Screwball! the Cartoonists Who Made the Funnies Funny Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Screwball! the Cartoonists Who Made the Funnies Funny Pdf, Epub, Ebook SCREWBALL! THE CARTOONISTS WHO MADE THE FUNNIES FUNNY PDF, EPUB, EBOOK Paul Tumey | 304 pages | 08 Oct 2019 | Idea & Design Works | 9781684051878 | English | United States Screwball! The Cartoonists Who Made The Funnies Funny PDF Book From June 22 through July 14, , Fanbase Press will highlight each of the Eisner Awards' 31 nomination categories, providing comic book industry members and readers alike the opportunity to learn more about the nominees and their work. In this case, it's constitutional law. They were thrown out with the newspaper, and children read them and re-read them until they fell apart. Francine Prose. What is false offends. In his cartoon "Submarine Sadness" Greening dives for a virtuoso presentation of an undersea diver. Greening's work displays an astonishing range. The clearest expression of that search can be found in the subversive work of Harvey Kurtzman, the cartoonist who founded Mad. Right now, you need us more than ever to be a bright spot in all of it, and a place to enjoy your favorite things with your friends. He is not included in Screwball! Paul C. Herriman was born in New Orleans in Batman: Batman and Son New Edition. Description The story of screwball comics, with new research and rare art from some of the most hilarious cartoonists of all time. His Pulitzer Prize—winning graphic novel, Maus , has just been issued as a two- volume boxed set of paperbacks with a booklet of related comics and drawings. He tells the story of each cartoonist, and he tells those stories beautifully. Check out that wordless fifth panel of Mooney sinking into the earth -- I love the Cubist, deconstructionist feel in this panel! Fannie Hurst. Thank you for your generosity. Find books coming soon in My ever-present realization of the material virtues of kidney stew and gorgonzola cheese has permanently destroyed whatever of the ethereal that may have been born within me…. Mooney Miggles is also an early example of continuity. Those hungry to learn about stories — both real and fantastical — set outside our modern comics industry, look no further. In this interview, Richard Sala discusses his genre influences, style, and pop culture obsession. Charles Petersen. Click here to purchase. Search form. More by Art Spiegelman Drawing the Holocaust. The proponents may have been eccentric by nature, but they helped enrich the newspaper funnies in a way that few others would have truly been able to do. His eccentric cartoon art turns up in the oddest places. Float Left Float Right. Screwball! The Cartoonists Who Made The Funnies Funny Writer However, with some concentration, it's not too hard to make out the words Rube is singing-talking. Description The story of screwball comics, with new research and rare art from some of the most hilarious cartoonists of all time. Slackers was a panel series that Rube created regularly during this period. Winners will be announced sometime in July. It includes a memorable antiburglar contraption but today is better known for featuring Larry, Moe, and Shemp before they became the Three Stooges. Before "screwball" became a movie genre, it was a staple of other forms of American culture, including newspaper comic strips. An amazing but forgotten chapter in comics history. Batman: Batman and Son New Edition. Little Oddfellows www. What do you think? Tumey builds the case for the genre of Screwballism, convincingly illustrating why names like Frederick Burr Opper or Boody Rogers should be at least as familiar to Americans as Charlie Chaplin or Mel Brooks. Attractively designed collections of Little Nemo , Krazy Kat , Thimble Theater , Barnaby , Pogo , Peanuts , and so many more—all with intelligent historical appreciations—are finding their way into libraries. Emerging from the pressures of a rapidly accelerating technological and information-drenched society, screwball comics offered a healthy dose of laughter and perspective. Amateur musician. The publisher says: A new manga from the creator of the acclaimed A Silent Voice , featuring intimate, emotional drama and an epic story spanning time and space. The idea was to recreate for our readers the Monday-through-Saturday context of Rube's work -- which has been largely lost. Can he survive the experience through the healing power of art? For the most part, Rube didn't create his comics around characters, but instead around ideas -- such as our confounding propensity to ask questions when the answer is right in front of us. Ah, stereotypes! A singular idea for a comic strip is Mr. Channel: Screwball Comics. The Saturday I visited, I pressed the green start button, and nothing happened. Butts, A. The story of screwball comics, with new research and rare art from some of the most hilarious cartoonists of all time. To Your Eternity Vol. Little is yet known about Dink Shannon , a notable, if unknown, graphic stylist of the early comics page. Abrams , p. It reveals the thematic heart of all the screwball works in this book and beyond: The Count, a half-pint, sausage-nosed, cross-eyed resident of Nuttycrest Sanitarium, has an even smaller companion, a yellow dog named Iggy who wears a Napoleon hat. Chances are, if you visit Monkeys Fighting Robots a lot, you've heard a little about Space Bastards already. Politics Noir. Rube also created a companion strip, "Mother Was Right. Published here with a selection of the most important pieces, Life? Constantly surrounded by a group of childhood classmates, an unbearably idealistic live-in friend Felix and his adopted son, Eugene, as well as his sweet daughter Julie, Jean questions life and those of others in an honest and endearing way; his unmistakable joie de vivre always undermined by a palpable sense of cynicism. Note the date: April 1, Beginning as a young Parisian bachelor, defeatist writer, and urban bon vivant , Jean has reluctantly transitioned into a family man of forty, learning how to live with, and ultimately love those around him unconditionally. As a formalist in a newly emerging medium, Dink also shows a flair for organizing his panels to better reflect the passage of events. I live in Wilmington, DE with my wife and two children. Based on his own experience, Pedrosa narrates this return to his roots in a deeply compelling and warmly human way. The book offers a wealth of previously un-reprinted comics unleashing fresh views of some of America's greatest and most-loved cartoonists, including George Herriman Krazy Kat , E. Serfs of Academe. To write them, he drew inspiration from his own troubled life: an arrest for subversion; a death sentence spared when he was already in front of the firing squad; four years of hard labor in a Siberian prison camp, a spiritual conversion, a constant addiction to gambling, and the loss of two children that left him a deeply broken man. In the meantime, if you want to learn more about Rube visit my special page on him, with comics, photos, and links. Looking for More Great Reads? Father Was Right. Batman Vol. Screwball! The Cartoonists Who Made The Funnies Funny Reviews In the book we reprint a long continuity from the rare Sparky Watts comic strips. These latter were to be the casual habits of twentieth century animation, and it took an unembarassable American kind of cartooning to get us there. And what is she willing to do to make that happen? Zim once joked that he and his fellow cartoonists at Puck treated the various races and creeds that made up America with gloves, the kind boxers wear. See screwballcomics. The publisher says: A best-of story selection by the master of horror manga. While Stumble Inn sits in a quiet and conventional suburb of Coconino County, in a dingy small town elsewhere on the comics pages we find Our Boarding House , established in by Gene Ahern. Monday: April 1, from the collection of Paul Tumey. In this interview, Richard Sala discusses his genre influences, style, and pop culture obsession. A touch of art may nourish the soul, but a good laugh always aids the digestion. However, after living with these 15 cartoonists for the seven years that it took to write Screwball! Perhaps Fuller knew his contract wouldn't be renewed, and so he decided to wring a little self- promotion out of the piece. In the early 20th Century, Zane Pinchback, a reporter for the New Holland Herald , is sent to investigate the arrest of his own brother, charged with the brutal murder of a white woman in Mississippi. Of his many creations, Count Screwloose of Tooloose , a Sunday page that launched in , may be his screwiest. Tumey's encyclopedic knowledge, artistic eye and deft writing hand brings the history of screwball comics magically to life. Many of these agencies provided clever creative print and radio ads to their clients, and so it was necessary to use the same sort of offbeat, hip advertising to gain their attention and win their confidence. The proponents may have been eccentric by nature, but they helped enrich the newspaper funnies in a way that few others would have truly been able to do. Louis, Missouri. If the road to Mad was a loopy rollercoaster, the road from it has been riddled with potholes and has finally run into a wall. My artistic deficiencies remove me far from the sphere of Rembrandt and Michael Angelo. Skip to content. Click to Hide. Comics Headlines Videos Wallpaper. From to , Rube's daily comic strip featured something new and different every day. Screwball! The Cartoonists Who Made The Funnies Funny Read Online Report incorrect product info. Looking for More Great Reads? In his cartoon, "After the Thanksgiving Meal," Greening expertly renders the interior of wealthy home.
Recommended publications
  • Thomas E. Wolfe: Valuing the Life and Work of an Appalachian Regionalist Artist Within His Community
    THOMAS E. WOLFE: VALUING THE LIFE AND WORK OF AN APPALACHIAN REGIONALIST ARTIST WITHIN HIS COMMUNITY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susannah L. Van Horn, M.A. Graduate Program in Art Education The Ohio State University 2012 Dissertation Committee: Dr. James Sanders, Advisor Dr. Christine Ballengee Morris Dr. Sydney Walker Copyright by Susannah L. Van Horn, M.A. 2012 Abstract The purpose of my research is to offer insight into the life and work of Thomas E. Wolfe, who exhibits self-determination both as an artist and as an art educator in an Appalachian region of Southeastern Ohio. By presenting Wolfe’s life story, I make connections to the influences of culture, social experiences, regional identity, and family traditions that play to his development as an artist and art educator. My research questions focused on how he perceives himself, how others perceive his presence in the community, how his artwork is valued by his community and how his teaching practices helped develop a greater sense of community. Specifically, I was interested in which historical moments and events in his life that were important to him in recollecting his life story. In my narrative analysis of Wolfe’s life stories collected through oral history from Wolfe and 26 of his friends, family members, former students and community members, I considered selectivity, slippage, silence, intertextuality, and subjectivity to analyze his life story (Casey, 1993; Casey 1995-1996). Thomas Eugene Wolfe began making art as a child and evolved into an accomplished artist.
    [Show full text]
  • The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH
    DOCUMENT RESUME ED 425 108 SO 029 595 AUTHOR Heitzmann, William Ray TITLE The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH. PUB DATE 1998-09-00 NOTE 10p. AVAILABLE FROM National Council for History Education, 26915 Westwood Road, Suite B-2, Westlake, OH 44145-4657; Tel: 440-835-1776. PUB TYPE Reports Descriptive (141) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Cartoons; Elementary Secondary Education; Figurative Language; *History Instruction; *Humor; Illustrations; Instructional Materials; *Literary Devices; *Satire; Social Studies; United States History; Visual Aids; World History IDENTIFIERS *Political Cartoons ABSTRACT This essay focuses on the ability of the political cartoon to enhance history instruction. A trend in recent years is for social studies teachers to use these graphics to enhance instruction. Cartoons have the ability to:(1) empower teachers to demonstrate excellence during lessons; (2) prepare students for standardized tests containing cartoon questions;(3) promote critical thinking as in the Bradley Commission's suggestions for developing "History's Habits of the Mind;"(4) develop students' multiple intelligences, especially those of special needs learners; and (5) build lessons that aid students to master standards of governmental or professional curriculum organizations. The article traces the historical development of the political cartoon and provides examples of some of the earliest ones; the contemporary scene is also represented. Suggestions are given for use of research and critical thinking skills in interpreting editorial cartoons. The caricature and symbolism of political cartoons also are explored. An extensive reference section provides additional information and sources for political cartoons.
    [Show full text]
  • Rube Goldberg Machines
    Rube Goldberg Machines Submitted by: Edward Gunkle, 8th Grade Science Miff-West High School, Middleburg, PA Target Grade: 8th Grade, Science Time Required: 6 days, 40-50 minute lessons Standards Next Generation Science Standards (NGSS): • MS-ETS1-2. Evaluate competing design solutions using a systematic process to determine how well they meet the criteria and constraints of the problem. • MS-PS3-5: Construct, use, and present arguments to support the claim that when the kinetic energy of an object changes, energy is transferred to or from the object. Lesson Objectives Students will be able to: • Identify and describe the 6 basic simple machines. • Explain the mechanical advantage of simple machines. • Analyze and explain the relationship between potential, kinetic, and mechanical energy present in a compound machine. • Apply understanding of simple machines and energy transfer to design and build a compound machine to complete a predetermined task. • Write a Rube Goldberg machine explanation to describe the machine's actions. Central Focus This lesson can be used as hands-on practice with simple machines and the concepts of energy transfers. Students will be collaborating together to design a working Rube Goldberg machine to complete the simple tasks of popping a balloon or stapling papers together. In the project, they will use their knowledge of different types of energy, how energy is transferred, and simple machines to design their multi-step machine. Key Words: physics, create, makerspace, blueprints, engineering design process, potential energy, kinetic energy, mechanical energy Background Information A Rube Goldberg (RG) machine is a machine intentionally designed to perform a simple task in an indirect and overly complicated way, relying on chain reactions.
    [Show full text]
  • List of American Comics Creators 1 List of American Comics Creators
    List of American comics creators 1 List of American comics creators This is a list of American comics creators. Although comics have different formats, this list covers creators of comic books, graphic novels and comic strips, along with early innovators. The list presents authors with the United States as their country of origin, although they may have published or now be resident in other countries. For other countries, see List of comic creators. Comic strip creators • Adams, Scott, creator of Dilbert • Ahern, Gene, creator of Our Boarding House, Room and Board, The Squirrel Cage and The Nut Bros. • Andres, Charles, creator of CPU Wars • Berndt, Walter, creator of Smitty • Bishop, Wally, creator of Muggs and Skeeter • Byrnes, Gene, creator of Reg'lar Fellers • Caniff, Milton, creator of Terry and the Pirates and Steve Canyon • Capp, Al, creator of Li'l Abner • Crane, Roy, creator of Captain Easy and Wash Tubbs • Crespo, Jaime, creator of Life on the Edge of Hell • Davis, Jim, creator of Garfield • Defries, Graham Francis, co-creator of Queens Counsel • Fagan, Kevin, creator of Drabble • Falk, Lee, creator of The Phantom and Mandrake the Magician • Fincher, Charles, creator of The Illustrated Daily Scribble and Thadeus & Weez • Griffith, Bill, creator of Zippy • Groening, Matt, creator of Life in Hell • Guindon, Dick, creator of The Carp Chronicles and Guindon • Guisewite, Cathy, creator of Cathy • Hagy, Jessica, creator of Indexed • Hamlin, V. T., creator of Alley Oop • Herriman, George, creator of Krazy Kat • Hess, Sol, creator with
    [Show full text]
  • The Art of Rube Goldberg
    current past articles swifts & slows submit The Art of Rube Goldberg Ron Morosan January 2020 The Art of Rube Goldberg The Queens Museum Flushing Meadows, Corona Park, New York thru February 9, 2020 Rube Goldberg: Is He a Comic Genius? This is the question I had in mind as I took the #7 train to the Mets-Willets Point stop to see a comprehensive exhibition of the widely syndicated cartoonist and humorist Rube Goldberg, on view at the Queens Museum until February 9th, 2020. Some may ask: Who is Rube Goldberg? As one of the few people whose name is in the Merriam Webster dictionary describing a mechanical sequence of events that makes something simple, like closing a door, into a complex series of actions that are patently absurd and wildly humorous, today his name and cartoons do not get a lot of media play. Yet, his influence on other artists and filmmakers from Charlie Chaplin to Mad Magazine contributors is extensive. In this first retrospective exhibition of Goldberg’s work since 1970, the year he died, the whole range of his long career is on display in two galleries, which even include an outstanding drawing he made at the age of eleven. Best know for his Inventions Cartoons, the elaborate cartoon illustrations of absurd chain reactions that got his name in the dictionary, he was wildly creative as a comic illustrator and through his long career worked as a vaudeville comedian, political cartoonist, comic writer, sculptor, TV show host, and commercial novelty product developer. The Queens Museum exhibition shows a sampling of the full range and variety of his ideas and skills, from his Foolish Questions, his first big success in 1908, to his political commentary drawings from the 1940’s when he was awarded the Pulitzer Prize, and also some of his commercial forays into popular consumer novelties.
    [Show full text]
  • Lesson Plans
    Lesson Plans Rube Goldberg Machine Contest®, Rube Goldberg Machine™ and Rube Goldberg Challenge® are all trademarks of RGI. You may join our Rube Goldberg Machine Contest® or license Rube Goldberg Challenge® at rubegoldberg.com. The Rube Goldberg name may not be used in conjunction with a machine building contest, or course of study, outside of our trademark. All content of Rube Goldberg Lesson Plans is copyright of Rube Goldberg, Inc. All Rights Reserved. RUBE GOLDBERG ® is a registered trademark of Rube Goldberg Inc. 2016 rubegoldberg.com RUBE GOLDBERG MACHINES 2 Introduction This curriculum guide is meant to accompany the Rube Goldberg Machine Speed-Build Trunk and provide a frame work to understanding simple machines. It is purposefully written to be adaptable to almost any grade level, ability or background. The standards used in guidance of creating this curriculum are the Next Generation Science Standards (http://www.nextgenscience.org/). The Learning Outcomes this curriculum will provide are: 1. Understand the basic simple machines. 2. Evaluate the mechanical advantage of simple machines. 3. Design simple and compound machines. These lessons are meant to be used in conjunction with, not in replacement of, the current simple machine curriculum that your school is using. These lessons can be used in succession, separately or in any order that is appropriate for your school. These are meant to be used in Science classrooms, but are cross-curricular to include writing components. Time requirements have specifically been left off the following lesson plans as we understand every school has a different schedule and each teacher knows their students best.
    [Show full text]
  • Commercials Issueissue
    May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era.
    [Show full text]
  • CFC Campaign Begins by DOROTHY COLEY the 2006 Combined Federal Campaign (CFC) Will Begin with a Staff Rally at 10 A.M
    LIBRARY OF CONGRESS Volume 17, No. 43 A Weekly Newspaper for the Library Staff October 27, 2006 CFC Campaign Begins By DOROTHY COLEY The 2006 Combined Federal Campaign (CFC) will begin with a staff rally at 10 a.m. on Wednesday, Nov. 1, in the Mumford Room, LM 649. This year’s theme is “Be a Star in Someone’s Life.” The “Kick-Off” is the launching point of the campaign, designed to motivate staff members to begin thinking about contributing to their favorite organizations, or to consider new charities that reach out and help others. A Navy Color Guard will open the event with pomp and presentation of the colors in a glitzy Hollywood setting, in keeping with the “be-a-star” theme. The Library has invited as a motivational speaker Tom Morris Jr., a segment producer for “America’s Most Wanted,” a FOX television network crime show. With a bachelor’s degree in mass communications from Norfolk State University (1980), Morris has worked as a print and broadcast journalist, a communications strategist for the Prince Georges County Economic Development Corporation, and as an antiterrorist security specialist for an Embassy Task Group. The Librarian of Congress, who serves as the campaign chairman, has appointed Bill Ayers, special assistant to the Exhibition “Cartoon director of Human Resources Services, as this year’s vice- chairman and director of the overall campaign. America” Opens Nov. 2 Ayers expressed enthusiasm for the campaign and riginal drawings by some of America’s best-loved cartoon- the good works it supports: “CFC benefits everyone in ists will appear in a new exhibition, “Cartoon America: the community in which we live and work.
    [Show full text]
  • Norman Rockwell Museum Featured Illustrators, 1993–2008
    Norman Rockwell Museum Featured Illustrators, 1993–2008 Contemporary Artists Jessica Abel John Burgoyne Leon Alaric Shafer Elizabeth Buttler Fahimeh Amiri Chris Calle Robert Alexander Anderson Paul Calle Roy Anderson Eric Carle Margot Apple Alice Carter Marshall Arisman Roz Chast Natalie Asencios Jean Claverie Istvan Banyai Sue Coe James Barkley Raúl Colon Mary Brigid Barrett Ken Condon Gary Baseman Laurie Cormier Leonard Baskin Christin Couture Melinda Beck Kinuko Y. Craft Harry Beckhoff R. Crumb Nnekka Bennett Howard Cruse Jan and Stan Berenstain (deceased) Robert M. Cunningham Michael Berenstain Jerry Dadds John Berkey (deceased) Ken Dallison Jean-Louis Besson Paul Davis Diane Bigda John Dawson Guy Billout Michael Deas Cathie Bleck Etienne Delessert R.O. Blechman Jacques de Loustal Harry Bliss Vincent DiFate Barry Blitt Cora Lynn Deibler Keith Birdsong Diane and Leo Dillon Thomas Blackshear Steve Ditko Higgins Bond Libby Dorsett Thiel William H. Bond Eric Drooker Juliette Borda Walter DuBois Richards Braldt Bralds Michael Dudash Robin Brickman Elaine Duillo Steve Brodner Jane Dyer Steve Buchanan Will Eisner Yvonne Buchanan Dean Ellis Mark English Richard Leech Teresa Fasolino George Lemoine Monique Felix Gary Lippincott Ian Falconer Dennis Lyall Brian Fies Fred Lynch Theodore Fijal David Macaulay Floc’h Matt Madden Bart Forbes Gloria Malcolm Arnold Bernie Fuchs Mariscal Nicholas Gaetano Bob Marstall John Gilmore Marvin Mattelson Julio Granda Lorenzo Mattotti Robert Guisti Sally Mavor Carter Goodrich Bruce McCall Mary GrandPré Robert T. McCall Jim Griffiths Wilson McClean Milt Gross Richard McGuire James Gurney Robert McGinnis Charles Harper James McMullan Marc Hempel Kim Mellema Niko Henrichon David Meltzer Mark Hess Ever Meulen Al Hirschfeld (deceased) Ron Miller John Howe Dean Mitchell Roberto Innocenti Daniel Moore Susan Jeffers Françoise Mouly Frances Jetter Gregory Manchess Stephen T.
    [Show full text]
  • Billy Debeck's Impact on American Culture
    Western Kentucky University TopSCHOLAR® History Faculty Publications History 2006 From ‘Sweet Mamas’ to ‘Bodacious’ Hillbillies: Billy DeBeck’s Impact on American Culture Anthony Harkins Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/history_fac_pubs Part of the American Popular Culture Commons, Appalachian Studies Commons, Social History Commons, and the United States History Commons Recommended Citation Anthony Harkins, “From ‘Sweet Mamas’ to ‘Bodacious’ Hillbillies: Billy DeBeck’s Impact on American Culture,” Studies in American Humor (New series 3, No. 14, 2006), 55-72. This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in History Faculty Publications by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. FromFrom "Sweet "Sweet Mamas" Mamas" toto "Bodacious""Bodacious" Hillbillies: BillyBilly DeBeck's DeBeck's ImpactImpact on AmericanAmerican CultureCulture byby Anthony Anthony Harkins Harkins Who'sWho's the most importantimportant manman thisthis countrycountry ever ever knew? knew? Who'sWho's thethe manman our our Presidents Presidents tell tell all all their their troubles troubles to? to? NoNo itit isn'tisn't MisterMister BryanBryan andand itit isn't isn't Mister Mister Hughes Hughes I'mI'm mightymighty proudproud thatthat I'm I'm allowedallowed a chance toto introduceintroduce BarneyBarney Google Google withwith his his goo-goo-googly goo-goo-googly eyes. eyes. (Rose) (Rose) AsAs thethe creatorcreator ofof the the inspiration inspiration for for the the hit-song hit-song "Barney "Barney Google" Google" ofof 1923 1923 whosewhose refrainrefrain is is still still widely widely known known today, today, Billy Billy (William (William Morgan) Morgan) DeBeck'sDeBeck's prominentprominent placeplace among American cartoonists has long been assured.assured.
    [Show full text]
  • The University Art Collection: Paintings, Sculpture, Fine Prints, and Other Graphic Arts A
    Madonna and Child with Saints Catherine and Barbara, ca. 1525. Oil on panel, 21.75 x 16 inches. By the Master of Hoogstraeten (Netherlands; active first third of sixteenth century). This panel, painted in the tradition of Rogier van der Wyden and Gerard David, is probably related to a commission for the church of Saint Catherine in the Flemish town of Hoogstraeten near Antwerp. 144 The University Art Collection: Paintings, Sculpture, Fine Prints, and other Graphic Arts a Paintings........................................................................................................................... 145 Fine.Prints........................................................................................................................ 151 Editorial.Cartoons............................................................................................................. 157 Other.Graphics.Collections................................................................................................. 158 Sculpture........................................................................................................................... 160 Miscellaneous..................................................................................................................... 162 Archival.Resources............................................................................................................. 163 he University Art Collection is built largely on gifts from alumni and friends, and traces some important chapters in Georgetown’s history. Since it
    [Show full text]
  • CHURCHES Asked to Show Cause Why He Was Holding the Baby Girl of James Patrick Lapierre
    - : X-WWB 'V;' AVEBACEB DAILY qiRODLATION poreowt ei p> g. tjfsahsf^ Birtiilf?: for the Montti of Febnmxy, 18St 8imw M gu TimAw 5 3 3 5 b|y diaiigUg to rain Toesiijr; «lew- Member of Audit Burean ly rUlnf tenverahne. of Obroilstlon. 9 ' SOUTH MANC»EStER, <X)NN.,^ MARCH 21. 1932, (TWELVE PAGES) VOL. U ., NO. 146. OO Pftf* YOU CANTT HOIiD CHILD ntOTEST SLASH FOB ITS BOABD BILL In New-Kidnaping Scare Near Lindbergh Estate Montreal, March 21. ^ Hold­ ing a child as hostage until a IN FARM BOARD board biU is paid is aU w rong, Mr. Justice Boyer in Practice Court here has ruled. The case came up when Joseph l E A D E ^ W A ® deroux was hailed into court and CHURCHES asked to show cause why he was holding the baby girl of James Patrick Lapierre. Oeroux con­ Officials Defend Salaries tended that Lapierre owed him Soviet Troops Shoot Down ^ 5 for boarding the baby for 16 Hooded Band Lashes months and that he was holding Paid As Necessary To the child until the bill was paid. Peasants On Ukranian Parents of the child admitted Make Orgamzations Fnnc- giving the child to Cleroux to Man Who Beat Wife Border — Eye Witnesses board and that he had refused to give their baby back to them « tkm SnccessfnDy. when they had called for it. Shenandoah Junction, W. 'Va.,^ While several men fired shots into Say Red Soldiers Tried March 21—(AP)—While a fiery the air, Barron was released and cross burned on a hill in the distance, taken to his home.
    [Show full text]