2004 Burning Man Journal

Total Page:16

File Type:pdf, Size:1020Kb

2004 Burning Man Journal Burning man ������������������������������� ���������������� Kids have always been a part of Burning Man. When Jerry James and Larry Harvey first burned a Man in 1986, they included their sons, Trey ars & and Robin. Trey was six. Robin was seven years old. On that afternoon the boys worked alongside their fathers. With a little help and the aid Culture of a glue gun, they produced the Burning Dog: the Man’s best friend. Since then, children have always partici- n 1997, Black Rock City underwent a transforma- pated in our community. Burning Man has become a gigantic playground for children as well as adults. Seen tion. After a participant was severely injured in an I auto accident in 1996, we created new rules. First, through a child’s eyes, Burning Man can be a wondrous experience. Playing alongside grownups and freely we designed a new network of streets, then we told expressing one’s self in a world that’s so receptive is not only healthy—it is healing. Viewed in contrast with a folks to park their cars at their campsites—and leave them there. Instead of driving, people walked or rode world where children are routinely segregated from adults and parked in front of television sets, Burning Man bicycles. Getting from one place to another in our can be revelation. city now became a story of immediate encounter; However, it is equally true that chil- this from happening in 2004, spontaneous social interactions multiplied, and a dren have needs that are different we encourage parents to equip true community began to coalesce. from those of adults. They require young children with identity We had discovered that relying on our cars to get special care and attention. In order to bracelets that indicate who around had reproduced a too-familiar world. It meet these needs, the first and most they are and where the live. important requirement is that parents Participants who encounter communicate with their children. unaccompanied children are Burning Man is like a kid’s cartoon. encouraged to ask them, “Where While its content is not nearly as is your adult?” If a parent isn’t violent as most children’s entertain- present, a Black Rock Ranger ment, it certainly is jam-packed with should be summoned. A commu- novel images and new experience. This nity that truly cares can make is why we ask all parents to consciously a difference. This has been take the time to talk with their chil- our approach to other social dren about each day’s experience. concerns, to the problem of Such daily debriefings can be very litter, to the problem of human rewarding—far easier, in fact, than waste disposal. In both of these trying to discuss the more hermetic instances, community-wide worlds of school or television. This is Parents and child - photo by George Streng action has triumphed. because Burning Man is an experience Black Rock City has grown that both parent and child can actively ipant-run village for families with children. into the radical, thriving and share and create. Special art tours will be organized for Black magical place it has become for three primary Our most important advice to parents is this: Rock City’s youngest citizens. Families who reasons. One is our steadfast support of the wish to affiliate with Kidsville should contact The single factor that most affects children at ideals of community. Another is our ban on Travelling oil wells - photo by Erick Leskinen Burning Man is your willingness communicate with this group in advance of our event. For more commercialism and commerce. The third is your children in a way that allows them to express their information about this village please contact our willingness to adapt to the changing needs was a world of personal convenience. Experience own interpretations of experience. In the spirit of [email protected]. of our citizens and the environment. In this was ordered by discrete consumer choices. From radical self-reliance, it is your duty at our event As in previous years, Kidsville will be featured respect, children are symbols of our city’s the standpoint of a driver or a passenger, this to assume complete responsibility for your child on our city map. We encourage other families success. In the fourteen years since the founding was a very controlled and, above all, a relentlessly at all times. At Burning Man, however, this duty to camp near them between streets 4:30 and of this city, people have met here, fallen in intentional world. People would elect to visit some can become a real delight. This is your chance 5:30 to create a family quarter. Adult attraction, and then drive there in a metal isolation to see your child’s world as he or she perceives oriented theme camps will be asked to booth. Experience between points A and B became it. In other words, what children witness is very camp at a distance from Kidsville, and a view seen through a dusty windshield, fleeting and often far less important than how they actually all participants should show respect for vicarious, like a television travelogue. But pedes- experience what they encounter. If something both its purpose and its boundaries. This trians and bicyclists experienced a very uncontrolled that is unexpected has disturbed your child—a is the kind of geographic solution to environment. For them, our event had become, by “monster”, anything that’s incompletely under- the problem of potentially conflicting 1996, a very dangerous place. Stretching out upon stood—you should always take time to discuss uses that we have employed in the past, the ground to view the stars, walking on the playa this with them. Pay close attention to how your akin to separating walk-in camping from without reflectors or a flashlight, even sleeping in a child feels and imagines the world. Considering automobile traffic or locating large- tent, could place a person in harm’s way. the way we lead our normal lives, you might scale sound installations at the far ends The reforms of 1997 turned Black Rock City into a never have a better opportunity. of our city. more civilized community. Not only were partici- Black Rock City houses a community and, Likewise, in 2004, we will request that pants made safer, they were now liberated to as in any other community, its citizens also all adult oriented theme camps take explore their experience of the desert, our city have a responsibility for the welfare of chil- responsibility for restricting the access Theme camp placement volunteer GoMonk with his daughters continued on page 3 dren. This year, we plan to enhance Black Rock of children to sexually explicit activity. and brother - photo by LadyBee City’s family-based resources. Artists will be These camps must employ doorkeepers, encouraged to perform in Kidsville, our partic- someone on duty to prevent minors from love, even married here, and entering such environments. This follows now it follows that they would models that are used in any city. Parents, return with their kids. In fact, however, must assume primary responsi- the fastest growing trend in bility for the safety and well being of their Black Rock City has become children at all times, and families who do family reunions in which three not behave responsibly will be asked to and even four generations leave our event. are present. The more we, as Burning Man has an exemplary record a community, welcome these in regard to children’s welfare. Over the newest citizens and accommo- years, we have experienced no incidents date the needs of families, the of child abuse, molestations, abductions more Black Rock will resemble or serious injury. But every parent’s worst an actual city. It will truly nightmare is losing track of a young child represent the attributes of life D in a public setting. In order to prevent well lived. The man on his temple - photo by Michael Christian Satan’s Calliope by Lucy Hosking, photo by Carlos Hunt Reinventing Politics In Black Rock City page 2 A Spreading Fire page 2 Bicycle City page 3 The Art We Breathe page 6 Event Theme - Vault of Heaven pages 4 & 5 herever Burning Man communities arise they tend to embody the unique characteristics of their organizers and their region. The motto of Burning Beach, the Santa Cruz Burning Man by Hugh D’Andrade Wregional group, is “Include yourself, include others”, and regional contacts Roxanne and Jim Graham have been practicing what they preach for more than three years. “We’ve got some amazingly creative people in the Santa Cruz area. Fostering a community that showcases their talents is a lot of what motivates us,” Jim said. “A lot of Burners, here and elsewhere, do amazing things, and one thing we do is help them get visibility for their work.” Burning Beach’s first commu- to a rural children’s camp on the nity event was showing a film Sunshine Coast in 2003. “We at a local community center. needed more diversity,” said reps 100 Burners and non-Burners collective member Jody Franklin. showed up, some driving more “This environment allowed us than 100 miles to attend. That to expand beyond offering just film showing has evolved into theme spaces and music.” Access a daylong Burning Man film to several buildings situated on festival that drew 400 attendees a beautiful, forested ocean side in 2003. The event included art property allowed a fuller blos- installations, miniature theme soming of the community’s camps, and a talk by Burning potential. Workshops, fire perfor- Man Director Larry Harvey.
Recommended publications
  • How I Learned to Stop Worrying and Just Trust Larry a Little Bump in Our
    The author, AirTron, How I learned to stop Next year I’m totally is ready OUT / IN to build LINGO an art car... Barbie Death Camp Spanky’s Wine Bar next year art carnage the injured Burners & Wine Bistro worrying and just trust Larry building an art car dropped off by art cars to the medical beer pickletinis tents and ramparts, especially after the by SCRIBE vehicles to license, its ticket by AIRTRON art car – my glorious mutant vehicle Man and Temple burns Black Rock Academy Lazy Skool Daze The author, Scribe, pricing structure, and size – what a rewarding experience THAT Blue Oasis Decadent Oasis his is as good as it gets, dropping words of the city (it was able to hat’s the best way to get around will be! Despite the fact that I’m sure it back-burnered when your former Burners – right here, like bombs get the BLM to increase the idea and you want it bad enough. Well, Esplanade theme camp gets placed on BRBC BMIR the playa? Duh, an art car, obvi- will be über-popular with my friends T right now, in beauti- maximum population from W ously! The bigger, the brighter, and will fill up with riders at my camp, my idea is epic and I’ve never wanted the back streets instead buckets at Juplaya porta-potties at ful, bountiful Black Rock 60,000 last year to 68,000 the louder – the better! When an art I’ll always be sure save a few spots for anything more. Not all of the specif- Burning Man City.
    [Show full text]
  • Volunteer Appreciation Research Project
    Volunteer Appreciation Research Project Volunteer Leadership Council March, 2021 Forward Why do we appreciate? There was a time before the 10 Principles existed when Burning Man was not so kind an organization. We valued hard work over being in the moment, critical feedback over empathy and diplomacy, and speaking over listening. We developed a culture of workaholism and fiefdoms. There was rarely a kind word to someone on another team and moving from team to team was actively discouraged. We had a “no poaching” of staff rule. It made for very difficult meetings, hard decision-making, many people leaving feeling burned out and used, and much unnecessary stress. Thankful were we the day we started to appreciate each other. If what we are creating are real communities the people will be in them for a long time, and the time we are spending making them are hours, days, years of our own lives. We found out the hard way that appreciation was the key to creating understanding, cooperation, and sound compromise, making the hours of our lives more rich and meaningful. How do you appreciate? Harley K. Dubois, Burning Man Co-Founder 1 1 Introduction 1.1 Volunteer Leadership Council The Volunteer Leadership Council (VLC) was initiated by Burning Man Co-founder Harley K. Dubois in 2015, and exists “to champion the human spirit of Volunteerism, creating a foundation for a culture of appreciation and empowerment within the Burning Man community and beyond.” The VLC is an advisory body, grounded in Burning Man’s 10 Principles, that supports the greater Burning Man community by providing guidance, resource sharing, and by identifying and sharing best practices in volunteer leadership.
    [Show full text]
  • Burning Man Principles Consent Gratitude
    Burning Man Principles Consent Gratitude When Derby unbarring his floppy overstudies not quadrennially enough, is Bubba monotheistical? Implemental Spiro polkas physiognomically while Tobit always overslaughs his sit-ins sit-in whereinto, he absterged so translationally. Porose Wait bespeckle some photogeology and demist his tombacs so arrogantly! The tent rather shy and are breaks agreements more systematically in part of strangers and families to posting any closer attention from or camping spot and principles burning Burning Man's Census asked What sin your motion for attending Burning Man. How to Cultivate Relationships for Effective Teamwork by. None of these topics critical because anything touching, compensation competitive firms with burning man principles consent gratitude for an other events have an inadequate sums available through gerlach, served as hard. Burning Man executive doesn't want to owe to models and. Second those relying on implicit flow or bottom third slab which request to. King Benjamin's Virgin Burner Blog The 10 Principles of Burning Man Radical Inclusion G. The Ten Principles of Burning Man include radical inclusion and radical. What is gratitude invites you got naked mike had worked hard times for burning man principles consent gratitude. After getting consent as touch because I would stick my hands on their. It's down main principle of the gathering the unconditional act any gift exchange without expecting anything for return. Most workers on Deepwater Horizon from BP's top slot man. Burning man with others, they ended up within his methods shown below but when greeting a burning man principles consent gratitude invites you can i preached after.
    [Show full text]
  • Order in the Desert: Law Abiding Behavior at Burning Man
    Journal of Dispute Resolution Volume 2013 Issue 2 Article 5 2013 Order in the Desert: Law Abiding Behavior at Burning Man Manuel A. Gomez Follow this and additional works at: https://scholarship.law.missouri.edu/jdr Part of the Dispute Resolution and Arbitration Commons Recommended Citation Manuel A. Gomez, Order in the Desert: Law Abiding Behavior at Burning Man, 2013 J. Disp. Resol. (2013) Available at: https://scholarship.law.missouri.edu/jdr/vol2013/iss2/5 This Article is brought to you for free and open access by the Law Journals at University of Missouri School of Law Scholarship Repository. It has been accepted for inclusion in Journal of Dispute Resolution by an authorized editor of University of Missouri School of Law Scholarship Repository. For more information, please contact [email protected]. Gomez: Gomez: Order in the Desert Order in the Desert: Law Abiding Behavior at Burning Man Manuel A. Gdmez INTRODUCTION Burning Man is an annual art event and temporary community based on radi- cal self-expression and self-reliance, in the Black Rock Desert of Nevada.' The event is a week-long annual affair that draws more than fifty thousand partici- pants, known as "burners," from around the world. 2 The event takes place in the custom-built, temporary, Black Rock City,3 located in a prehistoric lakebed or "playa" in the Black Rock desert, more than one hundred miles from Reno. Black Rock City is rebuilt annually on seven square-miles of federal land in the southern point of the Black Rock Desert.4 Burners are explicitly encouraged to partake in acts of "radical self-expression." They do so through artistic performances; by creating interactive sculptures and other outdoors art installations, through cos- tumes and fashion, music, art vehicles, and visual media.5 *Associate Professor, Florida International University College of Law.
    [Show full text]
  • Michael Mikel: Burning Man Collection CAE1305
    Michael Mikel: Burning Man Collection CAE1305 Introduction/Abstract This archive contains materials related to Burning Man, the annual art event and temporary community program held every year in the Black Rock Desert during the last week in August, which had its origins in the 1980s at Baker Beach in San Francisco. Materials include participant and program ephemera, slides, photographs, video, design documents, and press. Biographical Note: Michael Mikel, aka Danger Ranger Michael Mikel, whose playa name is Danger Ranger, was one of the three founders of Burning Man in 1990 along with John Law and Larry Harvey. He remains part owner of the parent company, Black Rock City LLC, as well as serving on the board of directors of the nonprofit Burning Man Project. In 1992, Mikel founded the Black Rock Rangers, and he continues to oversee security for the annual event. Mikel created the first Burning Man mailing list database, produced the first issue of the Black Rock Gazette, established the Burning Man Archive, and drove the first art car to the Black Rock Desert. In 2001, he visited regional burn communities during his Tour of America as an ambassador for Burning Man. In addition, Mikel functions as an important member of San Francisco's Cacophony Society—"a randomly gathered network of free spirits united in pursuit of experience beyond the mainstream." It was the society that organized the trip to the Black Rock Desert in 1990 known as “Zone Trip #4,” and which hosted the first burn of the Man in the desert that year. Mikel has an engineering systems background in computers and robotics.
    [Show full text]
  • Dancing Into the Chthulucene: Sensuous Ecological Activism In
    Dancing into the Chthulucene: Sensuous Ecological Activism in the 21st Century Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kelly Perl Klein Graduate Program in Dance Studies The Ohio State University 2019 Dissertation Dr. Harmony Bench, Advisor Dr. Ann Cooper Albright Dr. Hannah Kosstrin Dr. Mytheli Sreenivas Copyrighted by Kelly Perl Klein 2019 2 Abstract This dissertation centers sensuous movement-based performance and practice as particularly powerful modes of activism toward sustainability and multi-species justice in the early decades of the 21st century. Proposing a model of “sensuous ecological activism,” the author elucidates the sensual components of feminist philosopher and biologist Donna Haraway’s (2016) concept of the Chthulucene, articulating how sensuous movement performance and practice interpellate Chthonic subjectivities. The dissertation explores the possibilities and limits of performances of vulnerability, experiences of interconnection, practices of sensitization, and embodied practices of radical inclusion as forms of activism in the context of contemporary neoliberal capitalism and competitive individualism. Two theatrical dance works and two communities of practice from India and the US are considered in relationship to neoliberal shifts in global economic policy that began in the late 1970s. The author analyzes the dance work The Dammed (2013) by the Darpana Academy for Performing Arts in Ahmedabad,
    [Show full text]
  • Into the Zone
    chapter 1 Into the Zone By the time I first got to Burning Man in 1996— which turned out to be a pivotal year for the event— it had already changed dramatically from its humble beginnings a decade before. On summer solstice eve in 1986, a man named Larry Harvey and his friend Jerry James decided, for no premeditated reason, to host an impromptu gathering on San Fran- cisco’s Baker Beach, where they constructed a primitive wooden effigy and burned it. Having invited just a handful of friends to join them, they were delighted to discover that as they set flame to the eight- foot- high sculpture, the spectacle attracted onlookers from up and down the beach. As Harvey tells the often-repeated tale, someone began to strum a gui- tar, others began to dance and interact with the figure, and a spontaneous feeling of community and connectedness came upon those gathered— friends and strangers alike (see DVD, chap. 1). Flushed with the unan- ticipated success of the gathering, Harvey and James soon decided to hold it again the next year; with each subsequent iteration, both the crowd and the sculpture grew substantially. Numerous legends have accumulated around the birth of the festival and— as is often the case with largely oral traditions—the elements of the narrative have shifted with each retelling, as some aspects have been emphasized and others lost in the dust. For his part, Harvey insists that he had no consciously preconceived ideas about the meaning of the Burning Man, let alone about starting a global movement.
    [Show full text]
  • Utopia and the Burning Man Project Gracen Lila Kovacik University of South Florida, [email protected]
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 1-1-2015 Tell Sir Thomas More We've Got Another Failed Attempt: Utopia and the Burning Man Project Gracen Lila Kovacik University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Popular Culture Commons, and the Philosophy Commons Scholar Commons Citation Kovacik, Gracen Lila, "Tell Sir Thomas More We've Got Another Failed Attempt: Utopia and the Burning Man Project" (2015). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/5831 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Tell Sir Thomas More We’ve Got Another Failed Attempt: Utopia and the Burning Man Project by Gracen Kovacik A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts with a concentration in the Humanities Department of Humanities College of Arts and Sciences University of South Florida Major Professor: Andrew Berish, Ph.D. Benjamin Goldberg, Ph.D. Sara Dykins Callahan, Ph.D. Date of Approval: March 19, 2015 Keywords: Counterculture, Hope, Ernst Bloch, Decommodification, Radical Self- Reliance Copyright © 2015, Gracen Kovacik ACKNOWLEDGMENTS I would like to acknowledge my advisor, Dr. Andrew Berish, for assisting me through the process of mediating this difficult terrain. Thank you to my committee members, Dr. Sara Dykins Callahan, and Dr.
    [Show full text]
  • MARIAN TALKS TRASH Photo by Greg Levitt
    METAMORPHOSES • DRINKING BACON EDITION • AUGUST 29, 2019 • VOLUME XV, NUMBER III • DIANA & 6:15 • WWW.BLACKROCKBEACON.ORG MARIAN TALKS TRASH Levitt Greg by photo BY ALEXXX admitting the journey has been both term permit from the government. Marian Goodell, the first CEO interesting and disheartening, Mar- Marian pointed out that Burning of the Burn, shared some sage ad- ian went on to explain the critical Man has a good environmental record, vice with fellow burners: Every importance of every single burner fol- is a safe place and is self-policing. single burner must leave no trace. lowing the practice of Leave No Trace. Also, Burning Man does not sell beer Speaking Tuesday afternoon at the When the dumpster at a 7-11 in Reno like events in Europe. She went on to Pineapple Motel, Marian gave a brief (next to the In-N-Out) gets inundated caution that our use of the Playa is talk about her personal burner his- with burner garbage, the BLM hears conditional on everyone's behavior. tory (she dated Larry Harvey for five about it. When an unsecured bag of The possibility of Jersey barriers is years), and then answered questions burner garbage flies off the roof and real. The possibility of invasive searches sits on Paiute land, the BLM hears at the Gate is real. We all need to do our from burners. She was asked about MAN'S BRAIN UPDATE: Artist Dan Miller stopped by the Beacon camp while about it. Every incident of irresponsi- part to maintain a positive public image the Bureau of Land Management's making rounds of the city on his bike, trailering the Man's Brain with him, ble garbage removal makes it a little bit of Burning Man so this unique event (BLM) latest response to the Bmorg's along with paper and colored pencils to inscribe thoughts.
    [Show full text]
  • Les Chaleurs Du Festival Burning Man
    LES CHALEURS DU FESTIVAL BURNING MAN LE 6 SEPTEMBRE 2011 CLÉMENT BAUDET Sur la côte Ouest des États-Unis, le festival Burning Man, le plus dingue de la planète, s'est achevé la nuit dernière. Récit tout en longueur de ces folles nuits dans la ville éphémère de Black Rock City. MAJ : Le Burning man dans une (belle) vidéo ? C’est comme si vous y étiez et c’est ici. Tous les ans, au début du mois de septembre, se déroule dans le désert du Nevada le fameux festival Burning Man [en]. Projet collectif un peu fou qui existe depuis plus de vingt ans. La dernière édition s’est achevée la nuit dernière. Cette gigantesque fête collaborative qui prend sa source sur la côte Ouest des États Unis est liée à l’émergence des industries du web dans la Silicon Valley. Une fois cher payée l’entrée, économie du don et culture jamming et Do It Yoursef (DIY, fais-le toi-même) sont joyeusement pratiquées pendant sept jours dédiés à la création. La ville éphémère de Black Rock City attire aujourd’hui de plus en plus de geeks et autres fous de nouvelles technologies. Exemple parfait des liens qui existent entre les hippies de San Francisco et les dirigeants de Google… Burning Man c’est un peu une incarnation de la Zone d’Autonomie Temporaire d’Hakim Bey, avec couleurs, costumes excentriques, installations artistiques, numériques et pyrotechniques hors du commun, voitures mutantes (art cars ) tout droit sorties de MadMax errant dans un décor post-apocalyptique, interdiction de pratiquer toute transaction commerciale pendant le rassemblement… Black Rock City [en] est un « espace autre », recréé ex-nihilo par des milliers de « burners » qui forment cette ville qui devient alors la troisième plus grande du Nevada.
    [Show full text]
  • Burning Man Journal All the News That’S Fit to Burn H Summer 2006
    BURNING MAN JOURNAL ALL THE NEWS THAT’S FIT TO BURN H SUMMER 2006 By Tom COMMERCE & COMMUNITY Why I’m Here P r i c e DIStILLIng PHILOSOPHY FROM A CUP OF COffEE Last year at Burning Man, immediately following news of Hurricane By Larry Harvey Katrina, our community began to spontaneously organize a response. A relief fund was collected at the event, initially totaling $35,000, but during the ensuing weeks this soon swelled into many thousands more. One of the largest and longest lasting of ometimes AN Exception to A rule can deepen these efforts eventually became what is known as Burners Without Borders, providing disaster relief with a decidedly playa flair a philosophy. For example, some critics of the Burning Man – learn about their work at www.burnerswithoutborders.org. Project insist that by allowing coffee sales in our city’s Center Below is a dispatch from the field written earlier this year by Tom S Price, a part-time Burning Man Project staff member. Camp Cafe we violate a tenet of our non-commercial ideology. They (Late February, PearLington, Mississippi) say that this is evidence of deep naiveté or demonstrates hypocrisy. y leather gloves sag with sopped up diesel, sweat, and the black water that oozes off rotting garbage. My reply is that we’ve never espoused a non-commercial ideology. To MUnder the cypress trees in the swamp out back, an be against commerce is to oppose the very existence of civilized life. oily sheen coats the water, smothering the snapping turtles, but having no impact on the clouds of gnats and mosquitoes.
    [Show full text]
  • The Performance Culture of Burning Man
    ABSTRACT Title of Document: THE PERFORMANCE CULTURE OF BURNING MAN Wendy Ann Clupper, PhD, 2007 Directed By: Dr. Franklin J. Hildy, Department of Theatre and Performance Studies Theatre in the United States for the last twenty years has been evolving in scope by way of a cultural phenomenon known as Burning Man. In 2006, this festival attracted over forty thousand participants to the Black Rock Desert in Northwestern Nevada to a flat dusty Playa surrounded by mountain ranges. While the natural environment there is hostile, the creative atmosphere is welcoming and invites a broad scope of performative behaviors and genres to be exhibited there, the entire week the festival takes place. Make-shift stages and theme camps, as well as large- scale interactive art pieces play host to participants who dress up in fanciful costumes to perform in all manner of imagining. This dissertation maps out the cultural terrain of Burning Man in order to explain how performing there is form of identity-making and cultural commodity. As one of a handful of North American festivals which expressly discourage commercialism and commodification, theatricality takes the place of significance for entertainment and communication. Performance forms of all kinds historically are represented at Burning Man and this dissertation will investigate and theorize how a new performance culture has emerged from the festival itself and by its presence as a theatrical event, has exposed and expanded performance and theatre forms. This dissertation offers a critical framework through which to consider performance and performers within the Burning Man community as applied to Mikhail Bakhtin’s concept of Carnival and the Schema for Theatrical Eventness proposed by the International Federation for Theatre Research Theatrical Events Working Group.
    [Show full text]