Young Ernesto Guevara and the Myth of Che
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Che Guevara, Nostalgia, Photography, Felt History and Narrative Discourse in Ana Menéndez’S Loving Che Robert L
Hipertexto 11 Invierno 2010 pp. 103-116 Che Guevara, Nostalgia, Photography, Felt History and Narrative Discourse in Ana Menéndez’s Loving Che Robert L. Sims Virginia Commonwealth University Hipertexto At the risk of seeming ridiculous, let me say that the true revolutionary is guided by a great feeling of love. It is impossible to think of a genuine revolutionary lacking this quality. Che Guevara More and more I've come to understand that when we mourn what a place used to be, we are also mourning what we used to be. Ana Menéndez any of the discussions and debates of the Cuban Revolution in Miami, M Havana and elsewhere converge, merge and diverge in the person and persona of Che Guevara. This process produces a mesmerizing mixture of myth, reality, and nonsense which we are far from unscrambling: “There's just this fascination people have with the man - which is not of the man, but of the photograph," says Ana Menéndez, author of ‘Loving Che’” (http://www.csmonitor.com/2004/0305/p13s02-algn.html). The photograph in question is Alberto Korda’s famous picture of Che Guevara taken on March 5, 1960 at a Cuban funeral service for victims of the La Coubre explosion. The photographic reality of Che soon transformed itself into an iconic image which traveled around the world. Che’s image has since undergone myriad changes and has become a pop culture, fashionista icon and capitalist commodity marketed and sold all over the world, including Cuba. Nostalgia and memory occupy the interstitial space between Che Guevara’s personal and revolutionary life and his now simulacralized iconicity: “Part of Guevara's appeal is that his revolutionary ideals no longer pose much of a threat in the post-cold-war world. -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
Restless.Pdf
RESTLESS THE STORY OF EL ‘CHE’ GUEVARA by ALEX COX & TOD DAVIES first draft 19 jan 1993 © Davies & Cox 1993 2 VALLEGRANDE PROVINCE, BOLIVIA EXT EARLY MORNING 30 JULY 1967 In a deep canyon beside a fast-flowing river, about TWENTY MEN are camped. Bearded, skinny, strained. Most are asleep in attitudes of exhaustion. One, awake, stares in despair at the state of his boots. Pack animals are tethered nearby. MORO, Cuban, thickly bearded, clad in the ubiquitous fatigues, prepares coffee over a smoking fire. "CHE" GUEVARA, Revolutionary Commandant and leader of this expedition, hunches wheezing over his journal - a cherry- coloured, plastic-covered agenda. Unable to sleep, CHE waits for the coffee to relieve his ASTHMA. CHE is bearded, 39 years old. A LIGHT flickers on the far side of the ravine. MORO Shit. A light -- ANGLE ON RAUL A Bolivian, picking up his M-1 rifle. RAUL Who goes there? VOICE Trinidad Detachment -- GUNFIRE BREAKS OUT. RAUL is firing across the river at the light. Incoming bullets whine through the camp. EVERYONE is awake and in a panic. ANGLE ON POMBO CHE's deputy, a tall Black Cuban, helping the weakened CHE aboard a horse. CHE's asthma worsens as the bullets fly. CHE Chino! The supplies! 3 ANGLE ON CHINO Chinese-Peruvian, round-faced and bespectacled, rounding up the frightened mounts. OTHER MEN load the horses with supplies - lashing them insecurely in their haste. It's getting light. SOLDIERS of the Bolivian Army can be seen across the ravine, firing through the trees. POMBO leads CHE's horse away from the gunfire. -
Sabotage Du Navire Français La Coubre Le 4 Mars 1960 Nadine Lalande
Sabotage du navire français La Coubre le 4 mars 1960 Nadine Lalande Le sabotage du navire La Coubre dans la mémoire du peuple cubain. L’une des premières actions terroristes du Gouvernement des États-Unis contre Cuba eut un caractère monstrueux, le sabotage du navire français La Coubre le 4 mars 1960, à quai dans le port de la Havane. Le bateau avait chargé en Europe un lot important d’armements et d’équipements achetés à l’industrie nationale belge par le Gouvernement Révolutionnaire de Cuba, qui était déjà préoccupé par les actions agressives croissantes des États- Unis. Le chargement fut saboté par les agents de l’Agence Centrale d’Intelligence CIA au point d’embarquement, et les engins placés déclenchèrent une explosion ce jour-là à trois heures dix de l’après-midi alors que se déroulaient les opérations de déchargement. Aux premières heures de l’après-midi du 4 mars 1960, une détonation initiale se produisit et quelques minutes plus tard une deuxième qui causera le plus grand nombre de victimes, puisque à ce moment-là des dizaines de militaires et de travailleurs apportaient leur aide sur place aux victimes de la première explosion. Le navire la Coubre ainsi que le quai alentour étaient remplis de travailleurs portuaires, des soldats rebelles, de membres de la Police Nationale Révolutionnaire, de pompiers et du personnel de secours qui, sans se soucier du danger avaient accouru sur le lieu du désastre pour aider les victimes et pour prévenir les accidents. Le Commandant en Chef Fidel Castro Ruz, et d’autres dirigeants de la Révolution Cubaine firent acte de présence sur le lieu des faits. -
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316.74:77 Rewriting Revolutionary Myths: Photography in Castro’s Cuba and Tania Bruguera’s Tatlin’s Whisper#6 Louisa Söllner LMU Munich Abstract: Photography was a key medium for creating, INTRODUCTION spreading, and cementing myths about the Cuban Revolution and its leaders. In the first part of this essay, In her novel Days of Awe (2001), Cuban-American I’ll explore several iconic images as well as responses to novelist Achy Obejas reproduces the following story these pictures, all parts of a Cuban “cross-national about Fidel Castro‟s victory speech on the 8th of memory discourse” (cf. Quiroga, 2005). Walter Benjamin’s media philosophy can help in developing January 1959: “On both sides of the Straits of Florida insights about the functioning of these photographs. In there‟s a story about Fidel‟s first victory speech in the second part of the paper, I turn to Tania Bruguera’s Havana. Sometime shortly after he began, a white dove piece Tatlin’s Whisper#6 (staged at the 10th Havana perched on his left shoulder, leaving everyone Biennial in 2009), which radically rewrites the poetics of breathless. This is Fidel‟s voodoo: He does the the images and aspires to create a sense of participation impossible. He gets that bird to pose with him, and direct involvement. whether through strategy or sorcery it doesn‟t matter. In one case, it’s divine intervention; in the other, a Keywords: Photography, Memory Mediation, Diaspora, ” Performance Art, Walter Benjamin stroke of theatrical genius; in both, he wins. (Obejas, 2001, p. 127) Obejas‟s novel reiterates and simultaneously rewrites a myth about Castro that has entered the collective memory of revolutionary Cuba and its 59 diaspora. -
Photo De Che Guevara « Guerrillero Heróico » Alberto Korda (Sources : Wikipedia )
Photo de Che Guevara « guerrillero heróico » Alberto Korda (Sources : Wikipedia ) Guerrillero Heroico est un portrait photographique de Ernesto Che Guevara réalisé par Alberto Korda le 05/05/1960 , alors qu il assistait à l ' enterrement des victimes de l ' explosion de la Coubre ( Le cargo français La Coubre explosa par deux fois le 4 mars 1960, alors qu'il déchargeait des munitions belges dans le port de La Havane à Cuba. L'explosion fit au moins 75 morts et 200 blessés. Le gouvernement cubain accusa la CIA et condamna à mort William Alexander Morgan alors que les États-Unis penchaient pour la thèse d'un accident. ) C est une des photos les plus célèbres au monde . Alberto Korda donna cette photographie à l'éditeur italien Gianfranco Feltrinelli qui lui fit faire le tour du monde avec des centaines de posters et des couvertures de carnets après la mort du Che en 1967. L'année suivante, Andy Warhol en fait un tableau qui devient une icône artistique et commerciale. Korda, révolutionnaire convaincu, ne toucha pas un centime et ne réclama jamais aucun droit d'auteur jusqu'en 1990, quand la société Smirnoff a repris l'image de Guevara pour vendre de la vodka1. Korda était photographe pour le journal cubain Revolución le 6 mars 1960 quand il prit le fameux cliché . Korda raconta ainsi l'instant historique : « Je me trouvais à quelque dix-huit mètres de la tribune où Fidel prononçait un discours et je tenais à la main un appareil muni d'un court téléobjectif, lorsque je vis le Che s'approcher de la balustrade près de laquelle se tenaient Jean-Paul Sartre et Simone de Beauvoir. -
Hilda and Che
NACLA REPORT ON THE AMERICAS reviews ‘A Great Feeling of Love’: Hilda and Che By Hobart Spalding sonal, which are often overlooked in The photos included in the book MY LIFE WITH CHE: THE MAKING OF writings about famous personages. help bring all this to life. A REVOLUTIONARY by Hilda Gadea Gadea, who became Che Guevara’s Life among the exile community, (Foreword by Ricardo Gadea), Palgrave wife, narrates in the first person. mostly in Guatemala but also Mex- Macmillan, 2008, 233 pp., $21.95 (hardcover) A Peruvian activist and economist, ico, constitutes another theme. The she chose exile in Guatemala after reader is struck by the deep level of the coup in her native country led solidarity that the exiles felt and their THE CUBAN REVOLUTION HAS PROBABLY by General Manuel Odria in 1948. willingness not only to protect each been given more attention in the U.S. Guatemala was then the scene of a other but to share when often they mass media than any other revolu- progressive revolution headed first had very little themselves. Clothes, tion to date. This is due to its longev- by Juan José Arevalo (1945) and af- a room, a job—all became currency ity, its proximity to the world center ter 1951 by Jacobo Arbenz. It had within the community. of empire, the United States, and not become home to many exiles fleeing Almost as in a Dostoyevsky novel, least to its many achievements. It also repressive regimes, and Hilda be- the local, national, and international reflects the colorful, dynamic person- came a fixture among that group. -
60Th Anniversary of La Coubre: U.S
YEAR X NO 3 MAR 4, 2020 HAVANA, CUBA ISSN 2224-5707 Price: 1.00 CUC / 1.00 USD / 1.20 CAN 60th Anniversary of La Coubre: U.S. Terrorism in Cuba P. 3 Cuba-U.S. Spotlight Cubans in the U.S. Against the Travel Havana’s Delightful International Ban Book Fair P. 4 P. 7 The Caribbean Photo Feature Sports Venezuela Withstands Varadero: A Prime Beach Cuban Baseball Sets Sights Coercive Measures Resort on 2020 Olympics P. 9 P. 11 P. 15 2 TOURISM SANTIAGO DE CUBA The Ever Hospitable City Text & Photos RobertoF.CAMPOS important ecological site in the area, which visitors can access after climbing 450 steps. The rock has an estimated weight of about HAVANA.- While surrounded by incredible 70,000 tons, which sits beautifully over a mountains, the city of Santiago de Cuba is vast mountainous valley. as cosmopolitan as the Cuban capital and In fact, the province has a virgin landscape other large tourist cities in the country. This that can be appreciated in the Sierra city, however, also encompasses charms Maestra mountain range, where thousand- that are connected to its history, culture year-old trees and enchanting green and environment. foliage transport visitors to another world. Many of the travelers that come to Cuba, That foliage is also a distinctive feature of especially from Europe and Canada, take natural parks such as the Baconao, which great interest in knowing the religious roots includes a beach area, tourist centers, the and the traditions of this part of Cuba, making Sculptures Promenade and the Prehistoric the region a must in their vacation plans. -
Young Che.Pdf
r U E Y O U N G C H E Maxence Van der Meersch (1907-51); French author and lawyer, a humanist who wrote about the humble people of the northern region of his birth. Was awarded the Grand Prix de l'Acad6mie Frangaise in 1943 for Corps et dines [Bodies and Souls], his novel about the world of medicine, which became an international success and was translated into thirteen languages. Mario Dalmau and Dario Lopez: Cuban guerrillas who participated in the attack on the Moncada Barracks and were exiled in Mexico. Ricardo Gutierrez (1936-96): Argentine poet and doctor. He wrote The Book of Tears and The Book of Song. Sigmund Freud (1856-1939): Austrian neurologist and psychiatrist who co-founded the psychoanalytic school of psychology. He also made a long-lasting impact on many diverse fields, such as literature, film, Marxist and feminine theories, literary criticism, philosophy and psychology. Nonetheless, some of his theories remain widely disputed. Panait Istrati (1884-1935): left-wing Romanian author who wrote both in Romanian and French. He was horn in Braila and died of tuberculosis at the Filaret Sanatorium in Bucharest. Jorge Ricardo Masetti (1929-64): Argentine journalist who was the first Latin American to interview Fidel Castro in the Sierra Maestra. Founder and first director of the agency Prensa Latina. Close friend of Che Guevara. Led an ' insurrection in northern Argentina. Fell in comhat on 21 April 1964 in the mountains of Salta, Argentina. His noni de ^ guerre was Comandante Segundo. 338 Chronology Entries in italics signify national and international events. -
Fidel Castro and Revolutionary Masculinity
University of Kentucky UKnowledge Theses and Dissertations--Hispanic Studies Hispanic Studies 2012 Deconstructing an Icon: Fidel Castro and Revolutionary Masculinity Krissie Butler University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Butler, Krissie, "Deconstructing an Icon: Fidel Castro and Revolutionary Masculinity" (2012). Theses and Dissertations--Hispanic Studies. 10. https://uknowledge.uky.edu/hisp_etds/10 This Doctoral Dissertation is brought to you for free and open access by the Hispanic Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Hispanic Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. I retain all other ownership rights to the copyright of my work. -
FARC, Shining Path, and Guerillas in Latin America
FARC, Shining Path, and Guerillas in Latin America Oxford Research Encyclopedia of Latin American History FARC, Shining Path, and Guerillas in Latin America Marc Becker Subject: History of Latin America and the Oceanic World, Revolutions and Rebellions Online Publication Date: May 2019 DOI: 10.1093/acrefore/9780199366439.013.218 Summary and Keywords Armed insurrections are one of three methods that the left in Latin America has tradition ally used to gain power (the other two are competing in elections, or mass uprisings often organized by labor movements as general strikes). After the triumph of the Cuban Revolu tion in 1959, guerrilla warfare became the preferred path to power given that electoral processes were highly corrupt and the general strikes too often led to massacres rather than a fundamental transformation of society. Based on the Cuban model, revolutionaries in other Latin American countries attempted to establish similar small guerrilla forces with mobile fighters who lived off the land with the support of a local population. The 1960s insurgencies came in two waves. Influenced by Che Guevara’s foco model, initial insurgencies were based in the countryside. After the defeat of Guevara’s guerrilla army in Bolivia in 1967, the focus shifted to urban guerrilla warfare. In the 1970s and 1980s, a new phase of guerrilla movements emerged in Peru and in Central America. While guer rilla-style warfare can provide a powerful response to a much larger and established mili tary force, armed insurrections are rarely successful. Multiple factors including a failure to appreciate a longer history of grassroots organizing and the weakness of the incum bent government help explain those defeats and highlight just how exceptional an event successful guerrilla uprisings are. -
Ernesto “Che” Guevara, Intelectual Latinamericano: Notas Para Un Estudio Crítico De Su Pensamiento
1 Ernesto “Che” Guevara, intelectual latinamericano: Notas para un estudio crítico de su pensamiento. Hugo Cancino I.‐ Introducción. Pudiera parecer extraño incluir a Ernesto “Che” Guevara1 en la categoría social de los intelectuales. Si se define a los intelectuales como una elite que contempla, teoriza y crítica al orden existente y al poder desde una “torre de marfil” o que lo defiende, manteniéndose lejos de la acción, el Che no podría incluirse en esta categoría. El eje que definió su vida fue la profunda unidad entre su pensamiento y su acción. Pero fue su acción, más que su discurso, sus gestos testimoniales y su trágica muerte en Bolivia en 1967, los acontecimiento que contribuyeron a transformar su historia en una leyenda. En esta comprensión su imagen se ha convertido en ícono2, que se muestra en carteles, en adorno de camisetas, como decoración en diferentes objetos y artefactos y en la gráfica de las miles de páginas de la Web construidas en su homenaje. Para los jóvenes más politizados la imagen del “Ché”, en la célebre fotografía de Korda3, denota a un revolucionario, un rebelde intransigente en contra de la injusticia y la opresión donde quiera que esta se presentara y cuya vida y muerte testimonian la fidelidad a unos ideales revolucionarios y a una actitud ética que trascendería la época en el que Che viviera. La figura del Che ha trascendido al siglo XX y su representación iconizada de un revolucionario que renunció al poder, que ha llegado a ser el símbolo y signo de todas las protestas de los movimientos sociales en contra de la globalización neo‐ liberal.