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Petronius' Satyricon Teacher's Manual
Petronius' Satyricon Mosaic from House with Workshops, Pompeii Selections from Cena Trimalchionis Teacher's Manual Ashley Newman Table of Contents I. Introduction and teaching suggestions……………………...………………….pg 3 II. Lesson plans and handouts……………………………….....……………pgs 4 - 12 III. Large versions of text for overhead………………………………..……..pgs 13-19 IV. English translation…………….…………………………….……………pgs 20-23 V. Multiple choice quiz and key..…………………………………………. pgs 24 -25 VI. Vocabulary Quiz………..…………………………………………………….pg 26 VII. Translation Quest and key..………………………………………………pgs 27-28 VIII. Test and key………………………………………………………………pgs 29-35 IX. Bibliography………………………………………………………………….pg 36 2 Introduction and teaching suggestions The purpose of this teaching project is to guide Latin III students through Petronius' Satyricon with ease. By Latin III, the students should be reading unaltered texts in Latin. It is important that the students read texts written by Romans, instead of teachers. Students can learn information about culture and language from reading the words of the Romans. This project is designed to help young students navigate their way through an authentic text. This unit has been designed to take about 12 days. The lesson plans are laid out for group work. This Petronius project lends itself to be incorporated into a larger Roman author unit. I incorporate Petronius as one of the six Romans authors whom I expose my students during a semester. This unit could be longer. Students could translate and discuss only one page a day with daily review of the previous page. Using the suggested extension activities would also extend the unit. It is important to read and discuss the introduction with the students in order to familiarize them with the time period, author, and genre of the Satyricon. -
Millet Use by Non-Romans
Finding Millet in the Roman World Charlene Murphy, PhD University College London, Institute of Archaeology, 31-34 Gower Street, London, UK WC1H 0PY [email protected] Abstract Examining the evidence for millet in the Roman empire, during the period, circa 753BC-610AD, presents a number of challenges: a handful of scant mentions in the ancient surviving agrarian texts, only a few fortuitous preserved archaeological finds and limited archaeobotanical and isotopic evidence. Ancient agrarian texts note millet’s ecological preferences and multiple uses. Recent archaeobotanical and isotopic evidence has shown that millet was being used throughout the Roman period. The compiled data suggests that millet consumption was a more complex issue than the ancient sources alone would lead one to believe. Using the recent archaeobotanical study of Insula VI.I from the city of Pompeii, as a case study, the status and role of millet in the Roman world is examined and placed within its economic, cultural and social background across time and space in the Roman world. Millet, Roman, Pompeii, Diet Charlene Murphy Finding Millet in the Roman World 1 Finding Millet in the Roman World Charlene Murphy, PhD University College London, Institute of Archaeology, 31-34 Gordon Square, London, UK WC1H 0PY [email protected] “If you want to waste your time, scatter millet and pick it up again” ( moram si quaeres, sparge miliu[m] et collige) (Jashemski et al. 2002, 137). A proverb scratched on a column in the peristyle of the House of M. Holconius Rufus (VIII.4.4) at Pompeii Introduction This study seeks to examine the record of ‘millet’, which includes both Setaria italia (L.) P. -
Catullus, As Can’T Be Counted by Spies Nor an Evil Tongue Bewitch Us
&$78//867+(32(06 7UDQVODWHGE\$6.OLQH ã Copyright 2001 A. S. Kline, All Rights Reserved This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any NON-COMMERCIAL purpose. 2 &RQWHQWV 1. The Dedication: to Cornelius............................... 8 2. Tears for Lesbia’s Sparrow.................................. 9 2b. Atalanta.............................................................. 9 3. The Death of Lesbia’s Sparrow ......................... 10 4. His Boat ............................................................ 11 5. Let’s Live and Love: to Lesbia .......................... 13 6. Flavius’s Girl: to Flavius ................................... 14 7. How Many Kisses: to Lesbia ............................. 15 8. Advice: to himself.............................................. 16 9. Back from Spain: to Veranius............................ 17 10. Home Truths for Varus’s girl: to Varus........... 18 11. Words against Lesbia: to Furius and Aurelius . 19 12. Stop Stealing the Napkins! : to Asinius Marrucinus............................................................. 21 13. Invitation: to Fabullus...................................... 22 14. What a Book! : to Calvus the Poet................... 23 15. A Warning: to Aurelius.................................... 25 16. A Rebuke: to Aurelius and Furius.................... 26 17. The Town of Cologna Veneta.......................... 27 21. Greedy: To Aurelius. ....................................... 30 22. People Who Live in Glass Houses: to Varus ... 31 -
Try the Wine: Food As an Expression of Cultural Identity in Roman Britain
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 8-2020 Try the Wine: Food as an Expression of Cultural Identity in Roman Britain Molly Reininger Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History Commons Recommended Citation Reininger, Molly, "Try the Wine: Food as an Expression of Cultural Identity in Roman Britain" (2020). All Graduate Theses and Dissertations. 7867. https://digitalcommons.usu.edu/etd/7867 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. TRY THE WINE: FOOD AS AN EXPRESSION OF CULTURAL IDENTITY IN ROMAN BRITAIN by Molly Reininger A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF THE ARTS in History Approved: ______________________ ______________________ Frances Titchener, Ph.D . Seth Archer, Ph.D. Major Professor Committee Member ______________________ ______________________ Susan Cogan, Ph.D. Gabriele Ciciurkaite, Ph.D. Committee Member Outside Committee Member ______________________ Janis L. Boettinger, Ph.D. Acting Vice Provost of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2020 ii Copyright © Molly Reininger 2020 All Rights Reserved iii ABSTRACT Try the Wine: Food as an Expression of Cultural Identity in Roman Britain by Molly Reininger, Master of the Arts Utah State University, 2020 Major Professor: Dr. Frances Titchener Department: History This thesis explores the relationship between goods imported from Rome to Britannia, starting from the British Iron Age to the Late Antique period, and how their presence in the province affected how those living within viewed their cultural identity. -
Steven Shapin. the Tastes of Wine
n.s., 51 (3/2012), anno LII wineworld. new essays on wine, taste, philosophy and aesthetics advisory editor Nicola Perullo wineworld Nicola Perullo, Wineworld: Tasting, making, drinking, being 3 Steven Shapin, The tastes of wine: Towards a cultural history 49 Cain Todd, Expression and objectivity in the case of wine: Defending the aesthetic terroir of tastes and smells 95 Ole Martin Skilleås, Douglas Burnham, Patterns of attention: “Project” and the phenomenology of aesthetic perception 117 Kevin Sweeney, Structure in wine 137 Giampaolo Gravina, A matter of taste. The semi-serious musings of a wine taster on the contentious prospects of professional tasting 149 Gabriele Tomasi, On wines as works of art 155 Andrea Borghini, On being the same wine 175 varia Felice Cimatti, Quel dolore che non deve sapersi. Il linguaggio e il problema dell’esperienza estetica 193 recensioni Marcella Tarozzi Goldsmith, Il problema della percezione nella filosofia di Nietzsche, di Tiziana Andina 215 Emanuele Crescimanno, La scrittura delle immagini. Letteratura e cultura visuale, di Michele Cometa 221 Steven Shapin THE TASTES OF WINE: TOWARDS A CULTURAL HISTORY Abstract How have people talked about the organoleptic characteristics of wines? How and why have descriptive and evaluative vocabularies changed over time? The essay shows that these vocabularies have shifted from the spare to the elaborate, from medical im- plications to aesthetic analyses, from a leading concern with “goodness” (authenticity, soundness) to interest in the analytic description of component flavors and odors. The causes of these changes are various: one involves the importance, and eventual disap- pearance, of a traditional physiological framework for appreciating the powers and qualities of different sorts of aliment, including wines; another concerns the develop- ment of chemical sciences concerned with flavor components; and still another flows from changing social and economic circumstances in which wine was consumed and the functions served by languages of connoisseurship. -
Petronius the Satyricon Who Was Petronius?
Petronius The Satyricon Who was Petronius? • Hedonist • Pro-consul and consul and member of the Nero’s court • Judge of Elegance • Sarical death • Denounced Nero Who was Petronius? • Manuscripts simply refer to the author of the Satyricon as ‘Petronius Arbiter’ • We do not know if they are the same person. The Satyricon – an incomplete novel • Only survives in fragmentary form. The beginning and end are lost. • Many parts omiJed, probably because of its sexually explicit nature. • The Satyricon mainly survives preserved in certain sec?ons. The dinner of Trimalchio is the most complete sec?on. An Overview of the Satyricon • Encolpius ‘The hero of the Satyricon is Encolpius’ penis’ – Amy Richlin. • Giton • Ascyltos • Quar?lla, Pannychis • Trimalchio • Eumolpus An Overview of the Satyricon (con-nued) • Lichas and Tryphaena • Circe in Croton Sources for the Satyricon • A unique literary work. However certain features of the Satyricon can be found – Poe?c sare was common, involving personal observaons and anecdotes about society. Horace’s Dinner of Nasidienus (Serm. 2.8) – exo?c foods squid, fish, crane, provoking fear and crying and laughter. – Mime – Prosimetrum. Menippean sare. Seneca’s Apocolocyntosis – Later novel in the second century Apuleius’ Metamorphoses – Homer, Vergil and Lucan are also influences. Slaves, Freedmen, and Ingenui in the Imperial Period • Ingenuus • Libertus – Augustalis Slaves in the Satyricon • ‘Anyone who leaves this house will receive one hundred lashes’ • ‘Slaves are humans and drink the same milk’ Gaius Pompeius Trimalchio Maecenaanus • Inherited his fortune from his master. • Became an Augustalis, and shows off his fasces and axes • He is painted on the walls accompanied by gods. -
CATULLUS: the POEMS Translated by A. S. Kline
CATULLUS: THE POEMS Translated by A. S. Kline 2. Tears for Lesbia’s 1 Sparrow Sparrow2, my sweet girl’s delight, whom she plays with, holds to her breast, whom, greedy, she gives her little finger to, often provoking you to a sharp bite, whenever my shining desire wishes to play with something she loves, I suppose, while strong passion abates, it might be a small relief from her pain: might I toy with you as she does and ease the cares of a sad mind! 5. Let’s Live and Love: to Lesbia Let us live, my Lesbia, let us love, and all the words of the old, and so moral, may they be worth less than nothing to us! Suns may set, and suns may rise again: but when our brief light has set, night is one long everlasting sleep. Give me a thousand kisses, a hundred more, another thousand, and another hundred, and, when we’ve counted up the many thousands, confuse them so as not to know them all, so that no enemy may cast an evil eye, by knowing that there were so many kisses. 7. How Many Kisses: to Lesbia Lesbia, you ask how many kisses of yours would be enough and more to satisfy me. As many as the grains of Libyan sand that lie between hot Jupiter’s3 oracle, at Ammon, in resin-producing Cyrene, and old Battiades4 sacred tomb: or as many as the stars, when night is still, gazing down on secret human desires: as many of your kisses kissed 1 Catullus’ mistress, Clodia; he calls her Lesbia in honor of the Greek poet Sappho of Lesbos. -
Publisher Version
Pompeii is famous for its ruins and bodies, but what about its wine? https://theconversation.com/pompeii-is-famous-for-its-ruins-and-bodie... Close Academic rigour, journalistic flair Vines in the Foro Boario vineyard and the amphitheatre, Pompeii. Emlyn Dodd, Author provided November 5, 2020 6.23am AEDT Pompeii is famed for plaster-cast bodies, ruins, frescoes and the rare snapshot it Author provides of a rather typical ancient Roman city. But less famous is its evidence of viticulture. Wild grapevines probably existed across peninsular Italy since prehistory, but it is Emlyn Dodd likely the Etruscans and colonising Greeks promoted wine-making with Greece Fellow, Australian Archaeological Institute at Athens; Postdoctoral Research domesticated grapes as early as 1000 BCE. Fellow, Centre for Ancient Cultural Heritage and Environment, Macquarie Pompeii, preserved after the eruption of Mount Vesuvius in 79 CE, sits within University Campania on fertile volcanic soil with a temperate Mediterranean climate and reliable sources of water. Pliny the Elder, living nearby Pompeii in 77 CE wrote of the “vine-growing hills and noble wine of Campania” and the poet Martial described vats dripping with grapes, and the “ridges Bacchus loved more than the hills of Nysa”. 1 of 6 5/11/2020, 12:28 pm Pompeii is famous for its ruins and bodies, but what about its wine? https://theconversation.com/pompeii-is-famous-for-its-ruins-and-bodie... The Greeks even referred to Campania as Oenotria – “the land of vines”. A fresco found in Pompeii, painted c 55-79 CE, depicting Bacchus covered in grapes and Vesuvius with trellised vines in background. -
Front Matter
Cambridge University Press 978-0-521-86541-8 - Roman Pottery in the Archaeological Record J. Theodore Pena Frontmatter More information Roman Pottery in the Archaeological Record This book examines how Romans used their pottery and the implications of these practices for the archaeological record. It is organized around a flow model for the life cycle of Roman pottery that includes a set of eight distinct practices: manufacture, distribution, prime use, reuse, maintenance, recycling, discard, and reclamation. J. Theodore Pena˜ evaluates how these practices operated, how they have shaped the archaeological record, and the implications of these processes for archaeological research through the exam- ination of a wide array of archaeological, textual, representational, and com- parative ethnographic evidence. The result is a rich portrayal of the dynamic that shaped the archaeological record of the ancient Romans that will be of interest to archaeologists, ceramicists, and students of material culture. J. Theodore Pena˜ is Chair of the Department of Classics at the University at Buffalo, SUNY. A specialist in the archaeology of the Roman economy and ceramic analysis, he is the author of The Urban Economy in the Early Dominate: Pottery Evidence from the Palatine Hill and The Mobilization of State Olive Oil in Roman Africa: The Evidence of Late 4th Century Ostraca from Carthage. © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86541-8 - Roman Pottery in the Archaeological Record J. Theodore Pena Frontmatter More information Roman Pottery in the Archaeological Record J. Theodore Pe ˜na © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86541-8 - Roman Pottery in the Archaeological Record J. -
Fish Bones and Amphorae
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Lirias Fish bones and amphorae: evidence for the production and consumption of salted fish products outside the Mediterranean region Wim Van Neer, Anton Ervynck and Patrick Monsieur Spetta ora ad altri di determinare, se pur sarà possible, a quale specie di pesci appartengano quegli avanzi.1 Introduction Early in the year 1878, during his excavation of the vast amphora deposit near the Cas- tro Pretorio in Rome, H. Dressel was shown a crust adhering to the inner surface of an amphora sherd, in which he recognised the scales and bones of fish. Dressel was probably the first archaeologist not only to identify the amphorae used for the storage and transport of fish products, but also to recognise the archaeozoological remains of the commodities once stored in them. At the moment of his discovery, he made the prophetic remark that perhaps future research on the remains of these ancient fish might make it possible to iden- tify the species found in association with the amphora sherds. Now, more than a century later, Dressel’s hope has been fulfilled, and a multidiscipli- nary research project, combining the study of artefacts and biological remains, has become possible. The production, trade and consumption of fish sauces (garum, hallex,2 liquamen, muria) and salted fish (salsamenta3) in the Roman period are amply documented by literary and epigraphic sources;4 by the excavation and analysis of salting installations and salt production sites along the coasts of the Mediterranean and the Black Sea, as well as the Atlantic coasts of the Iberian peninsula and Gaul;5 by the nearly ubiquitous remains of the transport amphorae used in the trade;6 and, finally, by the archaeozoological analysis of the 1 Dressel 1879, 93: “It is up to others, whenever it may be possible, to determine to which species of fish these remains belong”. -
DINE at HOME WINE JAN 2021.Docx
DINE AT HOME WINE LIST SPARKLING WINE Glera/Prosecco 1 PROSECCO DI VALDOBBIADENE DOC 11.5% Veneto 2018 25.50 100% 0 Col Vetoraz 0 1 Prosecco is one of the few Italian sparkling wines with a history and tradition of its own; it was the original sparkling wine used by Cipriani of Harry’s Bar in Venice to make his world-famous cocktail Bellini. Col Vetoraz is a small producer in Valdobbiadene, but his Prosecco has individuality and great character.The wine has an appealing mild fruitiness, grapey aromas, with delicate mousse Chardonnay 1 FRANCIACORTA DOCG Alma GranCuvee12.5% Lombardia NV 39.50 80%Pinot Nero 0 Bellavista 19%Pinot Bianco 0 1% 2 Alma Gran CuvéeBellavista is the ultimate expression of the search for the pure essence of harmony since 1977. Its name, Alma, from the Latin ‘almus’ meaning to nurture, feed, pays homage to the Land of Franciacorta which produces wonders to behold. Dynamically fizzy and full of vigour, the wine is straw yellow with a greenish tinge and a fine persistent mousse; it has a full flavour with hints of sweet ripe fruit, meringue, pastries and candied citrus peel CHAMPAGNES PinotNoir 1 CL LA CHAPPELLE INSTINCT12.0% vol France NV 44.50 PinotMeunierChard 0 1er cru Villedommange onnay 1 2 Champagne AOC Ville-Dommange is one of the villages classified as first growth. The history of the winery goes back to 1948 when a group of 5 winegrowers joined forces to produce quality Champagne of their own rather than sell the grapes to the Grand Marques. -
Wine and Drunkenness in Roman Society
WHEN TO SAY WHEN: WINE AND DRUNKENNESS IN ROMAN SOCIETY A thesis presented to the faculty at the University of Missouri in partial fulfillment for the requirements for the degree: master of arts by Damien Martin Dr. Raymond Marks, thesis supervisor May 2010 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled WHEN TO SAY WHEN: WINE AND DRUNKENNESS IN ROMAN SOCIETY presented by Damien Martin, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Raymond Marks Professor Barbara Wallach Professor George Gale ACKNOWLEDGEMENTS Thanks to Dr. Marks for organization, Dr. Wallach for perspective, Dr. Gale for expertise and Meredith for praising and prodding when each was necessary. ii TABLE OF CONTENTS Acknowledgements………………………………................................................…….ii 1. Wine’s role in Roman life...........................................................................................1 Reasons and rules for drinking...................................................................................3 2. Convivium and Commissatio....................................................................................7 Cena Trimalchionis.................................................................................................16 3. Poetry: the Wine-Drinkers......................................................................................20 Horace.....................................................................................................................20