Olive Schreiner As a Feminist Protagonist
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"Problem" MWF 2 Cross Listed with AADS4410 Satisfies Cultural Diversity Core Requirement in the Souls of Black Folk, W.E.B
SPOTLIGHT ON ENGLISH ELECTIVES SPRING 2018 ENGL2482 African American Literature and the "Problem" MWF 2 Cross listed with AADS4410 Satisfies Cultural Diversity Core Requirement In The Souls of Black Folk, W.E.B. Du Bois famously observes that to be black is to serially confront a question: "How does it feel to be a problem?" This course undertakes a survey of African American Literature as an ongoing mediation on the "problem" of being black, from the advent of racial slavery through to its contemporary afterlives. Reading broadly across a black literary tradition spanning four centuries and multiple genres, we will consider how black writers represent the "problem" of being black not merely as an unwelcome condition to be overcome, but an ethical orientation to be embraced over against an anti-black world that is itself a problem. Jonathan Howard ENGL3331 Victorian Inequality MWF 11 Fulfills the pre-1900 requirement. From “Dickensian” workhouses to shady financiers, Victorian literature has provided touchstones for discussions of inequality today. This course will investigate how writers responded to the experience of inequality in Victorian Britain during an era of revolution and reaction, industrialization and urbanization, and empire building. Considering multiple axes of inequality, we will explore topics such as poverty and class conflict, social mobility, urbanization, gender, education, Empire, and labor. We will read novels, poetry, and nonfiction prose; authors include Alfred, Lord Tennyson; Elizabeth Gaskell; Charles Dickens; Elizabeth Barrett Browning; Mary Prince; Arthur Morrison; and Thomas Hardy. Aeron Hunt ENGL4003 Shakespeare and Performance T TH 12 Fulfills pre-1700 requirement Although Shakespeare became “literature,” people originally encountered Shakespeare’s plays as popular entertainment. -
19Th Century
THE NINETEENTH CENTURY Poetry [minimum 10 poets] 1. William Blake a. “The Ecchoing Green” [Songs of Innocence] (1789) b. “The Divine Image” [Songs of Innocence] (1789) c. “Holy Thursday” [Songs of Innocence] (1789) d. “Holy Thursday” [Songs of Experience] (1794) e. “The Human Abstract” [Songs of Experience] (1794) f. “London” [Songs of Experience] (1794) 2. William Wordsworth a. “Simon Lee” (1798) b. The Prelude, Books I-III, VII, IX-XIII (1805) c. “Ode: Intimations of Immortality” (1807) 3. Percy Bysshe Shelley a. “Alastor; or, The Spirit of Solitude” (1815) b. “Mont Blanc” (1817) c. “To a Skylark” (1820) 4. George Gordon, Lord Byron a. “Darkness” (1816) b. Childe Harold’s Pilgrimage, Canto III-IV (1816; 1818) 5. John Keats a. “Ode to a Nightingale” (1819) b. “Ode on a Grecian Urn” (1819) c. “Ode on Melancholy” (1819) d. “To Autumn” (1819) 6. Alfred, Lord Tennyson a. “The Lotos-Eaters” (1832; rev. 1842) b. In Memoriam (1850) c. “Tithonus” (1860) 7. Elizabeth Barrett Browning a. “The Cry of the Children” (1843) b. “The Runaway Slave at Pilgrim’s Point” (1850) c. Aurora Leigh (1856) 8. George Meredith a. Modern Love (1862) 9. Christina Rossetti a. “Goblin Market” (1862) b. “The Convent Threshold” (1862) c. “Memory” (1866) d. “The Thread of Life” (1881) 10. Robert Browning a. “Childe Roland to the Dark Tower Came” (1855) b. The Ring and the Book (1868-9) 11. Augusta Webster a. “Circe” (1870) b. “The Happiest Girl in the World” (1870) c. “A Castaway” (1870) Fiction [minimum 10 novelists] 1. Ann Radcliffe, The Mysteries of Udolpho (1794) 2. -
R V MALAN (1901): POLITICS, JUSTICE and the SOUTH AFRICAN WAR, 1899-1902 1 Introduction1 2 FS Malan, Ons Land and the British Em
_______________________________________________________________ R v MALAN (1901): POLITICS, JUSTICE AND THE SOUTH AFRICAN WAR, 1899-1902 FA Mouton* 1 Introduction1 On 18 April 1901, in the midst of the South African War, Francois Stephanus Malan (1871-1941), a member of the Cape parliament and editor of Ons Land newspaper, was convicted in the Cape Supreme Court of the criminal libel of General John French and imprisoned for twelve months. The prosecutor, James Rose Innes (1855-1942), was a fellow member of parliament and the Attorney-General in the cabinet of Premier Sir Gordon Sprigg. He was one of the Cape Colony’s most respected politicians and would become one of South Africa’s greatest judges. That the trial left a lasting wound on Malan is clear from his published memoirs,2 and the authorised biography written by Bettie Cloete, his daughter.3 Both these publications argue that his treatment in court was unfair and the prison sentence unreasonable. Together father and daughter created a perception that Rose Innes was a pawn in a politically motivated abuse of the Colony’s legal system and that he was used to silence a troublesome critic of British imperial policy in South Africa and the methods used by the British army. By analysing the reasons for Malan’s prosecution, as well as by examining the court proceedings, this article will argue that Malan’s enduring anger and hurt, combined with the passage of time, distorted his memory of events, and that Rose Innes was unfairly accused of being part of a political trial to neutralise a critic of the British Empire. -
Segregation and Apartheid in Twentieth-Century South Africa
SEGREGATION AND APARTHEID IN TWENTIETH-CENTURY SOUTH AFRICA ‘This is an outstanding collection…gathering the harvest of twenty years of intense scholarly and political debate. Jim Campbell, Northwestern University, Illinois ‘Well-known to South Africanists as individual contributions, this collection of seminal essays deserves, and will now find, a wider and more multidisciplinary audience.’ C.R.D.Halisi, Indiana University Beinart and Dubow’s selection of some of the most important essays on racial segregation and apartheid in twentieth-century South Africa provides an unparalleled introduction to this contentious and absorbing subject. The volume includes: • a specially written introduction by the editors which contextualizes the historiographical controversy, taking into account the 1994 election and associated changes; • explanatory notes and article summaries to improve the accessibility of the material; • a glossary of unusual terms to facilitate understanding. William Beinart is Reader in History at the University of Bristol. Saul Dubow is Lecturer in History at the School of African and Asian Studies, University of Sussex. Rewriting Histories Rewriting Histories focuses on historical themes where standard conclusions are facing a major challenge. Each book presents 8 to 10 papers (edited and annotated where necessary) at the forefront of current research and interpretation, offering students an accessible way to engage with contemporary debates. Series editor Jack R.Censer is Professor of History at George Mason University REWRITING -
GEORGE EGERTON [Mary Chavelita Dunne Bright] (1859-1945)
GEORGE EGERTON [Mary Chavelita Dunne Bright] (1859-1945) Mary Chavelita Dunne Bright, who took on the pen name George Egerton, was born in Australia in 1859. During her childhood she lived in New Zealand, Chile, Wales, Ireland, and Germany. After the death of her mother in 1875, she helped raise her younger siblings, living in Dublin, London, and New York. She moved to Norway with one of her father's friends, Henry Higginson, but returned to England and married Egerton Tertius Clairmonte, whose first name she adopted as part of her E.A. Walton. Bodley Heads No. 3: pseudonym. She took on "George" as a George Egerton. Drawing, 1895 The Yellow Book 5 (April 1895): 9. tribute to her mother, whose maiden name was "Isabel George" (Stetz, "Keynotes" 91). After divorcing Clairmonte, she married Reginald Golding Bright, a drama critic and theatre agent, in 1901. Egerton burst onto the London literary scene in 1893 with her first book, Keynotes, published by Elkin Mathews and John Lane at the Bodley Head in a 1 distinctive design by Aubrey Beardsley. In fact, because the short story collection's themes of sexual freedom, creativity, and independence were so emblematic of the 1890s New Woman, "Keynotes" also became the title of a book series Lane created later, once he was running the Bodley Head on his own. The series included 19 volumes of short stories and 14 novels – among them Grant Allen's The Woman Who Did (1895), Ella D'Arcy's Monochromes (1895), and Victoria Crosse's The Woman Who Didn't (1895). -
George Egerton's Transgressive Fictions
Colby Quarterly Volume 36 Issue 2 June Article 8 June 2000 Keynotes from Millstreet, Co. Cork: George Egerton's Transgressive Fictions Tina O'Toole Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 36, no.2, June 2000, p.145-156 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. O'Toole: Keynotes from Millstreet, Co. Cork: George Egerton's Transgressiv Keynotesfrom Millstreet, Co. Cork: George Egerton's Transgressive Fictions by TINA O'TOOLE N TANDEM WITH the stirrings of first-wave feminism, the literary work of I "New Woman"l writers came to the fore in the early 1890s. Replacing the Victorian "angel in the house", these writers depicted desires never realised in fiction before, and imagined worlds quite different from bourgeois patri archy. Olive Schreiner's The Story ofan African Farm and Charlotte Perkins Gilman's Herland are well-known examples of this genre today. The princi ples of this fiction included the abolition of hierarchical systems and an inci sive understanding of the workings of ideological process. The triumph of the new woman figure is seen as effecting a liberation of the whole community, and of social relations in general in these fictions. George Egerton's Keynotes collection, published in 1893, was central to this fin de siecle feminist campaign. This essay looks at her career, and asks why her work has been almost completely erased from literary history. -
Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915
Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915 Kimberly E. Hereford A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Susan Casteras, Chair Paul Berger Stuart Lingo Program Authorized to Offer Degree: Art History ©Copyright 2015 Kimberly E. Hereford ii University of Washington Abstract Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915 Kimberly E. Hereford Chair of the Supervisory Committee: Professor Susan Casteras Art History This dissertation examines representations in art of the Victorian woman in “altered states.” Though characterized in Victorian art in a number of ways, women are most commonly stereotyped as physically listless and mentally vacuous. The images examined show the Victorian female in a languid and at times reclining or supine pose in these representations. In addition, her demeanor implies both emotional and physical depletion, and there is both a pronounced abandonment of the physical and a collapsing effect, as if all mental faculties are withdrawing inward. Each chapter is dedicated to examining one of these distinct but interrelated types of femininity that flourished throughout British and American art from c. 1850 to c. 1910. The chapters for this dissertation are organized sequentially to demonstrate a selected progression of various states of consciousness, from the most obvious (the sleeping woman) to iii the more nuanced (the female Aesthete and the female medium). In each chapter, there is the visual perception of the Victorian woman as having access to otherworldly conditions of one form or another. -
Survey and Mediation in Fingoland
chapter 4 Survey and Mediation in Fingoland The dismal failure to impose individual landholding on the eastern banks of the Kei before 1884, even in places where the survey work took place, did not alter the convictions of survey authorities or the colonial officers who employed them. Spatial interventions, particularly individual tenure and the bounding of spaces on the basis of ‘one man, one lot,’ remained central to colonial efforts to render African societies legible in order to uproot their labor and diminish competitive potential.1 This effort resumed in earnest with the Glen Grey Act (No. 25) of 1894, which was the brainchild of Cape Prime Minister and mining magnate Cecil John Rhodes. That Act, named after the first district to face its application, was a union of colonial legal, financial, and spatial prescriptions that attacked extended social networks by yoking survey and quitrent title to systems of separate local governance (location boards and councils) and by taxing landless men who did not labor outside the district.2 At the same time, the Act hobbled any potential benefits to ownership of titles through legal con- ditions of use, restrictions on transfer, and their disqualification as assets towards the property test for voting, which transformed those costly titles into little more than glorified tickets of occupation.3 Regimented surveys under teams of government land surveyors were central to delimitation and control in this invasive new iteration of individual tenure, because it involved the detailed subdivision and reorganization of entire districts at a time. But sur- veyors also became agents of active mediation as their contact with African households and landscapes became more sustained under this new regime, as we shall see. -
JCO1 2 28.Pdf
N o man can undersU:lnd South Ajricatl politics who ig11ores or tleglects the " N alive QuestiOtl . " NATIVE DISABILITIES in the Union of South Africa. SPEECHES : delivered in the City ,Hall (Banqueting Room) Capetown at a crowded meeting of citizens on 28th January, 1931. BY I Rt. Hon. Sir James Rose-Innes, K.C.M.G. Rt. Hon. H. Burton, K.c. Rev. R. B. Douglas, o.o. Prof. Fremantle. Rev. A. M•timkulu. This meeting was held under the Joint Auspicea of the Non Racial Franchise Association, P.O. Box 1802, Capetown and the Joint Council of Europeans and Bantu, P.O. Box 206, Capetown. THE RT. HON. SIR JAMES ROSE INNES. This meeting, said Sir James, has been convened by the European and Bantu Joint Council and the Non-Racial Franchise Association acting together. Neither of these bodies is a party organisation. The object is to appeal to men and women of all parties; to draw attention to the repressive character of the native policy now so prominently before the country, and to the consequences which will follow its enforce ment ; to ask them to examine the facts for themselves, and to form their conclusions irrespective of party considerations. Short addresses will be given on various aspects of the question ; and it devolves upon me as Chairman to make a few general remarks in opening the proceedings. Now the present trend of native policy is strikingly exemplified in some recent legislative measures, enacted or proposed. The time at one's disposal does not admit of much detail, but I propose to refer to three of them. -
Bibliography
Bibliography Achebe, Chinua. “An image of Africa.” Research in African Literatures 9, no. 1 (1978): 1–15. Adhikari, Mohamed. The Anatomy of a South African Genocide: The Extermination of the Cape San Peoples. Cape Town: University of Cape Town Press, 2010. Ako, Edward O. and Blossom N. Fondo. “Alterity and the Imperial Agenda: Mary Kingsley’s Travels in West Africa and Gerald Durrell’s The Bafut Beagles.” Jouvert 7, no. 2 (2003). 1 April 2008, http://social.chass.ncsu.edu/jouvert/v7i2/ako.htm. Albany Museum. Catalogue of the Natural History Collections of the Albany Museum, Graham’s Town. Preface by Marion Glanville, curator. Cape Town: W. A. Richards and Sons, 1883. Anatsui, El. Interview with Professor Chika Okeke- Agulu. Sterling and Francine Clark Art Institute, Golden Lamb Productions. 1 April 2011. Anthony, Loren. “Buried Narratives: Masking the Sign of History in The Story of an African Farm.” Scrutiny 2: Issues in English Studies in Southern Africa 4, no. 2 (1999): 3–13. Anthropological Institute. Notes and Queries on Anthropology. 2nd edn. Eds John George Garson and Charles Hercules Read. London: Harrison and Sons, 1892. —— Notes and Queries on Anthropology. 3rd edn. Eds John George Garson and Charles Hercules Read. London: Anthropological Institute, 1899. Anthropological Institute and British Association for the Advancement of Science. Notes and Queries on Anthropology for the Use of Travellers and Residents in Uncivilized Lands. Ed. Augustus Henry Lane Fox. London: Edward Stanford, 1874. —— Notes and Queries on Anthropology. 4th edn. Eds Barbara Freire- Marreco and John Linton Myres. London: Harrison and Sons, 1912. Anthropological Institute of Great Britain and Ireland. -
Some Attitudes in Grahamstown Towards the Advent of the Second Anglo-Boer War
SOME ATTITUDES IN GRAHAMSTOWN TOWARDS THE ADVENT OF THE SECOND ANGLO-BOER WAR Dr H. C. Hummel DeplJrlment of History, Rhodes University, GrlJhlJmstown CONCEPTUAL FRAMEWORK Aspectsof the history of Grahamstownhave frequently featured in Contree.1But it has generally been a Grahamstown in its own intimate local setting where this study also placesit, though it also locatesit on the periphery of events that occurredon a wider South African scale. It is a Grahamstownset againstthe backdropof the conflict still popularly best rememberedunder the shortest,and perhaps aptestappelation: the Boer War. The "pot-pourri" in this articleconstitutes an irresistible and a still more ambitious one -an event magnificently combination. As the author of a recentthesis on the history describedelsewhere13 -in 1898-1899.Both theseventures of Grahamstownwrote, this wasthe time when" eventsin wereintended to attract backto Grahamstownthe commerce the microcosm,or locality, lends clarity to the cross-curtent and economywhich had left this city for other centresin of affairs at the ...level" of what washappening elsewhere the Cape in the early 1880s.14But the 1898 exhibition in SouthMrica.2 Or asone modern British scholar,writing "had an additional goal". This is where developmentson the history of 19th century Liverpool,observes in much the samevein: "Without a wider national quantity localhistory IS0 paroc h 1°al hIStOryo " 03 ~~ FIN DE SIeCLE:SETflNG mE STAGE Grahamstownat the turn of the centurywas at a crossroads. Yet in anothersense it was eventhen alreadytimeless, and a descriptionaccorded the city in 1887was as easilyrecog- nisable a descriptiontwelve yearslater as it would be still today: "Laid out in the valley, the settler city presentsa re- freshingsight with the white housespeeping out among the numeroustrees and bushes,and awakenedthoughts of similar looking dear spots in the old country.. -
Hetherington2014.Pdf (1.554Mb)
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. A Sociology of Small Things: Olive Schreiner, Eleanor Marx, Amy Levy and the Intertextualities of Feminist Cultural Politics in 1880s London Donna Marie Hetherington PhD Sociology University of Edinburgh 2014 DECLARATION In accordance with University regulations, I hereby declare that: 1. This thesis has been composed solely by myself 2. This thesis is entirely my own work 3. This thesis has not been submitted in part or whole for any other degree or personal qualification. Signed: Donna Marie Hetherington September 2013 2 ABSTRACT This thesis investigates the cultural politics of a small group of women through their writing and other activities in 1880s London. Focussed on Olive Schreiner, Eleanor Marx and Amy Levy and the connections they had to one another and to other women, such as Henrietta Frances Lord, Clementina Black and Henrietta Müller, it explores key events in their everyday lives, the writings and texts they produced.