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Diana Davies Photograph Collection Finding Aid
Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. -
Freedomways Magazine, Black Leftists, and Continuities in the Freedom Movement
Bearing the Seeds of Struggle: Freedomways Magazine, Black Leftists, and Continuities in the Freedom Movement Ian Rocksborough-Smith BA, Simon Fraser University, 2003 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS In the Department of History O Ian Rocksborough-Smith 2005 SIMON FRASER UNIVERSITY Summer 2005 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Ian Rocksborough-Smith Degree: Masters of Arts Title of Thesis: Bearing the Seeds of Struggle: Freedomways Magazine, Black Leftists, and Continuities in the Freedom Movement Examining Committee: Chair: Dr. John Stubbs ProfessorIDepartment of History Dr. Karen Ferguson Senior Supervisor Associate ProfessorIDepartment of History Dr. Mark Leier Supervisor Associate ProfessorIDepartment of History Dr. David Chariandy External ExaminerISimon Fraser University Assistant ProfessorIDepartment of English Date DefendedlApproved: Z.7; E0oS SIMON FRASER UNIVERSITY PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection. The author has further agreed that permission for multiple copying of this work for scholarly purposes may be granted by either the author or the Dean of Graduate Studies. -
Music for the People: the Folk Music Revival
MUSIC FOR THE PEOPLE: THE FOLK MUSIC REVIVAL AND AMERICAN IDENTITY, 1930-1970 By Rachel Clare Donaldson Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History May, 2011 Nashville, Tennessee Approved Professor Gary Gerstle Professor Sarah Igo Professor David Carlton Professor Larry Isaac Professor Ronald D. Cohen Copyright© 2011 by Rachel Clare Donaldson All Rights Reserved For Mary, Laura, Gertrude, Elizabeth And Domenica ACKNOWLEDGEMENTS I would not have been able to complete this dissertation had not been for the support of many people. Historians David Carlton, Thomas Schwartz, William Caferro, and Yoshikuni Igarashi have helped me to grow academically since my first year of graduate school. From the beginning of my research through the final edits, Katherine Crawford and Sarah Igo have provided constant intellectual and professional support. Gary Gerstle has guided every stage of this project; the time and effort he devoted to reading and editing numerous drafts and his encouragement has made the project what it is today. Through his work and friendship, Ronald Cohen has been an inspiration. The intellectual and emotional help that he provided over dinners, phone calls, and email exchanges have been invaluable. I greatly appreciate Larry Isaac and Holly McCammon for their help with the sociological work in this project. I also thank Jane Anderson, Brenda Hummel, and Heidi Welch for all their help and patience over the years. I thank the staffs at the Smithsonian Center for Folklife and Cultural Heritage, the Kentucky Library and Museum, the Archives at the University of Indiana, and the American Folklife Center at the Library of Congress (particularly Todd Harvey) for their research assistance. -
Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
Len Chandler Sings the News ENTERTAINMENT 'Maine'
KRLA Singer-Poet Older SHOW TIME O , . Stars film Flan Man— 1:00, 5:0», NTERTAINMENT Gun in'the'w*! E Don'l Ju»l Star* There • . PAGE C-6 PASADENA, CALIF., SUNOAY, JUNE 30, 1968 Forgotten I Ihe NI«iil-iJ:».«»l 10:00.. «"> 1000 Clows-a:», C'siundA<i|lMuik-l:00, 10:00 By Vernon Scott «min, DinMr-!:1S, 3:10, 5:25, llttitlit It was Long John Silver in Gun in lh« West-l!:30, «:»3, "Treasure Island" who raised 'Maine'Delights'Em pin'l "iis'l Slo'ii* Tner«-J:lJ, s:ti, r.n his crutch and railed at the CREST MONROVIA . The Forty enemy: "Them that die'll ibe No Way To Trial a Lady EL MONTE the lucky ones!" Plonet of the Apes The rascally mutineer of Flim Flam Man Robert Louis Stevenson's clas- YOiimbo—J:10, 5:20, 7:31), W sic might well have applied Shorl-3:00, 5:05, 7:1S, J:B , At Civic Light Opera HASTINGS Happiest Millionaire his warning to.today's motion Russians Are Coming picture stars. °Con't from 12 Noon to Midnloltl There are fewer dispiriting RIALTO sind>ehhles--l:00, 5'M, 10:00 sights than yesterday's idols. Two of Broadway's top No way to Treat a Lady—3:30, 8:oB You and I go about our musical shows are currently STATE work in anonymity. The hot drawing large crowds of en- Bedazzled' """ shot insurance salesman re- thusiastic theatregoers to the STARL^TE^ R^ tires contentedly to fish. -
Bound for Glory Bob Dylan 1962
BOUND FOR GLORY BOB DYLAN 1962 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, RELEASES, TAPES & BOOKS. © 2001 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Bound For Glory — Bob Dylan 1962 page 2 CONTENTS: 1 INTRODUCTION..................................................................................................................... 3 2 YEAR AT A GLANCE ............................................................................................................. 3 3 CALENDAR .............................................................................................................................. 3 4 RECORDINGS ......................................................................................................................... 7 5 SONGS 1962 .............................................................................................................................. 7 6 SOURCES .................................................................................................................................. 9 7 SUGGESTED READINGS .................................................................................................... 10 7.1 GENERAL BACKGROUND .................................................................................................... 10 7.2 ARTICLE COMPILATIONS ................................................................................................... -
Concert & Dance Listings • Cd Reviews • Free Events
CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 4 Number 6 Nov-Dec 2004 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers Music and Poetry Quench the Thirst of Our Soul FESTIVAL IN THE DESERT BY ENRICO DEL ZOTTO usic and poetry rarely cross paths with war. For desert dwellers, poetry has long been another way of making war, just as their sword dances are a choreographic represen- M tation of real conflict. Just as the mastery of insideinside thisthis issue:issue: space and territory has always depended on the control of wells and water resources, words have been constantly fed and nourished with metaphors SomeThe Thoughts Cradle onof and elegies. It’s as if life in this desolate immensity forces you to quench two thirsts rather than one; that of the body and that KoreanCante Folk Flamenco Music of the soul. The Annual Festival in the Desert quenches our thirst of the spirit…Francis Dordor The Los Angeles The annual Festival in the Desert has been held on the edge Put On Your of the Sahara in Mali since January 2001. Based on the tradi- tional gatherings of the Touareg (or Tuareg) people of Mali, KlezmerDancing SceneShoes this 3-day event brings together participants from not only the Tuareg tradition, but from throughout Africa and the world. Past performers have included Habib Koité, Manu Chao, Robert Plant, Ali Farka Toure, and Blackfire, a Navajo band PLUS:PLUS: from Arizona. -
Barry's Sign Language
Barry Nickelsberg Sign Language Artist 7435 Princeton Trace NE Atlanta, Georgia 30328 (770) 809-4058 [email protected] Barry Nickelsberg has worked as a sign language artist for the deaf and hard of hearing for more than 30 years, and is well known in the Washington, D.C. area for his interpreting at such popular festivals as the Kennedy Center Open House, the Alexandria Red Cross Waterfront Festival, the Smithsonian Folk Life Festival, the Adams Morgan Festival, the Washington Irish Festival, the Washington Folk Arts Festival, the Texas Festival and the Junteenth Festival at the Kennedy Center. Nickelsberg has also performed in a variety of venues in New York City, Philadelphia, Pittsburgh, Boston, Ft. Lauderdale, Chicago, Los Angeles, San Francisco, Atlanta and Oklahoma City. As a sign language artist, Nickelsberg incorporates dance, mime, gesture and facial expression to convey the rhythm and emotion of the music. He is the subject of the 1988 award-winning documentary, "When Sound is Silent," produced by Ray and Judy Schmitt as well as their 1992 follow-up, "Sounds Like." Nickelsberg's work has been featured in The Associated Press, The Washington Post, Mid-Atlantic Country, Canadian Television, ABC News and National Public Radio. Over the years, Nickelsberg has interpreted over 1,900 performances for a wide variety of musicals, including "Heart Strings", "American Jukebox", "Cabaret", "Sweeney Todd", "42nd Street", and "Jesus Christ Superstar." He has also worked with such legends as B.B. King, Etta James, Chuck Berry, Pete Seeger, Peter, Paul and Mary, Chubby Checker and Leslie Gore. Nickelsberg has also interpreted rap artists, gospel choirs, and Irish musicians. -
May 1965 Sing Out, Songs from Berkeley, Irwin Silber
IN THIS ISSUE SONGS INSTRUMENTAL TECHNIQUES OF AMERICAN FOLK GUITAR - An instruction book on Carter Plcldng' and Fingerplcking; including examples from Elizabeth Cotten, There But for Fortune 5 Mississippi John Hurt, Rev. Gary Davis, Dave Van Ronk, Hick's Farewell 14 etc, Forty solos fUll y written out in musIc and tablature. Little Sally Racket 15 $2.95 plus 25~ handllng. Traditional stringed Instruments, Long Black Veil 16 P.O. Box 1106, Laguna Beach, CaUl. THE FOLK SONG MAGAZINE Man with the Microphone 21 SEND FOR YOUR FREE CATALOG on Epic hand crafted 'The Verdant Braes of Skreen 22 ~:~~~d~e Epic Company, 5658 S. Foz Circle, Littleton, VOL. 15, NO. 2 W ith International Section MAY 1965 75~ The Commonwealth of Toil 26 -An I Want Is Union 27 FREE BEAUTIFUL SONG. All music-lovers send names, Links on the Chain 32 ~~g~ ~ses . Nordyke, 6000-21 Sunset, Hollywood, call!. JOHNNY CASH MUDDY WATERS Get Up and Go 34 Long Thumb 35 DffiE CTORY OF COFFEE HOUSE S Across the Country ••• The Hell-Bound Train 38 updated edition covers 150 coffeehouses: addresses, des criptions, detaUs on entertaInment policies. $1 .00. TaUs Beans in My Ears 45 man Press, Boz 469, Armonk, N. Y. (Year's subscription Cannily, Cannily 46 to supplements $1.00 additional). ARTICLES FOLK MUSIC SUPPLIE S: Records , books, guitars, banjos, accessories; all available by mall. Write tor information. Denver Folklore Center, 608 East 17th Ave., Denver 3, News and Notes 2 Colo. R & B (Tony Glover) 6 Son~s from Berkeley NAKADE GUITARS - ClaSSical, Flamenco, Requinta. -
Pete Seeger: a Singer of Folk Songs
LINGUACULTURE 2, 2020 PETE SEEGER: A SINGER OF FOLK SONGS DAVID LIVINGSTONE Palacký University Abstract Pete Seeger would have turned one hundred and one on May 3 of this year. To commemorate these ten decades plus one year, I would like to look at eleven of the most remarkable aspects of Pete Seeger’s life, work and legacy. This paper will examine the cultural impact and oral tradition of the music, songs and books of Pete Seeger. This legendary folk musician's career spanned eight decades and touched on many of the key historical developments of the day. He is responsible for some of the iconic songs which have not only helped define American culture, but even beyond. Seeger was also a pioneer in a number of fields, using his music to propagate political convictions, ecological themes, civil rights, world music, education, etc. The folk singer also had his finger on the pulse of a number of developments in American history and culture. He was friends with a number of prominent musicians and artists and influenced an entire range of younger musicians and activists. Keywords: Pete Seeger; Folk music; American history; Social activism; Civil Rights movement Family Pete Seeger’ family was a powerhouse of talent, musically and beyond. Charles Seeger (1886-1979), his father, was a renowned musicologist who held a number of prominent university positions. His political convictions, obviously on the left, were also instrumental in forming his son’s ideological worldview. His mother Constance de Clyver (1886-1975) was also a musician although not as accomplished by far as his stepmother Ruth Seeger (1901-1953) (mother to Mike and Peggy). -
Board Oks College's 2014 Budget
75¢ COLBY Wednesday July 31, 2013 Volume 124, Number 119 Serving Thomas County since 1888 10 pages FFREERREEEE PPRESSRRESSESS Board OKs college’s 2014 budget By Sam Dieter comes to $4,715,746 that the col- Colby Free Press lege wants to raise in taxes next [email protected] year. Vice President of Business Af- The Colby Community Col- fairs Alan Waites briefl y went lege Board of Trustees approved over the budget with the trustees. a budget proposal during a special In past meetings, he said raising meeting Saturday morning. the tax rate would help the col- The proposed $12,463,000 lege rebuild badly needed cash budget will be published in the reserves. Colby Free Press, before a hear- With this budget and transfers ing at 7:30 on Monday, Aug. 12. from last year college plans to The college plans to raise its tax spend up to $10,216,000 in the rate about six mils, from 39.641 last year to 45.641 this year. That See “BUDGET,” Page 2 EVAN BARNUM/Colby Free Press Thomas County pride was on display Tuesday afternoon at the the Thomas County Rodeo Queen, and princess Peyton Welsh largest ever fair parade. Ariel Severson (left, parade queen), rode just ahead of the Blazing Saddles Drill Team. Jeans and dreams at the fair parade A total of 77 entries went into the parade for the Thomas County Fair, which wound through downtown Tuesday afternoon. This year saw the largest ever number of entries in the county parade. They included Country legends Restless Heart will appear at the Thomas fl oats modeled after the theme “Blue Jeans County Fair on Friday. -
Music Express Song Index V1-V17
John Jacobson's MUSIC EXPRESS Song Index by Volume Volumes 1-17 Song Title Contributor Vol. No. Series Theme/Style Beethoven: Piano Sonata No. 14 "Moonlight" Ludwig van Beethoven 1 1 Listening Map Listening, Composer, Classical Great New Day John Jacobson, Mac Huff 1 1 Music Express in Concert Back to School, Music Hamabe no Uta (Song of the Beach) Japanese Folk Song, John Higgins 1 1 Corner of the World World Music Jesse John Jacobson, Roger Emerson 1 1 Heroes All Cross-Curricular Light the Candle of Peace Audrey Snyder 1 1 Music Express in Concert Winter Music Express (Original Theme Song) John Jacobson, John Higgins 1 1 Music Express in Concert Music Prelude No. 2 by George Gershwin George Gershwin 1 1 Listening Map Listening, Composer Aeyaya balano sakkad M.B. Srinivasan. Smt. Chandra B, John Higgins 1 2 Corner of the World World Music Go Nellie! John Jacobson, Roger Emerson 1 2 Heroes All Cross-Curricular If I Could Vote John Jacobson, Alan Billingsley 1 2 Music Express in Concert Patriotic Ives' Holiday Symphony Charles Ives 1 2 Listening Map Listening, Composer Latin America: A Musical Crossroads Pepe Castillo 1 2 Listening Map Listening, World Music We Are Family Mac Huff 1 2 Music Express in Concert Positive Message Benjamin Britten's Ceremony of Carols Benjamin Britten 1 3 Listening Map Listening, Composer December Nights, December Lights Emily Crocker 1 3 Music Express in Concert Winter, Holiday Instruments from Ireland Three Irish pieces 1 3 Listening Map Listening, Instruments, World Music Jolly Jingle Bells Alan Billingsley 1 3 Music Express in Concert Winter Think! John Jacobson, Roger Emerson 1 3 Heroes All Cross-Curricular Wren Song, The Irish Folk Song, John Higgins 1 3 Corner of the World World Music Afro-American Symphony William Grant Still 1 4 Listening Map Listening, Composer Booker T.