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Youtube As a Virtual Springboard: Circumventing Gender Dynamics in Offline and Online Metal Music Careers
MMS 1 (3) pp. 303–318 Intellect Limited 2015 Metal Music Studies Volume 1 Number 3 © 2015 Intellect Ltd Article. English language. doi: 10.1386/mms.1.3.303_1 PauwKe BerKers and Julian schaaP Erasmus University Rotterdam youTube as a virtual springboard: circumventing gender dynamics in offline and online metal music careers aBsTracT Keywords Studies have shown that learning to play in a band is largely a peer-based – rather gender inequality than individual – experience, shaped by existing sex-segregated friendship networks. online With the rise of the Internet and do-it-yourself recording techniques, new possibili- offline ties have emerged for music production and distribution. As male-dominated offline YouTube metal scenes are often difficult to enter for aspiring female metal musicians, online musical careers participation might serve as a possibility to circumvent these gender dynamics. This virtual springboard article therefore addresses to what extent female and male musicians navigate online metal scenes differently, and how this relates to the gender dynamics in offline metal scenes. By conducting ten in-depth interviews with women and men who produce vocal covers on YouTube, this article focuses on the understudied relationship between online and offline scene participation. Vocal covers are used for entertainment, skill development, online skill recognition and as a virtual springboard with which women in particular can (partially) circumvent gender inequality by allowing them to (initially) participate as individuals and pursue musical careers in metal music. 303 MMS_1.3_Berkers and Schaap_303–318.indd 303 8/8/15 6:31:41 PM Pauwke Berkers | Julian Schaap inTroducTion Music scenes in general – and metal scenes in particular – are highly stratified along gender lines. -
ARS Audiotape Collection ARS.0070
http://oac.cdlib.org/findaid/ark:/13030/c8f769x2 No online items Guide to the ARS Audiotape Collection ARS.0070 Franz Kunst Archive of Recorded Sound 2012 [email protected] URL: http://library.stanford.edu/ars Guide to the ARS Audiotape ARS.0070 1 Collection ARS.0070 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: ARS Audiotape Collection Identifier/Call Number: ARS.0070 Physical Description: 15 box(es): 419 open reel tapes, 15 audiocassettes, 60 videocassettes Date (inclusive): 1900-1991 Stanford Archive of Recorded Sound Stanford University Libraries Stanford, California 94305-3076 Material Specific Details: 3" reels-5 4" reels-1 5" reels-37 7" reels-334 10.5" reels-40 1/2" tapes on 10" reels - 4 audiocassettes-15 video reels-2 videocassette (VHS)- 59 videocassette (Beta) - 1 Abstract: Miscellaneous tape recordings, mostly small donations, that span the history of the Archive of Recorded Sound. Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation ARS Audio Miscellany, ARS-0070. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Sponsor This finding aid was produced with generous financial support from the National Historical Publications and Records Commission. Arrangement Most recordings are described under the series marked "Miscellaneous" according to format and reel size. -
Amuses-Gueules Wraps the 80'S Never Get Old 1/4 Lb. Burgers
Amuses-Gueules 1/4 lb. Burgers Extreme Burgers Fries Black Metal Nachos 100% beef, house made, served on bakery bun. 1/2lb. and beyond. 100% beef, house made, served Handcut everyday from fresh potatoes Punk Rock Heavy Tortillas, black beans, jalapeños, onions, black olives, salsa, cheese Double beef : 2.50$ • Triple beef : 4$ Quadruple beef : ...no, don’t do it! on bakery bun. Dips: Sun-dried tomato mayo, pesto mayo, (Cajun chicken: +4$ • Pulled pork: +4$ • Genoa salami: +4$) Metal _______________________________________________ $13 Dimmu curry mayo aioli, Samurai, sour cream, curry ketchup Klassik Patty stuffed with spicy cheese curds & hot peppers, sautéed green Sharkootery Lettuce, tomato, onion, mustard, ketchup peppers & onions, spicy havarti, spicy aioli _____________________________________Fries $3.5 $5.5 $8.5 _______________________________________________Platter of assorted cheeses and meats $16 (Aged_______________________________________________ cheddar: +1$ • Bacon: +1$) $5 _______________________________________________ $9 Satÿr _____________________________________Cajun Fries $4 $6 $10 Dragon Wings Kreator Patty stuffed with goat cheese and kalamata olives, cukes, lettuce, Bacon, sautéed onions, aged cheddar, J.D. BBQ sauce _____________________________________Parmesan Fries 13 flavors to choose, served with fries & sour cream (Bacon: +3$) _______________________________________________ $6.5 tomato,_______________________________________________ onion, aioli $9 $5.5 $6.5 $10.5 Buffalo | Sriracha | GHOST | Satanik | JD BBQ -
Springfield Springfield Springfield $524,999 $340,000 Easy Access to All $400,000 Major Hwys & Public Commuter’S Terrific 3-Level Transportation
Springfield Franconia ❖ Kingstowne ❖ Newington Page 8 Classified, Page 16 Classified, ❖ An End To Sports, Page 12 ❖ Homelessness? Nurse Practitioner Lori McLean, a member of the Fairfax County 10-Year Mission, Page 3 Calendar, Page 7 Health Department, reaches out to the homeless community to get homeless individuals and families connected with Fairfax County’s Community Health Care Network. She travels with basic first aid supplies to pro- vide on-the-spot assistance to anyone who might request services. One of her ‘regular’ clients Al gives her a hug and thanks for the over the counter pain medicine she has given him at his request. PERMIT #86 PERMIT Martinsburg, WV Martinsburg, PAID U.S. Postage U.S. PRSRT STD PRSRT Photo by Deb Cobb/The Connection Photo www.ConnectionNewspapers.comAugust 18-24, 2011 online at www.connectionnewspapers.comSpringfield Connection ❖ August 18-24, 2011 ❖ 1 2 ❖ Springfield Connection ❖ August 18-24, 2011 www.ConnectionNewspapers.com Springfield Connection Editor Michael O’Connell 10-Year Mission 703-778-9416 or [email protected] Can Fairfax End Homelessness? Making Fairfax County A Plan dedicates resources, The Connection energy, services to its examines Fairfax 10-year mission. plan to prevent, Photos by Photos end homelessness. By Victoria Ross The Connection Deb Cobb t seems like a naïve goal. Poverty n Fairfax County, approximately one Ihas been around forever, and the in every 700 people is homeless. homeless, no matter how pros- IThat’s less than 1 percent of the 1 /The Connection perous a nation or a county might be, million people who live in a county seem to be omnipresent. -
JSU Peer Educators Educate on the Real Dangers Behind Alcohol Abuse Jessica Tubbs Obstacle Course Students Behind the Wheel After a Erature and Lottery Prizes
Volume 61, Issue 9 October 25, 2012 The Student Newspaper of Jacksonville State University since 1934 JSU Peer Educators educate on the real dangers behind alcohol abuse Jessica Tubbs obstacle course students behind the wheel after a erature and lottery prizes. ence while underage. Staff Writer could try maneuvering few drinks was a com- Peer educators and the A couple of the peer through while wearing mon theme of the events, hungry students shared educators shared more The JSU Peer Educators “Fatal Goggles” – a device displays, and free litera- their negative experiences personal stories. Katie sponsored an “Alcohol that simulates the visual ture that was handed out. with alcohol. Etheredge said that her Awarness Week” for acuity and coordination Friday afternoon a pre- One student shared that mother, a recovering interested students. of a person with a blood Tailgate Party was held on last week she had gotten alcoholic who has been Ninma Sheshi, the alcohol level over the the quad, luring students three citations: driving sober for four years, project coordinator, set up legal driving limit. with scent of grilled hot under the influence, driv- has inspired her to not events for each day of the Encouraging students to dogs and rewarding the ing without a license, and week, including a golf cart “Be Smart” about getting curious with lunch, lit- driving under the influ- See Alcohol Pg. 2 Open mic and Inside: auction held for Delta Sigma Theta Breast Cancer fights ALS Awarness Donation were taken up on Oct. Cara Wills 8th at the TMB Staff Writer > Complete story Pg. -
Catalogue a ‐ Z
Catalogue A ‐ Z A ? MARK AND MYSTERIANS "Same" LP CAMEO 1966 € 60 (US Garage‐Original Canada Pressing VG++++/VG+) 007 & SCENE " Landscapes" LP Detour € 12 (UK mod‐beat ' 70/ ' 80) 1‐2‐5 “Same” LP Misty lane € 13 (Garage punk dall’Olanda) 13th FLOOR ELEVATORS "Easter every Where" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Graeckle Debacle" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "The Psychedelic Sound Of…" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Unlock the Secret" CD Spalx € 15,00 ('66 US Psych) 20/20 "Giving It All" 7" LINE 1979 € 15 (US Power Pop) 27 DEVILS JOKING "The Sucking Effect" LP RAVE 1991 € 10 (US Garage VG/M‐) 3 NORMAL BEATLES "We Name Is Justice" DLP BUBACK € 23 (Beat from Germany) 39 CLOCKS "Cold Steel To The Heart " LP WHAT'S SO FUNNY ABOUT 1985 € 35 (Psychedelic Wave from Germany) 39 CLOCKS "Subnarcotic" LP WHAT'S SO FUNNY ABOUT 1982 € 35 (Psychedelic Wave from Germany 1988 Reissue) 39 CLOCKS "The Original Psycho Beat" LP WHAT'S SO FUNNY ABOUT 1993 € 20 (Psychedelic Wave from Germany) 3D INVISIBLES "Robot Monster" 7" NEUROTIC BOP 1994 € 5 (US Punk Rock) 3D INVISIBLES "They Won't StayDead" LP NEUROTIC BOP 1989 € 15 (US Punk Rock) 440’S “Gas Grass Or As” 7” Rockin’ Bones € 5 (US Punk) 5 LES “Littering..” 7” HAGCLAND 198? € 5 (Power Pop dal Belgio M‐/M‐) 5.6.7.8.'S "Can't Help It !" CD AUGOGO € 14 (Japan Garage i 7"M‐/M) 5.6.7.8's "Sho‐Jo‐Ji" 7" THIRD MAN € 9 (Garage Punk from Tokyo) 60 FT DOLLS "Afterglow" 7" DOLENT € 3 (Promo Only) 64 SPIDERS "Potty Swat" 7" REGAL SELECT 1989 € 17 (US Punk M‐/M‐) 68 COMEBACK "Do The Rub" 7" BAG OF HAMMERS 1994 € 7 (US Punk Blues) 68 COMEBACK "Flip,Flop,& Fly" 7" GET HIP 1994 € 13 (US Punk Blues) 68 COMEBACK "Great Million Sellers" 7" 1+2 1994 € 8 (US Punk Blues) 68 COMEBACK "High Scool Confidential" 7" PCP I. -
Master Plan Firm Named USGA Fails to Meet Quorum, Again
Meet Ed-Op 12 Datebook 45 Drexel’s Comes'^ 20 Golf Team Classifieds * 22 mEniuNGi£ Entertainment 24 Page 17 Volume 72, Numbet 24 Philid«lphu. P»nntylv«nu April 18,1997 The Student Newspaper at Drexel University Copyrighl 01997 The Tilingte Master USGA fails to meet quorum, again The organization has not had an official activity fee process. The draft legislative board. Plan was a compromised version, Director of Student Activities meeting this term. The activity fee process which came from two months of and USGA advisor Adam work am ong Student Life staff Goldstein said, “We would love and internal restructuring may be affected. and students. to see the student government firm Among the proposed changes, have the opportunity to vote on Anh Dang legislative officers present to do the new student fee process calls this. That is our first option.” NEWS EDITOR business. It was one officer short for a new membership and The USGA officers were named Three weeks into the spring for quorum on April 14. appointment system for the allo expected to be be informed of term, the Undergraduate Student Associate Vice President and cation committee. This process the proposal April 14, then come Government Association has not Dean of Students Dianna Dale would override parts of the cur back to debate and vote on the If approved by the yet obtained quorum to hold an and others came to USGA meet rent USGA constitution. changes the following week. If Board of Trustees, the official meeting. Currently, the ing April 14 to present their latest Modifying its constitution would USGA does not have quorum local firm will study student government needs seven proposal to revise the student require approval from the USGA See USGA on page 2 Drexel's campus with a landscape architect. -
The Agonist (CDN) Genre: Melodic Death Metal / Metalcore Label: Napalm Records Album Titel: Five Spielzeit: 57:03 VÖ: 30.09.2016
Band: The Agonist (CDN) Genre: Melodic Death Metal / Metalcore Label: Napalm Records Album Titel: Five Spielzeit: 57:03 VÖ: 30.09.2016 Schaut man sich den Titel des aktuellen Albums von The Agonist an, ist es schon fast selbstverständlich, dass "Five" die fünfte Scheibe der Kanadier darstellt. The Agonist stehen für großartige, gefühlvolle Melodien, die einhergehen mit keifenden Grunts einer hübschen Sängerin, begleitet von Blastbeats und schnellen Riffs. So soll "Five" keinen Stilbruch darstellen. Zwar wird der Hörer durch "The Moment" mit einem ungewöhnlich langsamen Stück willkommen geheißen, was sich allerdings sofort mit dem ballernden "The Chain" ändern soll. Hier zeigt sich auch direkt, in welche Richtung dieses Album gehen soll. Musikalisch gibt es absolut nichts auszusetzen. The Agonist glänzen durch ausgeklügelte Arrangements, die virtuos gespielt werden. Die Gitarren harmonieren perfekt zusammen, die Drums sind akkurat und druckvoll eingespielt und der Bass verleiht dem Ganzen noch den für diese Band typischen Groove. Die Sängerin Vicky Psarakis, die seit 2014 in die Fußstapfen von Alissa White-Gluz getreten ist, performt hier Gesangskünste auf allerhöchstem Niveau; wo gerade noch gefühlvolle Melodien geträllert werden, folgen direkt Grunts, bei denen sich so manch einer eine Scheibe abschneiden kann, dann geht es wieder fließend in aggressive Shouts über. Die Vocals sind an Vielseitigkeit kaum zu übertreffen. Nicht nur die Gesangsstile, nein, das gesamte Album strahlt nur so vor Abwechslungsreichtum. Fast alle Songs glänzen durch untypische, komplizierte Akkordfolgen, und Songs wie "The Ocean" bieten hochmelodiöse Refrains zum Mitschunkeln, teilweise wird mit der Überlagerung von cleanem und gutturalem Gesang experimentiert, wie beispielsweise bei "The Game". Zwischendurch hört man plötzlich mit "The Raven Eyes" überraschenderweise eine Akustikballade, die in das orchestrales Instrumentalstück "The Wake" übergeht. -
Krautrock and the West German Counterculture
“Macht das Ohr auf” Krautrock and the West German Counterculture Ryan Iseppi A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF GERMANIC LANGUAGES & LITERATURES UNIVERSITY OF MICHIGAN April 17, 2012 Advised by Professor Vanessa Agnew 2 Contents I. Introduction 5 Electric Junk: Krautrock’s Identity Crisis II. Chapter 1 23 Future Days: Krautrock Roots and Synthesis III. Chapter 2 33 The Collaborative Ethos and the Spirit of ‘68 IV: Chapter 3 47 Macht kaputt, was euch kaputt macht: Krautrock in Opposition V: Chapter 4 61 Ethnological Forgeries and Agit-Rock VI: Chapter 5 73 The Man-Machines: Krautrock and Electronic Music VII: Conclusion 85 Ultima Thule: Krautrock and the Modern World VIII: Bibliography 95 IX: Discography 103 3 4 I. Introduction Electric Junk: Krautrock’s Identity Crisis If there is any musical subculture to which this modern age of online music consumption has been particularly kind, it is certainly the obscure, groundbreaking, and oft misunderstood German pop music phenomenon known as “krautrock”. That krautrock’s appeal to new generations of musicians and fans both in Germany and abroad continues to grow with each passing year is a testament to the implicitly iconoclastic nature of the style; krautrock still sounds odd, eccentric, and even confrontational approximately twenty-five years after the movement is generally considered to have ended.1 In fact, it is difficult nowadays to even page through a recent issue of major periodicals like Rolling Stone or Spin without chancing upon some kind of passing reference to the genre. -
The Discursive Construction of Ideal Heavy Metal
1 Vulgar Discourses of Power: The Discursive Construction of Ideal Heavy Metal Subjectivity and the Erasure of Black, Indigenous, and Women of Colour in Heavy Metal Music Culture By Michelle Bona A Thesis Submitted to Saint Mary’s University, Halifax, Nova Scotia in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Women and Gender Studies April 2021, Halifax, Nova Scotia Copyright Michelle Bona, 2021 Approved: Dr. Tatjana Takševa Supervisor Approved: Dr. Jacqueline Warwick Examiner Approved: Dr. Tracy Moniz Reader Date: 23 April 2021 2 Abstract Vulgar Discourses of Power: The Discursive Construction of Ideal Heavy Metal Subjectivity and the Erasure of Black, Indigenous, and Women of Colour in Heavy Metal Music Culture By Michelle Bona Heavy metal music culture has been a bastion of working-class white masculinity since its beginnings in the early 1970s. Through canonization and Historical documentation, white male dominance has been ensured, obscuring contributions made by white female performers and erasing black, Indigenous, and women of colour (BIWoC) from the genre. Utilizing feminist critical discourse analysis (feminist CDA) to examine texts by canonized male bands reveals the discursive parameters of ideal heavy metal subjectivity (IHMS). Exploration of texts created by white female performers, including a case study of Arch Enemy vocalist Alissa White-Gluz, isolates the necessity for white female performers to reproduce the discourses of IHMS in order to secure their participation in the culture, further contributing to the erasure of BIWoC performers. However, feminist CDA also reveals transformative potential within these texts to de-centre IHMS as the default subject position and shows white women’s agency and resiliency as performers. -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
(Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're