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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
Key-Value Memory Networks for Directly Reading Documents
Key-Value Memory Networks for Directly Reading Documents Alexander H. Miller1 Adam Fisch1 Jesse Dodge1,2 Amir-Hossein Karimi1 Antoine Bordes1 Jason Weston1 1Facebook AI Research, 770 Broadway, New York, NY, USA 2Language Technologies Institute, Carnegie Mellon University, Pittsburgh, PA, USA {ahm,afisch,jessedodge,ahkarimi,abordes,jase}@fb.com Abstract can be used to query such databases (Berant et al., 2013; Kwiatkowski et al., 2013; Fader et al., 2014). Directly reading documents and being able to Unfortunately, KBs have intrinsic limitations such answer questions from them is an unsolved as their inevitable incompleteness and fixed schemas challenge. To avoid its inherent difficulty, ques- that cannot support all varieties of answers. Since tion answering (QA) has been directed towards information extraction (IE) (Craven et al., 2000), in- using Knowledge Bases (KBs) instead, which has proven effective. Unfortunately KBs often tended to fill in missing information in KBs, is neither suffer from being too restrictive, as the schema accurate nor reliable enough, collections of raw tex- cannot support certain types of answers, and tual resources and documents such as Wikipedia will too sparse, e.g. Wikipedia contains much more always contain more information. As a result, even if information than Freebase. In this work we KBs can be satisfactory for closed-domain problems, introduce a new method, Key-Value Memory they are unlikely to scale up to answer general ques- Networks, that makes reading documents more tions on any topic. Starting from this observation, viable by utilizing different encodings in the ad- in this work we study the problem of answering by dressing and output stages of the memory read operation. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
Presentazione AIXIA 2013.Key
A Virtual Player for “Who Wants to Be a Millionaire?” based on Question Answering Piero Molino - [email protected]! Università degli Studi di Bari Aldo Moro Pierpaolo Basile, Ciro Santoro, Pasquale Lops, Marco de Gemmis and Giovanni Semeraro! Who wants to be Millionaire? € 50 € 100 € 200 50:50 € 300 € 500 € 1 000 € 2 000 € 4 000 € 8 000 Who directed Blade Runner?€ 16 000 € 32 000 € 64 000 € 125 000 A € 500 000 Harrison Ford € 1 000 000 C Philip Dick B Ridley Scott D James Cameron Methodology ✤ Obtain scored passages from a QA system! ✤ Answers are paragraphs obtained from Wikipedia or triples from DBpedia! ✤ Calculate the confidence in each of the four answers using this information! ✤ Choose the answer according to the confidence Who directed Blade Runner? Article Title Passage Text Score Sir Ridley Scott (born 30 November 1937) is an English film director and producer. Following Ridley Scott his commercial breakthrough with Alien (1979), his best-known works are the sci-fi classic Blade Runner (1982) and the best picture Oscar-winner Gladiator (2000). 5.3 Blade Runner is a 1982 American dystopian science fic- tion action film directed by Ridley Scott and starring Harrison Ford, Rutger Hauer, and Sean Young. The screenplay, written by Blade Runner Hampton Fancher and David Peo- ples, is loosely based on the novel Do Androids Dream of 5.1 Electric Sheep? by Philip K. Dick. Director Ridley Scott and the film’s producers ”spent months” meeting and discussing the Blade Runner role with Dustin Hoffman, who eventually departed over differences in vision. -
Ctod;I~ ~--• and • ~ The~~ for ANIMALS
ctod;i~ ~--• and • ~ the~~ FOR ANIMALS OFFICERS & DIRECTORS JoAnne Worley, President loretta Swit, 1st. Vice President Paul Jolly, 2nd. Vice President/Treasurer Cory Carter, Secretary Maria Dales March 17, 2014 Jackie Joseph Sherry Miller Susan Taylor Personnel and Animal Welfare Committee Claro Tortomasi Attn: Councilman Paul Koretz, Chair Betty White Councilman Felipe Fuentes, Member Mary Willard Councilman Mitch O'FarreU, Member EXECUTIVE DIRECTOR Susan Taylor los Angeles City Council PRESIDENT EMERITUS 200 N. Spring Street Earl Holliman Los Angeles, CA 90012 DIRECTORS EMERITUS Jodie Mann Maurice Tubin Re: CFll...Q473- March 18, 2014 Agenda Item No.6 HONORARY BOARD Support Motion Made on March 23, 2011 in Support of Cardenas/Rosendahl Motion to Add OF GOVERNORS Dog Licensing Funds to Animal Sterilization Fund and in Opposition to Animal Welfare Trust Denise Alexander Fund lucie Arnaz Clint Black lisa Hartman Black Actors and Others for Animals was founded in 1971 and is one of the oldest and Joe Bologna Christie Brinkley most respected animal welfare organizations in Los Angeles. Our main mission is to James Brolin curb the pet overpopulation problem through subsidizing spay and neuter Carol Burnett surgeries. We are strong advocates of dog licensing and differentials that allow dog Dick Carlson, Past President Angie Dickinson "owners" who sterilize their pet to receive a reduced license fee and equally Rosemary Forsyth support the City providing financial aid to pet .. owners" to spay/neuter their pets. Zsa Zsa Gabor Arlene Golonka Eydie Gorme We urge you to support the original March 23, 2011 motion by Councilman Veronica Hamel Harry Hamlin Cardenas to cap the licensing revenue and place any excess revenue collected into Mariette Hartley the Animal Spay and Neuter Trust Fund. -
March 19, 2013 (XXVI:9) Mike Leigh, NAKED (1994, 131 Min.)
March 19, 2013 (XXVI:9) Mike Leigh, NAKED (1994, 131 min.) Best Director (Leigh), Best Actor (Thewliss), Cannes 1993 Directed and written by Mike Leigh Written by Mike Leigh Produced by Simon Channing Williams Original Music by Andrew Dickson Cinematography by Dick Pope Edited by Jon Gregory Production Design by Alison Chitty Art Direction by Eve Stewart Costume Design by Lindy Hemming Steadicam operator: Andy Shuttleworth Music coordinator: Step Parikian David Thewlis…Johnny Lesley Sharp…Louise Clancy Jump, 2010 Another Year, 2008 Happy-Go-Lucky, 2004 Vera Katrin Cartlidge…Sophie Drake, 2002 All or Nothing, 1999 Topsy-Turvy, 1997 Career Girls, Greg Cruttwell…Jeremy G. Smart 1996 Secrets & Lies, 1993 Naked, 1992 “A Sense of History”, Claire Skinner…Sandra 1990 Life Is Sweet, 1988 “The Short & Curlies”, 1988 High Hopes, Peter Wight…Brian 1985 “Four Days in July”, 1984 “Meantime”, 1982 “Five-Minute Ewen Bremner…Archie Films”, 1973-1982 “Play for Today” (6 episodes), 1980 BBC2 Susan Vidler…Maggie “Playhouse”, 1975-1976 “Second City Firsts”, 1973 “Scene”, and Deborah MacLaren…Woman in Window 1971 Bleak Moments/ Gina McKee…Cafe Girl Carolina Giammetta…Masseuse ANDREW DICKSON 1945, Isleworth, London, England) has 8 film Elizabeth Berrington…Giselle composition credits: 2004 Vera Drake, 2002 All or Nothing, 1996 Darren Tunstall…Poster Man Secrets & Lies, 1995 Someone Else's America, 1994 Oublie-moi, Robert Putt...Chauffeur 1993 Naked, 1988 High Hopes, and 1984 “Meantime.” Lynda Rooke…Victim Angela Curran...Car Owner DICK POPE (1947, Bromley, -
Easy Riders, Raging Bulls: How the Sex, Drugs and Rock and Roll Generation Saved Hollywood Pdf, Epub, Ebook
EASY RIDERS, RAGING BULLS: HOW THE SEX, DRUGS AND ROCK AND ROLL GENERATION SAVED HOLLYWOOD PDF, EPUB, EBOOK Peter Biskind | 512 pages | 26 Apr 1999 | SIMON & SCHUSTER | 9780684857084 | English | New York, United States Easy Riders, Raging Bulls: How the Sex, Drugs and Rock and Roll Generation Saved Hollywood PDF Book My impression of this documentary wasn't so great due to the fact of already seeing and knowing a similar themed work a few years ago called "A Decade Under the Influence" , directed by Ted Demme and Richard LaGravenese, which was a better project for numerous reasons. Why do people go see them? The book is hefty with gossip of all kinds, which is too bad because he's talking about the revolution in films in the 60's to early 80's. It is chock full of interviews and choice information about the time period 60's's in American cinema that changed everything, for a lot better and some for not. Beatty likes to fuck alot. Biskind's book disappointed me tremendously. Return to the Books Home Page. Assassinations, cultural domination, drugging, spying, provocation: Talk about taking the fight to your opponents—the American people—and crippling them for generations! But in the kind of popularized pseudohistory ''Easy Riders, Raging Bulls'' exemplifies, anecdotes are valued above all else, bitchy gossip is privileged, dysfunction is automatically more fascinating than artistic success, aggrieved former friends and former lovers are granted the license to settle scores sometimes anonymously , documentation is disdained and historical analysis must be squeezed into the narrative quickly, so as not to disrupt the dishing. -
Switchblade Comb" by Mobius Vanchocstraw
00:00:00 Music Music "Switchblade Comb" by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:08 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I'm April Wolfe. Every week, I invite a new female filmmaker on—a writer, director, actor, or producer—and we talk in-depth about one of their fave genre films, perhaps one that influenced their own work in some small way, and today I'm very excited to have screenwriter/playwright Claire Kiechel with me. Hi, Claire! 00:00:28 Claire Guest I'm so happy to be here! Kiechel [Music fades out.] 00:00:30 April Host For those of you who aren't as familiar with Claire's work, please let me give you an introduction. Claire is a bi-coastal theatre-maker and film and TV writer. She earned her BA from Amherst College before jumping up to the New School of Drama for her MFA. Since then she's stayed very busy, receiving commissions from Actors Theatre of Louisville, South Coast Rep, and the Alley Theatre. Her plays include Paul Swan is Dead and Gone at the Civilians at Torn Page, Sophia at Alley Theatre All New Festival in 2019—with an upcoming world premiere at the Alley in 2020. She's also brought sci-fi to the stage with Pilgrims at the Gift Theatre, which got a spot on the Kilroys' The List in 2016. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
(XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 22, 2019 (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Mel Brooks WRITING Mel Brooks, Norman Steinberg, Richard Pryor, and Alan Uger contributed to writing the screenplay from a story by Andrew Bergman, who also contributed to the screenplay. PRODUCER Michael Hertzberg MUSIC John Morris CINEMATOGRAPHY Joseph F. Biroc EDITING Danford B. Greene and John C. Howard The film was nominated for three Oscars, including Best Actress in a Supporting Role for Madeline Kahn, Best Film Editing for John C. Howard and Danford B. Greene, and for Best Music, Original Song, for John Morris and Mel Brooks, for the song "Blazing Saddles." In 2006, the National Film Preservation Board, USA, selected it for the National Film Registry. CAST Cleavon Little...Bart Gene Wilder...Jim Slim Pickens...Taggart Harvey Korman...Hedley Lamarr Madeline Kahn...Lili Von Shtupp Mel Brooks...Governor Lepetomane / Indian Chief Burton Gilliam...Lyle Alex Karras...Mongo David Huddleston...Olson Johnson Liam Dunn...Rev. Johnson Shows. With Buck Henry, he wrote the hit television comedy John Hillerman...Howard Johnson series Get Smart, which ran from 1965 to 1970. Brooks became George Furth...Van Johnson one of the most successful film directors of the 1970s, with Jack Starrett...Gabby Johnson (as Claude Ennis Starrett Jr.) many of his films being among the top 10 moneymakers of the Carol Arthur...Harriett Johnson year they were released. -
THE PHILOSOPHY of STEVEN SODERBERGH the Philosophy of Popular Culture
THE PHILOSOPHY OF STEVEN SODERBERGH The Philosophy of Popular Culture Th e books published in the Philosophy of Popular Culture series will illuminate and explore philosophical themes and ideas that occur in popular culture. Th e goal of this series is to demonstrate how philosophical inquiry has been reinvigorated by increased scholarly interest in the intersection of popular culture and philosophy, as well as to explore through philosophical analysis beloved modes of entertainment, such as movies, TV shows, and music. Philosophical concepts will be made accessible to the general reader through examples in popular culture. Th is series seeks to publish both established and emerging scholars who will engage a major area of popular culture for philosophical interpretation and examine the philosophical underpinnings of its themes. Eschewing ephemeral trends of philosophical and cultural theory, authors will establish and elaborate on connections between traditional philosophical ideas from important thinkers and the ever-expanding world of popular culture. Series Editor Mark T. Conard, Marymount Manhattan College, NY Books in the Series Th e Philosophy of Stanley Kubrick, edited by Jerold J. Abrams Football and Philosophy, edited by Michael W. Austin Tennis and Philosophy, edited by David Baggett Th e Philosophy of the Coen Brothers, edited by Mark T. Conard Th e Philosophy of Film Noir, edited by Mark T. Conard Th e Philosophy of Martin Scorsese, edited by Mark T. Conard Th e Philosophy of Neo-Noir, edited by Mark T. Conard Th e Philosophy of Horror, edited by Th omas Fahy Th e Philosophy of Th e X-Files, edited by Dean A. -
P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales).