Iv) Hellenistic Greece
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Lecture 9 Hellenistic Kingdoms Chronology
Lecture 9 Hellenistic Kingdoms Chronology: Please see the timeline and browse this website: http://www.metmuseum.org/toah/hd/haht/hd_haht.htm Star Terms: Geog. Terms: Ptolemy II Philadelphos Alexandria (Egypt) Apollonius of Rhodes Pergamon (Pergamum) The Museon of Alexandria Antioch The Pharos Lighthouse Red Sea Idylls of Theocritus A. Altar of Zeus (Pergamon, Turkey), c. 175 BCE Attalos I and the Gauls/ gigantomachy/ Pergamon in Asia Minor/high relief/ violent movement Numismatics/ “In the Great Altar of Zeus erected at Pergamon, the Hellenistic taste for emotion, energetic movement, and exaggerated musculature is translated into relief sculpture. The two friezes on the altar celebrated the city and its superiority over the Gauls, who were a constant threat to the Pergamenes. Inside the structure, a small frieze depicted the legendary founding of Pergamon. In 181 BCE Eumenes II had the enormous altar “built on a hill above the city to commemorate the victory of Rome and her allies over Antiochos III the Great of Syria at the Battle of Magnesia (189 BCE) a victory that had given Eumenes much of the Seleucid Empire. A large part of the sculptural decoration has been recovered, and the entire west front of the monument, with the great flight of stairs leading to its entrance, has been reconstructed in Berlin, speaking to the colonial trend of archaeological imperialism of the late 19th century. Lecture 9 Hellenistic Kingdoms B. Dying Gaul, Roman copy of a bronze original from Pergamon, c. 230-220 BCE, marble theatrical moving, and noble representations of an enemy/ pathos/ physical depiction of Celts/Gauls This sculpture is from a monument commemorating the victory in 230 BCE of Attalos I (ruled 241-197 BCE) over the Gauls, a Celtic people who invaded from the north. -
Alexander the Great and Hephaestion
2019-3337-AJHIS-HIS 1 Alexander the Great and Hephaestion: 2 Censorship and Bisexual Erasure in Post-Macedonian 3 Society 4 5 6 Same-sex relations were common in ancient Greece and having both male and female 7 physical relationships was a cultural norm. However, Alexander the Great is almost 8 always portrayed in modern depictions as heterosexual, and the disappearance of his 9 life-partner Hephaestion is all but complete in ancient literature. Five full primary 10 source biographies of Alexander have survived from antiquity, making it possible to 11 observe the way scholars, popular writers and filmmakers from the Victorian era 12 forward have interpreted this evidence. This research borrows an approach from 13 gender studies, using the phenomenon of bisexual erasure to contribute a new 14 understanding for missing information regarding the relationship between Alexander 15 and his life-partner Hephaestion. In Greek and Macedonian society, pederasty was the 16 norm, and boys and men did not have relations with others of the same age because 17 there was almost always a financial and power difference. Hephaestion was taller and 18 more handsome than Alexander, so it might have appeared that he held the power in 19 their relationship. The hypothesis put forward here suggests that writers have erased 20 the sexual partnership between Alexander and Hephaestion because their relationship 21 did not fit the norm of acceptable pederasty as practiced in Greek and Macedonian 22 culture or was no longer socially acceptable in the Roman contexts of the ancient 23 historians. Ancient biographers may have conducted censorship to conceal any 24 implication of femininity or submissiveness in this relationship. -
How We Got Our Bible Part Three: the Text of the New Testament
How We Got Our Bible Part Three: The Text of the New Testament I. The Nature of New Testament Manuscripts A. Early biblical manuscripts were written on papyrus. B. By the 3d century parchment (leather) became the standard paper for biblical manuscripts. C. Writing was done with pen and ink. The ink was usually brown or black. D. Initially New Testament books were written on Scrolls. E. Around the beginning of the 2d century the codex (modern book) became the main book format. II. The Styles of Writing in New Testament Manuscripts A. Cursive (minuscule) Handwriting B. All-Capitals (uncial) C. Because of the cost of parchment many documents were scraped and washed to be reused for other literature. These are called Palimpsests. They are biblical manuscripts that are written on reused parchment. Of the 263 uncial manuscripts of the New Testament 63 are palimpsests. D. In the early centuries of Christianity the gospels were divided into regular readings for services. Scribes marked the beginning and end of these readings so the lector (reader) knew where to begin and end. These manuscripts of the gospels are called lectionaries (Lindisfarne Gospels). E. The advent of monasteries created a class of monks who became scribes. They worked standing at a writing desk in a room called a scriptorium. This was difficult and tedious work. Some monks even added little sentences at the end of manuscripts such as, “The end of the book; thanks be to God.” F. The monks also added footnotes called colophons which include the name of the scribe and sometimes the date and place of writing. -
Evzones: the Historic Presidential Guard of Greece
30 FRIDAY 15 JANUARY 2010 NEWS IN ENGLISH Ï Êüóìïò Evzones: The historic Presidential Guard of Greece The Evzones (Presidential In 1926 a panhellenic Guard) have a history that competition was an- nounced for a design stretches over more than a centu- for a Tomb of the Un- ry. The Presidential Guard was known Soldier. It was to founded on 12 December 1868 be built in front of the as a combatant and at the same main entrance of the Parliament building, time ceremonial force. Gradually facing Syntagma (Con- its role became solely ceremonial, stitution) Square. as can be seen by its changing names: the Palace Guard, the On 9 October 1926 the Ministry for the Flag Guard, the Guard of the Military with ordinance Tomb of the Unknown Soldier, number 219188 award- the Royal Guard and finally, ed the prize to the ar- since 1974 and the restoration of chitect Emmanuel Lazaridis. However the decision to erect democracy in Greece, the the tomb in the afore-mentioned place Presidential Guard. was delayed as it met with many objec- tions and differing opinions. A new com- he barracks where the Presiden- mittee was formed in June of 1928 and tial Guard is based has been in the Cabinet accepted its proposals. In Tthe same place since the force April 1929 work began and the monu- was founded. It is situated close to the ment was completed on March of 1932. present Presidential Man- Its inauguration took place at the time of sion (formerly the Palace) the National Holiday of the same year. -
How Is a Torah Made?
How is a Torah made? By Rabbi Amy R. Scheineman The scribe prepares parchment sheets While printed editions of the Torah abound, in both Hebrew and English translation, and with many different commentaries, when the Torah is read in the synagogue on Shabbat and holidays, it is read from a hand-written scroll, called a Sefer Torah, in keeping with age-old tradition. It takes several months, and often as a long as a year to complete one Sefer Torah. The Sefer Torah is written by a scribe, special trained for this holy task, on sheets of parchment. The parchment must derive from a kosher animal, usually a cow, and is meticulously prepared by the scribe, who first soaks the skin in lime water to remove hairs, and then stretches the skin over a wooden frame to dry. The scribe scrapes the skin while it is stretched over the wooden frame to remove more hair and smooths the surface of the skin in preparation for writing on it with the use of a sanding machine. When the skin is dry, the scribe cuts it into a rectangle. The scribe must prepare many such skins because a Sefer Torah usually contains 248 columns, and one rectangle of parchment yields space for three or four columns. Thus a Sefer Torah may require at more than 80 skins in all. When the parchment sheets are ready, the scribe marks out lines and columns using a stylus, which makes a mark in the skin that has no color, much as if you ran your fingernail across a sheet of paper. -
Royal Power, Law and Justice in Ancient Macedonia Joseph Roisman
Royal Power, Law and Justice in Ancient Macedonia Joseph Roisman In his speech On the Crown Demosthenes often lionizes himself by suggesting that his actions and policy required him to overcome insurmountable obstacles. Thus he contrasts Athens’ weakness around 346 B.C.E. with Macedonia’s strength, and Philip’s II unlimited power with the more constrained and cumbersome decision-making process at home, before asserting that in spite of these difficulties he succeeded in forging later a large Greek coalition to confront Philip in the battle of Chaeronea (Dem.18.234–37). [F]irst, he (Philip) ruled in his own person as full sovereign over subservient people, which is the most important factor of all in waging war . he was flush with money, and he did whatever he wished. He did not announce his intentions in official decrees, did not deliberate in public, was not hauled into the courts by sycophants, was not prosecuted for moving illegal proposals, was not accountable to anyone. In short, he was ruler, commander, in control of everything.1 For his depiction of Philip’s authority Demosthenes looks less to Macedonia than to Athens, because what makes the king powerful in his speech is his freedom from democratic checks. Nevertheless, his observations on the Macedonian royal power is more informative and helpful than Aristotle’s references to it in his Politics, though modern historians tend to privilege the philosopher for what he says or even does not say on the subject. Aristotle’s seldom mentions Macedonian kings, and when he does it is for limited, exemplary purposes, lumping them with other kings who came to power through benefaction and public service, or who were assassinated by men they had insulted.2 Moreover, according to Aristotle, the extreme of tyranny is distinguished from ideal kingship (pambasilea) by the fact that tyranny is a government that is not called to account. -
The Satrap of Western Anatolia and the Greeks
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 The aS trap Of Western Anatolia And The Greeks Eyal Meyer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Ancient History, Greek and Roman through Late Antiquity Commons Recommended Citation Meyer, Eyal, "The aS trap Of Western Anatolia And The Greeks" (2017). Publicly Accessible Penn Dissertations. 2473. https://repository.upenn.edu/edissertations/2473 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2473 For more information, please contact [email protected]. The aS trap Of Western Anatolia And The Greeks Abstract This dissertation explores the extent to which Persian policies in the western satrapies originated from the provincial capitals in the Anatolian periphery rather than from the royal centers in the Persian heartland in the fifth ec ntury BC. I begin by establishing that the Persian administrative apparatus was a product of a grand reform initiated by Darius I, which was aimed at producing a more uniform and centralized administrative infrastructure. In the following chapter I show that the provincial administration was embedded with chancellors, scribes, secretaries and military personnel of royal status and that the satrapies were periodically inspected by the Persian King or his loyal agents, which allowed to central authorities to monitory the provinces. In chapter three I delineate the extent of satrapal authority, responsibility and resources, and conclude that the satraps were supplied with considerable resources which enabled to fulfill the duties of their office. After the power dynamic between the Great Persian King and his provincial governors and the nature of the office of satrap has been analyzed, I begin a diachronic scrutiny of Greco-Persian interactions in the fifth century BC. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
The Herodotos Project (OSU-Ugent): Studies in Ancient Ethnography
Faculty of Literature and Philosophy Julie Boeten The Herodotos Project (OSU-UGent): Studies in Ancient Ethnography Barbarians in Strabo’s ‘Geography’ (Abii-Ionians) With a case-study: the Cappadocians Master thesis submitted in fulfilment of the requirements for the degree of Master in Linguistics and Literature, Greek and Latin. 2015 Promotor: Prof. Dr. Mark Janse UGent Department of Greek Linguistics Co-Promotores: Prof. Brian Joseph Ohio State University Dr. Christopher Brown Ohio State University ACKNOWLEDGMENT In this acknowledgment I would like to thank everybody who has in some way been a part of this master thesis. First and foremost I want to thank my promotor Prof. Janse for giving me the opportunity to write my thesis in the context of the Herodotos Project, and for giving me suggestions and answering my questions. I am also grateful to Prof. Joseph and Dr. Brown, who have given Anke and me the chance to be a part of the Herodotos Project and who have consented into being our co- promotores. On a whole other level I wish to express my thanks to my parents, without whom I would not have been able to study at all. They have also supported me throughout the writing process and have read parts of the draft. Finally, I would also like to thank Kenneth, for being there for me and for correcting some passages of the thesis. Julie Boeten NEDERLANDSE SAMENVATTING Deze scriptie is geschreven in het kader van het Herodotos Project, een onderneming van de Ohio State University in samenwerking met UGent. De doelstelling van het project is het aanleggen van een databank met alle volkeren die gekend waren in de oudheid. -
2017 Tsjcl Certamen Novice Division Round 1
2017 TSJCL CERTAMEN NOVICE DIVISION ROUND 1 TU 1 What mythological group was made up of Thalia, Terpsichore, and seven others? THE MUSES B1 Who was the mother of the Muses? MNEMOSYNE B2 In one story, the Muses were said to have been born when what creature touched the Helicon spring? PEGASUS TU 2 From what Latin verb with what meaning do we get the English words overt and aperture? APERIO = TO OPEN, UNCOVER, DISCLOSE B1 From what Latin verb with what meaning do we get the English words augment and auction? AUGEO = TO INCREASE B2 From what Latin verb with what meaning do we get the English word obedience? AUDIO = TO HEAR, LISTEN TO TU 3 For the verb capio, capere give the 3rd person, plural, future, active, indicative CAPIENT B1 Change capient to the future perfect CEPERINT B2 Change ceperint to the passive voice CAPTI ERUNT TU 4 What structure located between the Palatine and Aventine Hills was known for its chariot racing? CIRCUS MAXIMUS B1&B2 The emperor Domitian added two colored factions to the original four. For five points each, name these colors PURPLE & GOLD 1 2017 TSJCL CERTAMEN NOVICE DIVISION ROUND 1 TU 5 Say in Latin: Do you like learning the Latin language? AMASNE / AMATISNE / DILIGISNE / DILIGITISNE DISCERE LINGUAM LATINAM? B1 Say in Latin: You are not going to school tomorrow, are you? NUM CRAS AD SCHOLAM IS / ITIS? // NUM ES ITURUS / ESTIS ITURI AD SCHOLAM CRAS? B2 Say in Latin: You want to win this contest don’t you? NONNE HOC CERTAMEN VIS / VULTIS / CUPIS / CUPITIS VINCERE? [SCORE CHECK] TU 6 What state has the motto “ad astra per aspera”? KANSAS B1 What state has the motto “dum spiro, spero”? SOUTH CAROLINA B2 What is the Latin motto of the state of Missouri? SALUS POPULI SUPREMA LEX (ESTO) TU 7 Give the accusative singular for the phrase solum animal. -
Hellenistic Greek Temples and Sanctuaries
Hellenistic Greek Temples and Sanctuaries Late 4th centuries – 1st centuries BC Other Themes: - Corinthian Order - Dramatic Interiors - Didactic tradition The «Corinthian Order» The «Normalkapitelle» is just the standardization Epidauros’ Capital (prevalent in Roman times) whose origins lays in (The cauliculus is still not the Epudaros’ tholos. However during the present but volutes and Hellenistic period there were multiple versions of helixes are in the right the Corinthian capital. position) Bassae 1830 drawing So-Called Today the capital is “Normal Corinthian Capital», no preserved compared to Basse «Evolution» (???) of the Corinthian capital Choragic Monument of Lysikrates in Athens Late 4th Century BC First istance of Corinthian order used outside. Athens, Agora Temple of Olympian Zeus. FIRST PHASE. An earlier temple had stood there, constructed by the tyrant Peisistratus around 550 BC. The building was demolished after the death of Peisistratos and the construction of a colossal new Temple of Olympian Zeus was begun around 520 BC by his sons, Hippias and Hipparchos. The work was abandoned when the tyranny was overthrown and Hippias was expelled in 510 BC. Only the platform and some elements of the columns had been completed by this point, and the temple remained in this state for 336 years. The work was abandoned when the tyranny was overthrown and Hippias was expelled in 510 BC. Only the platform and some elements of the columns had been completed by this point, and the temple remained in this state for 336 years. SECOND PHASE (HELLENISTIC). It was not until 174 BC that the Seleucid king Antiochus IV Epiphanes, who presented himself as the earthly embodiment of Zeus, revived the project and placed the Roman architect Decimus Cossutius in charge. -
ASKO TIMONEN the Historia Augusta
Criticism of Defense. The Blaming of "Crudelitas" in the "Historia Augusta"* ASKO TIMONEN The Historia Augusta (HA) is the coilection of the biographies of the em perors and famous pretenders from Hadrian to Numerian. It constitutes an enigma in that we know neither its a.uthor nor the exact time of pub lication. For the purpose of this report, I have adopted the broad dating used by P. Soverini, as such a stance provides a general foundation in terms of the research of the history of mentalities and ideologies. Soverini dates publication of the compilation at about the fourth or the fifth century.1 In this paper the concept of crudelitas - the use of "unnecessary" vio lence - shall be discussed with reference to the political situation in a histo riographical sense. Of further interest here is the methodology used in the biographical historiography in that the author utilizes imperial propaganda for his own purpose of blaming a ruler, in this case L. Septimius Severus, of being cruel. To illustrate this concept, I shall interpret the author's comments on the autobiography of Septimius Severus as weil as the au thor's excerpts which were inspired either by this very autobiography or by Severus' speeches to the senate. The author of the HA was weil acquainted with the now-lost autobiography of Septimius Severus: Uxorem tune Mar ciam duxit, de qua tacuit in historia vitae privatae (Sept. Sev. 3.2). Vitam suam privatam publicamque ipse composuit ad fidem, solum tarnen vitium crudelitatis excusans (Sept. Sev. 18.6). In vita sua Severus dicit ..