Mapping the Gastronomic Tradition
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The Lion's Republic Fight Against the Plague
Bulletin of the Transilvania University of Bra şov • Vol. 6 (51) - 2009 Series 6: Medical Sciences Supplement – Proceeding of The IV th Balkan Congress of History of Medicine THE LION’S REPUBLIC FIGHT AGAINST THE PLAGUE ORIGINATING FROM THE LEVANTE VENETO G. ZANCHIN 1 Abstract: Until its end the Serenissima constantly supported the contagionist hypothesis, playing for all the span of its history the role of pioneer and model for the measures adopted to prevent the diffusion of epidemics. The sanitary preoccupations of the Republic were particularly directed upon people and goods arriving from the territories of the Ottoman Empire from where periodic bouts of plague originated. The examination of the written and iconographic primary sources here considered puts in evidence relevant aspects of the Venetian fight against the plague Key words: Republic of Venice, plague, epidemics, lazaret, quarantine, osella. The experience made during the “tainted” pesthouse, to become later the epidemics of the XIV th century contributed “old” lazaret (Fig. 1 ), the first institution to to the affirmation of the contagionist be established for this purpose. hypothesis of which Venice remained In this last case, according to the vigorous supporter for the entire period of habitual formula, the location was decreed its history [5] as “ healthy (thanks to God) and free from This theory maintained that the cause of any doubt of contagious illness ”: a “fede di the plague, identified with the so called sanità” that is a specific written licence “miasma”, corrupting the air and decom- bearing this statement, was released in posing the bodies, could attach from an such a condition by the local sanitary individual to another, or even adhere itself officers. -
IOL Conference Venice 2017D
CONTENTS LOGISTIC 2 PROGRAMME 8 SPEAKERS 10 ABSTRACTS 21 LIST OF PARTICIPANTS 74 #OceanLiteracy4all International Ocean Literacy Conference - 4, 5 December 2017 1 LOGISTIC UNESCO Regional Bureau for Science and Culture in Europe Address: Palazzo Zorzi, Castello 4930, 30122 Venice, Italy The easiest way to reach the venue is to take the ACTV Vaporetto N°1 or N°2 (from Piazzale Roma or Train Station “Ferrovia”) up to San Zaccaria( ) / San Marco. From Saint Mark's Square walk straight up the calle degli Albanesi, through the campo San Filippo e Giacomo, turn right and take the first street on the left. Go over the bridge you will encounter while you walk the Calle della Corona. The entrance to Palazzo Zorzi is at the very end of the Salizada Zorzi, on the left side before the bridge (10-minute walk) https://goo.gl/maps/TGrsVqJFYEn #OceanLiteracy4all International Ocean Literacy Conference - 4, 5 December 2017 2 LOGISTIC Transportation from Marco Polo Airport http://www.veniceairport.it Venice's Marco Polo Airport is located about 7 kilometres (4 miles) north of the city centre, on the edge of the lagoon. By bus • ATVO Express Bus (Airport Shuttle Bus) http://www.atvo.it/it-venice-airport.html Every 30 minutes non-stop to Piazzale Roma (20 minutes) One-way €8 Round trip €15 • ACTV Autobus #5 http://actv.avmspa.it/en Every 15 minutes to Piazzale Roma (25 minutes) Attention: currently, travel on any ACTV bus line with origin or destination at Venice Marco Airport (the #5 Aerobus line, or the #4, #15 or #45 lines) is excluded from the Tourist Travel Cards, and requires an additional special fare ticket. -
Infopoint Laguna Di Venezia
InfoPoint Laguna di Venezia VENEZIA SOCIETA' COOPERATIVA SAN MARCO-PESCATORI DI BURANO HOTEL MIRAMARE Via Terranova, 215-30012 Burano (VE) Lungomare Adriatico, 28/C-Sottomarina (VE) BAR GELATERIA LAGUNA MOSELLA SUITE HOTEL S.Pietro in Volta, 271-30126 Pellestrina (VE) Via San Felice, 3-Sottomarina (VE) LIMOSA AGENZIA DI VIAGGI E TOUR OPERATOR DI LIMOSA SOC.COOP INDIGA Via Angelo Toffoli, 5-30175 Marghera (VE) Via San Felice-Sottomarina (VE) VE.LA.S.P.A. PUNTO VENDITA BIGLIETTI VENEZIA UNICA-BURANO PICCOLA BAITA AL MARE Lungomare Adriatico-Sottomarina (VE) V.D.V. S.R.L. VENEZIA CERTOSA MARINA RESORT c/o Venezia Certosa Marina Resort-30141 Isola della Certosa (VE) POINT BREAK SAS Lungomare Adriatico, 50/B-Sottomarina (VE) CASA MUSEO ANDRICH Isola di Torcello, 4/L-30142 Torcello (VE) PROLOCO CHIOGGIA SOTTOMARINA Calle Cavallotti,710-Chioggia (VE) CAVALLINO TREPORTI RAFFAELLO NAVIGAZIONE SRL AZIENDA AGRITURISTICA LE SALINE Via Roma, 1433-Chioggia (VE) Via della Sparesera, 4-Cavallino Treporti (VE) RENDEZ VOUS FANTASIA SRL CENTRO VACANZE OPERA NASCIMBENI Via Roma, 1445-Chioggia (VE) Via Francesco Baracca, 51-Cavallino Treporti (VE) HOTEL MEDITERRANEO BIKE ON DI VALTER PASTRELLO Lungomare Adriatico, 6-Sottomarina (VE) Via Paolo Thaon Di Ravel, 56/A-Cavallino Treporti (VE) BRAGOZZO ULISSE Rione S.Andrea, 1287-Chioggia(VE) CHIOGGIA BAGNI BAHIA DEL SOLE CAMPING TREDUE SRL Lungomare Adriatico 50/D-Sottomarina (VE) Via Sebastiano Venier, 345-Chioggia (VE) BAGNI PERLA PLAYA DEL SOL Lungomare Nord-Sottomarina (VE) 9 Lungomare Nord-Sottomarina (VE) -
Programma Del Festival Delle Arti 2016
1 CAMPO VAPORETTO Fermata Sacca Fisola Spazi Derive e nuovi approdi 2 CENTRO XXV APRILE Calle del Teatro 1, Sacca Fisola 3 GIUDECCA 795 ART GALLERY In un contesto difficile e distratto, il tema della settima edizione del Fondamenta S. Biagio 795 Festival delle Arti vuole essere un invito a salpare verso destinazioni 4 FONDAMENTA S. BIAGIO sconosciute e imprevedibili, usando la “deriva” psicogeografica come 5 AREA “CASETTE” pratica estetica di lettura di un territorio urbano in continua 6 CAMPO S. COSMO trasformazione. 7 EX CONVENTO SS. COSMA E DAMIANO Abbiamo invitato gli artisti a rapportarsi con lo spazio pubblico di Campo S. Cosmo 620/A Giudecca e Sacca Fisola con percorsi sino ad ora inesplorati, per 8 ASS. IL CENTRO DELLA LUCE DORATA sorprendersi, avere nuove visioni, aggiungervi dimensione ed Corte Nova 633 emozione, capirne le peculiarità, lasciandosi ispirare per opere 9 FONDAMENTA S. EUFEMIA Come raggiungerci Porticato della Chiesa inedite. 10 XFRAME STUDIO I partecipanti potranno misurare le proprie gesta performative con Fermate dei mezzi di trasporto pubblico Actv: Sacca Fisola, Palanca, Redentore, Zitelle Fondamenta S. Eufemia 673 l'aperto di corti e fondamenta, il percorribile di calli e callette, il > linea 2 e 4.1 da Ferrovia e da P.le Roma (parcheggio auto) direz. S.Zaccaria 11 FONDAMENTA S. EUFEMIA e CALLE DEL PISTOR navigabile di canali e lagune, lo scavalcabile dei muri e l’elevabile > linea 2 da Tronchetto (parcheggio auto) direzione S. Zaccaria 12 PATRONATO DON BOSCO delle altane. > linea 2 da Zattere direzione S. Zaccaria Calle lunga de l’Accademia dei Nobili 618 > linea 2 e 4.2 da S. -
Do the Adaptations of Venice and Miami to Sea Level Rise Offer Lessons for Other Vulnerable Coastal Cities?
Environmental Management https://doi.org/10.1007/s00267-019-01198-z Do the Adaptations of Venice and Miami to Sea Level Rise Offer Lessons for Other Vulnerable Coastal Cities? 1 2 3 Emanuela Molinaroli ● Stefano Guerzoni ● Daniel Suman Received: 5 February 2019 / Accepted: 29 July 2019 © Springer Science+Business Media, LLC, part of Springer Nature 2019 Abstract Both Venice and Miami are high-density coastal cities that are extremely vulnerable to rising sea levels and climate change. Aside from their sea-level location, they are both characterized by large populations, valuable infrastructure and real estate, and economic dependence on tourism, as well as the availability of advanced scientific data and technological expertize. Yet their responses have been quite different. We examine the biophysical environments of the two cities, as well as their socio- economic features, administrative arrangements vulnerabilities, and responses to sea level rise and flooding. Our study uses a qualitative approach to illustrate how adaptation policies have emerged in these two coastal cities. Based on this information, we critically compare the different adaptive responses of Venice and Miami and suggest what each city may learn from the 1234567890();,: 1234567890();,: other, as well as offer lessons for other vulnerable coastal cities. In the two cases presented here it would seem that adaptation to SLR has not yet led to a reformulation of the problem or a structural transformation of the relevant institutions. Decision-makers must address the complex issue of rising seas with a combination of scientific knowledge, socio-economic expertize, and good governance. In this regard, the “hi-tech” approach of Venice has generated problems of its own (as did the flood control projects in South Florida over half a century ago), while the increasing public mobilization in Miami appears more promising. -
Saint Mark's Square As Contested Political Space
SAINT MARK’S SQUARE AS CONTESTED POLITICAL SPACE: PROTESTING CRUISE TOURISM IN VENICE [ReceiveD 21st October 2020; accepteD February 21st 2021 – DOI: 10.21463/shima.119] AlexanDer Araya López Ca’ Foscari University, Venice < [email protected]> ABSTRACT: Saint Mark’s Square is unquestionably the most famous tourist attraction in Venice, a piazza characterised by its complex history, unique aesthetics anD many allusions to power (given its proximity to the Doge’s Palace anD Saint Mark’s Basilica). This square is the largest open space in the city anD while it is routinely crowDeD with tourists from all over the worlD, political Demonstrations have been prohibiteD since 1997. This article explores Saint Mark’s Square as a contested political space by focusing on the many local struggles against cruise tourism in Venice anD its lagoon. InsteaD of constituting an ‘apolitical’ space, the preferreD uses given to the square by local authorities and tourism stakeholders are manifestly ‘political’, producing a space of leisure and consumption that benefits the economic logic behinD the ‘normal’ functioning of the piazza. Other alternative social anD political uses of the square are not only DiscourageD but banned, which brings into Discussion the Lefebvrian notion of the right to the city: who has access to the centre as a (political) privilegeD space? The article examines protest acts undertaken by the collective No Grandi Navi, particularly the political events that took place after the MSC Opera collision with another tourist vessel anD the Dock in June 2019. KEYWORDS: public sphere, protest, cruise tourism, policing, urban spaces. IntroDuction: Global mass tourism anD Venice as a ‘tourist’ city In June 2020, while the coronavirus panDemic forceD many cities anD tourist Destinations to impose harsh lockDowns, Dozens of cruise ships were stranDeD at Manila Bay in the Philippines (Fonbuena anD McCormick, 2020). -
ART HISTORY of VENICE HA-590I (Sec
Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001). -
Guide to Places of Interest
Guide to places of interest Lido di Jesolo - Venezia Cortina Oderzo Portogruaro Noventa di Piave Treviso San Donà di Piave Caorle Altino Eraclea Vicenza Jesolo Eraclea Mare Burano Cortellazzo Lido di Jesolo Dolo Venezia Verona Padova Cavallino Mira Cà Savio Chioggia Jesolo and the hinterland. 3 Cathedrals and Roman Abbeys . 10 Visits to markets Concordia Sagittaria, Summaga and San Donà di Piave Venice . 4 From the sea to Venice’s Lagoon . 11 St Mark’s Square, the Palazzo Ducale (Doge’s Palace) and the Caorle, Cortellazzo, Treporti and Lio Piccolo Rialto Bridge The Marchland of Treviso The Islands of the Lagoon . 5 and the city of Treviso . 12 Murano, Burano and Torcello Oderzo, Piazza dei Signori and the Shrine of the Madonna of Motta Verona and Lake Garda. 6 Padua . 13 Sirmione and the Grottoes of Catullo Scrovegni Chapel and Piazza delle Erbe (Square of Herbs) The Arena of Verona and Opera . 7 Vicenza . 14 Operatic music The Olympic Theatre and the Ponte Vecchio (Old Bridge) of Bas- sano del Grappa Cortina and the Dolomites . 8 The three peaks of Lavaredo and Lake Misurina Riviera del Brenta . 15 Villas and gardens The Coastlines . 9 Malamocco, Pellestrina, Chioggia 2 Noventa di Piave Treviso San Donà di Piave Eraclea Caorle Jesolo Eraclea Mare Lido di Jesolo Cortellazzo Cavallino Jesolo and the hinterland The lagoon with its northern appendage wends its way into the area of Jesolo between the river and the cultivated countryside. The large fishing valleys of the northern lagoon extend over an area that is waiting to be explored. Whatever your requirements, please discuss these with our staff who will be more than happy to help. -
Defence of Venice Littoral Islands - IT
Defence of Venice littoral islands - IT Defence of Venice littoral islands - IT 1. Policy Objective & Theme ADAPTATION TO RISK: Managing impacts of climate change and safeguarding resilience of coasts/coastal systems SUSTAINABLE USE OF RESOURCES: Preserving coastal environment (its functioning and integrity) to share space 2. Key Approaches Knowledge-based Technical 3. Experiences that can be exchanged The measures adopted are the most important protected beach nourishment projects ever implemented in Italy on an eroding coastline with sea wall, according to the most advanced techniques of modern coastal engineering, attributing great importance to the protected nourished beaches for their capacity to dissipate wave energy in a resilient way. 4. Overview of the case The coastal barrier between the Adriatic Sea and the lagoon is constituted by the littorals of Jesolo, Cavallino, Lido, Pellestrina, Sottomarina and Isola Verde. The lagoon communicates with the sea through the three inlets of Lido, Malamocco and Chioggia. Over time, the coastal strip has lost its defensive function. The built-up areas closest to the sea are ever more often at risk.These problems have been faced through a complex programme of interventions, including the reinforcement of the coastline. The measures adopted have been developed from international experienced reshaped for the particular coastline. 5. Context and Objectives a) Context Venice is located in a lagoon protected from the Adriatic Sea by a coastal barrier that stretches for a total of about 60 km. The coastline is made up of strips of land: the coastal strips of Jesolo and Cavallino, the two inlands of Lido and Pellestrina and the sand beaches of Sottomarina and Isola Verde. -
Artist Melissa Mcgill Launches Large-Scale Public Art Project On
Artist Melissa McGill Launches Large-Scale Public Art Project on Venice’s Lagoon and Canals Choreographing Fleet of Historic Sailboats in Series of Regattas from May through November Created with the Associazione Vela al Terzo Venezia and Magazzino Italian Art Foundation, Red Regatta Celebrates Local Maritime History and Calls Attention to the Fragile Balance Between City of Venice and the Sea Project Commences with Artist Talk and Community Open House (May 8) and Preview Regatta (May 11), with Additional Performances Coinciding with Annual Regata Storica and Regata di Burano Venice, Italy – May 6, 2019 – From May through November, artist Melissa McGill is choreographing a series of large-scale regattas across Venice’s lagoon and canals in a major public art project that celebrates the city’s maritime history and calls attention to the forces of climate change and mass tourism that threaten its future. Unfolding in multiple parts, Red Regatta fills Venice’s waterways with 52 traditional vela al terzo sailboats, hoisted with hand-painted red sails. Bringing together over 250 local partners, Red Regatta is co-organized by Magazzino Italian Art Foundation, presented in collaboration with Associazione Vela al Terzo Venezia, and curated by Chiara Spangaro and project manager Marcella Ferrari. Red Regatta commences on May 8 with an artist talk and community open house at Ocean Space and a preview regatta on May 11 on the northern lagoon at Fondamente Nove. Additional regattas will sail at various points throughout the duration of Venice’s Biennale until November, including during the annual Regata Storica in the Bacino di San Marco and the Regata di Burano in September. -
Le Isole Minori Elisabetta Vulcano 2009
CITTA’ DI VENEZIA Assessorato Ambiente - Osservatorio Naturalistico della Laguna Centro Studi Riviera del Brenta In collaborazione con: Coop. Hyla – CAI – Uff. Educazione Ambientale – Istituzione Parco Laguna Corso didattico formativo LA LAGUNA DI VENEZIA: genesi, evoluzione, naturalità e salvaguardia - Anno 2008/2009 - LE ISOLE MINORI: UN PATRIMONIO DELLA STORIA ALLA DERIVA DEL PRESENTE Elisabetta Vulcano (Architetto) La struttura topografica della città nelle sue linee generali è già formata nella prima metà del XIII secolo. La pianta di Venezia disegnata da Paolino da Venezia (1270-1344), e inserita nel suo “Compendium” detto anche “Chronologia magna” (1346), restituisce la forma della città secondo un aspetto cronologico: come doveva presentarsi Venezia nel IX secolo (ma con alcuni particolari riferiti addirittura all'VIII secolo) e come doveva essere nel XII secolo, con aggiunte relative alla sua configurazione coeva all'autore. Dopo la morte di Fra' Paolino la pianta pergamenacea rimase nascosta a tutti per quattrocento anni. Solo nel 1730 Tomaso Temanza scoprì la pergamena e nel 1781 realizzò una incisone su rame nella quale riportò con una calligrafia più chiara il disegno e le scritte, incisione che diede alle stampe. La Pianta di Venezia di Paolino da Venezia (Biblioteca Marciana, Venezia) Il Chronicon marciano 1. Porto del Lido 2. San Pietro 3. Arsenale 4. Isola di San Giorgio 5. Piazza San Marco 6. Rialto 7. Murano 8. Cannaregio 9. Giudecca 10 . San Nicolò L’incisione di Benedetto Bordone del 1528 è la più antica pianta prospettica della laguna. In questa, sono pochi i toponimi della città, molti delle isole e dei lembi di terraferma. È la prima mappa che, oltre alla città, comprende anche la laguna. -
Venetian Special Occasion Getaway
For Expert Advice Call A unique occasion deserves 01722 445900 a unique experience. https://italian-short-breaks.co.uk/city/luxury-venice/short/retreat/ Venetian Special Occasion Getaway Break available: March - November 4 days Highlights Most people have been to Venice before, but if you want to return and celebrate a special occasion in style, escaping from the ● Staying in 5 Star San Clemente Palace Kempinski, located crowds has to be high on your priority list. San Clemente Palace on its own Venetian island, away from the crowds Kempinski is the perfect blend of being away from the hustle and ● Thrilling Helicopter Ride over Venice and the nearby islands bustle of Venice, but also only 5 minutes away from St Mark's ● Complimentary Watertaxi from the hotel to St Mark's Square Square by complimentary watertaxi. Venice has something for as required everyone, whether it is a romantic gondola ride for 2, a trip to the ● Flexibility to tailor your break how you want nearby islands of Murano and Burano, or an opera experience. ● Flights from many UK regional airports Venice is fortunate in being able to offer not one but two very different opera experiences; the first is a night at the stunningly beautiful La Fenice opera house, the second taking place in a palace with no stage between you and the performers! Day by Day Itinerary DAY 1 Fly to Venice, Private transfer to your hotel and Dinner page 1/11 Fly to Venice and take your meet & greet private watertaxi transfer to your 5 star hotel. San Clemente Palace Kempinski is located on it’s own private island just below Venice, and is the perfect tranquil haven away from the crowds.