Directory of Music Libraries and Collections in Greece. Thessaloniki

Total Page:16

File Type:pdf, Size:1020Kb

Directory of Music Libraries and Collections in Greece. Thessaloniki Directory of Music Libraries and Collections in Greece Neil Mixon Ratliff † Aris Bazmadelis Greek Society for Music Education Thessaloniki 2017 1 2 Directory of Music Libraries and Collections in Greece Neil Mixon Ratliff † Aris Bazmadelis Greek Society for Music Education Thessaloniki 2017 3 1997-2017 Directory of Music Libraries and Collections in Greece Neil Mixon Ratliff Aris Bazmadelis ISBN 978-960-89847-7-6 © Aris Bazmadelis Greek Society for Music Education www.eeme.gr First Published in Greece in 2017 Music libraries - Greece - Directories Μουσικές βιβλιοθήκες - Ελλάδα - Ευρετήρια ML21 .D615 2017 Cover Photo is a detail from: Phinn, Thomas. Hungary with Turky [sic] in Europe. In: Salmon, Thomas. A new Geographical and Historical Grammar. Edinburgh: Printed by Sands, Murray, and Cochran, for J. Meuros, 1767. Dim.: 171 x 219 mm. Zacharakis, Christos. Cat. 1753 Courtesy of Aris Bazmadelis collection 4 The present work is dedicated to the memory of a man who loved Greece, it’s people and culture, Neil Mixon Ratliff (1936-1994) 5 Contents Preface 5 Music Libraries in Greece 6 Directory 14 Bibliography 91 6 Preface Neil Ratliff and I met only three years before his death in 1994. In fluent greek his first words to me, were about his unfinished project of a directory of libraries in Greece which have resources for music research for Volume Five of the International Directory of Music Research Libraries. When he asked me to join and help him finish the project I readily agreed. Soon after I found myself travelling around Greece, with or without Neil, visiting monasteries, Schools and Libraries, trying to find music material of special value, for the Directory. When Neil passed away in 1994, 154 entries were included in the Directory. Now that the work is completed, the list numbers more than 240 entries. Neil Ratliff studied Library Science, piano and harpsichord, voice and musicology. He worked as a music librarian at the Music Division of New York Public Library and later became the head of the Music Library of the University of Maryland and the International Piano Archives. Secretary General of the International Association of Music Libraries (1983-1987), and President of the United States Branch (1990-1992), published a number of books about music, and music librarianship. Suffering from “Hellenomania”, as he liked to say, he was an expert of greek music in the USA, and gave a number of lectures about greek music and culture. His article “Resources for music research in Greece – An overview”, published in NOTES of the Music Library Association, was the fruit of his research for the Directory and his journeys along Greece, and the first ever publication about Greek music Collections and Libraries. This book developed from Ratliff’s notes that kept during his journeys along Greece, and material collected during my visits, with or without him, and my research to Libraries, Monasteries, Societies etc. The work continued during the last two decades and I am pleased to see that there is a significant change in Greek music libraries and collections. I probably not have listed all libraries in Greece which have music materials. A project such as this must have a time-limit placed on it or it will never get to public view. It is maybe time for other colleagues to utilize this new knowledge to further the Directory, to continue the work begun by Neil Ratliff and concluded by myself and take it to the next level. In particular I would like to thank Joy and John Ratliff, Geraldine Ostrove, former music Librarian-Library of Congress, Nancy Birk, former Professor of Librarianship-Kent State University, for her detailed comments, Dr Olga Kolokytha, Assistant Prof.-University of Vienna, for her technical assistance, and my colleague Sofia Tsopani, Librarian, School of Music Studies-Aristotle University of Thessaloniki, for her support. Aris Bazmadelis Thessaloniki, 2017 5 Music Libraries in Greece The library treasures of Greece, along with its archaeological legacies, have been subjected to countless catastrophes. Earthquakes, fires, wars, theft have all decimated the once rich intellectual heritage of Greeks. And it is impossible to write about music libraries in Greece without considering the whole library situation here, for the fate of the former are inextricably bound to the latter. So when Prof. Rita Benton first approached Neil Rattlif in 1975 to compile a directory of libraries in Greece which have resources for music research for Volume Five of the International Directory of Music Research Libraries, he readily agreed as he expected there would be so little research material he would be able to finish to task in a few weeks. Now that the work is completed we must admit that Neil had been humbled by the quantities of riches which were uncovered. The final catalogue includes more than 230 collections in Greece which contain materials of value for music research or have music items of some special interest. Reading Neil’s notes from the 1970’s there were mentions about several important publications which were results of special attention paid to Greek libraries such as Spyros Kokkines’s “Libraries and archives in Greece” (1970) without which never could have done his work. There were also two useful government publications: “Intellectual organizations and libraries” published in 1966 by the Ministry of the Presidency and “Cultural societies and libraries” issued in 1975 by the Ministry of Culture and Science. But every library in Greece, almost without exception, has suffered from lack of adequate funding. Greece is not a rich nation and its almost 400 years of subjugation to the Ottoman Turks prevented the normal intellectual development that occurred in other parts of Europe. Only since the Revolution of 1821 has Greece had the opportunity to catch up. Economically and intellectually, and in many ways is still has not done so. Libraries were founded in the last century with generous gifts of books and funds from individuals or organizations, they have been able to build their collections in the past 30-40 years. There are public libraries in every corner of Greece with strong rare book collections and almost no or few current publications to complement the earlier strengths due to the harsh financial crisis. And if general libraries have such poor support what must be the fates of narrow subject collections such as music? There are only a few institutions in Greece which correspond to the proper music libraries found in Europe and North America. When Neil Rattliff first started his research, in many ways, the most impressive music library in Greece was the Library of the Third Program of the Hellenic Broadcasting Corporation. Headed, by then, by the well-known composer Manos Hadjidakis, the Third Program had reorganized the importance of a strong music library for its own daily functioning. While the Library’s organization was recent, the materials had been collected over several decades. Manuscripts of modern Greek composers of serious music, published scores and parts of Greek and European music, an enormous archive of sound recordings representing every kind of music. Furthermore the trained staff was preparing detailed catalogues and indexes arranged by composer, title, chronological sequence, duration, singer, orchestra, conductor etc. 6 Another impressive music library back in the late 70’s was that of Mr. John G. Papaioannou. In the private house of the architect-musician-musicologist could be found most of the important editions of the European serious composers and a large collection of books on music. Thirty years later a number of music libraries and collections, across the country, with significant music collections, are founded and are available to scholars and general public. In Athens the most significant is the Music Library of the Society of Friends of Music “Lilian Voudouri” with more than 140000 vols, holds collections and archives with music research interest. The music libraries or collections of the Schools of Music at the Universities and Technological Institutions of Athens, Thessaloniki, Corfu, Arta, Rethymnon and Lexouri, house valuable collections and Last but not least the Music Library of the State Conservatoire of Thessaloniki is open to the public since its foundation in 1915. The Library houses a valuable collection of scores, orchestra material, and books on music along with greek serious music manuscript collections, braille music scores etc. The National Library of Greece and the Library of Parliament, which are the two major libraries of the country, both have significant music collections. While there are only two Byzantine music manuscripts in the central building of the Parliament, there are several shelves of books and scores of Greek music in the Benakeios Library. But the National Library, without question, has the largest store of books on music and music MSS in the country (excl. the Mt Athos monastic libraries). In the Department of Manuscripts there are more than 250 Byzantine Music MSS plus an interesting collection of manuscripts of pieces composed to honor members of the Greek royal family in the 19th century. In addition to these curiosities, there is an impressive number of music scores in the general collections, exceptionally strong in Greek concert music of the 20th century including some manuscripts. Almost all acquisitions are strictly fortuitous: music arrives by gift, legacy or through copyright deposit (an enforced statute). A world-renowned institution, the “American School of Classical Studies” operates the “Gennadius Library” in one of the most beautiful neo-classical buildings in Athens. The major subject areas are modern Greek history, language and literature, and the treasures are truly impressive. Along with Byroniana there are Byzantine manuscripts, more than 60 incunabula, and other rare items. The music collection, though modest, include the music manuscripts of Dimitri Mitropoulos and the rebetico (urban popular song) collection of Elias Petropoulos along with some ecclesiastical music manuscripts and folk music collections.
Recommended publications
  • Atlas of American Orthodox Christian Monasteries
    Atlas of American Orthodox Christian Monasteries Atlas of Whether used as a scholarly introduction into Eastern Christian monasticism or researcher’s directory or a travel guide, Alexei Krindatch brings together a fascinating collection of articles, facts, and statistics to comprehensively describe Orthodox Christian Monasteries in the United States. The careful examina- Atlas of American Orthodox tion of the key features of Orthodox monasteries provides solid academic frame for this book. With enticing verbal and photographic renderings, twenty-three Orthodox monastic communities scattered throughout the United States are brought to life for the reader. This is an essential book for anyone seeking to sample, explore or just better understand Orthodox Christian monastic life. Christian Monasteries Scott Thumma, Ph.D. Director Hartford Institute for Religion Research A truly delightful insight into Orthodox monasticism in the United States. The chapters on the history and tradition of Orthodox monasticism are carefully written to provide the reader with a solid theological understanding. They are then followed by a very human and personal description of the individual US Orthodox monasteries. A good resource for scholars, but also an excellent ‘tour guide’ for those seeking a more personal and intimate experience of monasticism. Thomas Gaunt, S.J., Ph.D. Executive Director Center for Applied Research in the Apostolate (CARA) This is a fascinating and comprehensive guide to a small but important sector of American religious life. Whether you want to know about the history and theology of Orthodox monasticism or you just want to know what to expect if you visit, the stories, maps, and directories here are invaluable.
    [Show full text]
  • CHAPTER 5 the Crossroads
    CHAPTER 5 The Crossroads An ancient traveler journeying to Corinth along the coastal road from Athens via Isthmia, or the road from Kenchreai, would have walked westward below the steep Ayios Dimitrios Ridge to the point where the ridge terminates and the principal roads meet near a series of limestone quarries (Figure 5.1). This place is the first point of convergence of the major roads from the east (Isthmia), southeast (Kenchreai), west (Corinth), and north (Lechaion Gulf). While the entire isthmus was a travel corridor of intersecting roads, the crossroads below the Ayios Dimitrios ridge is one of only several places on the Isthmus where so many roads from different directions intersect in the same location. As such, it was one of the most important structures of the Corinthian Isthmus.1 At the crossroads developed an important settlement of the Corinthia that has come to be known as “Kromna.” As James Wiseman argued in his overview of the site, Kromna emerged in the Archaic period but developed by the fifth/fourth century BC into an important town which, following the refoundation of Corinth as a colony, also had a significant Roman component. The Eastern Korinthia Archaeological Survey documented an extensive carpet of Archaic-Late Roman artifacts and features in the area that indicate buildings at the crossroads were even more extensive than Wiseman had estimated. For a traveler of the eastern Corinthia, the crossroads would have constituted one of the major nodes marking a passage to or from Corinth; and for the city itself, the area lay at the heart of its territory.
    [Show full text]
  • Education • Ph.D. Candidate in History of Art, University of Crete Supervisor
    Afroditi Kouki Research Team Member CV Date of birth: 29 August 1981 Telephone number:+30-6972398607 E-mail: [email protected] Education • Ph.D. Candidate in History of Art, University of Crete Supervisor: Professor Evgenios Matthiopoulos Ph.D. Dissertation (in progress): “The Creation and Organisation of the Production of Folk Art Works: From ‘The Feast in the Zappeion Exhibition Hall’ by the Lyceum Club of Greek Women (1911) to the Professional School of Housekeeping and Handicraft ‘The Greek House’ (1938)” • M.A. in History of Art, University of Crete, 2003-2008 Supervisor: Professor Evgenios Matthiopoulos Grade: “Excellent” (9/10) M.A. Thesis: “The Organisation of the Production of Folk Art Works during the Interwar Period: from the ‘Lyceum Club of Greek Women’ to the ‘Association of Arts and Crafts Workshops’” • B.A. in Archaeology and Art History, University of Crete, 1999-2003 Grade: “Very Good” (Lian Kalos, 7.79/10) Grant • Foundation for Research and Technology-Hellas (FORTH) – Institute for Mediterranean Studies: Participation in the research project “Art criticism in interwar Greece”, 2007-2009 (principal researcher: Professor Evgenios Matthiopoulos) Publication • ‘Folk’ art in the ‘service’ of bourgeois modernization: the proposals of the German architect Hugo Eberhardt for the development of Greek craft industry (1914)”, in Research questions in art history, from the late Middle Ages to the present day, Aris Sarafianos & Panagiotis Ioannou (eds), Athens: Asini Publishing, 2016, p. 329-342 Conference papers • “Proposals
    [Show full text]
  • Beyond the Acropolis
    1 3 ∫·ÏˆÛÔÚ›Û·Ù ÛÙ‹Ó \∞ı‹Ó·! ^∏ \∂ÎÎÏËÛ›· ‰¤Ó ͯÒÚÈÛ ÔÙ¤ Ù‹Ó àÏ‹ıÂÈ· Ù˘ àfi Ù‹ ˙ˆ‹ Ù˘. ^∏ οı ʿÛË ÙÔÜ âÎÎÏËÛÈ·ÛÙÈÎÔÜ ‚›Ô˘, ì ‰ÈÔ›ÎËÛË, ì Ù¤¯ÓË, ì ÊÈÏ·ÓıÚˆ›·, ï ÌÔÓ·¯ÈÛÌfi˜ ÂrÓ·È ‚Ȉ̷ÙÈΤ˜ Ê·ÓÂÚÒÛÂȘ Ùɘ ηıÔÏÈÎɘ àÏ‹ıÂÈ·˜ η› àÔηχÙÔ˘Ó Ù‹Ó àÏ‹ıÂÈ· Ùɘ ηıÔÏÈÎɘ \∂ÎÎÏËÛ›·˜. ^∏ ÌÔÓ·‰È΋ àÓ¿ÁÎË Ô‡ Û˘Ó¤ÛÙËÛ ‰Ô̤˜ õ ıÂÛÌÔ‡˜, ΛÌÂÓ·, ‰fiÁÌ·Ù·, ηÓfiÓ˜ ̤۷ ÛÙ‹Ó \∂ÎÎÏËÛ›· qÙ·Ó ì âÛˆÙÂÚÈ΋ àÓ·ÁηÈfiÙËÙ· Ú·ÁÌ·ÙÒÛˆ˜ Ùɘ \∂ÎÎÏËÛ›·˜ ó˜ ÛÒÌ·ÙÔ˜ ÙÔÜ ÃÚÈÛÙÔÜ Î·› ëÓÒÛˆ˜ ÙÔÜ £ÂÔÜ Ì¤ ÙfiÓ ôÓıÚˆÔ. °È\ ·éÙfi η› ì ÏÂÈÙÔ˘ÚÁÈ- ΋ îÂÚ·Ú¯›· ÙáÓ ‰ÈÔÈÎËÙÈÎáÓ ‰ÔÌáÓ ñËÚÂÙÔÜÛ àfi Ù‹Ó àÚ¯‹ Ù‹ ÌÔÓ·‰È΋ ·éÙ‹ âÛˆÙÂÚÈ΋ àÓ·ÁηÈfiÙËÙ·, Ùfi ú‰ÈÔ ¬ˆ˜ η› Ùfi Ù˘ÈÎfi Ùɘ Ï·ÙÚ›·˜, ì êÁÈÔÁÚ·Ê›· õ ì àÚ¯ÈÙÂÎÙÔÓÈ΋ ÙáÓ Ó·áÓ: Ù‹Ó àÁ·ËÙÈ΋, ÊÈÏ·Ó- ıÚˆÈ΋ ÛÙ¿ÛË Ùɘ \∂ÎÎÏËÛ›·˜ à¤Ó·ÓÙÈ ÛÙfiÓ ôÓıÚˆÔ, ó˜ àÔÙ¤ÏÂÛÌ· Ùɘ ӛ΢ ¿Óˆ ÛÙfiÓ ı¿Ó·ÙÔ. Δfi öÓÙ˘Ô Ô‡ ÎÚ·ÙÄÙ ÛÙ¿ ¯¤ÚÈ· Û·˜, ÊÈÏÔÙ¯ÓË̤ÓÔ Ì¤ ÌÂÚ¿ÎÈ àfi Ù‹Ó \∞ÔÛÙÔÏÈ΋ ¢È·ÎÔÓ›· ̤ Ù‹Ó ÂéÏÔÁ›· ÙÔÜ ª·Î·ÚȈٿÙÔ˘ \∞Ú¯ÈÂÈÛÎfiÔ˘ \∞ıËÓáÓ Î·› ¿Û˘ ^∂ÏÏ¿‰Ô˜ Î. ^πÂÚˆÓ‡ÌÔ˘ η› Ùɘ ^πÂÚĘ ™˘Ófi‰Ô˘ η› Û¤ Û˘ÓÂÚÁ·Û›· ̤ Ùfi ™˘ÓÔ‰ÈÎfi °Ú·ÊÂÖÔ \∂ÎÎÏËÛÈ·ÛÙÈÎáÓ ¶ÂÚÈËÁ‹ÛÂˆÓ Ùɘ \∂ÎÎÏËÛ›·˜ Ùɘ ^∂ÏÏ¿‰Ô˜, ÂrÓ·È ≤Ó· ΛÓËÙÚÔ ÁÈ¿ Ó¿ âÈÛÎÂÊıÂÖÙ ÛÙ‹Ó \∞ı‹Ó· η› ÛÙ‹Ó ÂéÚ‡ÙÂÚË ÂÚÈÔ¯‹ Ùɘ \∞ÙÙÈÎɘ «Ì¤ ÌÈÎÚ¤˜ àÔ‰Ú¿ÛÂȘ» ‚˘˙·ÓÙÈÓ¿ ÌÓËÌÂÖ·, Ó·Ô‡˜, ÌÔÓ·ÛÙ‹ÚÈ· η› ÚÔÛÎ˘Ó‹Ì·Ù· ù¯È ÌfiÓÔ ÁÈ¿ Ó¿ ı·˘Ì¿ÛÂ- Ù Ùfi àÚ¯ÈÙÂÎÙÔÓÈÎfi οÏÏÔ˜ ÙÔ˘˜, àÏÏ¿ η› Ó¿ àӷηχ„ÂÙÂ Ù‹Ó ÂûÁψÙÙË ÛȈ‹ ÙÔ˘˜ ÁÈ¿ Ù‹ ÓÔËÌ·ÙÔ‰fi- ÙËÛË ÙÔÜ ‚›Ô˘ η› Ù‹ ¯·Ú¿ Ùɘ ˙ˆÉ˜.
    [Show full text]
  • Publications Monographs and Books 1
    ANASTASIA SIOPSI [email protected] Anastasia Siopsi is Professor in “Aesthetics of Music”, Music Department, Ionian University; she is also tutor of a course entitled “History of the Arts in Europe” (degree in “European Culture”), Greek Open University (since 2004). Apart from her studies in music, she has studied architecture (Aristotle University of Thessaloniki, Department of Architecture, Thessaloniki, 1989). Her PhD dissertation is entitled Richard Wagner’s «Der Ring des Nibelungen»: The Reforging of the Sword or, Towards a Reconstruction of the People’s Consciousness, U.E.A., U.K., 1996); supervisors: Professor David Charlton, Professor John Deathridge. She is co-editor of an electronic international journal entitled Hellenic Journal of Music, Education and Culture (HeJMEC), with Prof. G. Welsh (Univ. of London). She is also member of the editorial team of the musicological journal entitled Mousikos Logos [Greek], published by the Music Department of Ionian University. She has been a reviewer for the musicological journal entitled Nineteenth-century Music Review. She is a peer reviewer for the international Journal of History Research (ISSN 2159-550X) (David publishing company). Scholarships Academy of Athens, scholarship for postgraduate studies abroad in the field of Musicology and History of Music (duration: 3 years). Main research interests ♪ Issues on aesthetics of music, focused on 19th-century aesthetic theories. ♪ German romantic music, especially Richard Wagner’s music dramas. ♪ Greek art music, especially Manolis Kalomiris’s work and aesthetic and ideological issues in the era of the National School of Music. ♪ Music in productions of ancient Greek drama in modern Greece. ♪ Greek women composers. PUBLICATIONS MONOGRAPHS AND BOOKS 1.
    [Show full text]
  • An Essay in Universal History
    AN ESSAY IN UNIVERSAL HISTORY From an Orthodox Christian Point of View VOLUME VI: THE AGE OF MAMMON (1945 to 1992) PART 2: from 1971 to 1992 Vladimir Moss © Copyright Vladimir Moss, 2018: All Rights Reserved 1 The main mark of modern governments is that we do not know who governs, de facto any more than de jure. We see the politician and not his backer; still less the backer of the backer; or, what is most important of all, the banker of the backer. J.R.R. Tolkien. It is time, it is the twelfth hour, for certain of our ecclesiastical representatives to stop being exclusively slaves of nationalism and politics, no matter what and whose, and become high priests and priests of the One, Holy, Catholic and Apostolic Church. Fr. Justin Popovich. The average person might well be no happier today than in 1800. We can choose our spouses, friends and neighbours, but they can choose to leave us. With the individual wielding unprecedented power to decide her own path in life, we find it ever harder to make commitments. We thus live in an increasingly lonely world of unravelling commitments and families. Yuval Noah Harari, (2014). The time will come when they will not endure sound doctrine, but according to their own desires, because they have itching ears, will heap up for themselves teachers, and they will turn their ears away from the truth, and be turned aside to fables. II Timothy 4.3-4. People have moved away from ‘religion’ as something anchored in organized worship and systematic beliefs within an institution, to a self-made ‘spirituality’ outside formal structures, which is based on experience, has no doctrine and makes no claim to philosophical coherence.
    [Show full text]
  • Athos Gregory Ch
    8 Athos Gregory Ch. 6_Athos Gregory Ch. 6 5/15/14 12:53 PM Page 154 TWENTIETH-CENTURY ATHOS it of course came the first motorized vehicles ever seen on Athos. 2 Such con - cessions to modernization were deeply shocking to many of the monks. And they were right to suspect that the trend would not stop there. SEEDS Of RENEWAl Numbers of monks continued to fall throughout the 960s and it was only in the early 970s that the trend was finally arrested. In 972 the population rose from ,5 to ,6—not a spectacular increase, but nevertheless the first to be recorded since the turn of the century. Until the end of the century the upturn was maintained in most years and the official total in 2000 stood at just over ,600. The following table shows the numbers for each monastery includ - ing novices and those living in the dependencies: Monastery 972 976 97 90 92 96 9 990 992 2000 lavra 0 55 25 26 29 09 7 5 62 Vatopedi 7 65 60 5 50 55 50 75 2 Iviron 5 6 52 52 5 5 5 6 6 7 Chilandar 57 6 69 52 5 6 60 75 Dionysiou 2 7 5 5 56 59 59 59 50 5 Koutloumousiou 6 6 66 57 0 75 7 7 77 95 Pantokrator 0 7 6 6 62 69 57 66 50 70 Xeropotamou 0 26 22 7 6 7 0 0 Zographou 2 9 6 2 5 20 Dochiariou 2 29 2 2 27 Karakalou 2 6 20 6 6 9 26 7 Philotheou 2 0 6 66 79 2 79 7 70 Simonopetra 2 59 6 60 72 79 7 0 7 7 St Paul’s 95 9 7 7 6 5 9 5 0 Stavronikita 7 5 0 0 0 2 5 Xenophontos 7 26 9 6 7 50 57 6 Grigoriou 22 0 57 6 7 62 72 70 77 6 Esphigmenou 9 5 0 2 56 0 Panteleimonos 22 29 0 0 2 2 5 0 5 Konstamonitou 6 7 6 22 29 20 26 0 27 26 Total ,6 ,206 ,27 ,9 ,275 ,25 ,255 ,290 ,7 ,60 These figures tell us a great deal about the revival and we shall examine 2 When Constantine Cavarnos visited Chilandar in 95, however, he was informed by fr Domitian, ‘We now have a tractor, too.
    [Show full text]
  • HCS — History of Classical Scholarship
    ISSN: 2632-4091 History of Classical Scholarship www.hcsjournal.org ISSUE 1 (2019) Dedication page for the Historiae by Herodotus, printed at Venice, 1494 The publication of this journal has been co-funded by the Department of Humanities of Ca’ Foscari University of Venice and the School of History, Classics and Archaeology of Newcastle University Editors Lorenzo CALVELLI Federico SANTANGELO (Venezia) (Newcastle) Editorial Board Luciano CANFORA Marc MAYER (Bari) (Barcelona) Jo-Marie CLAASSEN Laura MECELLA (Stellenbosch) (Milano) Massimiliano DI FAZIO Leandro POLVERINI (Pavia) (Roma) Patricia FORTINI BROWN Stefan REBENICH (Princeton) (Bern) Helena GIMENO PASCUAL Ronald RIDLEY (Alcalá de Henares) (Melbourne) Anthony GRAFTON Michael SQUIRE (Princeton) (London) Judith P. HALLETT William STENHOUSE (College Park, Maryland) (New York) Katherine HARLOE Christopher STRAY (Reading) (Swansea) Jill KRAYE Daniela SUMMA (London) (Berlin) Arnaldo MARCONE Ginette VAGENHEIM (Roma) (Rouen) Copy-editing & Design Thilo RISING (Newcastle) History of Classical Scholarship Issue () TABLE OF CONTENTS LORENZO CALVELLI, FEDERICO SANTANGELO A New Journal: Contents, Methods, Perspectives i–iv GERARD GONZÁLEZ GERMAIN Conrad Peutinger, Reader of Inscriptions: A Note on the Rediscovery of His Copy of the Epigrammata Antiquae Urbis (Rome, ) – GINETTE VAGENHEIM L’épitaphe comme exemplum virtutis dans les macrobies des Antichi eroi et huomini illustri de Pirro Ligorio ( c.–) – MASSIMILIANO DI FAZIO Gli Etruschi nella cultura popolare italiana del XIX secolo. Le indagini di Charles G. Leland – JUDITH P. HALLETT The Legacy of the Drunken Duchess: Grace Harriet Macurdy, Barbara McManus and Classics at Vassar College, – – LUCIANO CANFORA La lettera di Catilina: Norden, Marchesi, Syme – CHRISTOPHER STRAY The Glory and the Grandeur: John Clarke Stobart and the Defence of High Culture in a Democratic Age – ILSE HILBOLD Jules Marouzeau and L’Année philologique: The Genesis of a Reform in Classical Bibliography – BEN CARTLIDGE E.R.
    [Show full text]
  • The Little Metropolis at Athens 15
    Bucknell University Bucknell Digital Commons Honors Theses Student Theses 2011 The Littleetr M opolis: Religion, Politics, & Spolia Paul Brazinski Bucknell University Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the Classics Commons Recommended Citation Brazinski, Paul, "The Little eM tropolis: Religion, Politics, & Spolia" (2011). Honors Theses. 12. https://digitalcommons.bucknell.edu/honors_theses/12 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. Paul A. Brazinski iv Acknowledgements I would like to acknowledge and thank Professor Larson for her patience and thoughtful insight throughout the writing process. She was a tremendous help in editing as well, however, all errors are mine alone. This endeavor could not have been done without you. I would also like to thank Professor Sanders for showing me the fruitful possibilities in the field of Frankish archaeology. I wish to thank Professor Daly for lighting the initial spark for my classical and byzantine interests as well as serving as my archaeological role model. Lastly, I would also like to thank Professor Ulmer, Professor Jones, and all the other Professors who have influenced me and made my stay at Bucknell University one that I will never forget. This thesis is dedicated to my Mom, Dad, Brian, Mark, and yes, even Andrea. Paul A. Brazinski v Table of Contents Abstract viii Introduction 1 History 3 Byzantine Architecture 4 The Little Metropolis at Athens 15 Merbaka 24 Agioi Theodoroi 27 Hagiography: The Saints Theodores 29 Iconography & Cultural Perspectives 35 Conclusions 57 Work Cited 60 Appendix & Figures 65 Paul A.
    [Show full text]
  • Sum04 News FINAL.Indd
    N E W S L E T T E R O F T H E A M E R I C A N S C H O O L O F C L A S S I C A L S T U D I E S AT AT H E N S ákoueákoueSummer 2004, No. 52 The Olympic Torch passes through the Agora Excavations, page 2 Photo by Craig Mauzy. IN THIS ISSUE: Corinth Set for a Facelift 3 Acropolis Photos Exhibited 4 New Appointments, Members Announced 4 Thessaloniki Conference 5 Nelson Joins Staff 5 Student Reports: Theater in Byzantium, Foundation Rituals, and the Greek Stoa 6 Cotsen Hall Near Ready 7 Wiener Lab: Shorelines of the Greek Islands, Phytolith Analysis, Animal Bones from Limenaria 14 Archaeo- logical Clippings Archive Revived 18 INSERT: Gennadeion Launches Medieval Greek Program G1 New Acquisition on Astronomy G1 Kapetanakis Archive G2 “Boegehold Pipeline” Completed G3 Kalligas Leaves Director’s Post G3 Fermor Honored G4 ákoue! Photo: Catherine deG. Vanderpool Clockwise from top: Plain of Marathon, August 27, 2004: Men’s canoeing singles final in the Schinias Rowing Center; Cyclists lean into the turn from Souidias to Gennadeion Streets, Men’s Road Race, August 14; Olympic Stadium architect Santiago Calatrava’s pedestrian bridge at Katehaki; Statue of Photo: James Sickinger “The Runner” by sculptor Kostas Varotsos gets a thorough cleaning. Photo: Loeta Tyree Photo: Loeta Tyree AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS The Olympics Come, and Go 54 Souidias Street, GR-106 76 Athens, Greece 6–8 Charlton Street, Princeton, NJ 08540-5232 Student Associate Members Samantha and modernized public transportation sys- Martin and Antonia Stamos donned blue, tem—seemed very ancient, and very Greek.
    [Show full text]
  • Acclaimed Author Nick Gage Tells TNH About Paneperotic Federation
    S O C V ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ Bringing the news W ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ to generations of E ΑΠΟ ΤΟ 1915 The National Herald Greek- Americans N c v A wEEKly GREEK-AmERIcAN PUblIcAtION www.thenationalherald.com VOL. 17, ISSUE 864 May 3-9, 2014 $1.50 Acclaimed Author Nick Super Bowl Champion Maragos Tells His Story Gage Tells TNH about Greek-American’s Long Journey to Paneperotic Federation Football’s top Prize By Theodore Kalmoukos we face the challenge of trying By Constantinos E. Scaros to bring our young people, who BOSTON, MA – The Panepirotic were born here and do not feel SEATTLE, WA – Super Bowl Federation of America (PFA) is the pull of the homeland the XLVIII (48), played on February far from being the biggest way we do, but we are faring 2, is the most-watched televi - Greek-American organization in pretty well there, too. Our cur - sion program in American his - the country, but for the past two rent board includes members tory. An astonishing 111.5 mil - decades it has been one of the who range in ages from the lion viewers watched this most effective, especially in pro - early 20s to the mid-70s. One professional football champi - moting the rights of ethnic can guess as to where I belong. onship game, according to the Greeks in Albania. To find out TNH: How would you de - Nielsen ratings, which means how the group does it, we asked scribe the mission of the Feder - more than half of the nation’s its new president, renowned ation in the past 20 years.
    [Show full text]
  • English Website Competition DBAJ 2021
    Website "concours-debachaujazz.com" – Home page 2021 Online Edition – June 2021 De Bach au Jazz - alternating with: Online Edition for Classical Piano and Jazz Piano International Piano Competition 2021 Classical Piano - Jazz Piano Welcome to the site of the International Piano Competition 2021 "De Bach Au Jazz - From Bach to Jazz" Created by the Cultural Association "Nathalie" (www.association-nathalie.com) and after the very successful previous editions in Paris and in Athens, the 2021 edition will also be held Online again under the auspices of the "Athens Conservatoire" (Odeion Athinon) and will welcome candidates of all levels and horizons with the aim of promoting all musical styles from J. S. Bach to our day, including a NEW separate full fledged section for JAZZ PIANO. In relation to the current special conditions due to the health pandemic, we have decided to make this edition online, over the Internet. The most basic priority for artists in this difficult situation is to be able to keep the "musical spirit" alive. This competition aims at providing a vehicle for young artists to improve their skills and maintain their interest and love for all kinds of music. This edition of "De Bach Au Jazz" competition is organised in two independent sections, one for classical piano and one for jazz piano. The Cultural Association "Nathalie", active both in France and abroad, was setup by the internationally renowned pianist Lilia Boyadjieva in memory of her daughter Nathalie, killed at the age of 20 by an irresponsible car driver. We will always remember her tender and cheeky smile, her "joie de vivre" and her love of all music.
    [Show full text]