Annual Report 2006 Contents

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report 2006 Contents ANNUAL REPORT 2006 Annual Report 2006 Contents Board of Trustees . 4 Committees of the Board of Trustees . 4 President and Chairman’s Report . 6 Director’s Report . 9 Curatorial Report . 12 Exhibitions, Traveling Exhibitions . 18 Loans . 18 Acquisitions . 20 Publications . 26 Attendance . 27 Membership . 28 Education and Public Programs . 29 Year in Review . 31 Development . 36 Donors . 38 Support Groups . 46 Support Group Officers . 51 Staff . 54 Financial Report . 56 Financial Statements . 56 OPPOSITE: Kehinde Wiley, St. Dionysus, 2006 (detail). See full image p. 23. See listing p. 20. PREVIOUS PAGE: Walker Evans, Couple at Coney Island, 1928 (detail). See full image p. 14. See listing page 25. www.mam.org 3 Board of Trustees As of August 31, 2006 BOARD OF TRUSTEES COMMITTEES OF THE Earlier European Arts Prints and Drawings Sheldon B. Lubar BOARD OF TRUSTEES Committee Committee Chairman EXECUTIVE COMMITTEE James Quirk J. Thomas Maher III Chair Chair Andrew A. Ziegler Sheldon B. Lubar President Chair Martha R. Bolles Kent Anderson Christopher S. Abele Vice Chair and Secretary Roger L. Boerner Donald W. Baumgartner Lois Ehlert Past President Donald W. Baumgartner Dan Broderick Danny L. Cunningham Joanne Charlton Laurence Eiseman, Jr. Frederic G. Friedman Frederic G. Friedman Stephen Einhorn Marianne Epstein Assistant Secretary and Edward J. Hanrahan Avis M. Heller Julia Evans Legal Counsel Terry A. Hueneke Arthur J. Laskin Jean Friedlander Betty Ewens Quadracci Raymond R. Krueger Helen Peter Love Dr. Milton Gutglass Secretary Marianne Lubar Geoffrey Maclay George T. Jacobi P. Michael Mahoney Marjorie Moon David Ritz W. Kent Velde Helen Weber Treasurer Betty Ewens Quadracci Frank A. Murn Lynde B. Uihlein Robert Roth Barry Wind W. Kent Velde Andrea Schloemer MEMBERS-AT-LARGE Andrew A. Ziegler Lillian M. Schultz AUDIT COMMITTEE Christopher S. Abele Kenneth Treis Danny L. Cunningham Lori Bechthold ACQUISITIONS AND William M. Treul Chair Gerry Broderick COLLECTIONS COMMITTEE Michael J. Cudahy Keith Burns Marianne Lubar Modern and Contemporary Curt S. Culver Sheldon B. Lubar Chair Committee Danny L. Cunningham Andrew E. Randall Nicole Teweles Marvin L. Fishman George A. Evans, Jr. Stacy G. Terris Chair Ellen Glaisner Vice Chair W. Kent Velde Judy Gordon Donald W. Baumgartner Donna Baumgartner Edward J. Hanrahan Marilyn Bradley DEVELOPMENT COMMITTEE Karen Johnson Boyd Ellen Glaisner Terry A. Hueneke Marilyn Bradley Ellen Checota Jeffrey Joerres Karen Drummond Anthony J. Petullo Andrea B. Bryant Co-Chairs Judy Jorgensen Margaret Chester Sue Frautschi Raymond R. Krueger Stephen Einhorn Jim Hatch President’s Circle Gail A. Lione Susan M. Jennings Jane Kaiser Leadership Team Marianne Lubar Jeff Kasch Arthur J. Laskin Donna Baumgartner P. Michael Mahoney Tony Krausen Gail A. Lione Andrea B. Bryant Rick Norris Marianne Lubar Wayne R. Lueders Curt S. Culver José A. Olivieri David Meissner J. Thomas Maher III Sue Frautschi Jill G. Pelisek Joanne Murphy Anthony J. Petullo Jean Friedlander Anthony J. Petullo Dorothy Palay Richard R. Pieper Judy Gordon Andrew E. Randall Barbara Recht Sandra Robinson Terry A. Hueneke William L. Randall Suzanne L. Selig Reva Shovers Marianne Lubar Roy Reiman Reva Shovers Frederick Vogel III Donna Meyer Joseph A. Rice Dorothy M. Stadler Robert A. Wagner Jill G. Pelisek Marcia Rimai Frederick Vogel IV Hope Melamed Winter William L. Randall Sandra Robinson Hope Melamed Winter Suzanne L. Selig James H. Schloemer Jeffrey Winter ACQUISITIONS AND Dorothy M. Stadler Suzanne L. Selig COLLECTIONS COMMITTEE Hope Melamed Winter Deloris Sims Photography Committee SUBCOMMITTEES Dorothy M. Stadler Kevin Miyazaki EDUCATION AND PUBLIC Stacy G. Terris Decorative Arts Committee Chair PROGRAMS COMMITTEE Lynde B. Uihlein Constance Godfrey Chair Carol Lewensohn Christopher S. Abele AUXILIARY Vice Chair Chair Barbara Buzard SPOKESPERSONS Judith Croak Dick Blau Kim Abler Judith Croak Barbara Elsner Barbara Ciurej John Augenstein President, Collectors’ Corner Barbara N. Fuldner Larry D’Attilio José Chavez Carmen Haberman Marlene Doerr Rosheen Styczinski Henry E. Fuldner William Haberman Daniel Donder President, Garden Club Dudley J. Godfrey, Jr. Nicole Teweles Lindsay Lochman Eugene Humphrey A. Raymond Kehm Anne Vogel Cardi Smith Sarah Jerome Chair, Docents Frederick Vogel III Frederick Vogel IV Judy Jorgensen Robert A. Wagner A. Raymond Kehm Peggy Larson Janet Matthews Nancy Mitchel Phillip Naylor José A. Olivieri Betty Ewens Quadracci Robert Rindler Christine Rodriguez 4 Milwaukee Art Museum EXHIBITIONS COMMITTEE PLANNED GIVING MILWAUKEE ART MUSEUM PRESIDENTS EMERITUS Lynde B. Uihlein COMMITTEE COUNCIL COUNCIL AND CHAIRMEN Chair Andrea B. Bryant Dr. Alfred Bader SINCE 1968 Jay Baker Christopher S. Abele Jill G. Pelisek Roger L. Boerner Co-Chairs Patty Baker 1968–1971 Karen Johnson Boyd Joan Barnett Dale R. Faught Donn Dresselhuys Donald W. Baumgartner Arnold D. K. Mason * Jean Friedlander Dale R. Faught Donna Baumgartner 1971–1973 Carmen Haberman Frederic G. Friedman Polly Beal Robert V. Krikorian* George T. Jacobi Ed Hashek Roger L. Boerner 1973–1977 Judy Jorgensen Judy Jorgensen Karen Johnson Boyd Jane L. Kaiser Sally Schuler Marilyn Bradley Sheldon B. Lubar Raymond R. Krueger Orren J. Bradley 1977–1980 Mary Ann LaBahn PUBLIC AFFAIRS Margaret Chester Lloyd W. Herrold Donna Meyer COMMITTEE The Honorable Richard D. 1980–1983 Anthony J. Petullo Raymond R. Krueger Cudahy David T. Kahler Suzanne L. Selig Chair James D. Ericson Dorothy M. Stadler 1983–1986 Christopher S. Abele George A. Evans, Jr. Robert Feitler H. Carl Mueller Robert Feitler FACILITIES COMMITTEE 1986–1989 Betty Ewens Quadracci Jean Friedlander Donald W. Baumgartner Lynde B. Uihlein Lloyd A. Gerlach Susan M. Jennings Chair Constance Godfrey 1989–1992 Dudley J. Godfrey, Jr. Rick Norris STRATEGIC PLANNING Allen L. Samson James H. Schloemer COMMITTEE Dr. Christopher Graf Christoph H. Guenther 1992–1995 Andrew A. Ziegler Lloyd W. Herrold FINANCE COMMITTEE Chair P. Michael Mahoney Robert D. Hevey 1995–1998 W. Kent Velde Christopher S. Abele George T. Jacobi Chair Donald W. Baumgartner Richard G. Jacobus Frank J. Pelisek* Donald W. Baumgartner Lori Bechthold Susan M. Jennings 1998–2001 Richard J. Glaisner Edward J. Hanrahan David T. Kahler Donald W. Baumgartner Mary Ann LaBahn Jeffrey A. Joerres George Kaiser 2001–2004 Sheldon B. Lubar Sheldon B. Lubar Jane Kaiser Sheldon B. Lubar P. Michael Mahoney Betty Ewens Quadracci Joe Kindig III 2004–2005; Chairman, Marcia Rimai Suzanne L. Selig Senator Herbert H. Kohl 2005– Andrew A. Ziegler Lynde B. Uihlein Ruth DeYoung Kohler Virginia Krikorian Andrew A. Ziegler HUMAN RESOURCES SENIOR MANAGEMENT Arthur J. Laskin 2005– AND REMUNERATION TEAM Phoebe R. Lewis * Deceased COMMITTEE Gwen Benner Eileen Liebman Elysia Borowy-Reeder Marianne Lubar Terry A. Hueneke LAYTON ART COLLECTION Linda Daley Sheldon B. Lubar Chair BOARD OF TRUSTEES Brigid Globensky P. Michael Mahoney Jeffrey A. Joerres David Gordon Sally Manegold Henry E. Fuldner Sheldon B. Lubar Joseph Ketner II William M. Manly President P. Michael Mahoney Mary Louise Mussoline Paul Meissner Constance Godfrey Anthony J. Petullo Jan Schmidt John L. Murray Frederick Vogel III Andrew A. Ziegler Gil Palay Vice Presidents WAR MEMORIAL Jill G. Pelisek Frederick Vogel III INVESTMENT COMMITTEE CORPORATION BOARD Gabriele Flagg Pfeiffer Treasurer P. Michael Mahoney OF TRUSTEES Joan M. Pick Chair P. Michael Mahoney Richard R. Pieper George A. Evans, Jr. Curt S. Culver Raymond R. Krueger Suzanne Pieper Secretary Betty Ewens Quadracci Mark G. Doll David Gordon Merlin Rostad Richard J. Glaisner AMERICA’S FREEDOM Curator of the Collection Wayne R. Lueders CENTER BOARD Allen L. Samson Douglas Seaman Thomas B. Fitzgerald Allen M. Taylor Raymond R. Krueger Floyd A. Segel Constance Godfrey W. Kent Velde Representative Mary Ladish Selander Dudley J. Godfrey, Jr. Kate Huston NOMINATIONS AND Allan H. Selig Polly Van Dyke GOVERNANCE COMMITTEE Suzanne L. Selig L. William Teweles William Van Dyke Andrew A. Ziegler Nicole Teweles Frederick Vogel IV Chair Barbara Tooman Robert A. Wagner Donald W. Baumgartner Mrs. Erwin C. Uihlein Jeffrey A. Joerres Anne Vogel Gail A. Lione Frederick Vogel III Marianne Lubar Elmer L. Winter Sheldon B. Lubar Hope Melamed Winter Suzanne L. Selig Lynde B. Uihlein www.mam.org 5 President and Chairman’s Report This Annual Report covers the period September 1, 2005, to August 31, 2006. However, where necessary, we mention a few subsequent events. The most significant of those is that thanks to the dedication and generous support of donors, the $30 million Campaign to Retire the Debt was accomplished. By the end of 2006, nearly all of the building debt had been repaid, and the small amount left was more than covered by pledges. The major donors (over $1 million) in order of size of donation were: David and Julia Uihlein, Lynde Uihlein, Betty Quadracci, Sheldon and Marianne Lubar, Cudahy Foundation, Chris Abele, Bud and Sue Selig, Donald and Donna Baumgartner, Reiman Foundation, and Andrew and Carlene Ziegler. The Museum is enormously grateful to them and to all of the donors. A huge burden has now been lifted. Sheldon B. Lubar With the debt taken care of, the Museum could now prepare a course of action for the future. All areas of the Museum came together for a rigorous period of self-analysis so that long-term comprehensive goals could be defined; the result, the Board has adopted a five-year Strategic Plan starting in 2006–2007. The Milwaukee Art Museum continues to serve as the official icon of our city, but the Strategic Plan places emphasis, now more than ever, on what happens inside, and has set forth a new Mission Statement for the Museum: The Milwaukee Art Museum collects and preserves art, presenting it to the community as a vital source of inspiration and education. It also identifies five clear goals: Goal 1: Sharpen the Museum’s artistic focus to build our profile among our peers, nationally and internationally. Goal 2: Develop the Museum’s role as a premier educational resource and as a gathering place for the community to experience the arts.
Recommended publications
  • Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
    Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35
    [Show full text]
  • LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
    LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting
    [Show full text]
  • The Complete Peanuts Volume I by Charles M. Schulz
    NACAE National Association of Comics Art Educators STUDY GUIDE: THE COMPLETE PEANUTS by Charles M. Schulz Volume One: 1950-1952 Study guide written by Art Baxter Introduction America was in the throes of post-war transition in 1950. Soldiers had returned home, started families and abandoned the cities for the sprawling green lawns of newly constructed suburbia. They had sacrificed during the Great Depression and subsequent war effort and this was their reward. Television was beginning to replace the picture-less radio not to mention live theater, supper clubs and dance halls, as Americans stayed home and raised families. Despite all this “progress” an empty feeling still resided in the pit of the American soul. Psychology, that new science that had recently gone mainstream, tried to explain why. Then, Charles M. Schulz’s little filler comic strip, Peanuts, appeared in the funny pages. Schulz was born in 1922, the solitary child of a barber and his wife, in St. Paul, Minnesota. Sparky, his lifelong nickname, was given to him when he was an infant, by an uncle, after the comic strip character Barney Google’s racehorse Spark Plug. Schulz had an early love and talent for drawing. He enjoyed famous comic strips like Roy Crane’s Wash Tubbs/Captain Easy (1924- 1943), the prototype of the adventure strip; E. C. Segar’s Thimble Theater (1919-1938), and its diverse cast of colorful characters going in and out rollicking adventures; and Percy Crosby’s Skippy (1925-1945) with its wise-for-his-age perceptive child protagonist. Schulz was a bright student and skipped several grades, making him the youngest and smallest in his class.
    [Show full text]
  • October 2020
    2020 Newsletter ACCLAIM HEALTH – ACTIVITY NEWSLETTER FAMOUS OCTOBER BIRTHDAYS October 1st, 1924 – Jimmy Carter was the 39th President of the United States of America, turns 95 this year! October 18th, 1919 – Pierre Trudeau was the former Prime Minister of Canada from 1980 – 1984. October 25th 1881 – Pablo Picasso was the world famous Spanish painter. He finished his first painting, The Picador at just 9 years old! ? October, 10th month October 29th 1959 – Mike Gartner, Famous Ice of the Gregorian calendar. Its name is hockey player turns 60! derived from octo, Latin for “eight,” an indication of its position in the early Roman calendar., Happy Birthday to our club membersAugustus, in celebrating their birthday’s in October 8BC,!! naming it after himself. Special dates in October Flower of the October 4th – World Smile Day month October 10th – National Cheese Day th The Flower for the October 15 – National I Love Lucy Day month is the October 28th – National Chocolate Marigold. It blooms Day in a variety of colours like red, yellow, white and orange. It stands for Creativity and symbolizes Peace and Tranquility. The Zodiac signs for October are: Libra (September 22 – October 22) Scorpio (October 23 – November 21 Movie Releases The Sisters was released on October 14th, 1938. Three daughters of a small-town pharmacist undergo trials and tribulations in their problematic marriages between 1904 and 1908. This film starred Bette Davis, Errol Flynn and Anita Louise. Have you seen it?! Songs of the month! (Click on the link below the song to listen) 1. Autumn in New York by Ella Fitzgerald and Louis Armstrong https://www.youtube.com/w atch?v=50zL8TnMBN8&featu Remember Charlie re=youtu.be Brown? “It’s the Great Pumpkin 2.
    [Show full text]
  • The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH
    DOCUMENT RESUME ED 425 108 SO 029 595 AUTHOR Heitzmann, William Ray TITLE The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH. PUB DATE 1998-09-00 NOTE 10p. AVAILABLE FROM National Council for History Education, 26915 Westwood Road, Suite B-2, Westlake, OH 44145-4657; Tel: 440-835-1776. PUB TYPE Reports Descriptive (141) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Cartoons; Elementary Secondary Education; Figurative Language; *History Instruction; *Humor; Illustrations; Instructional Materials; *Literary Devices; *Satire; Social Studies; United States History; Visual Aids; World History IDENTIFIERS *Political Cartoons ABSTRACT This essay focuses on the ability of the political cartoon to enhance history instruction. A trend in recent years is for social studies teachers to use these graphics to enhance instruction. Cartoons have the ability to:(1) empower teachers to demonstrate excellence during lessons; (2) prepare students for standardized tests containing cartoon questions;(3) promote critical thinking as in the Bradley Commission's suggestions for developing "History's Habits of the Mind;"(4) develop students' multiple intelligences, especially those of special needs learners; and (5) build lessons that aid students to master standards of governmental or professional curriculum organizations. The article traces the historical development of the political cartoon and provides examples of some of the earliest ones; the contemporary scene is also represented. Suggestions are given for use of research and critical thinking skills in interpreting editorial cartoons. The caricature and symbolism of political cartoons also are explored. An extensive reference section provides additional information and sources for political cartoons.
    [Show full text]
  • Rube Goldberg Machines
    Rube Goldberg Machines Submitted by: Edward Gunkle, 8th Grade Science Miff-West High School, Middleburg, PA Target Grade: 8th Grade, Science Time Required: 6 days, 40-50 minute lessons Standards Next Generation Science Standards (NGSS): • MS-ETS1-2. Evaluate competing design solutions using a systematic process to determine how well they meet the criteria and constraints of the problem. • MS-PS3-5: Construct, use, and present arguments to support the claim that when the kinetic energy of an object changes, energy is transferred to or from the object. Lesson Objectives Students will be able to: • Identify and describe the 6 basic simple machines. • Explain the mechanical advantage of simple machines. • Analyze and explain the relationship between potential, kinetic, and mechanical energy present in a compound machine. • Apply understanding of simple machines and energy transfer to design and build a compound machine to complete a predetermined task. • Write a Rube Goldberg machine explanation to describe the machine's actions. Central Focus This lesson can be used as hands-on practice with simple machines and the concepts of energy transfers. Students will be collaborating together to design a working Rube Goldberg machine to complete the simple tasks of popping a balloon or stapling papers together. In the project, they will use their knowledge of different types of energy, how energy is transferred, and simple machines to design their multi-step machine. Key Words: physics, create, makerspace, blueprints, engineering design process, potential energy, kinetic energy, mechanical energy Background Information A Rube Goldberg (RG) machine is a machine intentionally designed to perform a simple task in an indirect and overly complicated way, relying on chain reactions.
    [Show full text]
  • Dale Chihuly | Chronology
    Dale Chihuly | Chronology 1941 Born September 20 in Tacoma, Washington, to George Chihuly and Viola Magnuson Chihuly. 1957 Older brother and only sibling, George, dies in a navy flight-training accident in Pensacola, Florida. 1958 His father suffers a fatal heart attack at age fifty-one, and his mother has to go to work. 1959 Graduates from high school in Tacoma. Enrolls at College of Puget Sound (now University of Puget Sound) in his hometown. 1960 Transfers to University of Washington in Seattle, where he studies interior design and architecture. 1961 Joins Delta Kappa Epsilon fraternity and becomes rush chairman. Learns to melt and fuse glass. 1962 Interrupts his studies and travels to Florence to focus on art. Frustrated by his inability to speak Italian, he moves on to the Middle East. 1963 Works on a kibbutz in Negev desert, Israel. Reinspired, returns to University of Washington and studies under Hope Foote and Warren Hill. In a weaving class with Doris Brockway, incorporates glass shards into woven tapestries. 1964 Returns to Europe, visiting Leningrad and making the first of many trips to Ireland. 1965 Receives BA in interior design from University of Washington. In his basement studio, blows his first glass bubble by melting stained glass and using a metal pipe. 1966 Earns money for graduate school as a commercial fisherman in Alaska. Enters University of Wisconsin at Madison on a full scholarship, to study glassblowing in the first glass program in the United States, taught by Harvey Littleton. 1967 After receiving MS in sculpture from University of Wisconsin, enrolls at Rhode Island School of Design (RISD) in Providence, where he begins exploration of environmental works using neon, argon, and blown glass.
    [Show full text]
  • Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
    $39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation.
    [Show full text]
  • Example Case Study: Milwaukee Art Museum
    Example Case Study: Milwaukee Art Museum ARCH 631: Structural Systems Prof. Anne Nichols 2004 1 Contents Overview (Introduction) 1 The Milwaukee Art Museum (Background) 1 The Architect (Background) 2 The Quadracci Pavilion (Body) 4 Design Concept 4 Building Layout 4 Structural Features 8 Building Components and System 9 Burke Brise-Soleil 13 Pedestrian Bridge 14 Loading Summary 15 Gravity Loads 16 Lateral Load Resistance 20 Foundation and Soil 22 Summary Bibliography (References) i Overview On May 4, 2001, a much-anticipated addition to the Milwaukee Art Museum first opened its doors to the public. The $125-million-dollar project, designed by architect Santiago Calatrava, became an icon for the museum and the city of Milwaukee, Wisconsin even before its completion. This report presents a case study of the project. Background information regarding the architectural context for the addition will be provided, as well as a synopsis of the architect’s mastery of structural design. A number of unique elements of the building will be discussed in detail. In addition, the building’s complex structural design will be reviewed through component and system evaluation, diagrams, and simplified computer-based structural analysis. The Milwaukee Art Museum The Milwaukee Art Museum (MAM) traces its beginnings to two institutions, the Layton Art Gallery, established in 1888, and the Milwaukee Art Institute, which was established in 1918. In 1957 the groups joined together, forming the private, nonprofit Milwaukee Art Center, now known as the Milwaukee Art Museum. At this time, the Center moved to its present location on the Milwaukee waterfront Finnish architect Eero Saarinen, known for his St.
    [Show full text]
  • Community Art Grade K – Chihuly-Inspired Macchia
    Grade K – Chihuly-inspired Macchia Community Art What do you see? Macchia ceiling at the Chihuly Garden and Glass Museum in Seattle Artistic Focus: Community Art COMMUNITY ART is an artistic activity based in a community setting, emphasizing collaboration. Today’s objectives: 1. For each student, using colored markers and water, to create a “macchia” or spot of color reminiscent of Dale Chihuly’s colorful glass work. 2. To allow students to observe what happens when colors mix together. 3. To combine all of the students’ individual pieces into a larger work that will represent a kaleidoscope of colors. WA State Visual Arts Standard Engage in exploration and imaginative play with materials. (VA: Cr1.1.K) Macchia ceiling by Dale Chihuly Dale Chihuly • Local, Seattle artist • Born in 1941 in Tacoma, Washington • Learned how to melt and fuse glass in 1961 • Began glassblowing in 1965 • Chihuly's art can be found all around the world in private and public settings • Chihuly’s Garden and Glass museum stands right next to the Space Needle at Seattle Center Artwork Light shining through the macchia ceiling at the Chihuly Garden and Glass Museum in Seattle Artwork Three individual macchia pieces at the Chihuly Garden and Glass Museum in Seattle Artwork Macchia hung under the glass ceiling at the Chihuly Garden and Glass Museum in Seattle Materials Basket coffee filters, white Crayola markers, in any color except black or brown Paper towels Spray bottles for water Plastic cups for Optional: Starch, drying the macchia Rubber bands Example of Today’s Project Before You Begin • Write your name very small in pencil near the edge of your coffee filter.
    [Show full text]
  • Vol. 23, No. 8 August 2019 You Can’T Buy It
    ABSOLUTELY FREE Vol. 23, No. 8 August 2019 You Can’t Buy It As Above, So Below Artwork is by Diane Nations and is part of her exhibit Under the Influence of Jung on view at Artworks Gallery in Winston-Salem, North Carolina through August 31, 2019. See the article on Page 28. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Artworks Gallery (Winston-Salem) - Diane Nations Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 5 - Wells Gallery at the Sanctuary & Halsey MCallum Studio Page 4 - Redux Contemporary Art Center & Charleston Artist Guild Page 6 - Thomas Dixon for Mayor & Jesse Williams District 6 Page 5 - Charleston Museum & Robert Lange Studios Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Page 6 - Robert Lange Studios cont., Ella Walton Richardson Fine Art & Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, Lowcountry Artists Gallery The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery Page 9 - Lowcountry Artists Gallery cont. & Halsey Institute / College of Charleston Page 8 - Halsey Institute / College of Charleston Page 10 - Halsey Institute / College of Charleston & Art League of Hilton Head Page 9 - Whimsy Joy Page 11 - Art League of Hilton Head cont. & Society of Bluffton Artists Page 10 - Halsey Institute
    [Show full text]
  • The Art of Rube Goldberg
    current past articles swifts & slows submit The Art of Rube Goldberg Ron Morosan January 2020 The Art of Rube Goldberg The Queens Museum Flushing Meadows, Corona Park, New York thru February 9, 2020 Rube Goldberg: Is He a Comic Genius? This is the question I had in mind as I took the #7 train to the Mets-Willets Point stop to see a comprehensive exhibition of the widely syndicated cartoonist and humorist Rube Goldberg, on view at the Queens Museum until February 9th, 2020. Some may ask: Who is Rube Goldberg? As one of the few people whose name is in the Merriam Webster dictionary describing a mechanical sequence of events that makes something simple, like closing a door, into a complex series of actions that are patently absurd and wildly humorous, today his name and cartoons do not get a lot of media play. Yet, his influence on other artists and filmmakers from Charlie Chaplin to Mad Magazine contributors is extensive. In this first retrospective exhibition of Goldberg’s work since 1970, the year he died, the whole range of his long career is on display in two galleries, which even include an outstanding drawing he made at the age of eleven. Best know for his Inventions Cartoons, the elaborate cartoon illustrations of absurd chain reactions that got his name in the dictionary, he was wildly creative as a comic illustrator and through his long career worked as a vaudeville comedian, political cartoonist, comic writer, sculptor, TV show host, and commercial novelty product developer. The Queens Museum exhibition shows a sampling of the full range and variety of his ideas and skills, from his Foolish Questions, his first big success in 1908, to his political commentary drawings from the 1940’s when he was awarded the Pulitzer Prize, and also some of his commercial forays into popular consumer novelties.
    [Show full text]