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Decision Making in British Symphony Orchestras: Formal Structures, Informal Systems, and the Role of Players
HarmonyTM FORUM OF THE SYMPHONY ORCHESTRA INSTITUTE NUMBER 4 • APRIL 1997 Decision Making in British Symphony Orchestras: Formal Structures, Informal Systems, and the Role of Players by Sally Maitlis To subscribe to Harmony or provide support to the Institute, contact: Symphony Orchestra Institute 1618 Orrington Avenue, Suite 318 Evanston, IL 60201 Tel: 847.475.5001 Fax: 847.475.2460 e-mail: [email protected] www.soi.org ©1997 by the Symphony Orchestra Institute. All rights reserved. 44 Harmony: FORUM OF THE SYMPHONY ORCHESTRA INSTITUTE Sally Maitlis Decision Making in British Symphony Orchestras: Formal Structures, Informal Systems, and the Role of Players ow are key decisions made in British symphony orchestras? What formal and informal decision-making systems exist? How do they vary between H orchestras? In particular, what is the role of musicians in important artistic and commercial matters and how satisfied are they with the decision- making processes in their organizations? These are the questions underlying a study of decision making and change in symphony orchestras which I am conducting at the Institute of Work Psychology at the University of Sheffield, England. Organizational research on orchestras, in particular British orchestras, is relatively rare. One notable exception is the major comparative study of 78 United States, United Kingdom, and German symphony orchestras which was carried out by J. Richard Hackman, Jutta Allmendinger, and Erin Lehman.1 In an interview published in the April 1996 issue of Harmony, Hackman identified such factors as adequate financial resources and good leadership as critical to an orchestra’s effectiveness, both as to its artistic performance and in terms of member job satisfaction.2 However, little research exists which examines, in depth and over time, the day-to-day functioning of such organizations, especially considering the parts played by musicians when they are not on the stage. -
London's Symphony Orchestra
London Symphony Orchestra Living Music London’s Symphony Orchestra Celebrating LSO Members with 20+ years’ service. Visit lso.co.uk/1617photos for a full list. LSO Season 2016/17 Free concert programme London Symphony Orchestra LSO ST LUKE’S BBC RADIO 3 LUNCHTIME CONCERTS – AUTUMN 2016 MOZART & TCHAIKOVSKY LAWRENCE POWER & FRIENDS Ten musicians explore Tchaikovsky and his The violist is joined by some of his closest musical love of Mozart, through songs, piano trios, collaborators for a series that celebrates the string quartets and solo piano music. instrument as chamber music star, with works by with Pavel Kolesnikov, Sitkovetsky Piano Trio, Brahms, Schubert, Bach, Beethoven and others. Robin Tritschler, Iain Burnside & with Simon Crawford-Phillips, Paul Watkins, Ehnes String Quartet Vilde Frang, Nicolas Altstaedt & Vertavo Quartet For full listings visit lso.co.uk/lunchtimeconcerts London Symphony Orchestra Living Music Monday 19 September 2016 7.30pm Barbican Hall LSO ARTIST PORTRAIT Leif Ove Andsnes Beethoven Piano Sonata No 18 (‘The Hunt’) Sibelius Impromptus Op 5 Nos 5 and 6; Rondino Op 68 No 2; Elegiaco Op 76 No 10; Commodo from ‘Kyllikki‘ Op 41; Romance Op 24 No 9 INTERVAL Debussy Estampes Chopin Ballade No 2 in F major; Nocturne in F major; Ballade No 4 in F minor Leif Ove Andsnes piano Concert finishes at approximately 9.25pm 4 Welcome 19 September 2016 Welcome Kathryn McDowell Welcome to this evening’s concert at the Barbican Centre, where the LSO is delighted to welcome back Leif Ove Andsnes to perform a solo recital, and conclude the critically acclaimed LSO Artist Portrait series that he began with us last season. -
Proquest Dissertations
The use of the glissando in piano solo and concerto compositions from Domenico Scarlatti to George Crumb Item Type text; Dissertation-Reproduction (electronic) Authors Lin, Shuennchin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 08:04:22 Link to Item http://hdl.handle.net/10150/288715 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI fihns the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fice, whfle others may be from any type of computer primer. The qaality^ of this rqirodnctioii is dependent upon the quality of the copy sabmitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and hnproper alignmem can adverse^ affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., nu^s, drawings, charts) are reproduced by sectioning the original, b^inning at the upper left-hand comer and continuing fi'om left to right m equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
Services No Longer Required
Immediate Release Services No Longer Required BBC Philharmonic and Salford Symphony Orchestra At IWM North 3pm and 8pm on 17 and 18 October 2014 ‘My word it’s a very different battalion now, there are very few of the old lads left in my own platoon...there’s not a one I know’. Arthur ‘Pat’ Burke The powerful story of a soldier from Salford who fought in the First World War will be brought to life in a series of special performances on 17 and 18 October with players from the BBC Philharmonic and Salford Symphony Orchestra at IWM North, part of Imperial War Museums. In a unique collaboration between the BBC Philharmonic and IWM North, Services No Longer Required will share the experiences of Arthur Pat Burke, who exchanged the home comforts of Salford for the front line and the Battle of the Somme. Writer Di Sherlock has dramatised some of the many letters that Pat (as he was known) wrote home to his mother (Ma) and his brothers Reg and Tom. Ten musicians from BBC Philharmonic and members of the Salford Symphony Orchestra will perform an original score composed by Richard Taylor and share the stage with actors playing the parts of Pat Burke, ‘Ma’ and a war veteran who reflects on true experiences from contemporary conflicts. The evening performance on Friday 17 October at 8pm will be broadcast live on BBC Radio Manchester, and will be followed by a Q&A hosted by breakfast show host, Allan Beswick and featuring artists, guests and relatives of Arthur Pat Burke. -
Ferruccio Busoni Biography
Ferruccio Busoni His Life And Times Beginnings Youth in Italy The Prodigy is Heard Busoni as Composer Free at Last First Experiences Marriage Busoni as Editor Hitting his Stride Busoni as Conductor Masterpiece Unveiled America again Turandot /Die Brautwahl The Author Debuts Back on the Road Paris, D’Annunzio Opera’s Seduction Liceo Rossini War in Europe The Artist at 50 The Last Years Final Enthusiasms Last Days FERRUCCIO BUSONI - HIS LIFE AND TIMES The Busoni heritage begins in Spicchio, a little village on the north bank of the Arno, inhabited mainly by barge-men, one of whom bore the name. The family is thought originally to have come from Corsica. Though reasonably well-off in their day, the Busonis fell on hard times, and upon the father’s death, moved to Empoli. Additional misfortune followed when the second son of three, Giovanni Battista also died later of a long illness in 1860, his wife following shortly thereafter. From this group of three sons, it would be the eldest, Ferdinando who would produce the artist the world learned to know and cherish. In Empoli his siblings became prosperous makers of felt hats, but Ferdinando would have none of that. He hid himself in corners to read the classics and practice the clarinet. Nothing would alter his intention to be a musician of prominence; he was capricious, self-willed, hot-tempered and impatient. These qualities would, lifelong, result in a reputation as difficult, highly-strung, opinionated, quarrelsome and to some a jeffatore...the possessor of the “evil eye.” He was largely self-taught, attained a high degree of proficiency on his instrument, adopted a career as a travelling virtuoso. -
Piano Man: Life of John Ogdon Pdf, Epub, Ebook
PIANO MAN: LIFE OF JOHN OGDON PDF, EPUB, EBOOK Charles Beauclerk | 432 pages | 27 Mar 2014 | Simon & Schuster Ltd | 9780857200112 | English | London, United Kingdom Piano Man: Life of John Ogdon PDF Book Cypriot Elegies. Reading the book is a roller-coaster of inspiration, sadness, amusement, and astonishment. Your First Name. Compared with 21st-century virtuosi, he was indeed a giant. Together they formed New Music Manchester , a group dedicated to the performances of serial and other modern works. Get A Copy. Categories : English classical pianists Male classical pianists births deaths Musicians from Nottinghamshire People from Mansfield Woodhouse People educated at Manchester Grammar School People with bipolar disorder Pupils of Egon Petri Alumni of the Royal Northern College of Music Prize-winners of the International Tchaikovsky Competition 20th-century classical pianists 20th-century English musicians Deaths from pneumonia English male classical composers English classical composers 20th-century classical composers 20th- century British composers British male pianists. No doubt, like all biographies, there are elements of bias and inaccuracy and it will not be to everyone's taste but it is definitely a worthwhile read whether you are a pianist or just interested in people. Most popular. Get a FREE e-book by joining our mailing list today! He had another, even more valuable talent no one could teach — the ability to divine the soul of the music he played and communicate it to audiences both erudite and untutored. Above all, though, there was the transcendence of his playing when he was on form and his unpredictability when he wasn't. John Rachmaninoff Ogdon. -
RNCM-Brochure-Summer-19-Web.Pdf
FS original What makes something original? Does originality actually exist or do we ԥ O UܼGݤܼQޖܥԥ O UܼGݤܼQޖԥ all simply build from what we have seen adjective and heard? adjective: original 1. What enables us to dare to be different not dependent on other people's ideas; inventive or novel. from others or independent of the context "a subtle and original thinker" in which we are working? What does the future of music look like? www.rncm.ac.uk/soundsoriginal 2 3 Wed 24 Apr // 7.30pm // RNCM Concert Hall TRINITY CHURCH OF ENGLAND HIGH SCHOOL ANNIVERSARY CONCERT 2019 TWO FOR TUBULAR BELLS Tickets £5 Promoted by Trinity Church of England High School Sun 28 Apr // 7pm // RNCM Concert Hall OLDHAM CHORAL SOCIETY VERDI REQUIEM East Lancs Sinfonia Linda Richardson soprano Kathleen Wilkinson mezzo-soprano David Butt Philip tenor Thomas D Hopkinson bass Thu 02 – Sat 04 May // 7.30pm Nigel P Wilkinson conductor Sat 04 May // 2pm // RNCM Theatre Tickets £15 Promoted by Oldham Choral Society RNCM YOUNG COMPANY SWEET CHARITY Photo credit: Warren Kirby Mon 29 Apr // 7.30pm Book by Neil Simon // Carole Nash Recital Room Music by Cy Coleman Mon 29 Apr // 7.30pm // RNCM Concert Hall Lyrics by Dorothy Fields ROSAMOND PRIZE Based on an original screenplay by Federico Fellini, Tullio Pinelli and Ennio Flaino TUBULAR BELLS FOR Produced for the Broadway stage by Fryer, Carr and Harris Conceived, Staged and Choreographed by Bob Fosse RNCM student composers collaborate with TWO Joseph Houston director Creative Writing students from Manchester Madeleine Healey associate director Metropolitan University to create new George Strickland musical director works in this annual prize. -
The Current Great Gate of Kiev Built in 1982 in Kyiv, Ukraine. Photo: ©Mark Laycock
The current Great Gate of Kiev built in 1982 in Kyiv, Ukraine. Photo: ©Mark Laycock Nieweg Chart Pictures at an Exhibition; Картинки c выставки; Kartinki s vystavki; Tableaux d'une Exposition By Modeste Mussorgsky A Guide to Editions Up Date 2018 Clinton F. Nieweg 1. Orchestra editions 2. String Orchestra editions 3. Wind Ensemble/Band editions 4. Chamber Ensemble editions 5. Other non-orchestral arrangements 6. Keyboard editions 7. Sites, Links and Documentation about the 'Pictures' 8. Reference Sources 9. Publishers and Agents In this chart the composer’s name is spelled as cataloged by the publishers. They use Модест Мусоргский, Moussorgski, Musorgskii, Musorgskij, Musorgsky, Mussorgskij, or Mussorgsky. He was inspired to compose Pictures at an Exhibition quickly, completing the piano score in three weeks 2–22 June 1874. Movement Codes 1. Promenade I 2. Gnomus 3. Promenade II 4. The Old Castle 5. Promenade III 6. Tuileries: Children Quarreling at Play 7. Bydło 8. Promenade IV 9. Ballet of Unhatched Chicks 10. Samuel Goldenberg and Schmuÿle 11. Promenade V 12. The Market Place at Limoges - Le Marché 13. Catacombæ (Sepulcrum Romanum) 14. Cum Mortuis in Lingua Mortua 15. Hut on Fowl’s Legs (Baba-Yaga) 16. The Great Gate of Kiev Recordings: For information about recordings of all 606 known arrangements and 1041 recordings (as of August 2015), see the chart by David DeBoor Canfield, President, International Kartinki s vystavki Association. www.daviddeboorcanfield.org Click on Exhibition. Click on Arrangements. For the August 2018 update of 1112 recordings see Canfield in Sites, Links and Documentation about the 'Pictures' below. -
Modern Trumpet•1
The Art of the Modern Trumpet •1 ENESCU•HINDEMITH•HONEGGER•LIGETI MARTINU° •MAXWELL DAVIES•WILLIAMS Huw Morgan, Trumpet Patricia Ulrich, Piano The Art of the Modern Trumpet • 1 World War Two, Hindemith’s remarkable creativity continued Born in Wales, Christopher Williams graduated from George Enescu • Paul Hindemith • Arthur Honegger • György Ligeti apace: 1939 was a particularly fruitful year, which included Cardiff University and now leads a varied professional life as the birth of the Violin Concerto and sonatas for viola, clarinet, a pianist, composer, conductor, teacher and arranger. Bohuslav Martinů • Peter Maxwell Davies • Christopher J.G. Williams and horn (part of his series of substantial works to challenge Williams is currently Assistant Director of the BBC National The repertoire of The Art of the Modern Trumpet spans a where he composed four morceaux de concours serious amateur performers of virtually every solo Chorus of Wales and a staff accompanist at the Royal Welsh period which can easily be described as the instrument’s (‘competition pieces’) for the internal examinations of the instrument). Arguably, the Sonata for Trumpet and Piano is College of Music and Drama, as well as being in great ‘second golden age’. Almost 150 years after the pinnacle of Paris Conservatoire. Among these works, Légende, his arguably the finest in the cycle – skilfully combining demand as a chamber musician. The kaleidoscopic the virtuoso clarino performer, whose agility in the upper single-movement concert piece written in 1906 and Hindemith’s -
56: November 1999
THE ALKAN SOCIETY President: RONALD SMITH Secretary: PETER J. GROVE 21 Heronswood, SALISBURY, Wiltshire SP28DH Tel/fax +44-[0]-1722-325771 BULLETIN NO.56: NOVEMBER 1999 I begin too often with an apology for the long delay of our Bulletin. There was a shortage of news at the beginning of the year, and since the summer there has been a shortage of time and efficiency. As my French counterpart has reminded me in no uncertain terms, our Bulletins are our only contact with most of our members. Please be assured that the Society is still running; our bank account is well in the black; and we can look forward to some exciting events in the year 2000. I must thank all the members who kept the faith by sending subscriptions or donations during this fallow year. Your contributions have all been recorded, and if you wish I will carry them over for 2000. If, in the usual rush to fill envelopes once the bulletin is printed and ready for dispatch, I enclose a form for subscriptions or donations which you feel is unnecessary, then please be assured that I will keep your name on the mailing list. As you will read later, we can certainly use some new funds, so any donations or subscriptions for 2000 will be welcomed and acknowledged. I intend to issue a receipt or membership card for the coming year, with each paid-up member allocated a reference number. This will enable you to obtain discounts on some products such as the new CDs of the chamber music and the CD from Symposium Records containing Nicholas King's organ recital. -
Bbc.Co.Uk/Philharmonic
19/20 bbc.co.uk/philharmonic Adventurous and innovative - the BBC Philharmonic is making bold moves to reimagine the orchestral experience. Discover more about the orchestra with a home in Salford and worldwide recognition… 10. At The Bridgewater Hall Join us in person at one of the finest concert halls in Europe. 18. Omer Meir Wellber 4. The BBC Philharmonic Get to know our new With strong roots in the city Chief Conductor. of Manchester, we can trace our origins back to 1921. We’re proud of our history and we’re energised for our future. 38. Learning & Participation Bringing exciting and innovative musical opportunities to the local community and beyond. 22. Beethoven 250 From February, along with our friends at the Hallé, we’re marking 250 years since Beethoven’s birth. 6. At the BBC Proms 40. On Tour We appear annually at the Performing across the North Royal Albert Hall as part of England and beyond. of the world’s greatest We’ve been everywhere classical music festival. from Sheffield to Shanghai. 8. Research & 42. In the Studio Development Our free studio concerts Discover more about our work across the year reach with BBC North’s pioneering audiences of over 8,000. digital teams. 2 3 The BBC Philharmonic is one of the most adventurous, innovative and The BBC versatile orchestras in Europe. Philharmonic We’re defined by our dynamism, In these pages, you’ll find details of our reimagining the orchestral experience flagship concert season at Manchester’s by bringing new music, concert-hall Bridgewater Hall. You can also learn rarities and established classics to the more about everything else we do, widest range of audiences across the from our BBC Proms concerts and UK and beyond. -
ALPESH CHAUHAN Conductor
ALPESH CHAUHAN Conductor Music Director, Birmingham Opera Company Alpesh Chauhan is Music Director of Birmingham Opera Company, Associate Conductor of the BBC Scottish Symphony Orchestra and Principal Guest Conductor of the Düsseldorfer Symphoniker. His most recent collaboration with Birmingham Opera Company with the CBSO at Symphony Hall with Wagner’s ’RhineGold’ was received to critical acclaim: “…The City of Birmingham Symphony Orchestra’s sound [was] controlled with an absolutely sure hand by the company’s Music Director Alpesh Chauhan - who was superb throughout.” The Telegraph ***** Forthcoming highlights of the 21/22 season include his opening concert as Principal Guest of Dusseldorf Symphoniker (Beethoven Symphony No. 6), his debut with Bournemouth Symphony Orchestra and projects with Santa Cecilia, Philharmonia Orchestra, BBC Symphony at the Barbican, the Orchestra of Opera North, Ulster Orchestra and RAI Torino as well as extensive recording and symphonic projects with BBC Scottish Symphony Orchestra. The 2019 production of Shostakovich’s ‘Lady Macbeth of Mtsensk’ with Birmingham Opera Company was a triumph and led to him being named ‘Newcomer of the Year’ in the 2021 International Opera Awards. Chauhan has also enjoyed a fruitful relationship with the Filarmonica Arturo Toscanini in Parma, who named him as their Principal Conductor and with whom he has performed and recorded staples of the great symphonic repertoire, including a complete cycle of Brahms’ Symphonies. Other highlights of his career to date include performances with the London Symphony Orchestra at the Barbican Centre, with the BBC Philharmonic at the BBC Proms, a production of Turandot in Valencia at the Palau de les Arts Reina Sofía as well as regular appearances with the City of Birmingham Symphony Orchestra where until 2016 he was Assistant Conductor.