American Anarchist Creed and Was Launched on Her New Life As One of Its Most the Life of Voltairine De Cleyre Devoted Apostles

Total Page:16

File Type:pdf, Size:1020Kb

American Anarchist Creed and Was Launched on Her New Life As One of Its Most the Life of Voltairine De Cleyre Devoted Apostles lasting alleviation come; but in demanding much—all—in a bold self-assertion of the worker to toil any hours he finds sufficient, not that another finds for him—here is wherethe way out lies.”100 So it was that Voltairine de Cleyre embraced the anarchist An American Anarchist creed and was launched on her new life as one of its most The Life of Voltairine de Cleyre devoted apostles. The spirit of revenge, she declares, “accom- plished its brutal act.” But had it lifted its eyes from its work, “it might have seen in the background of the scaffold that bleak Paul Avrich November morning the dawn-light of Anarchy whiten across the world.”101 The year 1888 marked a major turning point in Voltairine de Cleyre’s life. Not only was it the year in which she became an anarchist and wrote her first anarchist essays. It was also the year in which, while on the lecture circuit, she met the three men who played the most critical roles in her life: T. Hamilton Garside, with whom she fell passionately in love; James B. El- liott, by whom she had her only child; and Dyer D. Lum, with whom her relationship, being intellectual and moral as well as physical, transcended those with Garside and Elliott, yet ended, like the others, in tragedy. Of Garside we know very little. A former evangelical preacher, he was a fluent, magnetic speaker who had come to the United States from Scotland, converted to socialism, and lectured for the Knights of Labor and other working-class groups. Emma Goldman, who met him around 1890 during a textile strike in which he was an agitator, describes him as being “about thirty-five, tall, pale, and languid-looking. His manner was gentle and ingratiating, and he resembled somewhat the pictures of Christ.”102 Voltairine too, in her poem “Betrayed,” speaks of “his tender mouth and Christ-like 100 Selected Works, pp. 166–67. 101 Ibid., p. 171. 102 Emma Goldman, Living My Life, New York, 1931, p. 57. See also 1978 Rocker, Johann Most, p. 369. 68 “Voltai didn’t like it; she didn’t like the way my words rang in her ears.”97 As the case unfolded, she followed it with fever- ish excitement. At length she came to the conclusion that “the accusation was false, the trial a farce, that there was no war- rant either in justice or in law for their conviction; and that the hanging, if hanging there should be, would be the act of a society composed of people who had said what I said on the first night, and who had kept their eyes and ears fast shutever since, determined to see nothing but rage and vengeance.”98 Around this time, moreover, her lectures took her to Chicago and brought her into contact with friends of the condemned men, who reinforced her conclusions regarding “the infamy of the trial and the judgment.” Hoping until the end for mercy, she felt a crushing disappointment, an overwhelming sorrow, when the men were finally hanged. Her early compassion for Jesus—“cursed for all his love; thanked with the cross”99—was transferred to her martyred comrades, for whom the gallows had replaced the crucifix as the instrument and symbol of repression. Embracing their ideal as her own, she became an anarchist for life; and in an effort of expiation she set out to investigate their beliefs, to learn all she could of what they had preached. “Little by little I came to know that these were men who had a clearer vision of human right than most of their fellows; and who, being moved by deep social sympathies, wished to share their vision with their fellows, and so proclaimed it in the market place,” she writes. “It was the message of these men (and their death swept that message far out into ears that would never have heard their living voices), that all [piecemeal reforms] are folly. That not in demanding little, not in striking foran hour less, not in mountain labor to bring forth mice, can any 97 Frumkin, In friling fun yidishn sotsializm, p. 242. 98 Selected Works, pp. 165–66. 99 Voltairine de Cleyre, autobiographical sketch, Wess Papers. 67 The Haymarket affair—the unfairness of the trial, the savagery of the sentences, the character and bearing of the defendants—fired the imagination of many young idealists and won more than a few to the anarchist cause. Among them was Voltairine de Cleyre. As with Emma Goldman, Alexander Contents Berkman, and many others, the event remained permanently embedded in her consciousness. Haymarket runs like a scarlet thread through her writings, both published and unpublished. Foreword to the 40th Anniversary Edition of An She dedicated a poem to Governor Altgeld when he pardoned American Anarchist ............... 5 Fielden, Neebe, and Schwab, and yet another after his death Preface ......................... 10 in 1902. She wrote a poem to Matthew M. Trumbull, a distin- guished Chicago attorney who had defended the anarchists in An American Anarchist 22 two incisive pamphlets and appealed to the state for clemency. Introduction ...................... 22 For the epigraph of her poem “The Hurricane” she quoted the 1. Childhood ...................... 36 prophecy of Spies: “We are the birds of the coming storm.” 2. The Making of an Anarchist . 55 Nearly every year she took part in memorial meetings to her 3. Philadelphia ..................... 86 comrades, delivering moving and deeply felt orations, the 4. England and Scotland . 116 most powerful of her career. 5. Pity and Vengeance . 134 At the time of the explosion in May 1886, Voltai was nine- 6. Anarchism without Adjectives . 156 teen years old. She was living in St. Johns and had not yet 7. Herman Helcher . 181 embarked on her radical course. Glimpsing the newspaper 8. The Broad Street Riot . 199 headlines—“Anarchists Throw Bomb in Crowd in the Haymar- 9. Chicago . 222 ket in Chicago”—she joined the cry for vengeance. “They ought 10. Light upon Waldheim . 240 to be hanged she declared, words over which she agonized Chronology 247 for the rest of her life. “For that ignorant, outrageous, blood- thirsty sentence I shall never forgive myself,” she confessed on Bibliography 249 the fourteenth anniversary of the executions, “though I know the dead men would have forgiven me, though I know those who love them forgive me. But my own voice, as it sounded that night, will sound so in my ears till I die—a bitter reproach and shame.”96 No sooner had the pronouncement escaped from her lips than she regretted it. When Addie responded in agreement, 96 Free Society, November 24, 1901; Selected Works, pp. 164–65. 66 3 nearly seventy were injured, of whom six later died. The police opened fire on the crowd, killing at least four workers and wounding many more. Who threw the bomb has never been determined. What is certain, however, is that the eight men who were brought to trial, Albert Parsons, August Spies, George Engel, Adolph Fis- cher, Louis Lingg, Samuel Fielden, Oscar Neebe, and Michael Schwab, were not responsible. Six of them, in fact, were not even present when the explosion occurred, and the other two were demonstrably innocent of throwing the bomb. Moreover, no evidence was produced to connect the defendants with the bombthrower. Yet all eight were found guilty, the verdict be- ing the product of perjured testimony, a packed jury, a biased judge, and public hysteria. In spite of petitions for clemency and appeals to higher courts, five of the defendants were con- demned to death and the others to long terms of imprisonment. On November 10, 1887, Lingg committed suicide in his cell with a cigar-shaped explosive smuggled to him by a friend. The fol- lowing day, November 11th, Parsons, Spies, Engel, and Fischer were hanged.95 The five Chicago anarchists became martyrs. Their pictures were displayed at anarchist meetings; every year, November 11th was observed in their honor; and the last words of Parsons and Spies—“Let the voice of the people be heard!” and “There will come a time when our silence will be more powerful than the voices you strangle today!”—were often quoted in anarchist speeches and writings. Six years later, in 1893, the imprisoned men, Fielden, Neebe, and Schwab, were pardoned by Governor John P. Altgeld, who criticized the judge for conducting the trial “with malicious ferocity” and found that the evidence had not shown that any of the eight anarchists were involved in the bombing. 95 Henry David’s The History of the Haymarket Affair, New York, 1936, remains the most authoritative account. 65 study of the sources of anarchist theory and practice. Most Foreword to the 40th Anniversary Edition important among these was Benjamin Tucker’s Liberty, the of An American Anarchist leading anarchist journal of the day, which convinced her, in the motto of Proudhon on its masthead, that “Liberty is not In 1990, I walked into a tiny anarchist bookstore and found a the Daughter but the Mother of Order.” As she mastered the rare copy of An American Anarchist: The Life of Voltairine de doctrines of anarchism, she found herself irresistibly drawn to Cleyre by Paul Avrich. I knew de Cleyre only as a figure men- them; and though she was quick to shed the individualistic eco- tioned in Avrich’s later book The Haymarket Tragedy. Because nomic gospel advocated by Tucker’s circle, anarchism itself re- I relished Avrich’s writing already, because I had the enthusi- mained with her and “broadened, deepened, and intensified it- asm of a recent convert to anarchist thinking, I could hardly self with years.”92 wait to read de Cleyre’s biography.
Recommended publications
  • Black Cross Bulletin
    Black Cross Bulletin A Los Angeles Anarchist Black Cross Federation Publication SUMMER 2019 "The work isn’t done for the glory, but because we believe in Mutual Aid.” - Boris Yelensky Vol. 2 Issue 1 Janet, Janine and Eddie Freed After 40 Years On May 24, 2019, Janet Holloway Africa and Janine Phillips Africa of the MOVE 9 were released from state custody after more than forty years of incarceration. On June 21st, Eddie Africa was also released from prison. Imprisoned since 1978, these MOVE members have been battling for their freedom after being con - sistently denied parole for over a decade despite an impeccable disciplinary record and extensive record of mentorship and community service during their time in prison. They, along with the rest of the MOVE 9, were arrested after clash with the Philadelphia police department on August 8, 1978. The Move Organization owned a large twin house on the corner at 33rd and Pearl Street in the Powelton Village neigh - borhood of Philadelphia. Tensions began to increase between the city government and the MOVE organization due to a combina - destroying most of the evidence. On May 4, However, the rest of the MOVE members tion of neighborhood complaints and con - 1980, a judge pronounced the nine mem - were denied parole in 2018. After the frontations with government agencies. The bers of MOVE (the MOVE 9) guilty and denials, attorneys from Abolitionist Law MOVE organization, believing they were sentenced them to 30-100 years for the Center and People’s Law Office filed peti - going to be attacked by the police, began to third-degree murder of the police officer.
    [Show full text]
  • Februarie Martie Aprilie Ianuarie Mai Iunie Iulie August
    IANUARIE FEBRUARIE MARTIE APRILIE MAI 1 V △ Makoto Tomioka (1897), scriitorul socialist 1 L Apare revista Dacia Viitoare a Grupului Revoluționar 1 L Apare la New York primul număr din revista Mother 1 J △ Francisco Ascaso (1901); se încheie Războiul Civil 1 S Ziua internaȚională a muncii, muncitorilor și Constantin Mille (1862); începe rebeliunea zapatistă din Român (1883) Earth (1906), scoasă de Emma Goldman din Spania (1939) muncitoarelor; se deschide în București MACAZ - Bar regiunea Chiapas, Mexic (1994) 2 M Adolf Brand (1945); apare la București Dysnomia, 2 M scriitorul Philip K. Dick (1982) 2 V Zamfir C. Arbure (1933); Jandarmeria reprimă violent Teatru Coop., continuare a Centrului CLACA (2016) 2 S „Big Frank” Leech (1953) cerc de lectură feministă și queer (2015) 3 M △filosoful William Godwin (1756), feminista Milly pregătirea protestelor anti-NATO din București (2008) 2 D Gustav Landauer (1919); încep protestele 3 D △ Federico „Taino” Borrell Garcia (1912) 3 M △ coreean Pak Yol (1902), Simone Weil (1909) Witkop (1877); Lansare SexWorkCall la București (2019) 3 S △educator Paul Robin (1837); apare primul număr al studențești în Franța, cunoscute mai târziu ca „Mai ‘68” 4 L Albert Camus (1960); Revolta Spartachistă din 4 J △militantul Big Bill Heywood (1869) 4 J △ Suceso Portales Casamar (1904) revistei Strada din Timișoara (2017) 3 L △scriitorul Gérard de Lacaze-Duthiers (1958) Germania (1919) 5 V △ criticul Nikolai Dobroliubov (1836), Johann Most (1846); 5 V △socialista Rosa Luxemburg (1871) 4 D △militantul kurd Abdullah Öcalan (1949); 4 M Demonstrația din Piața Haymarket din Chicago (1886) 5 M △ Nelly Roussel (1878); Giuseppe Fanelli (1877), Auguste Vaillant (1894) 6 S Apare la Londra primul număr al revistei Anarchy (1968) 5 L Apare nr.
    [Show full text]
  • CHAPTER VI Individualism and Futurism: Compagni in Milan
    I Belong Only to Myself: The Life and Writings of Leda Rafanelli Excerpt from: CHAPTER VI Individualism and Futurism: Compagni in Milan ...Tracking back a few years, Leda and her beau Giuseppe Monanni had been invited to Milan in 1908 in order to take over the editorship of the newspaper The Human Protest (La Protesta Umana) by its directors, Ettore Molinari and Nella Giacomelli. The anarchist newspaper with the largest circulation at that time, The Human Protest was published from 1906–1909 and emphasized individual action and rebellion against institutions, going so far as to print articles encouraging readers to occupy the Duomo, Milan’s central cathedral.3 Hence it was no surprise that The Human Protest was subject to repeated seizures and the condemnations of its editorial managers, the latest of whom—Massimo Rocca (aka Libero Tancredi), Giovanni Gavilli, and Paolo Schicchi—were having a hard time getting along. Due to a lack of funding, editorial activity for The Human Protest was indefinitely suspended almost as soon as Leda arrived in Milan. She nevertheless became close friends with Nella Giacomelli (1873– 1949). Giacomelli had started out as a socialist activist while working as a teacher in the 1890s, but stepped back from political involvement after a failed suicide attempt in 1898, presumably over an unhappy love affair.4 She then moved to Milan where she met her partner, Ettore Molinari, and turned towards the anarchist movement. Her skepticism, or perhaps burnout, over the ability of humans to foster social change was extended to the anarchist movement, which she later claimed “creates rebels but doesn’t make anarchists.”5 Yet she continued on with her literary initiatives and support of libertarian causes all the same.
    [Show full text]
  • Markets Not Capitalism Explores the Gap Between Radically Freed Markets and the Capitalist-Controlled Markets That Prevail Today
    individualist anarchism against bosses, inequality, corporate power, and structural poverty Edited by Gary Chartier & Charles W. Johnson Individualist anarchists believe in mutual exchange, not economic privilege. They believe in freed markets, not capitalism. They defend a distinctive response to the challenges of ending global capitalism and achieving social justice: eliminate the political privileges that prop up capitalists. Massive concentrations of wealth, rigid economic hierarchies, and unsustainable modes of production are not the results of the market form, but of markets deformed and rigged by a network of state-secured controls and privileges to the business class. Markets Not Capitalism explores the gap between radically freed markets and the capitalist-controlled markets that prevail today. It explains how liberating market exchange from state capitalist privilege can abolish structural poverty, help working people take control over the conditions of their labor, and redistribute wealth and social power. Featuring discussions of socialism, capitalism, markets, ownership, labor struggle, grassroots privatization, intellectual property, health care, racism, sexism, and environmental issues, this unique collection brings together classic essays by Cleyre, and such contemporary innovators as Kevin Carson and Roderick Long. It introduces an eye-opening approach to radical social thought, rooted equally in libertarian socialism and market anarchism. “We on the left need a good shake to get us thinking, and these arguments for market anarchism do the job in lively and thoughtful fashion.” – Alexander Cockburn, editor and publisher, Counterpunch “Anarchy is not chaos; nor is it violence. This rich and provocative gathering of essays by anarchists past and present imagines society unburdened by state, markets un-warped by capitalism.
    [Show full text]
  • Hippolyte Havel E Os Artistas Do Revolt Hippolyte Havel and the Artists of Revolt
    Hippolyte Havel e os artistas do Revolt Hippolyte Havel and the artists of Revolt Allan Antliff Professor titular de História da Arte na Universidade de Victoria (Canada). RESUMO: Este artigo consiste em um estudo de caso acerca das relações entre o anarquismo e os movimentos artísticos que romperam as convenções e as formas estéticas estabelecidas no início do século XX até a I Guerra Mundial, como o futurismo e o cubismo. Apresenta as atividades de Hippolyte Havel, anarquista tcheco, que morou em Nova Iorque, nesse período, e demonstra também o empenho deste e especialmente de seu círculo de artistas e militantes em divulgar, fortalecer e experimentar tais correntes estéticas e libertárias. Destaca dentre os periódicos que ele fundou: O Almanaque Revolucionário e o jornal A Revolta, assim como as contribuições que estes receberam de diversos artistas envolvidos com a contestação de forças conservadoras e capitalistas. Palavras-chave: anarquismo, futurismo, cubismo, inicio do século XX. ABSTRACT: This article consists of a case study about the relationship between anarchism and artistic movements that broke conventions and established aesthetic forms in the early twentieth century until World War I, as Futurism and Cubism. It presents the activities of Hippolyte Havel, Czech anarchist who lived in New York during this period, and also demonstrates the commitment of him and specially of of artists and activists around him to publicize, strengthen and experience such aesthetic and libertarian currents. It highlighted two periodicals he founded: The Revolutionary Almanac and the jornal Revolt, as well as the contributions they received from various artists involved in contesting the conservative and capitalist forces.
    [Show full text]
  • Rudolf Rocker Papers 1894-1958 (-1959)1894-1958
    Rudolf Rocker Papers 1894-1958 (-1959)1894-1958 International Institute of Social History Cruquiusweg 31 1019 AT Amsterdam The Netherlands hdl:10622/ARCH01194 © IISH Amsterdam 2021 Rudolf Rocker Papers 1894-1958 (-1959)1894-1958 Table of contents Rudolf Rocker Papers...................................................................................................................... 4 Context............................................................................................................................................... 4 Content and Structure........................................................................................................................4 Access and Use.................................................................................................................................5 Allied Materials...................................................................................................................................5 Appendices.........................................................................................................................................6 INVENTAR........................................................................................................................................ 8 PRIVATLEBEN............................................................................................................................ 8 Persönliche und Familiendokumente................................................................................. 8 Rudolf Rocker..........................................................................................................8
    [Show full text]
  • Anarchy! an Anthology of Emma Goldman's Mother Earth
    U.S. $22.95 Political Science anarchy ! Anarchy! An Anthology of Emma Goldman’s MOTHER EARTH (1906–1918) is the first An A n t hol o g y collection of work drawn from the pages of the foremost anarchist journal published in America—provocative writings by Goldman, Margaret Sanger, Peter Kropotkin, Alexander Berkman, and dozens of other radical thinkers of the early twentieth cen- tury. For this expanded edition, editor Peter Glassgold contributes a new preface that offers historical grounding to many of today’s political movements, from liber- tarianism on the right to Occupy! actions on the left, as well as adding a substantial section, “The Trial and Conviction of Emma Goldman and Alexander Berkman,” which includes a transcription of their eloquent and moving self-defense prior to their imprisonment and deportation on trumped-up charges of wartime espionage. of E m m A g ol dm A n’s Mot h er ea rt h “An indispensable book . a judicious, lively, and enlightening work.” —Paul Avrich, author of Anarchist Voices “Peter Glassgold has done a great service to the activist spirit by returning to print Mother Earth’s often stirring, always illuminating essays.” —Alix Kates Shulman, author of Memoirs of an Ex-Prom Queen “It is wonderful to have this collection of pieces from the days when anarchism was an ism— and so heady a brew that the government had to resort to illegal repression to squelch it. What’s more, it is still a heady brew.” —Kirkpatrick Sale, author of The Dwellers in the Land “Glassgold opens with an excellent brief history of the publication.
    [Show full text]
  • The Life and Times of Emma Goldman: a Curriculum for Middle and High School Students
    DOCUMENT RESUME ED 356 998 SO 023 057 AUTHOR Falk, Candace; And Others TITLE The Life and Times of Emma Goldman: A Curriculum for Middle and High School Students. Primary Historical Documents on: Immigration, Freedom of Expression, Women's Rights, Anti-Militarism, Art and Literature of Social Change. INSTITUTION California Univ., Berkeley. Emma Goldman Papers Project.; Los Angeles Educational Partnership, CA.; New Directions Curriculum Developers, Berkeley, CA. REPORT NO ISBN-0-9635443-0-6 PUB DATE 92 NOTE 139p.; Materials reproduced from other sources will not reproduce well. AVAILABLE FROMEmma Goldman Papers Project, University of California, 2372 Ellsworth Street, Berkeley, CA 94720 ($13, plus $3 shipping). PCB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS *Females; Feminism; Freedom of Speech; Higher Education; High Schools; Hig ,School Students; *Humanities Instruction; Intermediate Grades; Junior High Schools; Labor; Middle Schools; Primary Sources; *Social Studies; *United States History; Units of Study IDENTIFIERS *Goldman (Emma); Middle School Students ABSTRACT The documents in this curriculum unit are drawn from the massive archive collected by the Emma Goldman Papers Project at the University of California (Berkeley). They are linked to the standard social studies and humanities curriculum themes of art and literature, First Amendment rights, labor, progressive politics, and Red Scare, the rise of industrialization, immigration, women's rights, World War I, and
    [Show full text]
  • Haymarket Riot (Chicago: Alexander J
    NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 HAYMARKET MARTYRS1 MONUMENT Page 1 United States Department of the Interior, National Park Service______________________________________________National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Haymarket Martyrs' Monument Other Name/Site Number: 2. LOCATION Street & Number: 863 South Des Plaines Avenue Not for publication: City/Town: Forest Park Vicinity: State: IL County: Cook Code: 031 Zip Code: 60130 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): Public-Local: _ District: Public-State: _ Site: Public-Federal: Structure: Object: Number of Resources within Property Contributing Noncontributing ___ buildings ___ sites ___ structures 1 ___ objects 1 Total Number of Contributing Resources Previously Listed in the National Register:_Q_ Name of Related Multiple Property Listing: Designated a NATIONAL HISTrjPT LANDMARK on by the Secreury 01 j^ tai-M NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 HAYMARKET MARTYRS' MONUMENT Page 2 United States Department of the Interior, National_P_ark Service___________________________________National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria.
    [Show full text]
  • Firebrand and the Forging of a New Anarchism: Anarchist Communism and Free Love Fall 2004
    The Firebrand and the Forging ofa New Anarchism: Anarchist Communism and Free Love Jessica Moran Fall 2004 Contents Firebrand and its Editors ........................... 8 What is Anarchist Communism? ...................... 12 Anarchism and Sex ............................. 15 Conclusion .................................. 19 2 In January 1895 a small paper appeared in Portland, Oregon. Titled Firebrand, and staunchly and openly advocating anarchist communism and free love, the pa- per was instrumental in the development of American anarchism. The paper sys- tematically brought working-class anarchism and social revolution to an English speaking audience for the first time, influencing the direction of anarchism inthe United States for the next twenty years. Understanding the pivotal position of Fire- brand in what is often considered a dormant period in American anarchist history, is necessary to comprehending the evolution of anarchism in the United States. The American anarchist movement thrived in the last part of the 1890s. Firebrand fos- tered the growth of an anarchist movement that incorporated the economic change fought for by the Haymarket anarchists, along with social issues like free love and individual freedom long advocated by individualist anarchists. Published between 1895 and 1897, Firebrand helped reinvigorate the anarchist movement, and intro- duced an important development that remained part of the anarchist movement throughout the twentieth century. By combining the economic and political argu- ments of anarchist communism with the social and cultural ideas of free love, Fire- brand and its contributors consciously developed an anarchism that appealed to both immigrant and native-born Americans. The anarchism discussed and worked out in the pages of Firebrand influenced and perhaps even formed the American an- archism appearing after the turn of the century, which gained popular expression throughout the Progressive Era.
    [Show full text]
  • Herald of the Future? Emma Goldman, Friedrich Nietzsche and the Anarchist As Superman
    The University of Manchester Research Herald of the future? Emma Goldman, Friedrich Nietzsche and the anarchist as superman Document Version Accepted author manuscript Link to publication record in Manchester Research Explorer Citation for published version (APA): Morgan, K. (2009). Herald of the future? Emma Goldman, Friedrich Nietzsche and the anarchist as superman. Anarchist Studies, 17(2), 55-80. Published in: Anarchist Studies Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:04. Oct. 2021 Herald of the future? Emma Goldman, Friedrich Nietzsche and the anarchist as superman Kevin Morgan In its heyday around the turn of the twentieth century, Emma Goldman more than anybody personified anarchism for the American public. Journalists described her as anarchy’s ‘red queen’ or ‘high priestess’. At least one anarchist critic was heard to mutter of a ‘cult of personality’.1 Twice, in 1892 and 1901, Goldman was linked in the public mind with the attentats or attempted assassinations that were the movement’s greatest advertisement.
    [Show full text]
  • Anarchist Modernism and Yiddish Literature
    i “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres A dissertation submitted in partial satisfaction of the requirements for the degree of Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Chana Kronfeld, Chair Professor Naomi Seidman Professor Nathaniel Deutsch Professor Juana María Rodríguez Summer 2016 ii “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature Copyright © 2016 by Anna Elena Torres 1 Abstract “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality University of California, Berkeley Professor Chana Kronfeld, Chair “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature examines the intertwined worlds of Yiddish modernist writing and anarchist politics and culture. Bringing together original historical research on the radical press and close readings of Yiddish avant-garde poetry by Moyshe-Leyb Halpern, Peretz Markish, Yankev Glatshteyn, and others, I show that the development of anarchist modernism was both a transnational literary trend and a complex worldview. My research draws from hitherto unread material in international archives to document the world of the Yiddish anarchist press and assess the scope of its literary influence. The dissertation’s theoretical framework is informed by diaspora studies, gender studies, and translation theory, to which I introduce anarchist diasporism as a new term.
    [Show full text]