University of Pennsylvania ScholarlyCommons GSE Faculty Research Graduate School of Education 1-2011 Homies in the New Latino Diaspora Stanton Wortham University of Pennsylvania,
[email protected] Katherine Mortimer University of Pennsylvania,
[email protected] Elaine Allard University of Pennsylvania,
[email protected] Follow this and additional works at: https://repository.upenn.edu/gse_pubs Part of the Education Commons Recommended Citation Wortham, S., Mortimer, K., & Allard, E. (2011). Homies in the New Latino Diaspora. Retrieved from https://repository.upenn.edu/gse_pubs/230 Postprint version. Suggested Citation: Wortham, S., Mortimer, K. Allard, E. (2011). Homies in the New Latino Diaspora. Language & Communication, 31, 191-202. doi:10.1016/j.langcom.2011.02.007 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/gse_pubs/230 For more information, please contact
[email protected]. Homies in the New Latino Diaspora Abstract “Homies” are a series of over two hundred 1¾ inch figurines created by a California artist, with the images also available on clothing, in comics, in videogames, on stickers and on the internet. The artist claims that his creations represent the whole range of people one finds in “the barrio.” As the images circulate, however, different audiences interpret them differently - some decrying their glorification of gangsters, for instance, with others lauding the portrayal of less commonly represented social types. This paper traces the uptake of Homies images in one suburban American town, a town with no previous history of Mexican settlement that has become home to thousands of Mexican immigrants over the past 15 years. In this location, Homies images are taken up in various identity projects as Anglos use them to make sense of the rapidly growing immigrant community and as Mexican youth use them to identify themselves.