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A DILIXENCIA [John Ford, 1939] 257

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A DILIXENCIA [John Ford, 1939] 257 A DILIXENCIA [John Ford, 1939] 257 PROXECCIÓNS EN NUMAX: 6, 12 e 18 de xullo V.O.S.E. | TODOS OS PÚBLICOS Stagecoach (1939, 96’) premios e festivais sinopse Dirección: John Ford Oscar 1939 (Mellor actor de reparto Personaxes moi variopintos emprenden Guión: Dudley Nichols —Thomas Mitchell— e mellor banda unha longa, dura e perigosa viaxe en Elenco: John Wayne, Claire Trevor, Thomas Mitchell, sonora. Nomeado a mellor filme, dilixencia. Entre eles, un fóra da lei Andy Devine, George Bancroft, Donald Meek, Louise Platt, director, fotografía, dirección de arte en busca de vinganza, unha prostituta John Carradine, Berton Churchill, Tom Tyler, Tim Holt e montaxe), Seleccionada polo National á que botaron do pobo, un xogador, Son: Frank Maher, Robert Parrish Film Preservation Board en 1995. un médico, a muller embarazada dun Montaxe: Otho Lovering, Dorothy Spencer militar, un sheriff. As relacións entre Vestiario: Walter Plunkett filmografía seleccionada Dirección de arte: Alexander Toluboff eles han ser difíciles e tensas. Ademais, Fotografía: Bert Glennon O home que matou a Liberty Valance, 1962 durante a viaxe, van ter que afrontar Música: Gerard Carbonara Centauros del desierto, 1956 o ataque dunha partida de indios Produtoras: United Artists (Estados Unidos) El hombre tranquilo, 1952 apaches. Distribuidora: Classic Films Fort Apache, 1948 Formato de proxección: DCP2K, 1.37:1 Pasión de los fuertes, 1946 Idioma orixinal: Inglés ¡Qué verde era mi valle!, 1938 Las uvas de la ira, 1940 «A esencia máis pura do Far West late nesta obra que dá carta de natureza ao mito icónico de John Wayne, acompañado dun inesquecíbel plantel de secundarios» Miguel Ángel Palomo, EL PAÍS A DILIXENCIA [John Ford, 1939] «Eu xamais vexo algún pequeno papel», dixen. «O seu proxecto nun primeiro termo. Un deles nome é Michael Morrinson, mais está dixo, «é simplemente un filme de serie westerns, mais a facer westerns baratos gravados en B». Outro dixo «Está ben, mais non deixa encántame facelos» cinco días e agora coñécese como John de ser un western». Por suposto o filme Wayne». «Cres que é bo?» «Creo que si, e seguiu adiante e conseguimos esquivar o John Ford podémolo conseguir por pouco diñeiro» os golpes. E tiramos para adiante. Eu conseguín Eu xamais vexo westerns, mais reunir un bo elenco e seleccionei as encántame facelos. Por que? Porque localizacións. Viaxei a Monument Valley nos máis dos casos grávanse nos e pareceume que sería un bo lugar emprazamentos naturais. Traballas para gravar un western. Empregueino ao aire libre, lonxe do fume e as Atopei a historia d’A dilixencia ao ler o por vez primeira n’A dilixencia. Había autoestradas. Estás cun fato de persoas relato en Collier’s. Non estaba moi ben unha lagoa seca que era perfecta para o que son amigos teus e cómese ben — desenvolvido mais os personaxes eran ataque indio. Non tiñamos automóbiles sempre insisto en que se coma o mellor bos. «É unha gran historia», pensei, e específicos para a cámara neses días así posíbel en escena. Traballas desde o merquei os dereitos por unha pequena que simplemente puxemos a cámara amencer até o solpor, e cando chega a cantidade —foron 2.500$ coido. Logo no coche e comezamos a gravar. Foi noite dormes coma un bebé. É unha gran tentei vendela aos estudios mais ninguén rápido. Pregunteille ao condutor a que vida, por que non habería de gustarme? quería mercala. Cando os xefes dos velocidade se tiña gravado e dixo que a 40 estudios a lían dicíanme, «Pero isto é un ou 42 millas por hora. Non sabía que os western! Xa ninguén fai westerns!» cabalos podían correr tan rápido. Publicado en www.dga.org/ Tradución: Xan Gómez Viñas «Desde logo, é un western», dicía Gravamos uns catro días alí e logo eu, «pero hai grandes personaxes nel. volvemos para rematar o filme no estudio Cal é a diferencia se está emprazado no da Goldwyn. O guión non tiña longos Oeste ou noutro lugar? Unha historia é diálogos e deixeino case tal cal estaba unha historia, tanto se está ambientada no texto. Logo de rematar a gravación no Oeste como en Verona». Finalmente traballei de preto co montador. Mais recibín a chamada dun produtor, Walter tampouco había moito que facer. Eu fago Wagner, que tiña un filme por facer no a montaxe coa cámara. Cando rematamos seu contrato con United Artists. Daquela a montaxe Wagner convidou a unhas envieille a historia e dixo, «é bastante boa, poucas persoas ao visionado, cerebros estou a pensar en Gary Cooper e Marlene brillantes da industria que comezaron a Dietrich». dicir como terían feito A dilixencia. Sam «Non creo que poidas permitirte Goldwyn dixo, «Walter, cometiches un salarios tan elevados nun filme coma erro: deberías telo gravado en cor, tes que este», dixen, «é o tipo de película que volver comezar e facelo en cor». Douglas tes que facer con catro patacos». «Tes Fairbanks Sr. dixo: «A escena da caza é alguén en mente?» preguntou Wagner. longa de máis». «Ben, hai un mozo que coñezo que Logo ensinámoslla aos grandes adoitaba traballar de atrezzo e ten feito produtores da rko, que declinaran o na libraría numax John Ford, Peter Bogdanovich. Fundamentos, 1997 Sobre John Ford, Lindsay Anderson. Paidós, 2001 John Ford, Tag Gallagher. Akal, 2009 John Ford, L´homme et ses films, Tag Gallagher. Capricci, 2014 Más allá del oeste, Ángel Fernández-Santos. Debate, 2007 El western, Clelia Cohen. Paidós, 2006 NUMAX, S. Coop. Galega Concepción Arenal, 9 baixo 15702 Santiago de Compostela telf 981 560 250 | www.numax.org .
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