Moscow, the Third Rome?
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The Orontids of Armenia by Cyril Toumanoff
The Orontids of Armenia by Cyril Toumanoff This study appears as part III of Toumanoff's Studies in Christian Caucasian History (Georgetown, 1963), pp. 277-354. An earlier version appeared in the journal Le Muséon 72(1959), pp. 1-36 and 73(1960), pp. 73-106. The Orontids of Armenia Bibliography, pp. 501-523 Maps appear as an attachment to the present document. This material is presented solely for non-commercial educational/research purposes. I 1. The genesis of the Armenian nation has been examined in an earlier Study.1 Its nucleus, succeeding to the role of the Yannic nucleus ot Urartu, was the 'proto-Armenian,T Hayasa-Phrygian, people-state,2 which at first oc- cupied only a small section of the former Urartian, or subsequent Armenian, territory. And it was, precisely, of the expansion of this people-state over that territory, and of its blending with the remaining Urartians and other proto- Caucasians that the Armenian nation was born. That expansion proceeded from the earliest proto-Armenian settlement in the basin of the Arsanias (East- ern Euphrates) up the Euphrates, to the valley of the upper Tigris, and espe- cially to that of the Araxes, which is the central Armenian plain.3 This expand- ing proto-Armenian nucleus formed a separate satrapy in the Iranian empire, while the rest of the inhabitants of the Armenian Plateau, both the remaining Urartians and other proto-Caucasians, were included in several other satrapies.* Between Herodotus's day and the year 401, when the Ten Thousand passed through it, the land of the proto-Armenians had become so enlarged as to form, in addition to the Satrapy of Armenia, also the trans-Euphratensian vice-Sa- trapy of West Armenia.5 This division subsisted in the Hellenistic phase, as that between Greater Armenia and Lesser Armenia. -
The Image of the Cumans in Medieval Chronicles
Caroline Gurevich THE IMAGE OF THE CUMANS IN MEDIEVAL CHRONICLES: OLD RUSSIAN AND GEORGIAN SOURCES IN THE TWELFTH AND THIRTEENTH CENTURIES MA Thesis in Medieval Studies CEU eTD Collection Central European University Budapest May 2017 THE IMAGE OF THE CUMANS IN MEDIEVAL CHRONICLES: OLD RUSSIAN AND GEORGIAN SOURCES IN THE TWELFTH AND THIRTEENTH CENTURIES by Caroline Gurevich (Russia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner ____________________________________________ CEU eTD Collection Examiner Budapest May 2017 THE IMAGE OF THE CUMANS IN MEDIEVAL CHRONICLES: OLD RUSSIAN AND GEORGIAN SOURCES IN THE TWELFTH AND THIRTEENTH CENTURIES by Caroline Gurevich (Russia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest May 2017 THE IMAGE OF THE CUMANS IN MEDIEVAL CHRONICLES: OLD RUSSIAN AND GEORGIAN SOURCES IN THE TWELFTH AND THIRTEENTH CENTURIES by Caroline Gurevich (Russia) Thesis -
An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917
An Old Believer ―Holy Moscow‖ in Imperial Russia: Community and Identity in the History of the Rogozhskoe Cemetery Old Believers, 1771 - 1917 Dissertation Presented in Partial Fulfillment of the Requirements for the Doctoral Degree of Philosophy in the Graduate School of The Ohio State University By Peter Thomas De Simone, B.A., M.A Graduate Program in History The Ohio State University 2012 Dissertation Committee: Nicholas Breyfogle, Advisor David Hoffmann Robin Judd Predrag Matejic Copyright by Peter T. De Simone 2012 Abstract In the mid-seventeenth century Nikon, Patriarch of Moscow, introduced a number of reforms to bring the Russian Orthodox Church into ritualistic and liturgical conformity with the Greek Orthodox Church. However, Nikon‘s reforms met staunch resistance from a number of clergy, led by figures such as the archpriest Avvakum and Bishop Pavel of Kolomna, as well as large portions of the general Russian population. Nikon‘s critics rejected the reforms on two key principles: that conformity with the Greek Church corrupted Russian Orthodoxy‘s spiritual purity and negated Russia‘s historical and Christian destiny as the Third Rome – the final capital of all Christendom before the End Times. Developed in the early sixteenth century, what became the Third Rome Doctrine proclaimed that Muscovite Russia inherited the political and spiritual legacy of the Roman Empire as passed from Constantinople. In the mind of Nikon‘s critics, the Doctrine proclaimed that Constantinople fell in 1453 due to God‘s displeasure with the Greeks. Therefore, to Nikon‘s critics introducing Greek rituals and liturgical reform was to invite the same heresies that led to the Greeks‘ downfall. -
Translatio Imperii–Thoughts on Continuity of Empires in European Political Traditions
1216-2574 / USD 20.00 ACTA JURIDICA HUNGARICA © 2011 Akadémiai Kiadó, Budapest 52, No 2, pp. 146–156 (2011) DOI: 10.1556/AJur.52.2011.2.5 TAMÁS NÓTÁRI* Translatio imperii–Thoughts on Continuity of Empires in European Political Traditions I. The myth of world epochs in Antique The symbolic description of the large epochs of the world following each other appears fi rst, in European literature, in the didactic epic, that is, instructive poem, entitled Erga kai hēmerai (Works and Days) of Hesiod, who lived approximately between 740 and 670 BC,1 in which he divides world history into fi ve large epochs–it should be noted: without allocating them to any specifi c empires.2 People of the golden age lived life similar to gods;3 the world was governed by Kronos together with those living on the Olympos.4 After that, Zeus created man of the silver age: the childhood of the members of this genos lasted one * Dr habil., Ph.D., Research Fellow, Institute for Legal Studies of the Hungarian Academy of Sciences, H–1014 Budapest, Országház u. 30, Associate Professor, Károli Gáspár University Faculty of Law and Political Science, Department of Roman Law, H–1042 Budapest, Viola u. 2–4. E-mail: [email protected] 1 On Hesiod’s Erga kai hēmerai see Steitz, A.: Die Werke und Tage des Hesiodos nach ihrer Composition geprüft und erklärt. Leipzig, 1869; Kirchhoff, A.: Hesiodos’ Mahnlieder an Perses. Berlin, 1889; Hays, H. M.: Notes on the Works and Days of Hesiod. Chicago, 1918; Buzio, C.: Esiodo nel mondo Greco. -
Chapter 3 Translatio Templi: a Conceptual Condition for Jerusalem References in Medieval Scandinavia
Eivor Andersen Oftestad Chapter 3 Translatio Templi: A Conceptual Condition for Jerusalem References in Medieval Scandinavia The present volume traces Jerusalem references in medieval Scandinavia. An impor- tant condition for these references is the idea of Christians’ continuity with the bibli- cal Jerusalem and the Children of Israel. Accordingly, as part of an introduction to the topic, an explanation of this idea is useful and is given in the following. According to the Bible, God revealed himself to the Jews and ordered a house to be built for his dwelling among his people.1 The high priest was the only one allowed to enter His presence in the innermost of the Temple – the Holy of Holies was the exclusive meeting place between God and man. This was where the Ark of the Covenant was preserved, and it was the place for the offering at the Atonement day. The Old Testament temple cult is of fundamental significance for the legitimation of the Christian Church. Although this legitimation has always depended on the idea of continuity between Jewish worship and Christian worship, the continuity has been described variously throughout history. To the medieval Church, a transfer of both divine presence and sacerdotal authority from the Old to the New Covenant was crucial. At the beginning of the twelfth century, which was both in the wake of the first crusade and the period when the Gregorian papacy approved the new Scandinavian Church province, a certain material argument of continuity occurred in Rome that can be described according to a model of translatio templi.2 The notion of translatio can be used to characterize a wide range of phenomena and has been one of several related approaches to establish continuity over time in western history.3 The “translation of the empire,” translatio imperii, was defined by 1 1 Kgs 6:8. -
The Defense of Monastic Memory in Bernard of Clairvaux’S
CORRECTING FAULTS AND PRESERVING LOVE: THE DEFENSE OF MONASTIC MEMORY IN BERNARD OF CLAIRVAUX’S APOLOGIA AND PETER THE VENERABLE’S LETTER 28 A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirement for the Degree Master of Arts Whitney Mae Mihalik August, 2013 CORRECTING FAULTS AND PRESERVING LOVE: THE DEFENSE OF MONASTIC MEMORY IN BERNARD OF CLAIRVAUX’S APOLOGIA AND PETER THE VENERABLE’S LETTER 28 Whitney Mae Mihalik Thesis Approved: Accepted: __________________________________ _________________________________ Advisor Dean of the College Dr. Constance Bouchard Dr. Chand Midha __________________________________ _________________________________ Co-Advisor or Faculty Reader Dean of the Graduate School Dr. Michael Graham Dr. George R. Newkome __________________________________ _________________________________ Department Chair or School Director Date Dr. Martin Wainwright ii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION .............................................................................................1 II. HISTORIOGRAPHY ........................................................................................6 III. THE REFORMS OF BENEDICTINE MONASTICISM ...............................26 IV. BERNARD’S APOLOGIA ..............................................................................32 V. PETER’S LETTER 28 .....................................................................................58 VI. CONCLUSIONS..............................................................................................81 -
From Charlemagne to Hitler: the Imperial Crown of the Holy Roman Empire and Its Symbolism
From Charlemagne to Hitler: The Imperial Crown of the Holy Roman Empire and its Symbolism Dagmar Paulus (University College London) [email protected] 2 The fabled Imperial Crown of the Holy Roman Empire is a striking visual image of political power whose symbolism influenced political discourse in the German-speaking lands over centuries. Together with other artefacts such as the Holy Lance or the Imperial Orb and Sword, the crown was part of the so-called Imperial Regalia, a collection of sacred objects that connotated royal authority and which were used at the coronations of kings and emperors during the Middle Ages and beyond. But even after the end of the Holy Roman Empire in 1806, the crown remained a powerful political symbol. In Germany, it was seen as the very embodiment of the Reichsidee, the concept or notion of the German Empire, which shaped the political landscape of Germany right up to National Socialism. In this paper, I will first present the crown itself as well as the political and religious connotations it carries. I will then move on to demonstrate how its symbolism was appropriated during the Second German Empire from 1871 onwards, and later by the Nazis in the so-called Third Reich, in order to legitimise political authority. I The crown, as part of the Regalia, had a symbolic and representational function that can be difficult for us to imagine today. On the one hand, it stood of course for royal authority. During coronations, the Regalia marked and established the transfer of authority from one ruler to his successor, ensuring continuity amidst the change that took place. -
Acceptance and Rejection of Foreign Influence in the Church Architecture of Eastern Georgia
The Churches of Mtskheta: Acceptance and Rejection of Foreign Influence in the Church Architecture of Eastern Georgia Samantha Johnson Senior Art History Thesis December 14, 2017 The small town of Mtskheta, located near Tbilisi, the capital of the Republic of Georgia, is the seat of the Georgian Orthodox Church and is the heart of Christianity in the country. This town, one of the oldest in the nation, was once the capital and has been a key player throughout Georgia’s tumultuous history, witnessing not only the nation’s conversion to Christianity, but also the devastation of foreign invasions. It also contains three churches that are national symbols and represent the two major waves of church building in the seventh and eleventh centuries. Georgia is, above all, a Christian nation and religion is central to its national identity. This paper examines the interaction between incoming foreign cultures and deeply-rooted local traditions that have shaped art and architecture in Transcaucasia.1 Nestled among the Caucasus Mountains, between the Black Sea and the Caspian Sea, present-day Georgia contains fewer than four million people and has its own unique alphabet and language as well as a long, complex history. In fact, historians cannot agree on how Georgia got its English exonym, because in the native tongue, kartulad, the country is called Sakartvelo, or “land of the karvelians.”2 They know that the name “Sakartvelo” first appeared in texts around 800 AD as another name for the eastern kingdom of Kartli in Transcaucasia. It then evolved to signify the unified eastern and western kingdoms in 1008.3 Most scholars agree that the name “Georgia” did not stem from the nation’s patron saint, George, as is commonly thought, but actually comes 1 This research addresses the multitude of influences that have contributed to the development of Georgia’s ecclesiastical architecture. -
What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately. -
The Making of Byzantinism Dimiter G. Angelov Harvard University the Foundations of Byzantine Studies Were Laid During the Age Of
The Making of Byzantinism Dimiter G. Angelov Harvard University The foundations of Byzantine studies were laid during the Age of Absolutism in France, when Byzantium became a fashionable academic subject because of its perceived similarities with the French monarchy. The Enlightenment, in turn, brought about an almost universal condemnation of Byzantine civilization which was thought to embody exactly what the Age of Reason opposed: an authoritarian political system; a culture permeated by blind religious belief; and a society fervently hostile to any notion of reform. While modern Byzantine scholarship has progressed in the study of the complexities and continuous transformation of Byzantine institutions, economy and culture, there still exist a simplistic and negative assessment of Byzantine civilization and of the Byzantine legacy in southeastern Europe by historians, political scientists and publicists. I use the term Byzantinism to designate a representation of Byzantine civilization as an antipode and an imperfect reflection of Western historical experiences and values. In my view, Byzantinism shares common characteristics with the Balkanist discourse as defined by Maria Todorova, since both Byzantinism and Balkanism try to present a variation within the construct of European civilization and to portray the other “within.” Byzantinism is both a specific discourse about Byzantium with a long history stretching back to the Middle Ages and a reductionist approach which essentializes Byzantium through the application of analytical categories derived, explicitly or indirectly, from Western historical experience. Two main elements of Byzantinism are the notions of caesaropapism and of the unlimited absolutism of the Byzantine emperor. The concept of caesaropapism is based on the subordinate position of the Byzantine patriarch, which differs from the relative independence of the papacy from political authority. -
Buildings in Their Patrons' Hands? the Multiform Function of Small Size
Transkulturelle Perspektiven 3/2014 - 1 - و Maria Cristina Carile Buildings in their patrons’ hands? The multiform function of small size models between Byzantium and Transcaucasia The representation of the church model in the hands order to understand the value of these models after of the church's patron or founder finds its roots in the the twelfth century – following the chronological frame arts of Late Antiquity. Since the sixth century, this mo- of this volume – it is important to determine their im- tif adorned church apses, as an image of offering to portance in Caucasian visual culture, first tracing the Christ or the Virgin. 1 Later, it became a strong iconic evolution of the donation image. This will help us to image conveying the role of the patron/founder in the evaluate the meaning of architectural models in the construction and his devotion, which was embodied changed historical context of the Transcaucasian in the model as well as in the building itself. As such, principalities between the late twelfth and the thir- the theme had particular fortune in medieval Rome teenth centuries, when architectural models on and spread to the East as far as the Caucasus. After church walls were enriched with new meanings. the Latin conquest of Constantinople during the fourth crusade (1204 AD), the motif was widely adopted in The first appearance of the motif in the Transcaucasi- the Balkans and in the territories in close contact with an area probably dates back to the sixth century. This Byzantium. 2 This paper will focus on church models is testified by a now-lost sculpted relief with the im- as a motif, reflecting on their spread and role in the age of a woman holding a church model, which may decoration of the external façades of the churches in have decorated the outer walls of the cathedral com- the Caucasus and, specifically, in the area of Trans- plex at Agarak (region of Ayrarat), formed by a fifth- or caucasia. -
GER6041/LIN6041 History of the German Language
GER/COM5014 Medieval Epic Week 2 Dr Doriane Zerka [email protected] Arts One 2.04 A&F hours: Monday 10-11, Tuesday 2.30-3.30 The Middle Ages? often disregarded as an era of decay in European culture, e.g. ‘Dark Ages’ Giovanni Andrea Bussi, Vatican Librarian, 1469 ‘media tempesta’ = middle season ‘medium aevum’ = middle age Christoph Martin Keller (Christophorus Cellarius), The Nucleus of Middle History Between Ancient and Modern (1688) The Middle Ages? c. 500/800 – 1500 CE Possible beginnings: Fall of Rome in 476 CE, linked to Migration Period (Völkerwanderung) until c. 800 CE Possible end points: invention of European printing press by Gutenberg c. 1440-50 conquest of Constantinople by the Ottoman Turks in 1453 Christopher Columbus’ first journey to America and conquest of Granada by the Catholic Monarchs Ferdinand in 1492 the Protestant Reformation in 1517 The Middle Ages? c. 500/800 – 1500 CE Early Middle Ages (up to c. 1150) High Middle Ages (c.1150–c.1300/50) Late Middle Ages (c. 1350–1500) The Provinces of the Roman Empire, c. 120 CE Germanic tribes c. 50-100 CE Charlemagne’s monogram Reproduction Bust of Charlemagne, 14th century Aachen Cathedral Treasury translatio imperii Treaty of Verdun (843) West Francia Charles the Bald Middle Francia Lothar I East Francia Louis the German The Future Holy Roman Empire under Ottonian and Salian rule Holy Roman Empire: The Empire of the Staufer Rulers c.1215-50 Holy Roman Empire c. 1400 1512 Holy Roman Empire of the German Nation Medieval literature and medieval epic latin/vernacular orality/literacy fiction/history “Uns ist in alten maeren wunders vil geseit” Codex Manesse, Cod.