Titre Du Journal
Total Page:16
File Type:pdf, Size:1020Kb
Load more
										Recommended publications
									
								- 
												  PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the GraduatePERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
- 
												  Download DownloadFlorian Heesch Voicing the Technological Body Some Musicological Reflections on Combinations of Voice and Technology in Popular Music ABSTRACT The article deals with interrelations of voice, body and technology in popular music from a musicological perspective. It is an attempt to outline a systematic approach to the history of music technology with regard to aesthetic aspects, taking the iden- tity of the singing subject as a main point of departure for a hermeneutic reading of popular song. Although the argumentation is based largely on musicological research, it is also inspired by the notion of presentness as developed by theologian and media scholar Walter Ong. The variety of the relationships between voice, body, and technology with regard to musical representations of identity, in particular gender and race, is systematized alongside the following cagories: (1) the “absence of the body,” that starts with the establishment of phonography; (2) “amplified presence,” as a signifier for uses of the microphone to enhance low sounds in certain manners; and (3) “hybridity,” including vocal identities that blend human body sounds and technological processing, where- by special focus is laid on uses of the vocoder and similar technologies. KEYWORDS recorded popular song, gender in music, hybrid identities, race in music, presence/ absence, disembodied voices BIOGRAPHY Dr. Florian Heesch is professor of popular music and gender studies at the University of Siegen, Germany. He holds a PhD in musicology from the University of Gothenburg, Sweden. He published several books and articles on music and Norse mythology, mu- sic and gender and on diverse aspects of heavy metal studies.
- 
												  Fr, 6.7. Grand Théâtre, Luxembourg, 19H302 AGENDA woxx | 06 07 2018 | Nr 1483 WaT ASS LASS I 06.07. - 15.07. WAT ASS LASS? Eugénie Anselin met les millenials sous sa loupe avec son spectacle « Wow » - les 6, 11, 12, 13 et 14 juillet au TOL. Just Dancing ’18, avec les élèves de l’école de ballet Li Marteling, Fr, 6.7. Grand Théâtre, Luxembourg, 19h30. musek Tél. 47 08 95-1. www.lestheatres.lu Frédéric mayeur, récital d’orgue, l’autre avenue, mise en scène de basilique Saint-Willibrord, Saif Eddine Settif, chorégraphies de Echternach, 12h. Dans le cadre de Claudia Urhausen, avec l’ensemble l’« UergelPunkt 12 ». du Petit Atelier Théâtre Esch, Théâtre d’Esch, Esch, 20h. Tél. 27 54 50 10. Rock am Park, avec Go by Brooks, www.esch.lu/culture/theatre The Tame and the Wild et Lata Gouveia, parc communal Koipa, encontros, chorégraphies de Hesperange, 20h. Fernando Lima, Moa Nunes, Christel Renard et Giovanni Zazzera, Grégoire Pépin Tribu, Neimënster, Luxembourg, 20h. world/ethno/jazz, brasserie Tél. 26 20 52-1. www.neimenster.lu Terminus, Sarreguemines (F), 21h. Tél. 0033 3 87 02 11 02. Tous/all migrants, création collective www.terminus-les.info du projet « Actis-D’ici et d’ailleurs », mise en scène de Fabrizio Leva, Party/bal Théâtre national du Luxembourg, Luxembourg, 20h. Tél. 26 44 12 70-1. latino, Den Atelier, Luxembourg, 22h. www.tnl.lu Tel. 49 54 85-1. www.atelier.lu WAT ASS LASS Wow, de et avec Eugénie Anselin, Kalender S. 2 - S. 7 Travel on the beat, with Spaniol, mise en scène d’Antoine Morin, Arch Enemy p.
- 
												  FANTOM OPERY Text NapsalFloor Jansen Tuomas Holopainen Emppu Vuorinen Troy Donockley Jukka Nevalainen Marco Hietala Kai Hahto Sami Vänskä Tarja Turunen Anette Olzon Emppu Vuorinen – Troy Donockley – Floor Jansen – Tuomas Holopainen – Kai Hahto – Marco Hietala Rok vydání: 2007 AAMMAARRAANNTTHH Album: DARK PASSION PLAY Předehra Baptised with a perfect name. The doubting one by heart. Alone without himself. War between him and the day. Need some one to blame. In the end, little he can do alone. Ref.: You believe but what you see. You receive but what you give. Caress the one, the Never-Fading. Rain in your heart - the tears of snow-white sorrow. Caress the one, the hiding amaranth. In a land of the daybreak. Apart from the wandering pack. In this brief flight of time we reach. For the ones, whoever dare. Ref.: You believe but what you see. You receive but what you give. I: Caress the one, the Never-Fading. Rain in your heart - the tears of snow-white sorrow. Caress the one, the hiding amaranth. In a land of the daybreak. :I Mezihra Reaching, searching for something untouched. Hearing voices of the Never-Fading calling. Calling … Calling … Ref.: I: Caress the one, the Never-Fading. Rain in your heart - the tears of snow-white sorrow. Caress the one, the hiding amaranth. In a land of the daybreak. :I Daybreak. 4:51 Text napsal: AAMMAARRAANNTTHH TUOMAS HOLOPAINEN Předehra Pokřtěn perfektním jménem. Pochybující svým srdcem. Osamělostí sám bez sebe. Válka mezi ním a dnem. Potřebuje na někoho hodit vinu. Nakonec toho sám zvládne málo. Ref.: Věříš, ale co vidíš.
- 
												  Radio Essentials 2012Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat.
- 
												  Arch Enemy Burning Angel (Japanese Tour EP 2002) Mp3, Flac, WmaArch Enemy Burning Angel (Japanese Tour EP 2002) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Burning Angel (Japanese Tour EP 2002) Country: Japan Released: 2002 Style: Heavy Metal MP3 version RAR size: 1605 mb FLAC version RAR size: 1784 mb WMA version RAR size: 1276 mb Rating: 4.3 Votes: 157 Other Formats: MIDI TTA VOX MP3 AU AC3 XM Tracklist Hide Credits Burning Angel 1 4:17 Lyrics By – Michael AmottMusic By – Christopher Amott, Michael Amott Lament Of A Mortal Soul 2 Lyrics By – Angela GossowMusic By – Christopher Amott, Michael AmottPiano – Per 4:05 Weirburg Starbreaker 3 3:23 Written-By – Tipton*, Downing*, Halford* Ravenous Video Film Producer – EyetoolLyrics By – Angela Gossow, Michael AmottMusic By – 4:04 Christopher Amott, Michael Amott Companies, etc. Manufactured By – Toy's Factory Licensed From – Savage Messiah Music Recorded At – Studio Fredman Recorded At – Studio Recordia Mixed At – Backstage Studios Mixed At – Studio Recordia Mastered At – Backstage Studios Credits Artwork – Cabin Fever Media Bass – Sharlee D'Angelo Drums – Daniel Erlandsson Engineer – Fredrik Larnemo (tracks: 3) Layout – Hippograffix Lead Guitar – Christopher Amott, Michael Amott Legal – Clintons, Peter Button Management – Dave Thorne , Sanctuary Music Management Ltd. Mastered By – Andy Sneap (tracks: 1, 2, 4) Mixed By – Andy Sneap (tracks: 1, 2, 4), Fredrik Larnemo (tracks: 3) Photography By – Adde Producer – Arch Enemy (tracks: 3), Fredrik Nordström (tracks: 1, 2, 4), Michael Amott (tracks: 1, 2, 4) Vocals – Angela Gossow Notes Comes
- 
												  CRADLE of FILTH the Manticore and Other Horrors (Melodic Extrem Metal)CRADLE OF FILTH The manticore and other horrors (Melodic Extrem Metal) Année de sortie : 2012 Nombre de pistes : 11 Durée : 52' Support : CD promo Provenance : Reçu du label Il est évident qu’en 2012 CRADLE OF FILTH n’a malheureusement plus la même aura que dans la deuxième moitié des années 90. Complètement novateur dans un style Black Metal gothique, théâtral et symphonique, le groupe anglais a sorti selon moi deux albums vraiment incontournables : Dusk… And Her Embrace (1996) et Cruelty And The Beast (1998), mon préféré. Les années 2000, même si marquées par des disques très recommandables (Midian, Nymphetamine,…) correspondent à un lent déclin, laissant le trône dans le style Black Metal symphonique à leurs principaux rivaux, les Norvégiens de DIMMU BORGIR qui ont littéralement explosé à cette même période. On peut expliquer cette baisse de popularité certaine par trois facteurs : - le manque flagrant de renouvellement de la musique de CRADLE OF FILTH, s’épuisant dans des concept albums fastidieux manquant d’originalité. - le fait que Dani FILTH n’a jamais su s’entourer d’un line-up stable, hormis son fidèle lieutenant Paul ALLENDER à la guitare, ne bénéficiant donc pas de force créatrice supplémentaire et restant ainsi plus un projet solo qu’un véritable groupe soudé. - des prestations live de qualité inégale. Leur musique studio se trouvant difficile à reproduire fidèlement en concert, le son s'avère souvent aléatoire… Que peut on donc espérer de The Manticore And Other Horros ? Tuons le suspens, c’est un bon album mais je ne parlerai pas de chef d’œuvre.
- 
												  Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.Ddb:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J.
- 
												  Cradle of Filth the Principle of Evil Made Flesh Mp3, Flac, WmaCradle Of Filth The Principle Of Evil Made Flesh mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Principle Of Evil Made Flesh Country: Thailand Released: 1994 Style: Black Metal MP3 version RAR size: 1696 mb FLAC version RAR size: 1316 mb WMA version RAR size: 1701 mb Rating: 4.4 Votes: 355 Other Formats: AU AA XM AC3 WAV DTS AIFF Tracklist Hide Credits A1 Darkness Our Bride (Jugular Wedding) 2:00 A2 The Principle Of Evil Made Flesh 3:34 A3 The Forest Whispers My Name 5:06 A4 Iscariot 2:33 A5 The Black Goddess Rises 6:48 A6 One Final Graven Kiss 2:15 A7 A Crescendo Of Passion Bleeding 5:30 B8 To Eve The Art Of Witchcraft 5:28 B9 Of Mist And Midnight Skies 8:09 B10 In Secret Love We Drown 1:29 A Dream Of Wolves In The Snow B11 2:10 Vocals – Daz* B12 Summer Dying Fast 5:39 Imperium Tenebrarum B13 0:49 Narrator – Frater Nihil Credits Artwork By [Cover] – Nigel Wingrove Bass – Robin Graves Cello – Soror Proselenos Drums – Nicholas Barker Guitar – Paul Allender, Paul Ryan Keyboards – Benjamin Ryan Mastered By – Nilesh Patel Photography [Band] – Paul Harries Photography [Cover] – Chris Bell Producer, Mixed By – Mags Vocals – Dani Filth Vocals [Female] – Andrea Meyer* Notes Recorded in the Autumn Twilight 1993e.h. Mixed and produced at Academy Studios. Mastered at The Exchange. Other versions Category Artist Title (Format) Label Category Country Year The Principle Of Cradle Cacophonous NIHIL1CD Evil Made Flesh NIHIL1CD UK 1994 Of Filth Records (CD, Album, Ltd) The Principle Of Cradle YBM Seoul South SRCD-2576 Evil Made Flesh
- 
												  Karelia-Ammattikorkeakoulu Nightwishin KiteeKARELIA-AMMATTIKORKEAKOULU Matkailu- ja palveluliiketoiminta Ira Mustonen Minna Tuhkanen NIGHTWISHIN KITEE Opinnäytetyö Joulukuu 2019 OPINNÄYTETYÖ Joulukuu 2019 Matkailun koulutus Tikkarinne 9 80200 JOENSUU +358 13 260 600 (vaihde) Tekijät Ira Mustonen ja Minna Tuhkanen Nimeke Nightwishin Kitee Toimeksiantaja Keski-Karjalan Kehitysyhtiö Oy Tiivistelmä Opinnäytetyön tarkoituksena oli suunnitella Nightwish-historiapolku Kiteelle, Nightwishin kotikau- punkiin. Tarkoituksena oli lisätä yhtyeen näkyvyyttä Kiteellä sekä luoda lisää aktiviteettia Night- wishin faneille. Polku oli tarkoitus tarinallistaa, eli suunnitella siihen hahmo ja pohtia, mitkä kohteet polulle otetaan mukaan ja mitä niistä kerrotaan. Opinnäytetyössä on perehdytty myös tarinallista- miseen ja tuotteistamiseen, mitä tarvittiin historiapolun tekemisessä. Opinnäytetyössä käytettiin tiedonkeruumenetelmänä kyselyjä, jotka toteutettiin Webropol-kysely työkalulla ja aineistoa analysoitiin laadullisesti. Kyselyjä tehtiin kaksi: suomen- ja englanninkieli- senä. Kyselyjä jaettiin sosiaalisessa mediassa ja ne kohdistettiin Nightwishin musiikkia kuuntele- ville. Kyselyjen tarkoituksena oli auttaa muodostamaan asiakasprofiilit sekä suomalaisista että ul- komaalaisista mahdollisista asiakasryhmistä. Opinnäytetyössä käytettiin myös kirjallisuutta ja säh- köisiä lähteitä. Asiakasprofiilit muodostettiin kyselyjen tuloksien perusteella, ja Nightwish-historiapolku muodos- tettiin sekä näiden tuloksien että yhteyshenkilöiden ja kirjallisuuden avulla. Polulle otettiin keskus- tan reittiin Kiteen
- 
												  Darkly, Darkly, Venus AversaDarkly, Darkly, Venus Aversa Darkness ever-afters Then one eve when the ancient trees Outside, drew back, unnerved The pleas from those impatient, teased Something from the black beyond of nowhere A stunning woman, summoned The Cult Of Coming scimitar-curved Statuesque, but living flesh Venus Aversa Draping nakedness about their pagan saviour I am She She came Lilith, a perfect myth Lilith The scarlet whore Mistress of the dark Skinned in magnificence Of Sheba In her defence First offender She only slew a few of them And succour to demons Whose sweet seductions and wicked rites Born of a sacrifice, a virgins price Lead all those too enslaved by the flesh For the merging with a Goddess To trespass against Gods holy law She prowled the world again Enslaving men And tonight I come for you... With the surging of her bodice Midnight strikes, the candles sputter Midnight strikes, the candles sputter Muttering their reeking spells Muttering their reeking spells I snuff their tongues, my heart a-flutter I snuff their tongues, my heart a-flutter These words I speak are gates to Hell These words I speak are gates to Hell Casus belli Casus belli In hoc signo vinces Dani Filth In hoc signo vinces Veritas vos liberabit Veritas vos liberabit Casus belli Mouthpiece of Venus/Deceiving Highs Casus Belli In hoc signo vinces In hoc signo vinces In aeturnum, amen In aeturnum, amen And bestiality The scent of death is rent Devils fed them back to us In this ornamental verse It ventures down the centuries Knights of holy wars, inviting hordes Tormenting me
- 
												  Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow SelfCOMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4.