Biography – Jhansi Ki Rani Lakshmi Bai
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Ancient Hindu Rock Monuments
ISSN: 2455-2631 © November 2020 IJSDR | Volume 5, Issue 11 ANCIENT HINDU ROCK MONUMENTS, CONFIGURATION AND ARCHITECTURAL FEATURES OF AHILYA DEVI FORT OF HOLKAR DYNASTY, MAHISMATI REGION, MAHESHWAR, NARMADA VALLEY, CENTRAL INDIA Dr. H.D. DIWAN*, APARAJITA SHARMA**, Dr. S.S. BHADAURIA***, Dr. PRAVEEN KADWE***, Dr. D. SANYAL****, Dr. JYOTSANA SHARMA***** *Pt. Ravishankar Shukla University Raipur C.G. India. **Gurukul Mahila Mahavidyalaya Raipur, Pt. R.S.U. Raipur C.G. ***Govt. NPG College of Science, Raipur C.G. ****Architectural Dept., NIT, Raipur C.G. *****Gov. J. Yoganandam Chhattisgarh College, Raipur C.G. Abstract: Holkar Dynasty was established by Malhar Rao on 29th July 1732. Holkar belonging to Maratha clan of Dhangar origin. The Maheshwar lies in the North bank of Narmada river valley and well known Ancient town of Mahismati region. It had been capital of Maratha State. The fort was built by Great Maratha Queen Rajmata Ahilya Devi Holkar and her named in 1767 AD. Rani Ahliya Devi was a prolific builder and patron of Hindu Temple, monuments, Palaces in Maheshwar and Indore and throughout the Indian territory pilgrimages. Ahliya Devi Holkar ruled on the Indore State of Malwa Region, and changed the capital to Maheshwar in Narmada river bank. The study indicates that the Narmada river flows from East to west in a straight course through / lineament zone. The Fort had been constructed on the right bank (North Wards) of River. Geologically, the region is occupied by Basaltic Deccan lava flow rocks of multiple layers, belonging to Cretaceous in age. The river Narmada flows between Northwards Vindhyan hillocks and southwards Satpura hills. -
Note on Misleading and Factual Misrepresentation of the Current NCERT Textbooks: a Response to the Public Notice Issued by the Rajya Sabha Secretariat
INDIAN HISTORY CONGRESS (Established, 1935) Note on Misleading and Factual Misrepresentation of the Current NCERT Textbooks: A Response to the Public Notice Issued by the Rajya Sabha Secretariat In a recent communication the Rajya Sabha Secretariat has called for ‘Reforms in the contents and designs of Text Books with focus on: a. removing references to un-historical facts and distortions about our national heroes from the text books b. ensuring equal or proportionate references to all periods of Indian history c. highlighting the role of great historic women heroes, including Gargi, Maitreyi, or rulers like Rani of Jhansi, Rani Channamma, Chand Bibi, Zhalkari Bai etc. While History itself is a discipline having its own internal dynamic and gets enriched by continuous research and rigorous debate and discussions within the scholarly domain, the Indian History Congress has examined the claims in the aforementioned notice in the light of the contents of the existing NCERT textbooks. A completely factual examination of the textbooks, with details presented in tabular form below, based on the points mentioned above, however, suggests that the call for the reform of textbooks is not based on any academic, pedagogic or factual detail. The table below presents the references to primary sources, proportionate representations to all periods of history, national heroes, and historical female figures in the NCERT textbooks of Classes VI to XII currently in use in the country. Textbook Primary Source References* References to Proportionate National Heroes** Great Historic Representation (Period/ Women Figures Region/ Language/ Traditions) Class VI Pp. 4-6, 13, 18, 19, 26, 27, 29, P. -
HI234: Introduction to India and South Asia
Professor Benjamin R. Siegel Lecture, Fall 2016: History Department, Boston University Tu / Th, 12:30 – 2:00, KCB 104 Email: [email protected] Office Hours: Tu / Th 10:30 – noon Office phone: 617-353-8316 226 Bay State Road, Room 205 HI234: Introduction to India and South Asia Map of British India, c. 1909 Map of South Asia, c. 1950 Course Description It is easy to think of the Indian subcontinent, home of nearly 1.7 billion people, as a region only now moving into the global limelight, propelled by remarkable growth against a backdrop of enduring poverty, and dramatic contestations over civil society. Yet since antiquity, South Asia has been one of the world’s most dynamic crossroads, a place where cultures met and exchanged ideas, goods, and populations. The region was the site of the most prolonged and intensive colonial encounter in the form of Britain’s Indian empire, and Indian individuals and ideas entered into long conversations with counterparts in Europe, the Middle East, East and Southeast Asia, and elsewhere. Since India’s independence and partition into two countries in 1947, the region has struggled to overcome poverty, disease, ethnic strife and political conflict. Its three major countries – India, Pakistan, and Bangladesh – have undertaken three distinct experiments in democracy with three radically divergent outcomes. Those countries’ large, important diaspora populations and others have played important roles in these nation’s development, even as the larger world grows more aware of how important South Asia remains, and will become. Benjamin Siegel – HI234: Introduction to India and South Asia This course is a survey of South Asian history from antiquity to the present, focusing on the ideas, encounters, and exchanges that have formed this dynamic region. -
Rani of Jhansi
The RANI OF JHANSI A Historical Play in four acts by PHILIP COX This is a reconstruction in dramatic form of the intensely moving story of the tragic young Hindu Princess, who was fated to take up arms against the British during the Indian Mutiny of 1857. There are 2 female and 12 male speaking parts, besides a crowd. The play is in eleven episodes and requires five sets of scenery. /--- - "" or not this arresting figure of a royal widow in revolt "'to Joan of Arc, her claim upon our notice is indis f?'·•e of the tribute paid to her by her chief military ·'" \. British side: "She was the best and bravest of ! /portrait has already secured some striking com· : George Bernard Shaw, who generously perused ~ the original :\IS., has said: "The Rani of Jhansi ..... .~ performed at an Indian Kational Theatre, as soon "' t'!iey :tave one." l\lr. William Armstrong of the Liverpool : e ~·<:rtory Theatre has stated: "You have written a most interest ,; ,. ;•l.,y and I enjoytd reading it very much. Sincere, dramatic, 1 • ,I cunstructtd and moYing." :\Ir. Ronald Ad.;~ms of the '1-ssy TLeatre, London, made this comment after reading the script: "This is a magnificent effurt." I :\DO~: GEORGE ALLEN (j UNWIN LTD The author has brought to this very fasci nating study of events and motives in a bygone age, the knowledge of a specialist supported by a varied general experience as advocate, administrator and educationist. During recent years his courses of lectures on India, delivered at Morley College, the Evening Institutes of the London County Cow1cil, Toynbee Hall and elsewhere, at-· tracted considerable attention. -
The Mortal God: Imagining the Sovereign in Colonial India'
H-Asia Imy on Banerjee, 'The Mortal God: Imagining the Sovereign in Colonial India' Review published on Saturday, October 26, 2019 Milinda Banerjee. The Mortal God: Imagining the Sovereign in Colonial India. Cambridge: Cambridge University Press, 2018. xviii + 435 pp. $120.00 (cloth), ISBN 978-1-107-16656-1. Reviewed by Kate Imy (University of North Texas)Published on H-Asia (October, 2019) Commissioned by Sumit Guha (The University of Texas at Austin) Printable Version: http://www.h-net.org/reviews/showpdf.php?id=53810 Milinda Banerjee’s ambitious new study, The Mortal God: Imagining the Sovereign in Colonial India, analyzes the shifting meanings of kingship, rulership, and sovereignty in late colonial Bengal. The primary goal of the work is to “focus on varying ways in which multiple political actors in colonial India ascribed divine and kingly status to specific political forms and beings” (p. 5). He finds hints of this type of political formulation in political reforms as varied as human rights, education, territorial autonomy, and employment, which he argues reflects the “democratization of divinity” (p. 6). This proves to be a fruitful yet challenging, intellectual undertaking, bridging concerns of nationalist, princely, peasant, colonial, and postcolonial forms of political imagination. It opens up many new areas of inquiry for political theory, the history of religions, and the shared histories of colonialism and anti-colonialism. After an interesting discussion of the title’s debt to the seventeenth-century political theories of Thomas Hobbes, Banerjee situates his analysis firmly within the context of colonial Bengal while gesturing to broader dynamics across India. -
UNDERSTANDING the SCENARIO of REVOLT of 1857:A REVIEWS Vivekyadav Independent Scholar JS University, Shikohabad
IAETSD JOURNAL FOR ADVANCED RESEARCH IN APPLIED SCIENCES ISSN NO: 2394-8442 UNDERSTANDING THE SCENARIO OF REVOLT OF 1857:A REVIEWS VivekYadav Independent Scholar JS University, Shikohabad Abstract:Until the first half of the 19th century, East HazratMahal [Lucknow]. There was a India Company had kept India more and more in its deficiency of central leadership. control. After a hundred years after the Society of o The revolt was started due to the induction of Society, a cruel and brutal British government enfield riffles in the army. It was believed that became a form of anger resistance, which eliminated the cartridges used in the riffles were made of the basis of the British rule of India. Although the pig fat and cow fat which were restricted for British historians referred to this soldier controversy, the Muslims and Hindus respectively. They the Indian actor described it as the 1857 rebellion or protested against these. the first war of Indian independence. At the end of 18 o Lord canning was the governor general at that century, before the rebellion of the 1857, the riot time. started in different parts of the country. Sunni o The revolt was failed to spread across the rebellion in northern Bengal and the poplar rebellion India. Some epicenters of the revolt were- in Bihar and Bangladesh ended on Sunday at the end Kanpur, Lucknow, Aligarh, Agra, Arrah, of the century. There was a fierce movement of the Delhi, and Jhansi. Maldives and the farmers of Bangladesh's Muslim farmers. The first half of the nineteenth century also witnessed a number of tribal revolts. -
(A) Begum Hazrat Mahal
PARTICIPATION AND POSITION OF WOMEN UPRISING OF 1857: REDEFINITION OF SOCIAL STATUS: THEN AND NOW (i) (ii) Participation and Position of Women Uprising of 1857: Redefinition of Social Status: Then and Now Kirti Narain Historian and Professor, Retd. Principal Jai Hind College, Mumbai. ISO 9001: 2008 CERTIFIED (iii) © Author No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording and/or otherwise without the prior written permission of the publisher. First Edition : 2017 Published by : Mrs. Meena Pandey for Himalaya Publishing House Pvt. Ltd., “Ramdoot”, Dr. Bhalerao Marg, Girgaon, Mumbai - 400 004. Phone: 022-23860170/23863863; Fax: 022-23877178 E-mail: [email protected]; Website: www.himpub.com Branch Offices : New Delhi : “Pooja Apartments”, 4-B, Murari Lal Street, Ansari Road, Darya Ganj, New Delhi - 110 002. Phone: 011-23270392, 23278631; Fax: 011-23256286 Nagpur : Kundanlal Chandak Industrial Estate, Ghat Road, Nagpur - 440 018. Phone: 0712-2738731, 3296733; Telefax: 0712-2721216 Bengaluru : Plot No. 91-33, 2nd Main Road Seshadripuram, Behind Nataraja Theatre, Bengaluru - 560020. Phone: 08041138821; Mobile: 9379847017, 9379847005 Hyderabad : No. 3-4-184, Lingampally, Besides Raghavendra Swamy Matham, Kachiguda, Hyderabad - 500 027. Phone: 040-27560041, 27550139 Chennai : New-20, Old-59, Thirumalai Pillai Road, T. Nagar, Chennai - 600 017. Mobile: 9380460419 Pune : First Floor, “Laksha” Apartment, No. 527, Mehunpura, Shaniwarpeth (Near Prabhat Theatre), Pune - 411 030. Phone: 020-24496323, 24496333; Mobile: 09370579333 Lucknow : House No 731, Shekhupura Colony, Near B.D. Convent School, Aliganj, Lucknow - 226 022. Phone: 0522-4012353; Mobile: 09307501549 Ahmedabad : 114, “SHAIL”, 1st Floor, Opp. -
Glimpses of Jhansi's History Jhansi Through the Ages Newalkars of Jhansi What Really Happened in Jhansi in 1857?
T A B L E O F C O N T E N T S Glimpses of Jhansi's History Jhansi Through The Ages Newalkars of Jhansi What Really Happened in Jhansi in 1857? Attractions in and around Jhansi Jhansi Fort Rani Mahal Ganesh Mandir Mahalakshmi Temple Gangadharrao Chhatri Star Fort Jokhan Bagh St Jude’s Shrine Jhansi Cantonment Cemetery Jhansi Railway Station Orchha I N T R O D U C T I O N Jhansi is one of the most vibrant cities of Uttar Pradesh today. But the city is also steeped in history. The city of Rani Laxmibai - the brave queen who led her forces against the British in 1857 and the region around it, are dotted with monuments that go back more than 1500 years! While thousands of tourists visit Jhansi each year, many miss the layered past of the city. In fact, few who visit the famous Jhansi Fort each year, even know that it is in its historic Ganesh Mandir that Rani Laxmibai got married. Or that there is also a ‘second’ Fort hidden within the Jhansi cantonment, where the revolt of 1857 first began in the city. G L I M P S E S O F J H A N S I ’ S H I S T O R Y JHANSI THROUGH THE AGES Jhansi, the historic town and major tourist draw in Uttar Pradesh, is known today largely because of its famous 19th-century Queen, Rani Laxmibai, and the fearless role she played during the Revolt of 1857. There are also numerous monuments that dot Jhansi, remnants of the Bundelas and Marathas that ruled here from the 17th to the 19th centuries. -
TOPIC- 2 Uprising 1857 the Revolt of 1857 —The First War of Independence! by the First Half of the 19Th Century, the East Indi
INDIAN HISTORY PAPER IV MODERN INDIAN HISTORY {PAPER CODE :- B L 4004} TOPIC- 2 Uprising 1857 The Revolt of 1857 —the First War of Independence! By the first half of the 19th century, the East India Company had brought major portions of India under its control. One hundred years after the Battle of Plassey, anger against the unjust and oppressive British Government took the form of a revolt that shook the very foundations of British rule in India. While British historians called it the Sepoy Mutiny, Indian historians named it the Revolt of 1857 or the First War of Indian Independence. The Revolt of 1857 had been preceded by a series of disturbances in different parts of the country from the late eighteenth century onwards. The Sanyasi Rebellion in North Bengal and the Chunar rebellion in Bihar and Bengal broke out in the late eighteenth century. There were several peasant uprisings in the mid- nineteenth century, the most important of which were those by the Moplah peasants of the Malabar and the Faraizi movement by Muslim peasants in Bengal. The first half of the nineteenth century also witnessed a number of tribal revolts. In this context, mention may be made of the rebellions of the Bhils of Madhya Pradesh, the Santhals of Bihar and the Gonds and Khonds of Orissa. However, all these disturbances were localized. Although serious and, in some cases, long drawn, these did not pose any serious threat to the existence of the British Empire. The Revolt of 1857: The first expression of organized resistance was the Revolt of 1857. -
Celebrating 75 Years of Independence INDIAN INDEPENDENCE
AJADI KA AMRUT MAHOTSAV Celebrating 75 Years of Independence INDIAN INDEPENDENCE India celebrates its Independence Day on 15th August every year. Independence day reminds us of all the sacrifices that were made by our freedom fighters to make India free from British rule. On 15th August 1947, India was declared independent from British colonialism and became the largest democracy in the world. Various parts of India was ruled by East Indian company from History 1757 to 1858 followed by the direct administration of united kingdom (British India) from 1858 to 1947. The lives of the of Indian people were miserable. Indians were treated as slaves and had no rights to say anything to them. Indian rulers were Independence mere puppets in the hands of British officers. Indian soldiers were treated inhumanely in British camps, and farmers were dying of starvation as they could not grow crops and had to pay heavy land taxes. Our freedom fighters struggled for India’s Independence. Famous leaders like Mahatma Gandhi, Subhash Chandra Bose, Bhagat Singh, Sardar Vallabhbhai Patel, Jawaharlal Nehru, Rani Lakshmi Bai, fought fearlessly against the Britishers. Many of them also sacrificed their lives to make India free from British rule. Their contribution and effort are remembered in India’s Independence history. Independence India achieved independence after years of struggle. India got complete freedom from the British and secured full after Struggle autonomy on 15th August 1947. That’s why the day holds great significance in the heart of every Indian citizen living in and Sacrifice India or abroad. India completed 73 years of freedom on 15h August 2020. -
Ideological History, Contested Culture, and the Politics of Representation in Amar Chitra Katha
Nilakshi Goswami Boston University Ideological History, Contested Culture, and the Politics of Representation in Amar Chitra Katha Abstract The evolution of culture and societies through the course of history is not a priori but is discursively constructed by a constellation of beliefs and myths and is shaped by different ideological institutions. This paper addresses the historical narratives of Amar Chitra Katha (from now on ACK), the first indigenous children’s comics in India, which began publishing in 1967. Despite a growing body of research on the media landscape in postcolonial India, Indian children’s media culture continues to be underrepresented in the field of history and popular culture. When we engage with the world of comics and graphic novels, we realize how it shapes, and is shaped by, not just the minds of individuals but also the collective consciousness of communities and their (un)sung histories. ACK has been an important cultural institution that has played a significant role in defining, for several generations of Indian readers, what it means to be Hindu and Indian. In the process, the comics tradition seems to portray a delimited world view of India, often erasing non-Hindu subjects and lower caste strata of the society from India’s history. While the research will focus on reformist and revisionist impulses that ACK carries, it will also engage in the way these historical parables of India are narrated, the stories that are chosen to be told, the faces and the voices that are prioritized (or obliterated) for the purpose, and the collaboration of literary and visual image on which they rely to accomplish their re-presentation of history. -
Singh, Harleen. "India's Rebel Queen: Rani Lakshmi Bai and the 1857 Uprising."
Singh, Harleen. "India’s Rebel Queen: Rani Lakshmi Bai and the 1857 Uprising." Women Warriors and National Heroes: Global Histories. .. London,: Bloomsbury Academic, 2020. 23–38. Bloomsbury Collections. Web. 29 Sep. 2021. <http://dx.doi.org/10.5040/9781350140301.ch-002>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 29 September 2021, 08:27 UTC. Copyright © Boyd Cothran, Joan Judge, Adrian Shubert and contributors 2020. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 India’s Rebel Queen: Rani Lakshmi Bai and the 1857 Uprising Harleen Singh Considered the “most dangerous of all the Indian leaders,” the Queen of Jhansi, Rani Lakshmi Bai, challenged the might of the British Empire in the Uprising of 1857 and died on the battlefield with her soldiers.1 Known as the greatest heroine of Indian history, represented variously in folk song, poetry, novel, and film, and commemorated with postage stamps and statues, the Rani (Hindi for Queen) of Jhansi is a contradictory figure in British history as both worthy foe and rapacious whore. My work looks at the historical and literary representations of a woman warrior to flesh out the myriad and conflicting, and yet often coterminous, narratives surrounding women in the public sphere.2 For example, Indian mythology has numerous Goddess figures who are invoked in the realm of war, and yet widespread understanding of women’s roles in India continues to stem from, and is limited to, the domestic. Similarly, even as Queen Victoria ruled England at the time of the rebellion in 1857, Indian queens were rarely entitled to occupy a parallel position of authority in British policies.