The Antiquary, Volume 2
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Exhuming the Vestigial Antique Body in Walter Scott's Caledonia
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 11 | 2015 Expressions of Environment in Euroamerican Culture / Antique Bodies in Nineteenth Century British Literature and Culture Exhuming the Vestigial Antique Body in Walter Scott's Caledonia Céline Sabiron Electronic version URL: http://journals.openedition.org/miranda/6694 DOI: 10.4000/miranda.6694 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Céline Sabiron, “Exhuming the Vestigial Antique Body in Walter Scott's Caledonia”, Miranda [Online], 11 | 2015, Online since 20 July 2015, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/6694 ; DOI: https://doi.org/10.4000/miranda.6694 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Exhuming the Vestigial Antique Body in Walter Scott's Caledonia 1 Exhuming the Vestigial Antique Body in Walter Scott's Caledonia Céline Sabiron 1 In Walter Scott's Border Antiquities of England and Scotland (1814-1817), the Anglo- Scottish border is portrayed as a backbone1 connecting the English and Scottish limbs of the British body, and lying there, almost lifeless, for two centuries since the Union of the Crowns: The frontier regions of most great kingdoms, while they retain that character, are unavoidably deficient in subjects for the antiquary. [...] The case becomes different, however, when, losing by conquest or by union their character as a frontier, scenes once the theatre of constant battle, inroad, defence, and retaliation, have been for two hundred years converted into the abode of peace and tranquillity [...]. -
Samuel Baker the University of Texas at Austin [email protected]
Samuel Baker The University of Texas at Austin [email protected] 5/13/2009 Scott’s Stoic Characters: Ethics, Sentiment, and Irony in The Antiquary, Guy Mannering, and “The Author of Waverley” Published in Modern Language Quarterly (2009) 70 (4): 443–471: Cite only from published version. https://doi-org.ezproxy.lib.utexas.edu/10.1215/00267929-2009-011 Whomever one reads on the question, it seems that Walter Scott created “the classical form of the historical novel” by standing at a locus of contradiction. According to the most influential such accounts, Scott “portrayed objectively the ruination of past social formations, despite all his human sympathy for, and artistic sensitivity to, the splendid, heroic qualities which they contained”; he could accomplish such feats of mediation because he was “two men … both the prudent Briton and the passionate Scot."1 These accounts of Scott’s contradictory investments–by Georg Lukács and David Daiches, respectively–find an emblem in the title Virginia Woolf gave her essay on Scott's late-life journal. Referring to how Scott installed modern lighting at his pseudo- medieval estate, Woolf calls her piece “Gas at Abbotsford.”2 Such formulations became 1 Georg Lukács, The Historical Novel [1937], Hannah and Stanley Mitchell, tr. (Lincoln, Neb.: Univ. of Nebraska Press, 1983), pp.54-55; David Daiches, “Scott’s Achievement as a Novelist” [1951], in Literary Essays (Chicago: Univ. of Chicago Press, 1967), 92. 2 Virginia Woolf, “Gas at Abbotsford” [1940], in Collected Essays, 4 vols. (New York: Harcourt Brace, 1967), 1:128-138. touchstones for Scott criticism some decades ago.3 Many critics since have adopted the concept of a split Scott that, whatever their other differences, Lukács, Daiches, and Woolf share. -
Sir Walter Scott's Templar Construct
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. SIR WALTER SCOTT’S TEMPLAR CONSTRUCT – A STUDY OF CONTEMPORARY INFLUENCES ON HISTORICAL PERCEPTIONS. A THESIS PRESENTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY AT MASSEY UNIVERSITY, EXTRAMURAL, NEW ZEALAND. JANE HELEN WOODGER 2017 1 ABSTRACT Sir Walter Scott was a writer of historical fiction, but how accurate are his portrayals? The novels Ivanhoe and Talisman both feature Templars as the antagonists. Scott’s works display he had a fundamental knowledge of the Order and their fall. However, the novels are fiction, and the accuracy of some of the author’s depictions are questionable. As a result, the novels are more representative of events and thinking of the early nineteenth century than any other period. The main theme in both novels is the importance of unity and illustrating the destructive nature of any division. The protagonists unify under the banner of King Richard and the Templars pursue a course of independence. Scott’s works also helped to formulate notions of Scottish identity, Freemasonry (and their alleged forbearers the Templars) and Victorian behaviours. However, Scott’s image is only one of a long history of Templars featuring in literature over the centuries. Like Scott, the previous renditions of the Templars are more illustrations of the contemporary than historical accounts. One matter for unease in the early 1800s was religion and Catholic Emancipation. -
Biography Daniel F
Newsletter No 40 Autumn 2012 From the Chair SSAH Research Support Grants I hope you’re all enjoying the summer. This is The Scottish Society for Art History promotes always a busy time for us as we prepare the scholarship in the history of Scottish art and art papers for the next Journal, which this year will located in Scotland. To facilitate this, the SSAH focus on Scottish connections to and research on offers research support grants from £50 to £300 the Pre-Raphaelites. It will include, among to assist with research costs and travel expenses. others, Rossetti’s relationship with animals; the Applicants must be working at a post-graduate eco-socialism of William Morris; attitudes to the level or above and should either be resident in PRB by the Edinburgh Smashers Club; and the Scotland or doing research that necessitates Pre-Raphaelite influence on landscape painter travel to Scotland. Application deadlines: 30 George Wilson. We hope to have the journal November and 31 May. ready in time for our AGM, which this year will be in the splendidly re-designed Scottish To apply please send via e-mail: National Portrait Gallery on 8 December – please note the date in your diaries! a cover letter Another date to keep free if you can is 17 current curriculum vitae November, when we will be holding an a brief project description (300-500 words) afternoon conference at George Watson’s specifying how the grant will be used and College in Edinburgh looking at French artists how it relates to a broader research agenda who worked in Scotland in the late 18th and 19th a budget centuries, and the influence this had on their the name and e-mail address of one work – see below for more information. -
Ivanhoe, by Sir Walter Scott
Ivanhoe, by Sir Walter Scott http://www.gutenberg.org/files/82/82-h/82-h.htm The Project Gutenberg EBook of Ivanhoe, by Walter Scott This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Ivanhoe A Romance Author: Walter Scott Release Date: June 25, 2008 [EBook #82] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK IVANHOE *** Produced by John P. Roberts, Jr. and David Widger Now fitted the halter, now traversed the cart, And often took leave,—but seemed loath to depart! 1 —Prior. 1 of 374 12/1/2010 3:51 PM Ivanhoe, by Sir Walter Scott http://www.gutenberg.org/files/82/82-h/82-h.htm INTRODUCTION TO IVANHOE. DEDICATORY EPISTLE IVANHOE. CHAPTER I CHAPTER XII CHAPTER XXIII CHAPTER XXXIV CHAPTER II CHAPTER XIII CHAPTER XXIV CHAPTER XXXV CHAPTER III CHAPTER XIV CHAPTER XXV CHAPTER XXXVI CHAPTER IV CHAPTER XV CHAPTER XXVI CHAPTER XXXVII CHAPTER V CHAPTER XVI CHAPTER XXVII CHAPTER XXXVIII CHAPTER VI CHAPTER XVII CHAPTER XXVIII CHAPTER XXXIX CHAPTER VII CHAPTER XVIII CHAPTER XXIX CHAPTER XL CHAPTER VIII CHAPTER XIX CHAPTER XXX CHAPTER XLI CHAPTER IX CHAPTER XX CHAPTER XXXI CHAPTER XLII CHAPTER X CHAPTER XXI CHAPTER XXXII. CHAPTER XLIII CHAPTER XI CHAPTER XXII CHAPTER XXXIII CHAPTER XLIV NOTE TO CHAPTER I. NOTE TO CHAPTER XXIX NOTE TO CHAPTER II. NOTE TO CHAPTER XXXI NOTE TO CHAPTER XVII. -
The Forms of Historical Fiction
The Forms of Historical Fiction The Forms of Historical Fiction Sir Walter Scott and His Successors By Harry E. Shaw CiD Cornell University Press · Ithaca and London Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. This book has been published with the aid of a grant from the Hull Memorial Publication Fund of Cornell University. Copyright © 1983 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850, or visit our website at cornellpress.cornell.edu. First published 1983 by Cornell University Press Library of Congress Cataloging-in-Publication Data Shaw, Harry E., 1946– The forms of historical fi ction : Sir Walter Scott and his successors. Includes index. 1. Scott, Walter, Sir, 1771–1832—Criticism and interpretation. 2. Scott, Walter, Sir, 1771–1832—Infl uence. 3. Historical fi ction. I. Title. PR5343.H5S5 1983 823'.17 83-5354 ISBN-13: 978-0-8014-1592-0 (cloth) — ISBN-13: 978-1-5017-2326-1 (pbk.) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Cover illustration: Portrait of Sir Walter Scott by Sir Henry Raeburn, reproduced by permission of the Scottish National Portrait Gallery, Edinburgh. FOR }UDY JENSVOLD Contents PREFACE 9 A NOTE ON CITATIONS OF SCOTT'S WORKS 15 I. -
114662991.23.Pdf
HBS.\.17.?A2 /J/JiUiy ■tJ3S ' ( ' THE BY THE AUTHOR OP « WAVERLY” AND « GUY MANNERING.” IWisdom knew Anselmo. and cunning He had was their shrewd shares and of prudent; him; ButAnd he pleased was shrewish again by astoys a waywardwhich childhood child. please; As—bookOr else the of jingling fables gracedof a rusty with medal, print of wood. OrThat the first rare was melody sung toof someplease old King ditty. Pepin’s cradle. IN TWO VOLUMES, VOL. I. PHILADELPHIA: PUBLISHED BY JAMES CRISSY, NO. 177, CHESNUT STREET. O. GOODMAN, PRINTER. 1821. S-34'DESr»\ \ 1976 A'' ADVERTISEMENT. The present work completes a series of fictitious narratives, intended to illustrate the manners of Scot- land at three different periods. Wa verly embraced the age of our fathers, Guy MANNERiNGthatof our own youth, and the Antiquary refers to the last ten years of the eighteenth century. I have, in the two last narratives especially, sought my principal per- sonages in the class of society who are the last to feel the influence of that general polish which assimilates to each other the manners of different nations. Among the same class I have placed some of the scenes, in which I have endeavoured to illustrate the operation of the higher and more violent passions; both because the lower orders are less restrained by the habit of suppressing their feelings, and because I agree with Mr. Wordsworth, that they seldom fail to express them in the strongest and most powerful language. This is, I think, peculiarly the case with the peasantry of my own country, a class with whom I have long been familiar. -
Villainy in Scott╎s Fiction
Studies in English Volume 13 Article 7 1972 Villainy in Scott’s Fiction George W. Boswell University of Mississipi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the Literature in English, British Isles Commons Recommended Citation Boswell, George W. (1972) "Villainy in Scott’s Fiction," Studies in English: Vol. 13 , Article 7. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol13/iss1/7 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Boswell: Villainy in Scott’s Fiction Villainy in Scott’s Fiction by George W. Boswell The natural disposition and career of Sir Walter Scott were so generally sunny that only a small handful of his many critics have seriously faulted any aspects of his character. Occasional objections have been adduced to the mystification and possible harshness of his business dealings with the Ballantynes, the maintenance of his incog nito with respect to authorship of the Waverley novels long beyond any credible reason for it, his jealousy of Robert Burns (though if existent this is certainly not very noticeable), and some of his Chester- fieldian letters to his son and heir; but these have seemed to pale into insignificance when set alongside his moral virtues. The latter in clude his industry, his openhandedness, his capacity for extensive friendships, his civil services, the generous praise of the literary pro ductions of his contemporaries, and above all the heroic stoicism with which “in his fifty-sixth year, already in uncertain health, he assumed a mountain of debt and sentenced himself to a lifetime of servi tude”1 in order to avoid bankruptcy and its stigma. -
Introduction: Reworking Walter Scott Daniel Cook University of Dundee
Studies in Scottish Literature Volume 44 Article 2 Issue 2 Reworking Walter Scott 12-15-2018 Introduction: Reworking Walter Scott Daniel Cook University of Dundee Lucy Wood Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Cook, Daniel and Wood, Lucy (2019) "Introduction: Reworking Walter Scott," Studies in Scottish Literature: Vol. 44: Iss. 2, 3–9. Available at: https://scholarcommons.sc.edu/ssl/vol44/iss2/2 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. INTRODUCTION: REWORKING WALTER SCOTT Daniel Cook and Lucy Wood In two years’ time, on the fifteenth of August 2021, Walter Scott turns 250. Edinburgh, the world’s first designated UNESCO City of Literature, will lead the celebrations with a series of public events and publications in honour of one of Scotland’s most noteworthy authors. In a sense, this work of commemoration began long ago. Waverley, Edinburgh’s main railway station, remains the only station on the planet to take its name from a literary character—in this case the eponymous hero of Scott’s first novel. Near the station stands the Scott Monument, the world’s tallest shrine to an author, in which Scott and his beloved hound Maida have been regally rendered in thirty tons of Carrara marble. They’ve been sitting there, in Princes Street Gardens, overlooking countless passers-by, since the 1840s, barely a decade after the writer’s death. -
The Antiquary, Complete
The Antiquary, Complete Sir Walter Scott The Project Gutenberg EBook of The Antiquary, Complete, by Sir Walter Scott This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Antiquary, Complete Author: Sir Walter Scott Release Date: August 17, 2004 [EBook #7005] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE ANTIQUARY, COMPLETE *** Produced by David Widger THE ANTIQUARY BY SIR WALTER SCOTT, BART. COMPLETE VOLUME ONE I knew Anselmo. He was shrewd and prudent, Wisdom and cunning had their shares of him; But he was shrewish as a wayward child, And pleased again by toys which childhood please; As---book of fables, graced with print of wood, Or else the jingling of a rusty medal, Or the rare melody of some old ditty, That first was sung to please King Pepin's cradle Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. INTRODUCTION The present work completes a series of fictitious narratives, intended to illustrate the manners of Scotland at three different periods. _Waverley_ embraced the age of our fathers, _Guy Mannering_ that of our own youth, and the _Antiquary_ refers to the last ten years of the eighteenth century. I have, in the two last narratives especially, sought my principal personages in the class of society who are the last to feel the influence of that general polish which assimilates to each other the manners of different nations. -
Scott, History, and the Antiquary's Doppelgänger
Studies in Scottish Literature Volume 44 Article 7 Issue 2 Reworking Walter Scott 12-31-2019 Oldbuck and Ochiltree: Scott, History, and the Antiquary’s Doppelgänger John Williams University of Greenwich Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Williams, John (2019) "Oldbuck and Ochiltree: Scott, History, and the Antiquary’s Doppelgänger," Studies in Scottish Literature: Vol. 44: Iss. 2, 63–71. Available at: https://scholarcommons.sc.edu/ssl/vol44/iss2/7 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. OLDBUCK AND OCHILTREE: SCOTT, HISTORY, AND THE ANTIQUARY’S DOPPELGÄNGER John Williams Although Jonathan Oldbuck’s first appearance in Sir Walter Scott’s novels is in The Antiquary (1816), he had in fact always been there, the author’s doppelgänger patiently waiting to step out of the shadows. Oldbuck is a principal figure within the private repertory company of authors and antiquaries with whom Scott shared his entire literary career, and it was through the interventions of such fictional voices as Oldbuck, Cleishbotham, Pattieson, Osbaldistone, Dryasdust, Croftangry and Clutterbuck that Scott expressed what Kenneth McNeil describes as the author’s awareness of the “ironic relationship”` between the past and the present.1 To this end, Scott’s novels are grounded from the outset in a creative exploration of the Gothic tropes of double identity, hero/anti-hero, tainted familial relationships (notably between father and son), and shape- shifting; and for all its relative lightness of mood when compared to its close contemporaries, Old Mortality (1816) and Rob Roy (1817), nowhere is this more apparent than in The Antiquary. -
Guy Mannering, Or the Astrologer Sir Walter Scott
Guy Mannering, or the Astrologer Sir Walter Scott The Harvard Classics Shelf of Fiction, Vol. IV. Selected by Charles William Eliot Copyright © 2001 Bartleby.com, Inc. Bibliographic Record Contents Biographical Note Criticisms and Interpretations I. By Thomas Carlyle II. By Richard Holt Hutton III. Carlyle on the Waverley Novels IV. Richard Holt Hutton on Scott’s Women V. Walter Bagehot on the Waverley Novels VI. Ruskin on Scott’s Women List of Characters Introduction to Guy Mannering (1829) Additional Note Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX Chapter X Chapter XI Chapter XII Chapter XIII Chapter XIV Chapter XV Chapter XVI Chapter XVII Chapter XVIII Chapter XIX Chapter XX Chapter XXI Chapter XXII Chapter XXIII Chapter XXIV Chapter XXV Chapter XXVI Chapter XXVII Chapter XXVIII Chapter XXIX Chapter XXX Chapter XXXI Chapter XXXII Chapter XXXIII Chapter XXXIV Chapter XXXV Chapter XXXVI Chapter XXXVII Chapter XXXVIII Chapter XXXIX Chapter XL Chapter XLI Chapter XLII Chapter XLIII Chapter XLIV Chapter XLV Chapter XLVI Chapter XLVII Chapter XLVIII Chapter XLIX Chapter L Chapter LI Chapter LII Chapter LIII Chapter LIV Chapter LV Chapter LVI Chapter LVII Chapter LVIII Notes Glossary Biographical Note SIR WALTER SCOTT belonged by descent to a large family which had for generations lived in the border counties of the south of Scotland, and many of whose members had been heroes of such exploits as their descendant was to make familiar to all the world. His father, Walter Scott, the first of the stock to become a city dweller, was by profession a writer to the signet; his mother, Anne Rutherford, was the daughter of a professor of medicine in Edinburgh University.