The Thanksgiving Play”
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News Release
NEWS RELEASE FOR IMMEDIATE RELEASE: August 16, 2019 ARIZONA THEATRE COMPANY OPENS 2019/2020 SEASON WITH MARCO RAMIREZ’ “ORIGINAL AND GRACEFUL” THE ROYALE Arizona Theatre Company (Sean Daniels, Artistic Director; Billy Russo, Managing Director) kicks off the 2019/2020 season, its 53rd, with Marco Ramirez’ power-packed boxing drama, The Royale, a deeply theatrical and emotionally moving story loosely based on the life of the world’s first African-American heavyweight boxing champion, Jack Johnson, Sept. 7-28 at the Temple of Music & Art in Tucson and Oct. 3-20 at the Herberger Theater Center in Phoenix. Described as “original and graceful” by The New York Times, The Royale explores one man’s struggle while reflecting on a bigger one in the midst of Jim Crow’s south in 1910. It’s also the story of a brother and his sister who remains his greatest adversary and strongest motivation as he struggles for glory and respect. And it’s a boxing story without a single fist-driven punch being thrown. Even so, “The Royale packs a punch!” The New York Times wrote. Playwright Marco Ramirez, whose plays have been produced at Lincoln Center Theater, The Kennedy Center, The Humana Festival, The Old Globe (San Diego), The Bush Theatre (London) and American Theater Company, among others, also has built both a reputation and a following as a TV writer for hits including Marvel’s Daredevil (Netflix) The Defenders (Netflix), Sons of Anarchy (FX) and Orange is the New Black (Netflix). "Marco Ramirez and Michael John Garcés are two of the most exciting artists working in our country today. -
A1 in the Supreme Court Of
Filing # 76974339 E-Filed 08/24/2018 04:13:11 PM IN THE SUPREME COURT OF FLORIDA CASE NO. __________________ FERNANDO VALLECILLO, JR., Petitioner, vs. 3rd DCA Case No.: 3D16-2195 Case No.: 15-022968 CA 06 UNIVERSITY OF MIAMI d/b/a UNIVERSITY OF MIAMI LEONARD M. MILLER SCHOOL OF MEDICINE, and MOHAMED SAMY ADEL ELHAMMADY, M.D., Respondents. ON DISCRETIONARY REVIEW FROM THE DISTRICT COURT OF APPEAL, THIRD DISTRICT STATE OF FLORIDA APPENDIX OF PETITIONER FERNANDO VALLECILLO, JR. TO JURISDICTIONAL BRIEF Robert S. Peck, Esq. Neal A. Roth, Esq. (Admitted Pro Hac Vice) Florida Bar No. 220876 [email protected] [email protected] CENTER FOR CONSTITUTIONAL Rachel Wagner Furst, Esq. LITIGATION, PC Fla. Bar No. 45155 455 Massachusetts Avenue, N.W. [email protected] RECEIVED, 08/24/201804:13:25 PM,Clerk,Supreme Court Suite 152 GROSSMAN ROTH YAFFA COHEN, P.A. Washington, DC 20001 2525 Ponce de Leon Blvd., Suite 1150 Telephone: (202) 944-2874 Coral Gables, Florida 33134 Telephone: (305) 442-8666 A1 INDEX TO APPENDIX Page Bean v. Univ. of Miami, et al. Case Nos. 3D16-2221 & 3D16-2195 (Fla. 3d DCA Aug. 1, 2018) ............. A4 A2 CERTIFICATE OF SERVICE I HEREBY CERTIFY that a true and correct copy of the foregoing has been furnished to the following on this 24th day of August, 2018, by electronic mail and U.S. Mail: Christopher E. Knight, Esq. Raoul G. Cantero, Esq. Fla. Bar No. 607363 Florida Bar No. 552356 Email: [email protected] E-mail: [email protected] George M. Koonce, III, Esq. David P. -
FOR IMMEDIATE RELEASE: August 13, 2018 Media Contacts: the PR Team, [email protected] Dan Fernelius, 612-508-7499 Mixed Blood
FOR IMMEDIATE RELEASE: August 13, 2018 Media Contacts: The PR Team, [email protected] Dan Fernelius, 612-508-7499 Mixed Blood announces Lisa Loomer’s Pre-Broadway Run of ROE rd as its TBA offering in its 43 season, TRANSFORMING THE IMPOSSIBLE TO THE PROBABLE (Minneapolis/St. Paul) – In the wake of Justice Kennedy’s retirement from the Supreme Court and the fragile longevity of Roe v Wade, the Mixed Blood Theatre Company announces its pre-Broadway run of ROE by Lisa Loomer in its 2018-19 season. It is optioned for Broadway and Mixed Blood is the only regional theatre in the country that has been given permission to produce it this season. ROE By Lisa Loomer, Directed by Mark Valdez March 15 – April 7, 2019 ROE, a theatrical survey of the complicated and fiery underpinnings of Roe v. Wade, the U.S. Supreme Court ruling that established a woman’s right to an abortion. Roe precisely illustrates the fractured and fracturing history of one of the most polarizing social issues of the modern era. Sarah Weddington was a 26-year-old lawyer when she argued Roe v. Wade and accidental heroine Norma McCorvey was a 22-year-old poor, hard-living lesbian bartender seeking to end her third pregnancy when she first agreed to be the plaintiff under the pseudonym “Jane Roe,” decades before she renounced her involvement in the case and became an anti-abortion advocate. ROE is an historically sweeping rare play that takes this inflammatory American issue head-on. Lawyer’s and plaintiff’s subsequent journeys mirrored the American divide. -
South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021. -
Working at Osf
1 Welcome to the Oregon Shakespeare Festival’s 2019 season! We hope you are as excited to join our OSF Company as we are to be a part of it ourselves. If you have not worked here before, we encourage you to learn as much as you can about the company before you begin by reading this welcome information. If you are returning to OSF, please take the time to review this information as the details can change from season to season. Please also visit our website, www.osfashland.org, which has a wealth of information about OSF and the work we do. The Oregon Shakespeare Festival is truly a unique organization in American theatre. In 2019, we will produce over 780 performances of 11 plays in three theatres and one community tour over an eight-month performance season to an audience of close to 400,000. We have one of the most demanding and complex production schedules in the country; our system of rotating repertory is ambitious and impacts everything we do. Add in the unpredictable elements of rain, smoke, heat and cold in our outdoor Allen Elizabethan Theatre, and it can seem pretty hectic around here sometimes. And yet the rewards are astonishing. In 2019, more than 600 theatre professionals, including one of the largest acting companies anywhere in the world, will come together to create the season here in Ashland. OSF is a large organization, and new company members are frequently overwhelmed with questions about it. Please check the Important Contacts appendix in this Welcome Book for information on who to contact when you need something—there are many people here to lend a hand anytime. -
Past TRC Productions
TRINITY REPERTORY COMPANY 201 Washington Street, Providence, RI 02903 PAST PRODUCTIONS Counting seasons: In the official count of seasons (1st, 2nd, 3rd, etc.), it may have been decided in 1970 to not count 1963-64 as the first season. Or a mistake in a brochure may have never been caught until it was much too late. Subscription brochures for the 1969-70 Season and 1970-71 Season both refer to the upcoming season as the 7th Season. Brochures for the 1967-68 and 1968-69 Seasons refer to them respectively as the 5th and 6th Seasons, but a brochure for the 1965-66 Season refers to that as the “second full season.” During the 1963-64 Season, Trinity Players on the Square was not a fully professional company and there were no actual performances in 1963. 1964-65 was the first full season with Adrian Hall as artistic director and Equity contracts. The counting of the seasons proceeded consecutively from the second 7th Season. *World Premiere Production **American Premiere Production ***Pre-Season Productions + Booked-In, Rental, Competition Winner, Special Presentation, or Co-Production 1963-1964 Season • 1st Director Playwright Designers The Hostage Ira Zuckerman Brendan Behan Sets: Sandra Tilles Costumes: Joyce Anderson Lighting: Thomas J. Aubin Sound: Vincent Vessela The House of Bernarda Alba Ira Zuckerman Frederico Garcia Lorca Sets: Morris Nathanson Costumes: Sue Neely Lighting: Thomas J. Aubin and Catie Calvo Sound: Bud Peltier American Dream Adrian Hall Edward Albee Sets: Richard L. Peterson and Carl Ravenal Costumes: Edith Brown Lighting: Thomas J. Aubin and Catie Calvo Sound: Sandra Tilles Orpheus Descending Adrian Hall Tennessee Williams Costumes: Edith Brown Lighting: Thomas J. -
ETC Marketing Metadata 1.0
ETC Marketing Metadata 1.0 Introduction The explosion of online digital content has heightened the need for complete and accurate marketing metadata to assist consumers in search and discovery of movies and television. In addition, the increase in online distributors with widely different content submission requirements makes the delivery of accurate metadata a time-consuming and difficult process for content owners. For this reason, the Entertainment Technology Center organized the Metadata Working Group to create best-practices for the creation and distribution of marketing metadata. This working group is made up of metadata experts from the major Hollywood Studios, film service, and technology companies. Historically, each digital service provider has created its own metadata specification and required that content providers conform their product information to that format. Unfortunately, the lack of standards underpinning those metadata elements -- their names and definition, and the terms used to populate them -- has confounded efforts to streamline the digital distribution, and ultimately the search and discovery, of content. Some forward-looking groups have sought to simplify the process; MovieLabs and the Entertainment Merchant's Association (EMA), for example, recently released Version 1.0 of the EMA Metadata specification, covering information delivered from publishers to retailers (http://www.entmerch.org/ema_metadata_.html). What is typically missing from the various public metadata documents/specifications are details on how content providers should actually construct metadata. This document begins to scratch the surface on that topic -- tackling first and foremost, descriptive metadata (much of what the EMA specification calls "Basic Metadata"). Our goal in writing this document was to provide a set of best practices, based on the combined wisdom of the metadata experts who produce and distribute digital media for the leading Hollywood studios. -
A CHRISTMAS CAROL Adapted by JERRY PATCH
SEGERSTROM STAGE / NOVEMBER 26 THROUGH DECEMBER 24, 2005 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents CHARLES DICKENS’ A CHRISTMAS CAROL adapted by JERRY PATCH SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Thomas Buderwitz Dwight Richard Odle Donna and Tom Ruzika MUSIC ARRANGEMENT/COMPOSER SOUND DESIGN VOCAL DIRECTOR CHOREOGRAPHER Dennis McCarthy Drew Dalzell Dennis Castellano Linda Kostalik ASSISTANT DIRECTOR PRODUCTION MANAGER STAGE MANAGER Laurie Woolery David Leavenworth Erin Nelson* DIRECTED BY JOHN-DAVID KELLER Paul, Daranne and Courtney Folino Bank of America HONORARY PRODUCERS CORPORATE PRODUCER A Christmas Carol • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) LENA, a vendor of second-hand goods ....................................................... *Madison Dunaway JOE, a cider salesman and a receiver of stolen goods ............................................. *Art Koustik TOY LADY .......................................................................................................... *Hisa Takakuwa PUPPETEER ........................................................................................................ Joshua Campbell UNDERTAKER ......................................................................................................... *Travis Vaden CHIMNEY SWEEP ........................................................................................... *Timothy Landfield ELIZABETH SHELLEY ............................................................................................... -
JACQUOU LE CROQUANT Cinéma Avatar, Son Double Numérique Un Commerce Démentiel
MARDI 5 FÉVRIER 2008 HEBDO 23 - 29 FÉVRIER 2008 09 DAMAGES Une série de Todd A. Kessler, Glenn Kessler et Daniel Zelman Jeudi 28 février à partir de 20†50 HEBDO 23 - 29 FÉVRIER 2008 09 P.2 P.22 P.24 P.26 P.28 1 09 0 CETTE SEMAINE SUR du 23 au 29 février 2008 SAMEDI BOX-OFFICE LES OSCARS® RUGBY LE QUINTÉ+ ODETTE TOULEMONDE LE TAPIS ROUGE En direct En direct de l'hippodrome Comédie française Présenté par Laurent Weil 11ème journée du Top 14 de Cagnes d'Éric-Emmanuel Schmitt En direct 15H00 DIM 24 FÉV Plat 20H50 SAM 23 FÉV 00H00 DIM 24 FÉV 14H30 SAM 23 FÉV FOOTBALL SIXTY SIX 80ÉME CÉRÉMONIE En direct LE QUINTÉ+ Comédie dramatique britannique DES OSCARS® 26ème journée du championnat En direct de l'hippodrome de Vincennes de Paul Weiland Présenté par Laurent Weil de France de Ligue 1 Trot 01H55 SAM 23 FÉV En direct BORDEAUX/LILLE 14H30 DIM 24 FÉV 02H30 DIM 24 FÉV AVANT-MATCH SEXY DANCE 20H35 DIM 24 FÉV Comédie dramatique américaine LE QUINTÉ+ LE MEILLEUR En direct de l'hippodrome d'Anne Fletcher DES OSCARS® COUP D'ENVOI 20H55 DIM 24 FÉV de Marseille 04H20 LUN 25 FÉV Le résumé Plat 22H35 LUN 25 FÉV 13H45 LUN 25 FÉV SÉANCE DÉCOUVERTE L'ÉQUIPE LIBERO DU DIMANCHE Comédie dramatique italienne Présenté par Hervé Mathoux LE QUINTÉ+ En direct de l'hippodrome de Kim Rossi Stuart En direct 22H50 DIM 24 FÉV d'Auteuil 20H50 MAR 26 FÉV Obstacle 13H45 MAR 26 FÉV CINÉMA INDÉPENDANT HOCKEY SUR GLACE DARATT Championnat de la NHL (SAISON SÈCHE) 02H40 JEU 28 FÉV LE QUINTÉ+ FOOTBALL En direct de l'hippodrome Film dramatique français, belge, En direct d'Enghien -
Barboza, Danica Contents
Barboza, Danica Contents ………………………………………………..…… Sequence: In which the heart of the Unified ‘Precepitatory Entity’ strives to maintain its (un-appropriated) Amour Propre ………………………………………………….... Anterior notes, postquam [Post Image-Sequence Evidentiary] Found In part 2. ………………………………………………………….Contextualized meaning [Two excerpts from SPONDERE] ……………………………………………….......[Letters to Celebrities] Fade-out …………………………………………………….Dialogue Quote/Expurgatory, Morals In which the heart of the Unified ‘Precepiatory Entity’ strives to maintain its (un-appropriated) Amour Propre Talk To Me, Babe Babe, you lost your -------- Babe, you lost your ------- Babe, I’ll ______ _______ Babe Note – All names, dialog, and actions are presented as they were in the original episode, aired 2007. Time-laps of performed segment: 00:12:20 to 00:13:04 Ellen Parsons: “I have bad news.” Ellen’s fiancé, David: “What?” Ellen: “It’s confirmed… ” Ellen: “You lost your mind.” David: [ silence ] Ellen: Your keys. David: “How is that possible?” Ellen: [Speaking light-heartedly,] “You must have had a psychotic break.” Ellen: [smiles - showing teeth, showing keys] David: [relieved] “Oh, my God” Dialogue continues: “You know what you need…” “What?” “A weekend at the beach!” “Tom told me about a great place.” […] 1999 “Maybe… I think we should be grateful – Grateful that we’ve managed to survive through all of our adventures, whether they were . real, or only a dream.” He lifted his head and from the depths of his heart it escaped from him: “I’ll tell you everything.” [Textkommission] [omission] Albertine hadn’t once interrupted him with a curious or impatient question. She probably felt that he neither would nor could keep anything from her. She lay there calmly, her arms folded under her head, and remained silent long after Fridolin had finished. -
Girlfriends Past
‘CHECK INN TO CHRISTMAS’ Cast Bios RACHEL BOSTON (Julia) – Born and raised on Signal Mountain, Tennessee, Rachel Boston got her start performing in church musicals. At 17, she moved to New York City to pursue an acting career. Boston received a scholarship to study at New York University and later moved to Los Angeles to begin filming NBC’s Award-winning television series “American Dreams.” Most recently, Boston filmed an episode of Showtime’s “Kidding” with Jim Carrey and Judy Greer and starred in and executive produced “The Last Bridesmaid,” which premiered this June on Hallmark Channel. She also starred in the indie comedy I Hate Kids along with Tom Everett Scott and Titus Burgess. The film opened in theaters January 18, 2019. She also guest starred on ABC’s "The Good Doctor" as Antonia Thomas’s college best friend in a fight to save her life. Boston starred alongside Julia Ormond and Jenna Dewan-Tatum in the series “Witches of East End.” She was named one of TV Line’s “15 Fresh Faces of Fall” and TV Guide included her work as Ingrid Beauchamp on the “hot list” honoring the year's best characters and shows. For her starring role as Mindy in the independent feature The Pill, Boston was honored with the Stargazer Award for the most talented emerging actress at the Gen Art Film Festival in New York City, the Best Actress Award from the San Diego Film Festival and the Emerging Artist Award from the Big Apple Film Festival. Filmed in Manhattan, The Pill also took home the Gen Art Film Festival Audience Award. -
'A ROSE for CHRISTMAS' Cast Bios RACHEL BOSTON
‘A ROSE FOR CHRISTMAS’ Cast Bios RACHEL BOSTON (Andy Lindry) – Born and raised in Signal Mountain, Tennessee, Rachel Boston got her start performing in church plays at the age of seven. She moved to New York City when she was 17 to pursue an acting career. Boston received a scholarship to study at New York University and later moved to Los Angeles to begin filming NBC’s Award-winning television series “American Dreams.” Boston starred alongside Julia Ormond and Jenna Dewan-Tatum in the Lifetime series “Witches of East End.” She was named one of TV Line’s 15 Fresh Faces of Fall and TV Guide included her on their “Hot List” honoring the year’s best shows. Boston has previously starred in the Hallmark Channel Original Movies “Stop the Wedding,” “Ice Sculpture Christmas” and “Ring by Spring,” as well as the Hallmark Movies & Mysteries Original “A Gift of Miracles.” For her starring role as Mindy in the independent feature The Pill, Boston was honored with the Stargazer Award for the most talented emerging actress at the Gen Art Film Festival in New York City, the Best Actress Award from the San Diego Film Festival and the Emerging Artist Award from the Big Apple Film Festival. Filmed in Manhattan, The Pill also took home the Gen Art Film Festival Audience Award. Boston previously appeared with Joseph Gordon-Levitt and Zooey Deschanel in the Golden Globe® nominated film 500 Days of Summer, which premiered at the Sundance Film Festival and went on to win an Independent Spirit Award for Best Screenplay.