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SKALKOTTAS Program 148X21
International Conference Program NOVEMBER 29 TO DECEMBER 1, 2019 Music Library of Greece of the Friends of Music Society at Megaron – the Athens Concert Hall Organised by the Music Library of Greece “Lilian Voudouri” of the Friends of Music Society, Megaron—The Athens Concert Hall, Athens State Orchestra, Greek Composer’s Union, Foundation of Emilios Chourmouzios—Marika Papaioannou, and European University of Cyprus. With the support of the Ministry of Culture and Sports, General Directorate of Antiquities and Cultural Heritage, Directorate of Modern Cultural Heritage The conference is held under the auspices of the International Musicological Society (IMS) and the Hellenic Musicological Society It is with great pleasure and anticipa- compositional technique. This confer- tion that this conference is taking place ence will give a chance to musicolo- Organizing Committee: Foreword .................................... 3 in the context of “2019 - Skalkottas gists and musicians to present their Thanassis Apostolopoulos Year”. The conference is dedicated to research on Skalkottas and his environ- the life and works of Nikos Skalkottas ment. It is also happening Today, one Alexandros Charkiolakis Schedule .................................... 4 (1904-1949), one of the most important year after the Aimilios Chourmouzios- Titos Gouvelis Greek composers of the twentieth cen- Marika Papaioannou Foundation depos- tury, on the occasion of the 70th anni- ited the composer’s archive at the Music Petros Fragistas Abstracts .................................... 9 versary of his death and the deposition Library of Greece “Lilian Voudouri” of Vera Kriezi of his Archive at the Music Library of The Friends of Music Society to keep Greece “Lilian Voudouri” of The Friends safe, document and make it available for Martin Krithara Biographies ............................. -
Musical Hybridization and Political Contradiction: the Success of Arthur Honeggerâ•Žs Antigone in Vichy France
Butler Journal of Undergraduate Research Volume 7 2021 Musical Hybridization and Political Contradiction: The Success of Arthur Honegger’s Antigone in Vichy France Emma K. Schubart University of North Carolina, Chapel Hill Follow this and additional works at: https://digitalcommons.butler.edu/bjur Recommended Citation Schubart, Emma K. (2021) "Musical Hybridization and Political Contradiction: The Success of Arthur Honegger’s Antigone in Vichy France," Butler Journal of Undergraduate Research: Vol. 7 , Article 4. Retrieved from: https://digitalcommons.butler.edu/bjur/vol7/iss1/4 This Article is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Butler Journal of Undergraduate Research by an authorized editor of Digital Commons @ Butler University. For more information, please contact [email protected]. BUTLER JOURNAL OF UNDERGRADUATE RESEARCH, VOLUME 7 MUSICAL HYBRIDIZATION AND POLITICAL CONTRADICTION: THE SUCCESS OF ARTHUR HONEGGER’S ANTIGONE IN VICHY FRANCE EMMA K. SCHUBART, UNIVERSITY OF NORTH CAROLINA, CHAPEL HILL MENTOR: SHARON JAMES Abstract Arthur Honegger’s modernist opera Antigone appeared at the Paris Opéra in 1943, sixteen years after its unremarkable premiere in Brussels. The sudden Parisian success of the opera was extraordinary: the work was enthusiastically received by the French public, the Vichy collaborationist authorities, and the occupying Nazi officials. The improbable wartime triumph of Antigone can be explained by a unique confluence of compositional, political, and cultural realities. Honegger’s compositional hybridization of French and German musical traditions, as well as his opportunistic commercial motivations as a Swiss composer working in German-occupied France, certainly aided the success of the opera. -
Surviving Antigone: Anouilh, Adaptation, and the Archive
SURVIVING ANTIGONE: ANOUILH, ADAPTATION AND THE ARCHIVE Katelyn J. Buis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Cynthia Baron, Advisor Jonathan Chambers ii ABSTRACT Dr. Cynthia Baron, Advisor The myth of Antigone has been established as a preeminent one in political and philosophical debate. One incarnation of the myth is of particular interest here. Jean Anouilh’s Antigone opened in Paris, 1944. A political and then philosophical debate immediately arose in response to the show. Anouilh’s Antigone remains a well-known play, yet few people know about its controversial history or the significance of its translation into English immediately after the war. It is this history and adaptation of Anouilh’s contested Antigone that defines my inquiry. I intend to reopen interpretive discourse about this play by exploring its origins, its journey, and the archival limitations and motivations controlling its legacy and reception to this day. By creating a space in which multiple readings of this play can exist, I consider adaptation studies and archival theory and practice in the form of theatre history, with a view to dismantle some of the misconceptions this play has experienced for over sixty years. This is an investigation into the survival of Anouilh’s Antigone since its premiere in 1944. I begin with a brief overview of the original performance of Jean Anouilh’s Antigone and the significant political controversy it caused. The second chapter centers on the changing reception of Anouilh’s Antigone beginning with the liberation of Paris to its premiere on the Broadway stage the following year. -
Press Kit Directed by Written and Uawad Wajdi Mou
Press Kit written and directed by Wajdi Mouawad 5 — 30 December 2018 Contact details Dorothée Duplan, Flore Guiraud, Camille Pierrepont assisted by Louise Dubreil 01 48 06 52 27 | [email protected] Downloadable Press kit and photos: www.colline.fr > professionnels > bureau de presse 2 Tous des oiseaux 5 – 30 December 2018 at La Colline – théâtre national Show in German, English, Arabic, and Hebrew surtitled in French duration: 4h interval included Cast and Creative Text and stage direction Wajdi Mouawad with Jalal Altawil Wazzan Jérémie Galiana or Daniel Séjourné Eitan Victor de Oliveira the waiter, the Rabbi, the doctor Leora Rivlin Leah Judith Rosmair or Helene Grass Norah Darya Sheizaf Eden, the nurse Rafael Tabor Etgar Raphael Weinstock David Souheila Yacoub or Nelly Lawson Wahida Assistant director Valérie Nègre Dramaturgy Charlotte Farcet Artistic collaboration François Ismert Historical advisor Natalie Zemon Davis Original music Eleni Karaindrou Set design Emmanuel Clolus Lighting design Éric Champoux Sound design Michel Maurer Costume design Emmanuelle Thomas assisted by Isabelle Flosi Make-up and hair design Cécile Kretschmar Hebrew translation Eli Bijaoui English translation Linda Gaboriau English translation Uli Menke Arabic translation Jalal Altawil 2018 Production La Colline – théâtre national The show was created on Novembre 17th in the Main venue at La Colline and has received the Great Prize 2018 of the Professional Review Association. The text has been published by Léméac/Actes Sud-Papiers in January 2018. 3 On tour -
The Modigliani Quartet Amaury Coeytaux, Violin Loïc Rio, Violin Laurent Marfaing, Viola François Kieffer, Cello
64th Concert Series 2017-2018 The Modigliani Quartet Amaury Coeytaux, violin Loïc Rio, violin Laurent Marfaing, viola François Kieffer, cello Saturday, November 18, 2017 Ossining High School, Ossining, New York President: Board of Directors: Betsy Shaw Weiner, Croton Klaus Brunnemann, Briarcliff Manor Vice President: Howard Cohen, Cortlandt Manor William Altman, Croton Adam Glenn, Sleepy Hollow Secretary: Raymond Kaplan, Yorktown Susan Harris, Ossining David Kraft, Briarcliff Manor Treasurer: Tom Post, Mt. Kisco Marc Auslander, Millwood Rosella Ranno, Briarcliff Manor Board Associates: Keith Austin, Briarcliff Manor George Drapeau, Armonk Nyla Isele, Croton Who We Are Friends of Music Concerts, Inc. is an award-winning, non-profit, volunteer organization that brings to Westchester audiences world-renowned ensembles and distinguished younger musicians chosen from among the finest artists in today’s diverse world of chamber music. Through our Partnership in Education program in public schools, and free admission to our six-concert season for those 18 years of age and under, we give young people throughout the county enhanced exposure to and appreciation of classical music, building audiences of the future. We need additional helping hands to carry out our mission. Do consider joining the volunteers listed above. Call us at 914-861-5080 or contact us on our website (see below); we can discuss several specific areas in which assistance is needed. Acknowledgements Our concerts are made possible, in part, by an ArtsWestchester Program Support grant made with funds received from Westchester County Government. Additional support is received from many friends of Friends of Music who include subscribers and other ticket holders listed in this program* who give over and above the cost of their attendance, and from the matching grants programs of IBM, Citibank, McKinsey & Co., and others. -
Olympic's Last Flight to NY
O C V ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ Bringing the news ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ to generations of ΑΠΟ ΤΟ 1915 The National Herald Greek Americans c v A WEEKLY GREEK AMERICAN PUBLICATION www.thenationalherald.com VOL. 12, ISSUE 625 October 3, 2009 $1.25 Farewell To Hellenism’s Home in the Air: Olympic’s Last Flight to N.Y. Tears, Anger And Disappointment Mark Final Flights to and From JFK; Future is Unclear By Stavros Marmarinos er, “It is too bad for Olympic to fin- and Theodore Kalmoukos ish this way. I hope that whichever Special to The National Herald airlines take its place, will operate at the same level as Olympic. We NEW YORK – The passengers on cared a lot about the company all the Airbus A3400-300 cried when these years; we are the first compa- the head stewardess announced on ny in the world with a perfect Monday, September 28 that the fi- record of safety. All the passengers nal Olympic flight from Athens to have been asking us for the past JFK Airport in New York had just few months about the end of landed. The sadness in her voice Olympic.” Captain Papadakos does- marked the end of an era. Olympic n’t want to work for the successor Airlines, the national air carrier of airline. He said, “It is a small com- Greece which has transported hun- pany for now, which doesn’t fulfill dreds of thousands of Greek Ameri- me, and I do not want to work cans safely for more than half a there.” On the historic final flight century back and forth from the Captain Papadakos would be ac- land of their fathers and forefa- companied by his wife Maria. -
Joyce Yang Piano Blessed With
Joyce Yang Piano Blessed with “poetic and sensitive pianism” (Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), pianist Joyce Yang captivates audiences with her virtuosity, lyricism, and interpretive sensitivity. As a Van Cliburn International Piano Competition silver medalist and Avery Fisher Career Grant recipient, Yang showcases her colorful musical personality in solo recitals and collaborations with the world’s top orchestras and chamber musicians. Yang came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: the Steven De Groote Memorial Award for Best Performance of Chamber Music (with the Takàcs Quartet) and the Beverley Taylor Smith Award for Best Performance of a New Work. Since her spectacular debut, she has blossomed into an “astonishing artist” (Neue Zürcher Zeitung). She has performed as soloist with the New York Philharmonic, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, the Baltimore, Detroit, Houston, Milwaukee, San Francisco, Sydney, and Toronto symphony orchestras, Deutsches Symphonie-Orchester Berlin, and the BBC Philharmonic (among many others), working with such distinguished conductors as Edo de Waart, Lorin Maazel, James Conlon, Leonard Slatkin, David Robertson, Bramwell Tovey, Peter Oundjian, and Jaap van Zweden. In recital, Yang has taken the stage at New York’s Lincoln Center and Metropolitan Museum; the Kennedy Center in Washington, DC; Chicago’s Symphony Hall; and Zurich’s Tonhalle. Yang kicks off the 2015/16 season with a tour of eight summer festivals (Aspen, Bridgehampton, Grand Tetons, La Jolla, Ravinia, Seattle, Southeastern Piano Festival, and Bravo! Vail) before commencing a steady stream of debuts, return engagements, and notable chamber music concerts. -
HELLENIC SOCIETY NEWS Newsletter of the Hellenic Society of Maine
HELLENIC SOCIETY NEWS Newsletter of the Hellenic Society of Maine Vol. VII Website: www.hellenicsocietyofmaine.org Facebook: www.facebook.com/ Spring 2014 th HSoM celebrates Sister City 10 anniversary It was a great evening! Our annual Holiday Social on December 5 at Cinque Terre in the Old Port, was combined with a 10th anniversary party – an event to mark the milestone in the Sister City relationship between Portland, Maine and Mytilene, Lesvos, Greece. Preceding this event, letters of congratulations were exchanged (with the help of HSoM member Nicos Provatas in Mytilene) between Mayor Michael Brennan and the Mayor of Mytilene, Dimitrios Vounatsos, who also sent gifts of books and copies of Mytilene City medallions to Mayor Brennan and HSoM president, Mary Snell. For the anniversary social we were honored to have as our special guests Mayor Brennan, and Portland City Council members Nick Mavodones and Ed Suslovic, as well as Neale Duffett, a representative of The Archangel Committee for our Russian Sister City. Sister City relationships are an important way for ordinary citizens of a city to come in contact with the people of another country and, through continual engagement, learn about their society, their politics, economics and culture. These kinds of friend- Mayor Brennan reads the letter from ships, we believe, promote world understanding and thus Mayor Vounatsos as Nick Mavodones, peace on a most basic level. and Ed Suslovic listen Our growing relationship with Mytilene was formal- ized in 2003 when, on October 17, a reception for a delegation from Mytilene was held in the State of Maine Room of Portland City Hall. -
Vol.4 No.2 ISSN 2518-3966
International Journal of Linguistics, Literature and Culture (LLC) June 2017 edition Vol.4 No.2 ISSN 2518-3966 International Journal of Linguistics, Literature and Culture (LLC) 2017 / June Publisher: European Scientific Institute, ESI Reviewed by the “International Journal of Linguistics, Literature and Culture” editorial board 2017 June 2017 edition vol. 4, no. 2 The contents of this journal do not necessarily reflect the opinion or position of the European Scientific Institute. Neither the European Scientific Institute nor any person acting on its behalf is responsible for the use which may be made of the information in this publication. ISSN 2518-3966 International Journal of Linguistics, Literature and Culture (LLC) June 2017 edition Vol.4 No.2 ISSN 2410-6577 About The Journal The “International Journal of Linguistics, Literature and Culture” (LLC) is a peer reviewed journal which accepts high quality research articles. It is a quarterly published international journal and is available to all researchers who are interested in publishing their scientific achievements. We welcome submissions focusing on theories, methods and applications in Linguistics, Literature and Culture, both articles and book reviews. All articles must be in English. Authors can publish their articles after a review by our editorial board. Our mission is to provide greater and faster flow of the newest scientific thought. LLC’s role is to be a kind of a bridge between the researchers around the world. “LLC” is opened to any researchers, regardless of their geographical origin, race, nationality, religion or gender as long as they have an adequate scientific paper in the educational sciences field. -
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia Lill Eilertsen & Arne Bugge Amundsen (eds) EuNaMus Report No 3 Museum Policies in Europe 1990–2010: Negotiating Professional and Political Utopia (EuNaMus Report No. 3) Lill Eilertsen & Arne Bugge Amundsen (eds) Copyright The publishers will keep this document online on the Internet – or its possible replacement – from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for noncommercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping University Interdisciplinary Studies, No. 15 ISSN: 1650-9625 Linköping University Electronic Press Linköping, Sweden, 2012 URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81315 Copyright © The Authors, 2012 This report has been published thanks to the support of the European Union’s Seventh Framework Programme for Research - Socio-economic Sciences and Humanities theme (contract nr 244305 – Project European National Museums: Identity Politics, the Uses of the Past and the European Citizen). -
The Explorations and Poetic Avenues of Nikos Kavvadias
THE EXPLORATIONS AND POETIC AVENUES OF NIKOS KAVVADIAS IAKOVOS MENELAOU * ABSTRACT. This paper analyses some of the influences in Nikos Kavvadias’ (1910-1975) poetry. In particular – and without suggesting that such topic in Kavvadias’ poetry ends here – we will examine the influences of the French poet Charles Baudelaire and the English poet John Mase- field. Kavvadias is perhaps a sui generis case in Modern Greek literature, with a very distinct writing style. Although other Greek poets also wrote about the sea and their experiences during their travelling, Kavvadias’ references and descriptions of exotic ports, exotic women and cor- rupt elements introduce the reader into another world and dimension: the world of the sailor, where the fantasy element not only exists, but excites the reader’s imagination. Although the world which Kavvadias depicts is a mixture of fantasy with reality—and maybe an exaggerated version of the sailor’s life, the adventures which he describes in his poems derive from the ca- pacity of the poetic ego as a sailor and a passionate traveller. Without suggesting that Kavvadias wrote some sort of diary-poetry or that his poetry is clearly biographical, his poems should be seen in connection with his capacity as a sailor, and possibly the different stories he read or heard during his journeys. Kavvadias was familiar with Greek poetry and tradition, nonetheless in this article we focus on influences from non-Greek poets, which together with the descriptions of his distant journeys make Kavvadias’ poems what they are: exotic and fascinating narratives in verse. KEY WORDS: Kavvadias, Baudelaire, Masefield, comparative poetry Introduction From an early age to the end of his life, Kavvadias worked as a sailor, which is precisely why it can be argued that his poetry had been inspired by his numerous travels around the world. -
Programm Vom 24
Programm vom 24. Oktober bis 13. November 2007 Frankfurt am Main IN ZUSAMMENARBEIT MIT DER BANK VON GRIECHENLAND GRUSSWORT Willkommen! Griechenland: Die Wiege der europäischen Kultur Mit den jährlich stattfindenden KULTURTAGEN der Europäischen Zentralbank stellen wir den Jean-Claude Trichet, Bürgerinnen und Bürgern in Präsident der Frankfurt, des Rhein-Main-Gebiets, Europäischen Zentralbank aber auch Besuchern aus anderen europäischen Ländern und Kontinenten die kulturelle Mannigfaltigkeit jeweils eines Mitgliedslands der Europäischen Union vor. Das Programm umfasst klassische und zeitgenössische Musik, Literatur, Film und Tanz, um nur einige Bereiche zu nennen. Die Europäische Zentralbank, mit ihrem Mitarbeiterstab aus den 27 Ländern der EU, weiß, wie wichtig die Vielfalt der Kulturen in Europa ist und wie jeder Kulturraum vom anderen lernen kann. Mit den KULTURTAGEN schlagen wir eine Brücke zwischen diesen Kulturen und tragen dazu bei, unsere gemeinsame europäische Identität zu stärken. In diesem Jahr finden die KULTURTAGE der EZB zum fünften Mal statt. Aus diesem Anlass werfen wir einen Blick auf die Wiege der europäischen Kultur, nämlich auf die Kultur Griechenlands. Die EZB arbeitet bei der Ausarbeitung des Programms der KULTURTAGE stets eng mit der Zentralbank des Gastlandes zusammen. 2007 ist es die Bank von Griechenland, die vor der Herausforderung stand, Beiträge zu suchen, die die Tiefe und Breite der griechischen Kultur widerspiegeln. Der Anteil der klassischen Kultur Griechenlands an der gesellschaftlichen Entwicklung Europas ist so groß, dass der Bekanntheitsgrad zeitgenössischer grie- chischer Kunst dahinter etwas zurücktritt. Die KULTURTAGE der EZB bieten deshalb eine gute Gelegenheit, die Gegenwartskunst hervorzu- heben und gleichzeitig an das klassische künstlerische Erbe anzuknüpfen. In einem Zeitraum von drei Wochen bieten die KULTURTAGE einen Einblick in die aktuelle Kulturszene Griechenlands.