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Satyricon of Petronius Arbiter
Satyricon of Petronius Arbiter Translated by Firebaugh Satyricon of Petronius Arbiter Table of Contents Satyricon of Petronius Arbiter..........................................................................................................................1 Translated by Firebaugh..........................................................................................................................1 INTRODUCTION...................................................................................................................................5 I................................................................................................................................................................6 II THE AUTHOR....................................................................................................................................6 III REALISM...........................................................................................................................................8 IV FORGERIES OF PETRONIUS.........................................................................................................9 VOLUME 1.ADVENTURES OF ENCOLPIUS AND HIS COMPANIONS................................................11 CHAPTER THE FIRST.........................................................................................................................11 CHAPTER THE SECOND...................................................................................................................12 CHAPTER THE THIRD.......................................................................................................................12 -
Umbria from the Iron Age to the Augustan Era
UMBRIA FROM THE IRON AGE TO THE AUGUSTAN ERA PhD Guy Jolyon Bradley University College London BieC ILONOIK.] ProQuest Number: 10055445 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10055445 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis compares Umbria before and after the Roman conquest in order to assess the impact of the imposition of Roman control over this area of central Italy. There are four sections specifically on Umbria and two more general chapters of introduction and conclusion. The introductory chapter examines the most important issues for the history of the Italian regions in this period and the extent to which they are relevant to Umbria, given the type of evidence that survives. The chapter focuses on the concept of state formation, and the information about it provided by evidence for urbanisation, coinage, and the creation of treaties. The second chapter looks at the archaeological and other available evidence for the history of Umbria before the Roman conquest, and maps the beginnings of the formation of the state through the growth in social complexity, urbanisation and the emergence of cult places. -
Valerius Maximus on Vice: a Commentary of Facta Et Dicta
Valerius Maximus on Vice: A Commentary on Facta et Dicta Memorabilia 9.1-11 Jeffrey Murray University of Cape Town Thesis Presented for the Degree of Doctor of Philosophy (Classical Studies) in the School of Languages and Literatures University of Cape Town June 2016 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Abstract The Facta et Dicta Memorabilia of Valerius Maximus, written during the formative stages of the Roman imperial system, survives as a near unique instance of an entire work composed in the genre of Latin exemplary literature. By providing the first detailed historical and historiographical commentary on Book 9 of this prose text – a section of the work dealing principally with vice and immorality – this thesis examines how an author employs material predominantly from the earlier, Republican, period in order to validate the value system which the Romans believed was the basis of their world domination and to justify the reign of the Julio-Claudian family. By detailed analysis of the sources of Valerius’ material, of the way he transforms it within his chosen genre, and of how he frames his exempla, this thesis illuminates the contribution of an often overlooked author to the historiography of the Roman Empire. -
Reading for Monday 4/23/12 History of Rome You Will Find in This Packet
Reading for Monday 4/23/12 A e History of Rome A You will find in this packet three different readings. 1) Augustus’ autobiography. which he had posted for all to read at the end of his life: the Res Gestae (“Deeds Accomplished”). 2) A few passages from Vergil’s Aeneid (the epic telling the story of Aeneas’ escape from Troy and journey West to found Rome. The passages from the Aeneid are A) prophecy of the glory of Rome told by Jupiter to Venus (Aeneas’ mother). B) A depiction of the prophetic scenes engraved on Aeneas’ shield by the god Vulcan. The most important part of this passage to read is the depiction of the Battle of Actium as portrayed on Aeneas’ shield. (I’ve marked the beginning of this bit on your handout). Of course Aeneas has no idea what is pictured because it is a scene from the future... Take a moment to consider how the Battle of Actium is portrayed by Vergil in this scene! C) In this scene, Aeneas goes down to the Underworld to see his father, Anchises, who has died. While there, Aeneas sees the pool of Romans waiting to be born. Anchises speaks and tells Aeneas about all of his descendants, pointing each of them out as they wait in line for their birth. 3) A passage from Horace’s “Song of the New Age”: Carmen Saeculare Important questions to ask yourself: Is this poetry propaganda? What do you take away about how Augustus wanted to be viewed, and what were some of the key themes that the poets keep repeating about Augustus or this new Golden Age? Le’,s The Au,qustan Age 195. -
The Gabii Project: Field School in Archaeology Rome, Italy June 16- July 20, 2019
The Gabii Project: Field School in Archaeology Rome, Italy June 16- July 20, 2019 About the Gabii Project We are an international archaeological initiative promoted by the Kelsey Museum of Archaeology at the University of Michigan. We have been excavating the Latin city of Gabii since 2007 in order to study the formation and growth of an ancient city-state that was both neighbor, and rival to, Rome in the first millennium BCE. Our research tackles questions about the emergence of zoning and of proper city blocks, street layouts and their relationship to city walls, definition of élite and commoner neighborhoods, development of monumental civic architecture, abandonment and repurposing of public and private areas, and much else, through the integration of spatial data, architecture and stratigraphy, and a wide variety of finds spanning from the Iron Age to the Late Roman periods. What you will learn • The archaeology of Rome and Latium, including guided trips to select sites and museums and off-site lectures • Excavation and interpretation of ancient Gabii • Digital, cutting edge recording techniques • Scientific processes, including environmental and biological analysis What is included • Program costs: $4,950 for first time volunteers/ $4,450 for returners. • Accommodations in vibrant Trastevere, Rome. • Insurance, equipment, local transportation, weekday lunches, select museum fees. • 24/7 logistical support. APPLY NOW! • Apartments include: kitchen facilities, washing machines, wireless internet. Fill out the online application at Not included: international flights http://gabiiproject.org/apply-now. Applications must be submitted by March 1st, 2019. Questions? Contact us [email protected] . -
ROMANS F/ 52 PART L: the KINGS of ROME
ruuLAE rcWAE STORIES OF FAMOLJS ROMANS f/ 52 PART l: THE KINGS OF ROME 1 iam dEdum: "for a long time already.' 2 aegrl ferre, to take badly, resent. Sex. Tarquinil: the youngest son ofTarquinius Superbus; see 11:17 and the note there" 3 ut . , . statuerent: "that they decided," result clause (see the grammar note on page 56). 5 Tarquinius CollEtlnus, -I (m.), Lucius Tarquinius Collatinus (nephew of Tarquinius Superbus and husband oflucretia). sorOre . n6tus: "born from the sister," ablative ofsourcewith nEtus, perfect participle ofthe verb n6scor. 6 contubernium, -i (n.), the sharing of a tent in the army, the status of be- ing messmates. in contuberrrid iuvenum rEgi0rum . erat: "was a messmate of . ." Ardea, -ae (f), Ardea (a town to the south of Rome). 7 *hber, libera, hberum, free, outspoken, unrestricted, unrestrained. frnusquisque, tnaquaeque, tnumquodque, each one. 8 *nutue, -ts (f), daughter-in-1aw. 9 *ltxus, -0.s (m.), luxury, luxurious living, extravagance. *d6prehend6, d6prehendere (3), dEprehendl, d6preh6nsum, to get hold of, surprise, catch in the act. CollEtia, -ae (f), Collatia (a town in Latium). 10 LucrEtia, -ae (f), Lucretia (wife of Collatinus). lanificium, -I (n.), wool-spinning, weaving (a traditional occupation of a Roman housewife). L1 offendO, offendere (3), offeadi, oftnsum, to strike against, find, en- counf,er. pudlcus, -a, -lrm, chase, virtuous. *itrdicd (1), to judge, proclaim, declare, think. 12 *corrump6, corrumpere (3), corrtrpl, corruptum, to break, corrupt, seduce, Ad quan corrumpendam: "To seduce her," gerundive (see the grammar note on page 59). 13 propinquitds, propinquitdtig (f), family relationship. Sextus Tarquinius was admitted to the house because he was a rela- tive. -
David Rafferty, the Fall of the Roman Republic
The Fall of the Roman Republic DAVID RAFFERTY the Mediterranean, meant there was no longer anyone for the Romans to fear, which in turn meant that Rome lost her discipline. Another How did crises change ancient theme blamed greed and ambition for Rome’s societies? problems: greed and success had made some men very rich and others very poor. The rich How did key individuals contribute to had appetites which the Republic could not such events? contain, while they also became corrupt, and the poor had nothing to lose from change. A How might we judge the historical similar theme blamed the ambitions of the significance of these crises and the great men who brought down their Republic: individuals who took part in them?1 they were no longer content to be renowned in a free state, but wanted to dominate their fellow-citizens. Historical significance Most modern scholars have not accepted these explanations. But many causes have been Why did the Roman Republic fall? This blamed for the collapse of the Republic, too question was of great interest to the Romans many to list here. Lintott’s CAH chapter briefly themselves, both at the time and later. The outlines some of them, but the Blackwell best starting point is Andrew Lintott’s chapter Companion to the Roman Republic is a better 1, ‘The crisis of the Republic: sources and source. Such companions tend to be uneven, source-problems’ in CAH 9 (that is, volume but this one is excellent, and thoroughly 9 of the second edition of the Cambridge recommended. -
The Suicide of Lucretia Though I Absolve Myself of Wrongdoing, I Do Not Exempt Myself from Punishment
ART AND IMAGES IN PSYCHIATRY SECTION EDITOR: JAMES C. HARRIS, MD The Suicide of Lucretia Though I absolve myself of wrongdoing, I do not exempt myself from punishment. Nor henceforth shall any unchaste woman continue to live by citing the precedent of Lucretia. Livy, History of Rome1(p81) Poor hand, why quiver’st thou at this decree?/Honor thyself to rid me of this shame;/For if I die, my honor lives in thee;/But if I live, thou livest in my defame. Shakespeare, The Rape of Lucrece2(p28) HE VIRTUOUS LUCRETIA WAS RAPED BY SEXTUS tians have no authority to commit suicide under any cir- Tarquinius, the son of the tyrannical king of cumstances. He condemned Lucretia’s suicide, recasting Rome, in the 6th century BC.3 Afterwards, al- it as response to her shame and not to the high value she though she was the victim, Lucretia commit- placed on chastity. Echoing Lucretia’s father and hus- Tted suicide. Fearing posthumous disgrace when Tar- band, and citing 300 nuns who were raped during the sack quin threatened to kill both her and a male slave and make of Rome and who did not commit suicide, he wrote that it appear that she had been caught in adultery with the there is no unchastity when a woman is ravished against slave, she yielded her body to him but not her mind. Her her will. Projecting a subjective Christian sense of guilt suicide was motivated by shame, not guilt; she felt anx- on Lucretia, he states that if she were indeed innocent, she ious about how others might interpret her behavior if she should not have taken her own life. -
Cneve Tarchunies Rumach
Classica, Sao Paulo, 718: 101-1 10, 199411995 Cneve Tarchunies Rumach R.ROSS HOLLOWAY Center for Old World Archaeology and Art Brown University RESUMO: O objetivo do Autor neste artigo e realizar um leitura historica das pinturas da Tumba Francois em Vulci, detendo-se naquilo que elas podem elucidar a respeito da sequencia dos reis romanos do seculo VI a.C. PALAVRAS CHAVE: Tumba Francois; realeza romana; uintura mural. The earliest record in Roman history, if by history we mean the union of names with events, is preserved in the paintings of an Etruscan tomb: the Francois Tomb at Vulci. The discovery of the Francois Tomb took place in 1857. The paintings were subsequently removed from the walls and became part of the Torlonia Collection in Villa Albani where they remain to this day. The decoration of the tomb, like much Etruscan funeral art, draws on Greek heroic mythology. It also included a portrait of the owner, Vel Saties, and beside him the figure of a woman named Tanaquil, presumably his wife (this figure has become almost completely illegible). In view of the group of historical personages among the tomb paintings, this name has decided resonance with better known Tanaquil, in Roman tradition the wife of Tarquinius Priscus. The historical scene of the tomb consists of five pairs of figures drawn from Etruscan and Roman history. These begin with the scene (A) Mastarna (Macstma) freeing Caeles Vibenna (Caile Vipinas) from his bonds (fig.l). There follow four scenes in three of which an armed figure dispatches an unarmed man with his sword. -
Social Mobility in Etruria Gérard Capdeville
Etruscan Studies Journal of the Etruscan Foundation Volume 9 Article 15 2002 Social Mobility in Etruria Gérard Capdeville Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Capdeville, Gérard (2002) "Social Mobility in Etruria," Etruscan Studies: Vol. 9 , Article 15. Available at: https://scholarworks.umass.edu/etruscan_studies/vol9/iss1/15 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SociaL MobiLity iN Etruria by Gérard Capdeville H(astia) . Ecnatnei . Atiuce . lautnic ([ CIE , 3088 =] TLE , 550 = Cl 1.1568) y “social Mobility” I MeaN here a chaNge of social class, which is Not easy to dis - cerN iN Etruria because we do Not have Much geNeral iNforMatioN oN the struc - Bture of EtruscaN society. The Most iMportaNt chaNge, aNd the Most obvious, is the traNsitioN froM servile to free status, heNce the iMportaNce of freedMeN for our subject. The word for “freedMaN” is well kNowN, as we have circa 175 iNscriptioNs: it is lautuni, lautni (rec. lavtni ), feM. lautni a, lautnita (rec. lavtnita ). Its MeaNiNg is attested by two biliNgual Etrusco-LatiN iNscriptioNs ( CIE , 1288 ClusiuM; 3692 Perugia), which testify to the equivaleNce of lautNi to the LatiN libertus. EquivaleNce does Not MeaN ideNtity of status, especially duriNg the iNdepeNdeNt cities period. At least two questioNs arise. What is the relatioNship betweeN the lautni aNd his forMer Master? What is the positioN of the lautni as regards citizeNship? The oNoMastic, for which we have a very rich corpus of epitaphs, provides us with part of the aNswer. -
Horatius at the Bridge” by Thomas Babington Macauley
A Charlotte Mason Plenary Guide - Resource for Plutarch’s Life of Publicola Publius Horatius Cocles was an officer in the Roman Army who famously defended the only bridge into Rome against an attack by Lars Porsena and King Tarquin, as recounted in Plutarch’s Life of Publicola. There is a very famous poem about this event called “Horatius at the Bridge” by Thomas Babington Macauley. It was published in Macauley’s book Lays of Ancient Rome in 1842. HORATIUS AT THE BRIDGE By Thomas Babington Macauley I LARS Porsena of Clusium By the Nine Gods he swore That the great house of Tarquin Should suffer wrong no more. By the Nine Gods he swore it, And named a trysting day, And bade his messengers ride forth, East and west and south and north, To summon his array. II East and west and south and north The messengers ride fast, And tower and town and cottage Have heard the trumpet’s blast. Shame on the false Etruscan Who lingers in his home, When Porsena of Clusium Is on the march for Rome. III The horsemen and the footmen Are pouring in amain From many a stately market-place; From many a fruitful plain; From many a lonely hamlet, Which, hid by beech and pine, 1 www.cmplenary.com A Charlotte Mason Plenary Guide - Resource for Plutarch’s Life of Publicola Like an eagle’s nest, hangs on the crest Of purple Apennine; IV From lordly Volaterae, Where scowls the far-famed hold Piled by the hands of giants For godlike kings of old; From seagirt Populonia, Whose sentinels descry Sardinia’s snowy mountain-tops Fringing the southern sky; V From the proud mart of Pisae, Queen of the western waves, Where ride Massilia’s triremes Heavy with fair-haired slaves; From where sweet Clanis wanders Through corn and vines and flowers; From where Cortona lifts to heaven Her diadem of towers. -
Per La Storia Degli Etruschi
PER LA STORIA DEGLI ETRUSCHI I. - CLUSINI VETERES e CLUSINI NOVI Plinio (N. H., Ili, 5, 52) elencando, in ordine approssimati- vamente alfabetico, le località e le repartizioni dell’Etruria dei tempi suoi, e venendo a parlare, dopo la zona marittima, di quella interna (« mtus »), ha : « Cortonenses, Capenates, Clusini novi, Clusini veteres, Fiorentini ». Questa distinzione dei Clusini in veteres e novi, può, presa a sè, rimanere di dubbio significato, per- chè l’analogia ci insegna che, teoricamente, essa potrebbe spiegarsi sia colla sovrapposizione o giustapposizione in uno stesso centro o in centri attigui di due o più elementi di popolazione (come si suole credere per gli A.rretini veteres, Fidentiores e lulienses, di cui parla Plinio stesso) ; sia con la coesistenza di due centri abitati, la popo- lazione di uno dei quali, in un qualche tempo, sia stata in parte trapiantata nel secondo, senza che il primo scomparisse (come per Aufidena, per Fabrateria, e, rimanendo in Etruria, per Faleri, Volsini e Surrina); sia infine con la coesistenza di due centri, lon- tani fra di loro, e casualmente omonimi, che con quegli epiteti si volevano differenziare, o perchè sorti realmente in età diversa, o perchè conosciuti dai Romani in età successive (cfr. Carthago e Chartago nova; Bovianum vetus e Undecumanorum etc., e Neapolis di fronte a Cuma). Che una delle sedi dei Clusini corrisponda all’attuale Chiusi di Val di Chiana non è dubbio, sia per la tradizione storica romana che, almeno dai tempi della III Sannitica in poi, vi allude con precisi riferimenti topografici, sia per le epigrafi latine in essa rin- venute, che parlano di ordo Clusinorum, populus Clusìnus, respu- blica.