroit Blues Society’s Lifetime Achievement Award Honorees Board of Directors 2017 President Steve Soviak 2013: [email protected] 2008: Vice President / Editor Jane Cassisi [email protected] 2006: 2005: Secretary William Toll [email protected] Director At Large Cynthia Davis [email protected] Director At Large Blues Horizon Award Winners Luther Keith [email protected] Joe Von Battle Director At Large Victoria Linsley 1993: [email protected] 1992: 2008: Committee Chairs - 2017 James S. Henry Award Winners 2010: Bryan Iglesias/Zerapath Membership - Tom McNab 2009: Jake Bishop 2005: Jeremy Haberman [email protected] Volunteer - Jane Cassisi New & Renewed Members from [email protected] August 10, 2017 to October 11, 2017 Blue Notes - Jane Cassisi [email protected] Street Team - Victoria Linsley Daniel & Deanna Adams, Elaine & Gerald Arnold, [email protected] B.J. Belcoure, Larry “Mugs” Benedict, Lars Bjorn, Website - William Toll [email protected] Alan Chunn, Larry Everhart, Ken Gilbert, Thomas Keating, Lynne Martinez, Doug Montgomery, Publicity – Cynthia Davis [email protected] Surayyah R Muwwakkil, Russ & Cindy Ortisi, Har- old Price, Robert Stevens and Randy Schwartz Blues Challenge - Steve Soviak [email protected] Youth Challenge - Cheri Lowe Our sincere appreciation goes out to all new and [email protected] renewing members. Daniel & Deanna Adams, B.J. Monthly Meetings/Jams - Jane Cassisi Belcoure, Lars Bjorn, Larry Everhart, Ken Gilbert [email protected] and Thomas Keating all took advantage of the dis- Victoria Linsley [email protected] count available with a multiple year membership. -
Sly & Robbie – Primary Wave Music
SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
JBSR 4.1.Indd
volume 4 number 1 summer 2017 Journal of Black Sexuality and Relationships james c. wadley, phd, editor Lincoln University jeanine staples, edd, guest editor Penn State University Copyright © 2018 James C. Wadley Th e Journal of Black Sexuality and Relationships (JBSR) is a refereed, interdisciplinary, scholarly inquiry devoted to addressing the epistemological, ontological, and social con- struction of sexual expression and relationships of persons within the African diaspora. Th e journal will be used as a medium to capture the functionality and dysfunctionality of individuals, couples, and families as well as the effi cacy in which relationships are nego- tiated. Th e journal seeks to take into account the transhistorical substrates that subsume behavioral, aff ective, and cognitive functioning of persons of African descent as well as those who educate or clinically serve this important population. For additional informa- tion about the JBSR, you can visit Th eJBSR .com, follow us on twitter @Th eJBSR, like our Facebook page, or review current JBSR trends on LinkedIn. Subscriptions Th e Journal of Black Sexuality and Relationships (ISSN 2334- 2668) is published quarterly by the University of Nebraska Press. For current subscription rates please see our website: www .nebraskapress .unl .edu. If ordering by mail, please make checks payable to the University of Nebraska Press and send to Th e University of Nebraska Press 1111 Lincoln Mall Lincoln, NE 68588- 0630 Telephone: 402- 472- 8536 submissions Manuscripts should be prepared in 12- point Times New Roman with 1- inch margins. Notes and apparatus must conform to the sixth edition of the Publication Manual of the American Psychological Association. -
2014 Final Program
INTERNATIONAL FEDERATION OF HEAD AND NECK ONCOLOGIC SOCIETIES 5th World Congress of IFHNOS & Annual Meeting of the AHNS AMERICAN HEAD AND NECK SOCIETY Celebrating the 100th Anniversary of the Head and Neck Program at Memorial Sloan-Kettering Cancer Center July 26-30, 2014 Marriott Marquis, New York City, NY The Largest Head and Neck Cancer Congress in History A Century of Progress in Head and Neck Cancer HOSTED BY: ORGANIZED & SPONSORED BY: SUPPORTED BY: FINAL PROGRAM WORLD CONGRESS ON LARYNX CANCER 2015 SAVE THE DATE! To view the provisional program visit www.wclc2015.org KEyNoTE ToPiCS: • Larynx cancer and its place in history • Non-open laryngeal surgery including robots • The patient as a variable in defining outcome • Voice restoration/preservation • Clinical trials and larynx cancer • Reconstruction • Pre-malignant lesions • Radiotherapy-where to for the future • Staging and surgical anatomy • Poor prognostic factors for survival • Voice assessment methods and function • Molecular biology and translational • Chemotherapy-good to use alone? research • Swallowing assessment/ • Public health issues around the rehabilitation world including the status of anti-smoking campaigns in China • Transplant • Patient support structures • Survivorship • Databases • Larynx cancer in the developing world Further information: T: +61 3 9249 1273 E: [email protected] VISIBILITY DONORS Thank you to our 2014 Visibility Donors! The following companies have provided generous support for non-CME meeting activities. DIAMOND DONORS Ethicon US, LLC IBM Watson Medtronic Surgical Technologies PLATINUM DONORS Bayer Healthcare Pharmaceuticals and Onyx Pharmaceuticals IRX Therapeutics, Inc. Merck KGaA GOLD DONORS Bristol-Myers Squibb Exelixis SILVER DONORS Covidien Medrobotics Veracyte BRONZE DONOR Olympus America Inc. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
NO TEA, NO SHADE This Page Intentionally Left Blank No Tea, NO SHADE
NO TEA, NO SHADE This page intentionally left blank No Tea, NO SHADE New Writings in Black Queer Studies EDITED BY E. Patrick Johnson duke university press Durham & London 2016 © 2016 Duke University Press All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Typeset in Adobe Caslon by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Johnson, E. Patrick, [date] editor. Title: No tea, no shade : new writings in Black queer studies / edited by E. Patrick Johnson. Description: Durham : Duke University Press, 2016. | Includes bibliographical references and index. Identifiers: lccn 2016022047 (print) lccn 2016023801 (ebook) isbn 9780822362227 (hardcover : alk. paper) isbn 9780822362425 (pbk. : alk. paper) isbn 9780822373711 (e- book) Subjects: lcsh: African American gays. | Gay and lesbian studies. | African Americans in popu lar culture. | Gays in popu lar culture. | Gender identity— Political aspects. | Sex in popu lar culture. Classification: lcc e185.625.n59 2016 (print) | lcc e185.625 (ebook) | ddc 306.76/608996073— dc23 lc rec ord available at https:// lccn . loc . gov / 2016022047 Cover art: Philip P. Thomas, Sharing Tea, 2016. © Philip P. Thomas. FOR ALL THE QUEER FOREMOTHERS AND FOREFATHERS This page intentionally left blank CONTENTS foreword Cathy J. Cohen xi acknowl edgments xv introduction E. Patrick Johnson 1 CHAPTER 1. Black/Queer Rhizomatics Train Up a Child in the Way Ze Should Grow . JAFARI S. ALLEN 27 CHAPTER 2. The Whiter the Bread, the Quicker You’re Dead Spectacular Absence and Post-Racialized Blackness in (White) Queer Theory ALISON REED 48 CHAPTER 3. Troubling the Waters Mobilizing a Trans* Analytic KAI M. -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
Information and Secrecy in the Chicago DIY Punk Music Scene Kaitlin Beer University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2016 "It's My Job to Keep Punk Rock Elite": Information and Secrecy in the Chicago DIY Punk Music Scene Kaitlin Beer University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Social and Cultural Anthropology Commons Recommended Citation Beer, Kaitlin, ""It's My Job to Keep Punk Rock Elite": Information and Secrecy in the Chicago DIY Punk Music Scene" (2016). Theses and Dissertations. 1349. https://dc.uwm.edu/etd/1349 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. “IT’S MY JOB TO KEEP PUNK ROCK ELITE”: INFORMATION AND SECRECY IN THE CHICAGO DIY PUNK MUSIC SCENE by Kaitlin Beer A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Anthropology at The University of Wisconsin-Milwaukee December 2016 ABSTRACT “IT’S MY JOB TO KEEP PUNK ROCK ELITE”: INFORMATION AND SECRECY IN THE CHICAGO DIY PUNK MUSIC SCENE by Kaitlin Beer The University of Wisconsin—Milwaukee, 2016 Under the Supervision of Professor W. Warner Wood This thesis examines how the DIY punk scene in Chicago has utilized secretive information dissemination practices to manage boundaries between itself and mainstream society. Research for this thesis started in 2013, following the North Atlantic Treaty Organization’s meeting in Chicago. This event caused a crisis within the Chicago DIY punk scene that primarily relied on residential spaces, from third story apartments to dirt-floored basements, as venues. -
PUMA TRAINING 2015 Annual Report 2015 TIMELINE PUMA TIMELINE OUR HIGHLIGHTS in 2015
PUMA TRAINING 2015 Annual Report 2015 TIMELINE PUMA TIMELINE OUR HIGHLIGHTS IN 2015 RUNNING INNOVATION IGNITE RED BULL PARTNERSHIP ANNOUNCEMENT LIGHTEST FOOTBALL BOOT TO DATE IAAF WORLD CHAMPIONSHIPS LEXI THOMPSON WINS AGAIN UN CLIMATE CHANGE CONFERENCE The World’s Fastest Man Usain Bolt is at the PUMA announces a new long-term partner- PUMA introduces its lightest football match 9 Gold Medals, 4 Silver and 5 Bronze across PUMA’s COBRA PUMA GOLF athlete Lexi Thompson As an official partner of COP21, PUMA equips heart of a spectacular stunt in New York City’s ship with the INFINITI RED BULL RACING F1 boot to date. The evoSPEED SL is designed teams: The Athletics World Championships in Bei- wins the LPGA KEG Hana Bank Championship 180 students in charge of welcoming visitors Times Square to launch the PUMA IGNITE, team. Effective from January 2016, PUMA to give footballers a new game advantage by jing are a big PUMA success with six-time Olympic in South Korea, proving her outstanding talent during the UN Climate Change Conference which provides maximum energy return, com- has become the official licensed partner and enhancing speed and agility. Champion Usain Bolt winning three gold medals once again with her second victory of the year taking place from 30 November to 11 De- fort and optimal durability. official supplier of team and racewear. and further cementing his reputation as a legend. and sixth overall. cember in Paris. FEBRUARY APRIL JUNE AUGUST OCTOBER DECEMBER JANUARY MARCH MAY JULY SEPTEMBER NOVEMBER LAUNCH OF THE EVOPOWER 1.2 FG EXTENSION WITH ITALIAN FOOTBALL FEDERATION ARSENAL RECORD FA CUP WIN CHILE WINS COPA AMÉRICA PUMA BY RIHANNA DEBUT EURO 2016 KIT LAUNCH PUMA kicks off the year with the evolution of Together with the Italian Football Federation (FIGC), Arsenal FC wins the FA Cup for the second For the first time ever, the Chilean football The “Creeper”, the maiden sneaker from PUMA introduces the new home kits for Italy, its most powerful football boot. -
August 2016 Washington Blues Society Calendar
In This Issue... Larry Williams Bobby Rush! Bobby Rush! Bobby Rush! Larry Williams and Suzanne Swanson (Photo Art by Dan Hill) (Photo by Suzanne Swanson) (Photo by Theresa Southwick) Letter from the President 2 On the Cover 4 2016 Blues Music Awards 9 Letter from the Editor 3 Honoring Larry Williams 6 July Blues Bash Review 12 Thanks to Our Advertisers 4 Preview: Taste of Music 8 August Blues Bash Reminder 14 Officers and Directors 4 Blues Bash Preview 8 Membership Opportunities 14 Letter from Washington Blues Society President Tony Frederickson Hi Blues Fans, Mark Riley (Solo/Duo), and Brett Benton (Solo/ A new development with the Grammys! Thanks Duo). With the talent in the finals the state of to the hard the hard work of one of my Blues I’m sitting here at the Winthrop Rhythm & Blues Washington, the Washington Blues Society will Foundation board members, Michael Freeman, Festival as I write this month’s Letter from the be well represented once again! I highly recom- the “Blues” now has two different album catego- President, and going through the first half of the mend making plans ahead of time to see our finals ries! One for Traditional Blues Album and one for Blues Festival season in my mind. What a year at the very least if not the entire Taste of Music. Contemporary Blues album. This is big news for it’s been so far! From early in February at the At only $10 per day it will prove to be one of the our world. The Blues Music Awards are wonder- Coeur D’Alene Blues Festival, to the Walla Walla best values of the second half of the Blues Festi- ful and do a great job recognizing the musicians, Guitar Festival, on to the Untapped Music Fes- val season.