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What I Learned in Pittsburgh Forestalling Ecocide with the Age of Stupid
North of CeNter Wednesday, OctOber 7, 2009 Free take home and read VOluMe I, Issue 11 Faust summoned What I learned in Pittsburgh to set Lex ablaze The 2009 G20 summit and protests, part 1 Krautrockers play Boomslang By Trevor Tremaine In the mid 1990s, I was a subur- ban teenager entering a lifelong obses- sion with strange, adventurous music. before Myspace, peer-to-peer fileshar- ing, Mutant sounds and other blogs of its ilk , and without regular access to many interesting all-ages gigs or the sorts of fantastic record stores that were found in louisville or cincinnati (each requiring an hour-plus drive), discovering such sounds was a rather labor-intensive process. Often, I would just peruse the CDs in (the legendary, long-gone lexington record store) cut corner’s scant, rarely- restocked avant-garde section and select a disc based solely on the cover art, the description, or the instrumen- tation, if the credits were visible (i.e. if personnel were attributed with “tapes and electronics,” I knew I had to check it out—an axiom that still holds true today). For guidance, I sought The Wire magazine, a UK journal of experimen- tal music from around the world. One memorable issue listed “100 records that set the World on Fire (While no One Was listening),” and I made it my MICHAEL MARCHMAN mission to hear as many of these very, Crowds of protestors gather in downtown Pittsburgh during the recent G20 meetings. very obscure records as I could find. Faust was a name that popped up By Michael Dean Benton gesture of political optimism. -
SEPTEMBERFULL.Pdf
1 C:\Users\Stuart\Desktop\DOCUMENTS\Hifi Pig\DESKTOP BACKUP\HIFI PIG\ADVERTISEMENTS\TQ\Grand Slam Large 2 (1).png 2 Hifi Pig www.hifipig.com CONTENTS REVIEWS 5. Zontek Turntable 14. Timestep T-01MC Phonostage 20. Transfiguration Axia S Cartridge www.hifipig.com 25. Devialet Ensemble Telephone: +33 (0)2 97 23 70 78 E mail: [email protected] 31. Primare I32 Integrated Amplifier With DAC and Media Board 37. Tisbury Audio Passive Pre Mk 2 MUSIC 40. Etalon Solo DAC/PRE 82-103 MUSIC AND GIG 46. Ophidian Minimo Loudspeakers REVIEWS 50. WAY Cables Silver 1 and 4 Interconnects 104. THE CLASSICS. JOHN SCOTT DIGS LOVE’S FOREVER 55. Triangle Titus Loudspeakers CHANGES OFF THE SHELF 57. Flare Audio R2Pro and R2A Earphones INTERVIEWS 106. HIFI PIG GOES BEHIND THE BRANDS WITH FREDERIK DAVIES, CREATOR OF THE AXJET LOUDSPEAKER SYSTEM COLUMNS 60. RETRO BITES JANINE ELLIOT DUSTS OFF HER PHILIPS DCC900 Digital Compact Casette Player 64. THE VOICE OF DOM DOMINIC MARSH TALKS MAINS CABLES (PART 1) 67. FIDELITY MATTERS IAN RINGSTEAD IS BOXING CLEVER 70. THE VIEWS OF STU STUART SMITH AVOIDS A STICKY SITUATION 73. BIRDS EYE VIEW LINETTE SMITH TELLS THE BLOKES TO PUT IT AWAY 76. DEALERS VIEW WITH MIKE TWOMEY 78. READERS LIVES WITH FATHER AND SON DAVE AND ROB STEVENSON 3 Hifi Pig www.hifipig.com WELCOME TO HIFI PIG EXTRA 4 Hifi Pig www.hifipig.com ZONTEK TURNTABLE Polish Vinyl Spinner Janine Elliot takes a listen to this beautifully finished, £11,990 turntable and arm from Polish artisan manufacturer Zontek. 5 Hifi Pig www.hifipig.com ZONTEK TURNTABLE hat does the Transcriptors Hydraulic Transcriptors (as well as the JBE Series 3 and even a Reference and the new Zontek turntable Strathearn turntable, if my memory goes back that Whave in common? Very little, apart from far) with the strobe on the edges perhaps more akin large round belt traversing the platter – or in the case to a Technics. -
Can You Hear Me Yet?
[FREE] Serving Philipstown and Beacon Feminist Cabaret PAGE 7 JANUARY 11, 2019 161 MAIN ST., COLD SPRING, N.Y. | highlandscurrent.org Go-Go Pops to Close Owners will shift focus to vegetarian restaurant Pops made with cucumber, lime juice, By Michael Turton organic cane sugar and minced serrano chilies o-Go Pops, the Cold Spring main- stay known for its handmade (and G handheld) fruit pops, will close its Main Street location at the end of January. “We love Cold Spring and wanted to keep the business here but couldn’t make it hap- pen,” said Lynn Miller, who owns the shop at 64 Main St. with her husband, Greg, which Lynn Miller at Go-Go Pops, which will close at the end of the month Photo by M. Turton they run with help from their son, Jack. The family will shift its focus to Veggie Go-Go, a larger restaurant on Route 9 in well as Go-Go Pops’ menu. said Miller, who is a village trustee. “The Wappingers Falls that opened a year ago “We’re hoping someone might take over store is very well equipped.” She noted that, and offers vegetarian and vegan foods as Go-Go Pops and put their own stamp on it,” (Continued on Page 13) Mango hibiscus pops Photos provided placed on top of buildings or on utility poles rather than standalone high-rise towers. An Can You attorney representing Verizon told the coun- cil last year that the units can boost wireless Hear Me Yet? signals for 500 to 1,000 feet and are used to fill coverage gaps in high-traffic areas. -
4KQ's Australia Day
4KQ's Australia Day A FOOL IN LOVE JEFF ST JOHN A LITTLE RAY OF SUNSHINE AXIOM A MATTER OF TIME RAILROAD GIN ALL MY FRIENDS ARE GETTING MARRIED SKYHOOKS ALL OUT OF LOVE AIR SUPPLY ALL THE GOOD THINGS CAROL LLOYD BAND AM I EVER GONNA SEE YOUR FACE AGAIN THE ANGELS APRIL SUN IN CUBA DRAGON ARE YOU OLD ENOUGH DRAGON ARKANSAW GRASS AXIOM AS THE DAYS GO BY DARYL BRAITHWAITE BABY WITHOUT YOU JOHN FARNHAM/ALLISON DURBAN BANKS OF THE OHIO OLIVIA NEWTON-JOHN BE GOOD JOHNNY MEN AT WORK BECAUSE I LOVE YOU MASTER'S APPRENTICES BIG TIME OPERATOR THE ID/JEFF ST JOHN BLACK EYED BRUISER STEVIE WRIGHT BODY AND SOUL JO KENNEDY BOM BOM DADDY COOL BOOM SHA LA-LA-LO HANS POULSEN BOPPIN THE BLUES BLACKFEATHER CASSANDRA SHERBET CHAIN REACTION JOHN FARNHAM CHEAP WINE COLD CHISEL CIAO BABY LYNNE RANDELL COME AROUND MENTAL AS ANYTHING COME BACK AGAIN DADDY COOL COME SAID THE BOY MONDO ROCK COMMON GROUND GOANNA COOL WORLD MONDO ROCK CRAZY ICEHOUSE CURIOSITY (KILLED THE CAT) LITTLE RIVER BAND DARKTOWN STRUTTERS BALL TED MULRY GANG DEEP WATER RICHARD CLAPTON DO WHAT YOU DO AIR SUPPLY DON'T FALL IN LOVE FERRETS DON'T YOU KNOW YOU'RE CHANGING BILLY THORPE/AZTECS DOWN AMONG THE DEAD MEN FLASH & THE PAN DOWN IN THE LUCKY CO RICHARD CLAPTON DOWN ON THE BORDER LITTLE RIVER BAND DOWN UNDER MEN AT WORK DOWNHEARTED JOHN FARNHAM EAGLE ROCK DADDY COOL EGO (IS NOT A DIRTY WORD) SKYHOOKS ELECTRIC BLUE ICEHOUSE ELEVATOR DRIVER MASTER'S APPRENTICES EMOTION SAMANTHA SANG EVIE (PART 1, 2 & 3) STEVIE WRIGHT FIVE .10 MAN MASTER'S APPRENTICES FLAME TREES COLD CHISEL FORTUNE TELLER THE -
Board Oks College's 2014 Budget
75¢ COLBY Wednesday July 31, 2013 Volume 124, Number 119 Serving Thomas County since 1888 10 pages FFREERREEEE PPRESSRRESSESS Board OKs college’s 2014 budget By Sam Dieter comes to $4,715,746 that the col- Colby Free Press lege wants to raise in taxes next [email protected] year. Vice President of Business Af- The Colby Community Col- fairs Alan Waites briefl y went lege Board of Trustees approved over the budget with the trustees. a budget proposal during a special In past meetings, he said raising meeting Saturday morning. the tax rate would help the col- The proposed $12,463,000 lege rebuild badly needed cash budget will be published in the reserves. Colby Free Press, before a hear- With this budget and transfers ing at 7:30 on Monday, Aug. 12. from last year college plans to The college plans to raise its tax spend up to $10,216,000 in the rate about six mils, from 39.641 last year to 45.641 this year. That See “BUDGET,” Page 2 EVAN BARNUM/Colby Free Press Thomas County pride was on display Tuesday afternoon at the the Thomas County Rodeo Queen, and princess Peyton Welsh largest ever fair parade. Ariel Severson (left, parade queen), rode just ahead of the Blazing Saddles Drill Team. Jeans and dreams at the fair parade A total of 77 entries went into the parade for the Thomas County Fair, which wound through downtown Tuesday afternoon. This year saw the largest ever number of entries in the county parade. They included Country legends Restless Heart will appear at the Thomas fl oats modeled after the theme “Blue Jeans County Fair on Friday. -
Book LBF Bastiat Law.Indb
“The Law,” “The State,” and Other Political Writings, 1843–1850 The Collected Works of Frédéric Bastiat Jacques de Guenin, General Editor The Man and the Statesman: The Correspondence and Articles on Politics “The Law,” “The State,” and Other Political Writings, 1843–1850 Economic Sophisms and “What Is Seen and What Is Not Seen” Miscellaneous Works on Economics: From “Jacques-Bonhomme” to Le Journal des Économistes Economic Harmonies The Struggle Against Protectionism: The English and French Free-Trade Movements Frédéric Bastiat “The Law,” “The State,” and Other Political Writings, 1843–1850 frédéric bastiat Jacques de Guenin, General Editor Translated fr om the French by Jane Willems and Michel Willems with an introduction by Pascal Salin Annotations and Glossaries by Jacques de Guenin, Jean-Claude Paul-Dejean, and David M. Hart Translation Editor Dennis O’Keeff e Academic Editor David M. Hart Liberty Fund Indianapolis This book is published by Liberty Fund, Inc., a foundation established to encourage study of the ideal of a society of free and responsible individuals. The cuneiform inscription that serves as our logo and as the design motif for our endpapers is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 b.c. in the Sumerian city-state of Lagash. © 2012 by Liberty Fund, Inc. All rights reserved Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 Cover art: Image of the village of Mugron, France, the town where Bastiat spent most of his adult life, from a postcard at www.communes.com / www.notrefamille.com. -
Singing in ‘The Peg’: the Dynamics of Winnipeg Singing Cultures During the 20Th Century
Singing in ‘The Peg’: The Dynamics of Winnipeg Singing Cultures During the 20th Century Muriel Louise Smith Doctor of Philosophy University of York Music September 2015 This thesis is dedicated to my parents, William Moore (1910-1982) Ann Moore (1916-2011) who inspired, demanded excellence, and loved me. 2 Abstract The research begins by establishing Winnipeg, as a city comprised of many different European immigrant communities where the dominant British-Canadian culture reflected the Canadian national consciousness of the early 20th century. After an outline of early musical life in the city, four case studies demonstrate how the solo vocal and choral culture in Winnipeg represents a realization of the constitutive, continuously forming and mutable relationships between peoples of differing identities. In all of these case studies, I investigate how this culture has been shaped by social and political actions through transnational connections over the 20th century. The first two case studies are underpinned by the theories of cultural capital and gender. The first focuses on the Women’s Musical Club of Winnipeg (1900-1920s), an elite group of Brito-Canadian women who shaped the reception of high art singing among their peers primarily through their American connections. The second investigates the Men’s Musical Club of Winnipeg (1920s-1950s), a dynamic group of businessmen and musicians who sought to reinforce Brito-Canadian cultural supremacy by developing a choral culture and establishing a music competition festival based on British models and enforced by British musical associations. The third and fourth case studies are examined through the lens of diaspora and identity, underpinned by social capital. -
History and Technology
This article was downloaded by:[Forman, Paul] [Forman, Paul] On: 23 April 2007 Access Details: [subscription number 777307305] Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK History and Technology An International Journal Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t713643058 The Primacy of Science in Modernity, of Technology in Postmodernity, and of Ideology in the History of Technology To cite this Article: , 'The Primacy of Science in Modernity, of Technology in Postmodernity, and of Ideology in the History of Technology', History and Technology, 23:1, 1 - 152 To link to this article: DOI: 10.1080/07341510601092191 URL: http://dx.doi.org/10.1080/07341510601092191 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article maybe used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. -
Negus MQ 3 FINAL For
Narrative, Interpretation and the Popular Song Keith Negus FINAL VERSION submitted to Musical Quarterly February 2012 (prior to editing for publication). This text includes a minor amendment to acknowledge the passing of Walter Becker. For the published version go here – https://academic.oup.com/mq/article-abstract/95/2- 3/368/1009964?redirectedFrom=fulltext The text includes lyrics from Kid Charlemagne Words and Music by Walter Becker and Donald Fagen Copyright © 1976 UNIVERSAL MUSIC CORP. Copyright Renewed. All Rights Reserved. Used by Permission. Narrative, Interpretation and the Popular Song The value of narratives in human understanding of the world is widely recognized. The importance of narrative is apparent in varieties of everyday storytelling as well is in written fiction, drama, spectacle and ritual, visual art and film, architecture, legal proceedings, scientific reports and political theory, to provide a only partial list indicative of the range. Yet, the popular song - one of the most pervasive narrative forms that people encounter in their daily lives - has been almost entirely ignored in the vast literature on narrative.1 Whilst narratological methods have often featured in the interpretation of western art music2 and film music3, and although literary approaches to lyrics have sometimes emphasized a poetics of storytelling4, theories of narrative have rarely been foregrounded in the study of popular songs.5 In this article I will focus on narrative to explore practices of interpretation in both scholarship and everyday discussion about popular songs. I will emphasize the intersubjective interpretation of song meanings and advocate an “intercontextual” approach to the understanding of song narratives, drawing from research which emphasizes how our knowledge of the world is cumulative and always in a process of becoming through time. -
MEIEA 2015 Color.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 15, Number 1 (2015) Bruce Ronkin, Editor Northeastern University Paul Linden, Associate Editor University of Southern Mississippi David Schreiber, Associate Editor Belmont University Published with Support from The MEIEA Journal is published annually by the Music & Entertain- ment Industry Educators Association (MEIEA) in order to increase public awareness of the music industry and to foster music business education. The MEIEA Journal provides a scholarly analysis of technological, legal, historical, educational, and business trends within the music indus- try and is designed as a resource for anyone currently involved or interest- ed in the music industry. Topics include issues that affect music industry education and the music industry such as curriculum design, pedagogy, technological innovation, intellectual property matters, industry-related legislation, arts administration, industry analysis, and historical perspec- tives. Ideas and opinions expressed in the MEIEA Journal do not necessar- ily reflect those of MEIEA. MEIEA disclaims responsibility for statements of fact or opinions expressed in individual contributions. Permission for reprint or reproduction must be obtained in writing and the proper credit line given. Music & Entertainment Industry Educators Association 1900 Belmont Boulevard Nashville, TN 37212 U.S.A. www.meiea.org The MEIEA Journal (ISSN: 1559-7334) © Copyright 2015 Music & Entertainment Industry Educators Association All rights reserved -
Revival & Survi
=#146 THE NATIONAL TOPICAL SONG MAGAZINE NOVEMBER 1983 REVIVAL & SURVI\;J\L 1-'1-'1-'1-'1-'1-'1-' OO-lOJC)lV:>I-'Oc.oOO The Return -_J'iil'''''''-''C, . >tJ~/f:h: of t,551!( '\ r, I' '--, Ii Lenny,: Broadside Anderson,.. n Joanna ;, Cazden, NEW YORK, Nov. 1 (UPI)- Broadside, the Bob National Topical Song Magazine, published for 20 Dylan years by veteran folksinger Sis Cunningham and her husband, Gordon Friesen (with the help of Kristina innumerable volunteers and hangers-on), is back, Lems with 20 pages of songs, poems, articles, reviews, Holly irreverency and bacchanalia every month. Near Launched by Sis and Gordon in 1962, Broad Tom side played an inOuential and important role in Paxton 'ffie "folk revival" of the 1960s. Among its frequent contributors were such writers as Julius Lester, Phil Ochs, Tom Paxton, Malvina Reyn olds, Bob Dylan and Pete Seeger. Although many of the contributors were unknown at the time outside of a small circle of friends, their songs were published because of the inherent good qualities of the music. Broadside was a vital element in the development of these artists, providing them with an outlet for their music and with a forum for the exchange of ideas. In recent years the publication had declined to an annual. However, with the cooperation and approval of Sis and Gordon, the magazine is being resuscitated. The announcement that Broadside was returning-as a 20-page month ly-was greeted with great enthusiasm by those who were familiar with its past, and subscriptions and words of support have been received from such diverse corners and Brooklyn, Tokyo, Co penhagen, San Mateo, Far Rockaway, Monsey and Greenwich Village. -
Little River Band First Under the Wire Mp3, Flac, Wma
Little River Band First Under The Wire mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: First Under The Wire Country: Japan Released: 2011 Style: Soft Rock MP3 version RAR size: 1302 mb FLAC version RAR size: 1624 mb WMA version RAR size: 1474 mb Rating: 4.3 Votes: 941 Other Formats: MPC DMF AA FLAC DXD APE VOC Tracklist 1 Lonesome Loser 4:01 2 The Rumor 4:19 3 By My Side 4:25 4 Cool Change 5:14 5 It's Not A Wonder 3:57 6 Hard Life (Prelude) 2:42 7 Hard Life 4:48 8 Middle Man 4:28 9 Man On The Run 4:19 10 Mistress Of Mine 5:15 Companies, etc. Phonographic Copyright (p) – Capitol Records, Inc. Manufactured By – EMI Music Japan Inc Credits Producer – John Boylan, Little River Band Notes Japanese CD rerelease, originally released 28 Oct 1987. Barcode and Other Identifiers Barcode: 4988006886780 Rights Society: JASRAC Mastering SID Code: IFPI L158 Mould SID Code: IFPI 28U3 Other versions Category Artist Title (Format) Label Category Country Year Capitol Records, ST.11954, Little River First Under The ST.11954, Capitol Australia 1979 ST-11954 Band Wire (LP, Album) ST-11954 Records, EMI, EMI First Under The Little River Capitol 4XOO 511954 Wire (Cass, Album, 4XOO 511954 US 1979 Band Records Club) Little River First Under The Capitol 2S 068 85963 2S 068 85963 France 1979 Band Wire (LP, Album) Records First Under The Little River Capitol SOO-511954 Wire (LP, Album, SOO-511954 Canada 1979 Band Records Club) Little River First Under The Capitol SOO-11954 SOO-11954 US 1979 Band Wire (LP, Album) Records Related Music albums to First